SNL Transcripts: Steve Martin: 09/24/77: Kromega III



 Saturday Night Live Transcripts


  Season 3: Episode 1





77a: Steve Martin / Jackson Browne

Kromega III

Woman’s Voice…..Jane Curtin

[ Kromega III watch slowly scrolls into camera range ]

Announcer: Someday, everyone will own a watch like this. Now, it is available only for the privileged few. The Mogasaki Corproration of Tokyo is honored to announce… Kromega III. [ lightning strikes ] A watch so complex, it takes two people to make it work. One hand wears the watch. The other hand presses the buttons that activate the 100% solid state multi-function digital quartz crystal micro-computer unit. And now, you’re ready for the third hand to trigger the light-luminating dial to give you an alphanumeric readout accurate to within 9 a year. It’s that simple.

KROMEGA III. Command-crafted in impact-resistant crushed chrome. It’s no wonder that professional skiiers prefer Kromega III over any ordinary timepiece.

[ Woman’s arm is shown with Lady Kromega III on her wrist ]

Woman’s Voice: And I love Lady Kromega III. The sleek, space-age styling compliments any outfit. [ Woman’s other hand presses one of the buttons ] And the clearly displayed perpetual calendar helps me to remember my many appointments. Would you mind? [ other person brings in a spare hand to operate the Lady Kromega III ] Thank you.

Announcer: Kromega III. It’s like asking a stranger for the time.

Submitted by: Tony DuMont

SNL Transcripts

SNL Transcripts: Steve Martin: 09/24/77: Goodnights



 Saturday Night Live Transcripts


  Season 3: Episode 1



77a: Steve Martin / Jackson Browne

Goodnights

…..Steve Martin

Steve Martin: Good night, everybody!!

Announcer: Next Saturday night, watch NBC’s “Weekend with Lloyd Dobbin”. We’ll be back in two weeks, with host Madeline Kahn and musical guest Barrie Humphries and Taj Mahal. And here we go into our third season, and who said I’d never last? Hmm… I guess I said it! This is Don Pardo, hanging in and saying, “Good night!”

SNL Transcripts

SNL Transcripts: Steve Martin: 09/24/77: Two Wild & Crazy Guys



 Saturday Night Live Transcripts


  Season 3: Episode 1







77a: Steve Martin / Jackson Browne

Two Wild & Crazy Guys

Georg Festrunk…..Dan Aykroyd
Yortuk Festrunk…..Steve Martin
Lynn…..Jane Curtin
Barb…..Gilda Radner

[ open on Lynn and Barb playing Ping-Pong in apartment complex Rec Room ]

[ suddenly, George and Yortuk Festrunk, two wild and crazy guys, Czech brothers dressed in tight pants and loud unbuttoned polyester shirts, medallions swinging over their chests, enter the Rec Room ]

Georg Festrunk: Excuse me, sorry to interrupt! But I was just wondering something. I am Georg Festrunk, and this is my brother Yortuk. We have a wash going in the next room, and we need some change for the dryer, can you help?

Barb: Uh, I’m sorry, I don’t have any change.

Georg Festrunk: [ laughs ] Well, you know, usually we have lots of change, because we are both swinging guys! Both my brother Yortuk and I enjoy doing many things.

Yortuk Festrunk: We are.. two wild and crazy guys!

Georg Festrunk: I’ll say!

Yortuk Festrunk: Why.. just the other day, we were enjoying ourselves so much, I can’t tell you!

Georg Festrunk: Say, you know, this is some swinging singles apartment building Rec Room! You could have here many good swinging times! Which you would enjoy a great deal!

Yortuk Festrunk: It’s so thought out and together!

Georg Festrunk: Look at you swinging girls, having such a good time, enjoying yourselves here and now!

Yortuk Festrunk: Don’t mention it!

Georg Festrunk: My brother and I are from Czechoslavakia, even though no one can tell. We escaped during the ’75 riots, by throwing many rocks at a Russian tank. We ran from it to come to America, but, boy, we gave up many things. Back there, we have a nice, groovy apartment, three cars and a summer house, which the government now owns! [ laughs ] Back there, we have medical degrees – but here in America we must be salesman for decorative bathroom fixtures. There, we are brain surgeons!

Yortuk Festrunk: We are.. unique kinds of guys!

Georg Festrunk: Two swinging guys who enjoy many things, and can do them all the time! Not to be polite, but what are your names?

Lynn: Uh.. Lynn.

Barb: Uh.. Barb.

Georg Festrunk: Well, you two look like some fox-y American girls, who are very attractive and who enjoy having a good swinging time!

[ Lynn and Barb laugh at the antics ]

Georg Festrunk: So many times, this game has been played by me and my brother! I think you would see just how swinging we are, if we played the game for you right now!

Yortuk Festrunk: You want to shoot a game?

Georg Festrunk: Sure! There’s nothing preventing us!

Barb: Uh.. listen, guys.. we’re right in the middle of a game.. we’d like to finish it..

Georg Festrunk: Well, why should we wait? We’re putting the moves on you fox-es!

Yortuk Festrunk: So! How much do you weigh?

Lynn: Uh.. about 110.. 115..

Yortuk Festrunk: Okay! Just tell me when you want me to come home with you!

[ Georg and Yortuk demonstrate their Ping-Pong prowess – George serves the ball to Yortuk, who slams his paddle onto the table and sends the ball flying across the Rec Room ]

Georg Festrunk: Good shot, Yortuk!

Yortuk Festrunk: I win again! [ laughs ] We sure are coming on to you! [ laughs ]

Georg Festrunk: But enough of this flattery. You young girls seem to know that we’re talking to you in a very swinging way. What can you say to us that we would enjoy talking about with you now, here and now, in this swinging way with us?

[ awkward silence for a beat ]

Barb: Well.. um..

Lynn: Well.. um..

Georg Festrunk: Maybe you’ve taken some.. drugs.. which gave you many pretty colors. That freak you out and make you want to die!

Lynn: Well.. uh..

Barb: Well.. uh.. oh! [ speaking slowly for full comprehension ] I knew this girl in coll-ege that took ac-id and got preg-nant.

[ Georg and Yortuk are impressed with the shift in conversation ]

Georg Festrunk: Well, this is sure a swinging rap session in America!

Lynn: Well.. um.. I don’t take.. [ restructures her sentence for full comprehension ] I take drugs – no!

Yortuk Festrunk: Well, maybe someday, someone will put some in your food!

[ Georg and Yortuk laugh like they made a brilliant, profound statement ]

Yortuk Festrunk: Don’t smell anything!

[ Georg and Yortuk laugh some more ]

Georg Festrunk: So now.. you know!

[ Georg and Yortuk laugh even more ]

Georg Festrunk: Say.. my brother Yortuk and I, we really enjoy the American disco music! So, to show you how swinging we are, and how much we love it, we’re going to dance for you now! With you, by putting some music on the jukeobx!

Yortuk Festrunk: [ makes a grab for Barb ] Come on, you crazy girl!

Barb: Um..

Georg Festrunk: Come on, fox-es! Don’t miss out on the fun!

[ disco music is turned on, as Georg and Yortuk demostrate their ridiculous dancing moves ]

Georg Festrunk: I see you two girls have never lived in a Communist bloc country, so.. get out of our ways!

Lynn: We’ve gotta lose these guys..

Barb: Yeah, we gotta go..

[ Lynn and Barb turn to exit the Rec Room ]

Georg Festrunk: Hey, hey, hey, wait! [ runs over toward Lynn and Barb ] You know.. you American girls have such big breasts all the time.

Yortuk Festrunk: [ stammering ] And your tight American blue jeans think us.. have.. have.. making sex! [ laughs ]

Georg Festrunk: Well.. I guess you must like us by now! So, please! Give us the number of your apartment, so we can go up there and have sex with you right now!

Lynn: I’ve got an idea. Why don’t we go someplace and meet, first?

Georg Festrunk: [ excited by his prospects ] Certainly! But I hope it is not long before all our clothes are off!

Yortuk Festrunk: And we are holding your big American breasts in our hands!

Lynn: I’ve got an idea! Do you know the Holland Tunnel?

Georg Festrunk: Of course! We swing there often!

Lynn: Meet us in the middle of the Holland Tunnel. Do you know the man in the glass booth?

Georg Festrunk: Naturally!

Yortuk Festrunk: Yeah! He knows our names – Georg and Yortuk!

Lynn: Well, you go there, and park there, and wait for us.

Barb: Yeah, yeah. We’ll meet you there as son as we slip into our big American breasts!

Georg Festrunk: Okay! We’ll have a swinging time!

Yortuk Festrunk: When we see you, we will wish we were having sex with you right then!

Lynn: Bye bye..

[ Barb and Lynn exit Rec Room ]

Georg Festrunk: Oh, you see, Yortuk, I told you! In this whole building, there is not one other pair of brothers from Czechoslavakia who ran from the tanks like us!

[ George serves the Ping-Pong ball to Yortuk, who slams his paddle onto the table and sends the ball flying across the Rec Room ]

Yortuk Festrunk: I win again!

Georg Festrunk: Good shot!

Yortuk Festrunk: Thank you. Don’t mention it!

Georg Festrunk: [ laughs excitedly ] Let’s go to the swinging Holland Tunnel now!

[ they hop out of the Rec Room on one leg ]

[ zoom upward into audience, stop at woman with SUPER: “Faking it, but at least trying” ]

[ fade ]

SNL Transcripts

SNL Transcripts: Steve Martin: 09/24/77: Computerized Confession



 Saturday Night Live Transcripts


  Season 3: Episode 1






77a: Steve Martin / Jackson Browne

Computerized Confession

Woman…..Rosie Shuster
Priest…..Dan Aykroyd
Man…..Garrett Morris
Woman…..Rosie Shuster

[ open on exterior, confessional ]

[ a woman, kneeling, makies the Sign of the Cross and then exits, as ?? steps forward and kneels at the confessional on the opposite side ]

[ cut to interior, confessional, as the Priet slides the partition to begin ]

Man: Forgive me, Father. It has been six years since my last confession. In that time, I’ve received absolution and I’ve performed my penance. These are my sins.

Priest: Well, it’s been a while since you last came to confession. [ he smiles ] There’s been a lot of changes in six years. Go ahead with my, uh — your confession, my son.

Man: Well, where should I start? My life’s a mess, Father! I have so many sins…

Priest: Well… which one troubles you the most?

Man: Well, you see — I’m married, and I have BEEN with another woman.

Priest: Mmm-hmm. Is she, too, beholden to another man?

Man: Yes! She’s married.

Priest: I see. So you’ve broken the sixth and the ninth commandments?

Man: Mmm-hmm.

[ suddenly, a machine begins to beep wildly ]

Man: Hey… hey… Hey, Father, wh-wh-what’s that noise…?

Priest: I told you, my son — the church has undergone quite a few changes. Contrary to what you might have been reading, the Church IS progressive, and, uh, has modernized. [ he acknowledges a computer system before him ] This is the Trinity-300 Central Processing Unit, with an address capacity of 70 bits of information.

Man: [ curious ] Uh, well, what’s it for?

Priest: Well, basically, it’s a modern priest’s companion. This terminal, here, has a direct link-up to the arch-darabank in Rome. It assists the priests in, uh, analyzing transgressions in the assignment of appropriate penance. Now, you said this other woman was married, didn’t you?

Man: Yeah.

[ the Priest types the information into the CPU ]

[ screen reads: “Sin Series #10148” ]

[ screen reads: “Commandment #6: Adultery” ]

[ screen reads: “Commandment #9: Covet: wife” ]

[ screen reads: “Transgressions to date: Anno Domini 1977 – 2,600,808” ]

[ next screen reads: “RECOMMENDED PENANCE (flashing) 10 Hail Marys” ]

Priest: Alright, ten Hail Marys. Okay, anything else?

Man: Yeah, well, I got rid of her husband.

Priest: How did you do that?

Man: Well, I’m the Personnel Director for a large chemical company. We have offices all over the world.

Priest: All right.

Man: Her husband worked for me, and it got to be a hassle, Father, so I transferred him to Beirut. I put him up in the Holiday Inn, and his room got shelled. Now, did I kill him, or not?

Priest: Beats me. Let’s check. [ he types the information into the CPU ]

[ screen reads: “ACTED TO REMOVE HUSBAND” ]

[ screen reads: “INDIRECTLY CAUSED DEATH” ]

[ next screen reads: “see : David and Bathsheba” ]

[ next screen reads: “SIN OF PASSION — Not directly responsible” ]

[ screen reads: (flashing) “NO PENALTY” ]

Priest: Nooo, I don’t think you have anything to worry about. You didn’t commit murder.

Man: [ aghast ] Well, I wish you would tell his son that! He’s after me — for breaking up his family!

Priest: Well, what do you mean he’s “after you”?

Man: Well, he hired two guys to follow me, man. They’re out there NOW — Father. Excuse me for calling you “man”. They’re out there NOW! That’s why I ducked in here in the first place!

Priest: I see… hmm… hmm…

Man: I’ve got to get OUT of here, get away, think things over…

Priest: [ thinking ] Well, where do you think it would be safe for you to go?

Man: Well, I’ve got relatives in Chicago… maybe I could get a flight out tonight

Priest: [ typing ] Will that be First Class or Coach?

Man: That would be First Class.

Priest: Smoking or Non-smoking?

Man: Smoking.

Priest: Okay. Would you like a rental car waiting for you when you get into Chicago?

Man: Yeah, whatcha got?

Priest: Let’s see… [ typing ] We’ve got a mid-sized sedan, or a little hatchback.

Man: Hatchback!

Priest: Good choice. It’s a gas saver. [ types the final few keystrokes ] Okay, are you sorry for your sins?

Man: Yeahhhh, sure!

Priest: Say those ten Hail Marys now?

Man: Uh, I certainly will, Father!

Priest: [ hands his tickets over ] Alright, bless you, my son. Have a nice flight.

[ the man smiles and makes his exit ]

[ fade ]

SNL Transcripts

SNL Transcripts: Steve Martin: 09/24/77



 Saturday Night Live Transcripts


  Season 3: Episode 1


This free script provided by http://javascriptkit.com]]>


Air Date:

Host:

Musical Guest:

Special Guests:



Cameos:

Bit Players:


September 24th, 1977

Steve Martin

Jackson Browne

Al Franken

Tom Davis

None

Andy Murphy

Rosie Shuster

Jim Downey

Alan Zweibel

Neil Levy

Tom Schiller

Akira Yoshimura
An Oval OfficeSummary: Bert Lance (John Belushi) uses the National Express credit card to pay for his debts.

Recurring Characters: President Jimmy Carter.

Transcript

Montage

Steve Martin’s MonologueSummary: Steve Martin wants to find a tiny pair of handcuffs for his embezzling cat.

First Hosted: 76e.

Transcript

Kromega IIISummary: The watch so powerful that it takes three hands to operate.

Transcript

The Festrunk BrothersSummary: A pair of Czechoslavakian brothers who ran from the tanks, Jorge (Steve Martin) and Yortuk Festrunk (Dan Aykroyd) try to pick up a pair of women (Jane Curtin, Gilda Radner) playing Ping-Pong in their apartment building’s rec room.

Recurring Characters: Jorge Festrunk, Yortuk Festrunk.

Transcript

Jackson Browne performs “Runnin’ on Empty”

Weekend Update with Jane Curtin & Dan AykroydSummary: Laraine Newman recaps her visit to the Mao Tse-tung death anniversary. Bill Murray reviews “The Deep”. Garrett Morris comments on the week’s sports stories. John Belushi recaps his selection for a Weekend Update scholarship fund.

Transcript

Mike McMack, Defense LawyerSummary: Defense lawyer Mike McMack (Steve Martin) makes a pass at the rape victim (Gilda Radner) whose case he helped throw out of court.

Transcript

Computerized ConfessionSummary: A priest (Dan Aykroyd) uses a computer to determine the penance for a man (Garrett Morris) who confesses to an adulterous relationship he has been carrying on.

Transcript

Great Moments In Rock & RollSummary: Groupie Alice Sloane (Laraine Newman) recounts her brief relationship with Roy Orbison (John Belushi), of whom she only knew to stand perfectly still while singing and wearing dark shades.

Recurring Characters: Roy Orbison.

Transcript

The Franken & Davis ShowSummary: Al Franken and Tom Davis play the finalists in the Mr. U.S.A. Pageant.

Recurring Characters: Anita Bryant.

Royal Deluxe IISummary: The vehicle that rides smooth enough to allow a rabbi to perform a circumcision in the back seat.

Transcript

Jackson Browne performs “The Pretender”

GoodnightsTranscript

SNL Transcripts

| Time Warner Cable |Cable TV Providers |Charter Cable

Saturday Night Live: 1977-1978


 Saturday Night Live Transcripts


  Season 3: 1977-1978




The Complete Third Season on DVD

This free script provided by http://javascriptkit.com]]>

Starring:

  • Dan Aykroyd
  • John Belushi
  • Jane Curtin
  • Garrett Morris
  • Bill Murray
  • Laraine Newman
  • Gilda Radner
  • Episodes

  • 09/24/77: Steve Martin / Jackson Browne
  • 19/08/77: Madeline Kahn / Taj Mahal
  • 10/15/77: Hugh Hefner / Libby Titus
  • 10/29/77: Charles Grodin / Paul Simon
  • 11/12/77: Ray Charles
  • 11/19/77: Buck Henry / Leon Redbone
  • 12/10/77: Mary Kay Place / Willie Nelson
  • 12/17/77: Miskel Spillman / Elvis Costello
  • 01/21/78: Steve Martin / Randy Newman, Dirt Band
  • 01/28/78: Robert Klein / Bonnie Raitt
  • 02/18/78: Chevy Chase / Billy Joel
  • 02/25/78: O.J. Simpson / Ashford & Simpson
  • 03/11/78: Art Garfunkel / Stephen Bishop
  • 03/18/78: Jill Clayburgh / Eddie Money
  • 03/25/78: Christopher Lee / Meat Loaf
  • 04/08/78: Michael Palin / Eugene Record
  • 04/15/78: Michael Sarrazin / Keith Jarrett, Gravity
  • 04/22/78: Steve Martin / The Blues Brothers
  • 05/13/78: Richard Dreyfuss / Jimmy Buffett, Gary Tigerman
  • 05/20/78: Buck Henry / Sun Ra
  • Summary   The ratings for “Saturday Night Live” keep getting better and better, and nothing evidents it greater than this season’s April 22nd, 1978 broadcast with host Steve Martin and musical guest The Blues Brothers. From the Wild & Crazy Czechoslavakian Festrunk Brothers to Medieval Barber Theodoric of York, everything that highlighted the 1977 season could be found in this one all-time fan favorite episode.

       But not everything on the show was zen perfection. If fact, tensions built up behind-the-scenes earlier that season when former castmember Chevy Chase came back to host the show. Bill Murray had made quite a name for himself on “SNL” by this time, and he made the information as clear as possible to Chevy, leading up to a fistfight just minutes before the show went to air. Despite these differences, the cast pulled themselves together long enough to put on a decent show – and overall, they put on one of “SNL”‘s best seasons ever.

    SNL Transcripts

    SNL Transcripts: Mardi Gras Special: 02/20/77: Gary Weis Down South



     Saturday Night Live Transcripts


      Season 2: Mardi Gras Special







    Mardi Gras Special

    Gary Weis Down South

    [ art card: “Gary Weis Down South” over photo of Gary Weis ]

    [ dissolve to film, a montage of Dixie-related signs over traditional Dixie music ]

    [ wide shot of Dixie TV, zoom forward ]

    [ close-up of Dixie truck as it rolls westward on the street ]

    [ Dixie ]

    [ zoom on Dixie Stove Works sign ]

    [ close-up of rotating Dixie & Associates sign ]

    [ zoom on Dixie Parking Service ]

    [ zoom on Dixie Bearings, Inc. clock at 6:10 ]

    [ Dixie Trucking 94 ]

    [ three unidentified Dixie signs ]

    [ close-up of Dixie Auto Parts sign ]

    [ two unidentified Dixie signs ]

    [ unidentified man pulls open his shirt to reveal a Dixie Beer t-shirt ]

    [ close-up of Dixie Art sign ]

    [ unidentidied Dixie sign ]

    [ close-up of Dixie Male sign ]

    [ close-up of Official Shop Service Dixie sign ]

    [ close-up of Dixie 45 Beer on Tap sign ]

    [ zoom to close-up of Dixie Mill Supply Co., Inc. sign ]

    [ close-up of Dixie Welding & Metal Day & Night Service sign ]

    [ close-up of Dixie Auto sign ]

    [ alternate Dixie Mill Supply Co., Inc. sign ]

    [ upward angle of Dixie Hotel sign ]

    [ quick montage of 14 of the Dixie sign we just saw ]

    [ dissolve to applauding revelers in the street, zoom to one upbeat male with SUPER: “Smokes Mardi Grass” ]

    [ fade ]

    SNL Transcripts

    SNL Transcripts: Mardi Gras Special: 02/20/77: Cemeteries



     Saturday Night Live Transcripts


      Season 2: Mardi Gras Special




    Mardi Gras Special

    Cemeteries

    [ open passenger window point-of-view as Gary Weis drives through an above-ground cemetery ]

    [ dissolve to a painter adding a fresh coat of white paint to one of the above-ground tombs ]

    Painter: [ the audio is off at first ] — for nothin’, some of ’em. We ain’t even paid a nickel for ’em. But,since things are so rough on the graveyard now, I gotta charge that fee. I can’t do it for nothin’ no more. It’s one of those things. I guess ’cause paint costs money now, and things ain’t cheap no more, you know? But I love it out in this graveyard. People don’t talk back to you. If they talk back to you – if they talk back to you, I’m leaving! I painted tombs for a living at St. Patrick’s Cemetery – it is gone, but her husband was buried — I was on top that tomb painting, I told her, I said, “Listen, darling – if your husband talks back to me, I’m gonna leave you, the paint, brush, truck, and everything behind. I’m leaving! I’m gone!” [ chuckles ] Boy, she got a big kick out of that!

    [ dissolve to the same painter now dishing on a different subject ]

    Painter: Crabbing? I go crabbing – I caught a crab, twenty-five inches. He’s still hanging out — [ points his thumb backwards ] He’s in a – he’s in a bar about two days, out there on Haynes Boulevard. Louis Louis. I hang him on top the – the – the place there, the door, so everybody can see the crab. He’s got a paw so big, it’s pitiful.

    [ dissolve to further in the day, the painter still talking ]

    Painter: Most money I make out here, I save. Most of it, I save. [ inaudinble ] I-I-I save, and I give birthday parties every year. Give a beautiful birthday party. Put a hundred dollars on the bar – that’s for the drinks – I buy a cake, costs about thirty dollars – my birthday cake – it’s so big, you got enough cake that people take the cake home. I got a big hare in my pot – cut up, sliced. Awww, never seem to mention [?] In the bayou, we got rabbit! A friend of mine’s supposed to be Cherokee – cooked rabbit for us.

    [ dissolve again to further in the day ]

    Painter: Well, up on the ridge, I can’t say nothin’ about it – I love New Orleans. I been a few places, but I still think New Orleans is the best. [ audience cheers ] I tell you, they got better weather, better — everything’s better here. They got people way from out here — it’s something, it’s cold, it’s snowing, or — we ain’t got that here!

    [ fade ]

    SNL Transcripts

    SNL Transcripts: Mardi Gras Special: 02/20/77: Weekend Update with Jane Curtin and Buck Henry



     Saturday Night Live Transcripts


      Season 2: Mardi Gras Special










    Mardi Gras Special

    Weekend Update with Jane Curtin and Buck Henry

    …..Buck Henry
    …..Jane Curtin
    …..Mayor Moon Landrieau
    …..Garrett Morris
    …..Laraine Newman
    Man….John Belushi
    Emily Litella…..Gilda Radner
    Captain Devero Boyee…..Bill Murray

    Announcer: And now, “Weekend Update” with Jane Curtin and Buck Henry.

    Buck Henry: Good evening. Our top story tonight: an unprecedented move by an American president was made this week, when Jimmy Carter wrote a letter to Soviet dissident, Andre S??, telling him that the United States backs his intentions one-hundred percent. And, in what has been considered a blatant act of retaliation, Soviet Premier Leonid Brehznev has written a letter to Jimmy Carter, saying that, quote, “Your mother is quite wrinkled and extremely old.” Unquote. [ to Jane ] An ancient Russian means of retaliation.

    Jane Curtin: Ah. In the wake of the CIA’s famous foreign powers, the Central Intelligence Agency confirmed today that it paid over three million dollars in hush money to Generalissimo Francisco Franco over the past eighteen months for keeping quiet on certain matters.

    Buck Henry: Well, a Liberian luxury liner broke in half off the coast of Rhode Island this afternoon, killing all of the 2,200 passengers and crew aboard. Coast Guard officials have expressed fear that the bodies spilled may drift to New England beaches, becoming a navigation hazard and clogging the lobster traps. More on this story as it develops.

    Jane Curtin: And, in a moving ceremony today, Mayor Moon Landrieau gave New Orleans’ native son, Garrett Morris, the combination to the city. We’ll take you now to that ceremony, in progress.

    [ cut to Mayor Moon Landrieau standing on the street with Garrett Morris ]

    Mayor Moon Landrieau: Garrett, this is the combination to the City of New Orleans. [ hands a perplexed Garrett a piece of paper ] It’s 33-left, 41-right, and 19-left.

    [ as they speak, a reveler can be seen walking past in the background. Suddenly aware of the cameras, the masked reveler casually saunters towards Garrett, the Mayor, and the cameras, unseen by both men but quickly apprehended by the NOPD. ]

    Garrett Morris: Thank you very much, Mr. Mayor. This is quite an honor.

    Mayor Moon Landrieau: Not actually, Garrett. We’re gonna change it tomorrow.

    [ cut back to Buck and Jane ]

    Buck Henry: Well, in spite of his recent injury, and always a showman and perennial crowd please, daredevil Evil Knievel jumped the entire length of last night’s Mardi Gras parade in his hospital bed.

    [ show slide of hospital bed flying over the Superdome ]

    More on his condition, as the bulletins come in.

    Jane Curtin: Let’s go now to Laraine Newman, with a live report on another of those quaint Mardi Gras traditions.

    [ cut to Laraine Newman standing next to a man with mice taped to his eyebrows ]

    Laraine Newman: Jane, I’m out here on the strret, talking to the people, and, as crazy as it sounds, uh, tonight’s the night they call “Mouse sunday.” People all over New Orleans are taping white mice to their eyes. I’m with them right now. [ points her microphone toward the man’s face ]

    Man: Careful – I can’t see a thing!

    Laraine Newman: Well, sir, I have just one question.

    Man: Yeah?

    Laraine Newman: Why?

    Man: For kicks! We do it for kicks! Ha ha! That’s all! Ha ha!

    Laraine Newman: I see. Uh, when did this custom originate?

    Man: Well, I don’t know, uh – I mean, I do it, uh, my father did it, my grandpa did it just before him.. my MA done it, she’s great!

    Laraine Newman: Yeah, but.. what possible pleasure could derive from it?

    Man: Excuse me, uh – are you are a man or a woman?

    Laraine Newman: [ sternly ] I’m a woman.

    Man: [ smoothly ] Hey, uh, can I buy you a drink somewhere? What do you say we go over to Pat O’Briens, and — [ the roar of the cheering crowd drowns him out ] You like dixieland music, huh?

    Laraine Newman: Uh, sir – these mice, are they dead? [ touches one of the mice ]

    Man: NO, they’re not dead! They’re just asleep! [ taps the mice ] Come on, wake up! Wake up! Let’s get those whiskers movin’! Hey! I’m talkin’ to YOU! Come on! Up and at ’em! [ to Laraine ] Hey, how ’bout a walk to some voodoo? what do you say, would you like to make some reeaal voodoo? Of course, you have to take your clothes off. I mean, you have to take your clothes off, it’s a real sticky place!

    Laraine Newman: I’ve always wanted to see the real voodoo. Are you sure those mice are okay?

    Man: They’re fine.. they’re okay..

    Laraine Newman: Well.. I’ll just have to do the wrap-up, and then we can leave. [ to the camera ] People taping white mice to their eyes! All part of the fun and gaiety, as Mardi Gras renews an ancient custom. [ the Man feeds a can of beer to his two mice ] This is Laraine Newman, somewhere in the French Quarter.

    [ the Man continues to show Laraine his mice, as we cut back to Buck and Jane ]

    Jane Curtin: Still to come: Are shoes an endangered species? [ show slide of real alligator shoes ] A float depicting the history of skiing accidents. And the Vatican College of Cardinals Marching Band and Drill Team. After this report from Weekend Update roving reporter, Emily Litella.

    Emily Litella: [ facing to the camera ] Hi! Hi, I’m — [ the crowd cheers her presence ] oh, hello! Hi! I’m Emily Litella, and I’m SO excited! It’s my first time at Mardi Gras, and I’ve been drinking TEA! Straight, for three days! Ohh! [ a riverboat horn blares ] Ooh! Do you hear that?! Well, that’s the liverboat, coming down the Mississippi with LOADS of liver! And I’m standing here with Captain Devero Boyee, who is a captain of a BIG liverboat! Just like the one you just heard! Tell me, Captain – just how did the tradition of the liverboat start? Now, I know liver is rich in iron and vitamins, but so is PORK! Now, why aren’t there PORK boats?!

    Captain Devero Boyee: Well —

    Emily Litella: I mean — I mean, if you’re gonna have liverboats, you should also have some bacon, and some onions — I can’t believe it! What is — what is –?

    Captain Devero Boyee: Miss Litella!

    Emily Litella: What?!

    Captain Devero Boyee: I’m the captain of a riverboat! A riverboat! Not a liverboat, a riverboat! We take leisurely cruises up and down the Mississippi.

    Emily Litella: Ohhhhhh! Oh, well, that’s very different!

    Captain Devero Boyee: Yes.

    Emily Litella: [ turns to the camera ] Never mind!

    [ the crowd cheers, as we cut back to Buck and Jane, completely missing the “group grope” attack on Gilda/Emily ]

    Buck Henry: Here’s a Weekend Update Correction. On last Update, Jane Curtin inadvertently reported that Kate Smith won the international hang-gliding competition in Montreal. Well, we stand corrected. We were apparently confused by a typographical error. What we meant to say was that it was Clare Booth Luce who broke the color line in Major League Baseball.

    [ a sheet of paper is suddenly handed over to Jane ]

    Jane Curtin: Oh! This story just in — [ reads the paper ] Oh, my God! Washington – with guns blazing, a deranged gunman shot his way across Pennsylvania Avenue, leaped over the iron fence of the White House —

    Buck Henry: Jane, excuse me just a moment, but the Baton Rouge High School band is just coming up the street. One of the most colorful processions you’ve ever seen, with full regalia, showing their beautiful colors of traditional blue and gold. The school’s thirty-eighth Mardi Gas experience, and it’s truly a great, great New Orleans tradition.

    Jane Curtin: Buck, can I finish this, please?

    Buck Henry: Yes.

    Jane Curtin: [ continues her breaking story ] The gunman entered the White House, and found his way to the Oval Office —

    Buck Henry: Jane, just a second – take a look at this, if you can: this is the Japanese Sushi Bar float, and entire float made up of raw fish and soy sauce. And it really does look delicious!

    Jane Curtin: Oh, that certainly does — I-I could use some of that now!

    Buck Henry: Absolutely!

    [ Buck and Jane stare offscreen at the sushi-covered float with awe ]

    Jane Curtin: [ faces the camera ] That’s the news for tonight. We’ll be back with Randy Newman, after this.

    [ fade to black ]

    [ fade from black onto program card ]

    Don Pardo V/O: Set your dial on laughter, with “Chevy and The Man.” Premiering this Friday at 8:30/7:30 Central and Mountain time.

    [ fade to black ]

    SNL Transcripts

    SNL Transcripts: Mardi Gras Special: 02/20/77: Tomorrow



     Saturday Night Live Transcripts


      Season 2: Mardi Gras Special






    Mardi Gras Special

    Tomorrow

    Tom Snyder…..Dan Aykroyd
    Honker…..Bill Murray
    Velocity…..Cindy Williams

    [ open on title card: “Tomorrow” ]

    [ dissolve to Tom Snyder standing in front of a strip club on Bourbon Street. Various signs advertise “Men & Girls”, “Topless & Bottomless Table Top Dancing”, and Peep Show.” Tom is speaking indistinctly with a bouncer named Honker before he notices the camera ]

    Tom Snyder: Hello, everybody! Tonight, we’re doing the “Tomorrow” show from Mardi Gras, on Bourbon Street in New Orleans, Louisiana. I must tell you at the outset of this program that if you’re offended by the discussion of explicit sexual phenomena.. then change the channel and watch a movie, alright? Becuase, tonight, we’re looking into the bizarre world of – well, I might as well just say it – topless and bottomless bars! [ chuckles ] Ha ha! Ha ha ha ha ha! [ looks toward the bouncer ] Uh – uh, sir, can we have a word with you, please? Uh – sir, what is your name?

    Honker: Uh – the Honker. Everybody calls me Honker out here.

    Tom Snyder: Alright, Mr. Honker, uh – I take it that, uh, your job is to attract people into coming into this establishment. Am I correct, sir?

    Honker: Well, I, uh, personally, have nothing covered, but if you’re the kind of person who likes boobs ‘n bras, uh, then ya’ gotta check this OUT! We have the most beautiful girls in town, and continuous entertainment – but with NO cover, and drinks are only a dollar, of course.

    Tom Snyder: Well, that sounds.. just terrific.

    Honker: At this time, Mr. Snyder, The Pink Lady is proud to present you with — [ a dancer steps out with a hurricane glass, as the crowd of revelers cheer ] — a complimentary hurricane made up of four different kinds of rum, with a delicious fruit-flavored punch.

    Tom Snyder: Thank you very much. Uh – young lady, what is your name?

    Velocity: Velocity.

    Tom Snyder: Alright, Velocity, I’m gonna ask you a question, but I – I’m gonna make it short because I — [ noticing her cleavage ] don’t want to make you get cold! Ha ha ha ha! Now, you’re, uh, you’re one of the topless and bottomless performers here at The Pink Lady, is that correct?

    Velocity: Yes, that is correct.

    Tom Snyder: How many hours a day do you work?

    Velocity: Seven.

    Tom Snyder: And how much of that time are you actually dancing?

    Velocity: Oh.. fifteen minutes to an hour.

    Tom Snyder: Soooo.. well.. how – so, that’s how many hours per week, then?

    Velocity: Oh, I would say.. nine-and-a-quarter hours a week.

    Tom Snyder: Alright. And how long have you been employed by The Pink Lady?

    Velocity: Eighteen months.

    Tom Snyder: So, that’s about.. uh.. how many total dancing hours?

    Velocity: [ does the math in her head ] Six-hundred and twenty.

    Tom Snyder: Okay. You log six-hundred and twenty hours. Do you yourself ever become sexually aroused while you’re dancing?

    Velocity: Constantly.

    Tom Snyder: Okay. Say I watch your act, and I come up to you after the act and ask you for sexual favors in exchange for money. Would you be amenable to such an exchange.

    Velocity: No, no, definitely no, no, no, no.

    Tom Snyder: Well, prostitution is illegal – we’re on national TV. I don’t suppose you’d admit to it even if you did do it.

    Velocity: Then, why did you ask me?

    Tom Snyder: Well, I.. thought maybe you’d say yes. Ha ha ha ha ha ha!!

    Velocity: Well, the answer’s no, Mr. Snyder. I’m an artist – like yourself. [ Tom nods ] Do you prostitute yourself?

    Tom Snyder: [ quickly, in a panic ] Well, thank you very much for talking with us, Velocity! There you have it. You can’t go into a topless-bottomless bar on Bourbon Street in Louisiana and buy a girl – not here, anyway. [ Velocity exits inside the club, as Honker reappears ] Uh – well, I guess it’s time to go on inside The Pink Lady here and find out just what goes on inside these clubs! Now, our cameras can’t go in, so I’m jut ging to go on inside, I’ll give you an eyewitness report. Mr. Honker, would you hold my microphone, please?

    Honker: Certainly, Tom.

    [ Honker takes the microphone, as Tom enters inside the club ]

    Honker: [ speaking into the microphone ] Okay, uh – okay, check it out, come on in, everybody! Uh – big celebrity, Tom Snyder, is inside right now watching the dancers onstage! Check it out – continuous entertainment! [ to a pair of passersby ] Tom snyder, the “Tomorrow” show, is INSIDE the club right now! Go ahead in, it’s a terrific show! Believe me, these girls have a lot upstairs! You know, it’s funny – peole say, “They’re just for physique.” No! They got a LOT of intelligence! A LOT of them go to school —

    [ Tom returns from inside the club and takes his microphone back ]

    Tom Snyder: Thank you. Well, I must say, Mr. Honker – I’m sorry to say this, but – well – quite frankly, I’d call your establishment a RIPOFF! I went in there expecting topless and bottomless – frankly, I saw G-STRINGS and I saw PASTIES!! Now – how do you account for this false advertising?

    Honker: Well, now, you’re talking about COMPLETELYtopless and COMPLETELY bottomless! Uh, the only place you’re gonna see that, uh, is out in California! I’ll tell ya’, though – I worked a place out in Salt Lake City, they made the girls there wear one-piece bathing suits, they only served three to a beer – the place was still PACKED! Frankly, I think that people might want to leave a little to the imagination, you know? You know what I mean?

    Tom Snyder: Haha! I’ll tell you, when we were coming out of KNBC in California, everyo nce in a while, some of the guys and I would go down to Tijuana, some of the crew and – well, one of them – some of the guys in the crew – especially Bobby Brown – remembered this one young lady, and, well, I might say that – well, you don’t know what muscle cotnrol is until you see this girl’s act! Ha ha ha ha ha ha!! Well, of course, that’s Tijuana, and they’re having a lot of problems down in that town. Mr. Honker, thank you for talking with us. [ to the camera ] We’ve been at The Pink Lady in Bourbon Street in New Orleans, Louisiana. [ Honker begins bouncing around behind tom and making faces for the camera ] Uh – tomorrow on the “Tomorrow” show, my guest is going to be the Human Fly – he’s the guy who climbed twenty-eight floors, up to my office in the RCA Building in New York City, and said, “Let me on the show.” He was on the outside of the building, how could I turn him down? We also have Alexander Cobanisky [?] – he’ll be with us. And good night, everybody!

    [ camera pulls back, then zooms down on some garbage in the street and the title card slide appears over the garbage ]

    [ fade ]

    SNL Transcripts