SNL Transcripts: Eric Idle: 04/23/77: Goodnights



 Saturday Night Live Transcripts


  Season 2: Episode 20





76t: Eric Idle / Alan Price, Neil Innes

Goodnights

…..Eric Idle
…..John Belushi

[ return from commercial to find Eric Idle standing in front of the bank of telephones, which are now ringing wildly and being answered by the cast ]

Eric Idle: Well! Uh, whilst you’ve been away, things have certainly perked up a bit here, and the total now is $35 million! Uh, plus John Belushi’s vest.

[ the board reads: “350000000 AND A VEST” ]

Eric Idle: Uh, this is, in fact, thanks to the late sale — Exxon stepped in, and, in fact, bought the Queen. Uh, we haven’t — we haven’t clinched the deal, so if anybody, any corporations are watching in IT&T, who would like to have a queen, uh, she’s, uh — a lot of experience, a monarchy that stretches back many years — here’s the number.

[ Bill Murray calls out to Idle, who steps closer before returning to the camera ]

Eric Idle: Just a reminder to all of you — uh, please put your clocks back this evening at two o’clock. Uh, we’ll be losing an — no, we’ll be getting — we’ll be, uh — we’ll be — alright, put your clocks forward at two o’clock, uh if you — uh, no, no — uh, put your clocks back… If you put your clocks forward at two o’clock, you lose an –?Anyway, just put your clocks under your bed and forget about it. Why is it always Saturday night? Why do you always lose an hour on Saturday night? Why can’t be bloody monday morning, when you’re not doing anything? Why couldn’t it be 10-11 you lose an hour? Nooo!! It has to be Saturday night, when you’re probably chatting somebody up, you know? You could probably do quite well between two and three — she says, “Darling, that was wonderful!” and you say, “Oh, yes.” She says, “What’s the time?” And you say, “Blimey, what’s the time? It’s five minutes past three.” She says, “Oh, that was the BEST it’s ever been for me!”

[ the cast jumps forward and surrounds Idle ]

Eric Idle: What?

John Belushi: Good night.

Eric Idle: Oh! Good night!

[ the Queen exits the back stage to re-emerge at the front of the apron of the stage to join the cast in waving good night ]

Announcer: “Saturday Night” will return three weeks from tonight, when our host will be Shelley Duvall, with musical guest Joan Armatrading. Remember: tonight, set your clocks forward one hour. Or, don’t bother — just count slowly to three-thousand, six-hundred, and start your day from there. This is don Pardo saying good night!

SNL Transcripts

SNL Transcripts: Eric Idle: 04/23/77: American Dope Growers Union



 Saturday Night Live Transcripts


  Season 2: Episode 20





76t: Eric Idle / Alan Price, Neil Innes

American Dope Growers Union

Dope Grower…..Laraine Newman

Dope Grower: Every time you buy pot from Mexico, or Colombia… you’re putting an American out of work. We here at the American Dope Growers Union support ourselves by growing marijuana in American soil. We’ve had a pretty hard time on our own. But with the union, we can lead decent lives and stay off welfare. That’s MY union, and that’s what our union label stands for.

[ she holds up her union label, which is affixed to the outside of a plastic bag of marijuana, then begins to sing: ]

Dope Grower: “Soooo look for, the Union label…”

[ a group of other dope growers slowly surround her and join in the chorus ]

Group:
“when you are buying your joint, lid, or pound
Remember somewhere, our Union’s growing
you’ll be smoking, at the best price around
You know we work hard, but who’s complaining
?????
So always look for, the Union label, it says we deal for the U.S. of A.”

[ logo appears on screen ]

Announcer: This message brought to you by the Americn Dope Growers Union.

[ dissolve to audience wide shot, zoom in on man with SUPER: “Has Name Tapes On All Clothing” ]

[ fade ]

SNL Transcripts

SNL Transcripts: Eric Idle: 04/23/77: Body Language



 Saturday Night Live Transcripts


  Season 2: Episode 20















76t: Eric Idle / Alan Price, Neil Innes

Body Language

Man…..Bill Murray
Pretty Girl…..Laraine Newman
Bathroom Man…..Eric Idle
Uninsured Man…..Neil Innes
Insurance Salesman…..Garrett Morris
Passerby…..Bill Murray
Foreigner…..Neil Innes
Drunk Man…..Neil Innes
Hippie…..Eric Idle
Stumbling Man…..Gary Weis
Hooker…..Gilda Radner
Loonie Man…..Eric Idle
Dead Man…..Gary Weis

[ open film on a woman jogging, as a burly-looking man sits on a park bench off to the side and watches ]

Eric Idle V/O: Not many people realize that body language is as important to us as speech. Unconciously, we read what other people are saying by their body language.

[ pan across park to find Man slumping forward on a bench ]

For example, look at the way this man’s body says: “I am unhappy. I am miserable and tense, and lonely.” Now, let’s see what happens when a pretty girl comes along.

[ a pretty girl strolls along the walk, and stops to sit across from the slumping man ]

The girl’s body language says that she is not doing anything this evening, apart from watching television and maybe washing her hair.

[ she lights a cigarette and crosses her legs ]

[ cut to the man, still slumping forward in her direction ]

The man first signals that he is interested…

[ the man straightens his posture, then spreads his arms and legs wide apart ]

And, then, VERY interested.

[ the woman reacts by mimicking his posture and looking at her watch ]

The woman signals, that she, too, is interested… but has a dental appointment.

[ the man tries to casually light a cigarette, but fumbles with his cigarette box and spills his cigarettes onto the grounf ]

The man, however, becomes nervous and embarrassed.

[ the woman closes her legs, stands with her legs crosses, and shirls away from the scene ]

And, alas, the female feels rejected, and goes away miserable and unhappy ]

[ cut to a man standing in the middle of the road with his knees locked together ]

This man wants to visit the bathroom. You see how his body tells us this?

[ cut to an Uninsured Man standing in the middle of the street darting out of the way of incoming traffic ]

This man wishes that he were better insured. See what a simple prey he is for a clever insurance salesman who can read body language.

[ an Insurance Salesman runs forward with a contract ]

A quick piece of business… and the deal is done! He can now cross the road with complete peace of mind.

[ the Uninsured Man walks off-camera into the street, as the Insurance Salesman watches. Tires screech, and the Insurance Salesman stares into the camera with a worried expression upon his face. ]

[ cut to Passerby at a pay phone, as a Foreignor taps him on the shoulder ]

This man is a foreignor.

[ the Foreignor makes unusual body gestures ]

See how his body language is different. He is asking the way to a restaurant, but the passerby does not understand him…

[ the Passerby pulls out a gun, points it at the foreignor’s head, and shoots ]

…and shoots him. What a pity.

[ cut to a man stumbling along the side of a building ]

Here are some more common examples of body language: “I am drunk.”

[ cut to Hippie squatted behind a bush as he falls over ]

“I am stoned.”

[ cut to a man tripping on the sidewalk ]

“I am a klutz.”

[ cut to man with his hands covering his face ]

“I have terrible acne.”

[ cut to Hooker leaning against lamppost ]

“I am available for sophisticated sexual activity at a reasonable rate, to be determined by mutual free-exchange open bargaining.”

[ cut to man peering out from behind a tree as he beats his own head ]

“I am a loonie.”

[ cut to man lying on sidewalk ]

“I am dead.”

[ cut to the group of people assuming different poses and movements in the park ]

Body language. Maybe if we could all read it, the world would be a better place.

[ dissolve to title card: “An Idle-Weis Production” ]

[ dissolve to audience wide shot, zoom in on woman with SUPER: “Has Already Set Clock Ahead” ]

[ fade ]

SNL Transcripts

SNL Transcripts: Eric Idle: 04/23/77



 Saturday Night Live Transcripts


  Season 2: Episode 20


This free script provided by http://javascriptkit.com]]>

Air Date:

Host:

Musical Guest:



Special Guests:

Cameos:

Bit Players:


April 23rd, 1977

Eric Idle

Alan Price

Neil Innes

Jeanette Charles

None

Neil Levy

Anne Beatts

Al Franken

Tom Davis

Mitchell Laurance

Marilyn Suzanne Miller

Tom Schiller

Rosie Shuster

Alan Zweibel

Michael O’Donoghue

Jim Downey
Irish InterrogationSummary: A British soldier (Eric Idle) decides there’s only one way to make an Irishman (Bill Murray) talk.

Transcript

Montage

Eric Idle’s MonologueSummary: Eric Idle and Queen Elizabeth II (Jeanette Charles) host a telethon to Save Britain.

Recurring Characters: Queen Elizabeth II.

Transcript

American Dope Growers UnionSummary: Homegrown marijuana is here to stay.

Transcript

The Nixon InterviewsSummary: David Frost’s (Eric Idle) lengthy interview session with Richard Nixon (Dan Aykroyd) proves to be a tiresome effort.

Recurring Characters: Richard Nixon, Pat Nixon, Julie Nixon.

Transcript

Alan Price performs “Poor People”

Body LanguageSummary: Eric Idle narrates a Gary Weis film that gives a primer on the subject.

Transcript

Weekend Update with Jane CurtinSummary: Bill Murray delivers an editorial on spanking and recalls some bad memories. Emily Litella (Gilda Radner) sings “I Will Swallow Him” for Tom Snyder.

Recurring Characters: Emily Litella.

Transcript

OxxonSummary: Oxxon keeps oil prices high by filming costly commercials like this one.

Transcript

Heavy Wit ChampionshipSummary: Boxers Ray Grimwade (Eric Idle) and Mohammed Stallion (John Belushi) seek laughs from the audience.

Ron Nasty performs “Cheese & Onions”Notes: Ron Nasty is Rutles member, Neil Innes.

The Battle of BritainSummary: A low-budget British war film.

Neil Innes perform “Shangri-La”

Plain TalkSummary: Eric Idle and Dan Aykroyd seem to understand one another’s gibberish language.

Transcript

Trans Eastern FlightSummary: Flight attendant Sherry (Laraine Newman) acts cooperatively toward gun-toting passengers.

Recurring Characters: Sherry.

Transcript

Alan Price performs “In Times Like These”

Save Great Britain TelethonSummary: To help raise more money, Bill Murray attempts to chug a full bottle of grape juice.

Recurring Characters: Queen Elizabeth II.

Transcript

GoodnightsTranscript

SNL Transcripts

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SNL Transcripts: Elliot Gould: 04/16/77: Weekend Update with Jane Curtin



 Saturday Night Live Transcripts


  Season 2: Episode 19











76s: Elliot Gould / The McGarrigle Sisters, Roslyn Kind

Weekend Update with Jane Curtin

…..Jane Curtin
…..Bill Murray
…..Laraine Newman
Debbie Doody…..Gilda Radner
…..John Belushi

Announcer: And now, “Weekend Update”, with Jane Curtin.

Good evening. I’m Jane Curtin. Our top story tonight: [ she turns to the side, then quickly returns to face the camera and smiles ] Just kidding! [ she laughs ]Funeral services were held this week for 82-year old chewing gum magnate, Philip K. Wrigley. In keeping with his last request, Wrigley’s remains will be stuck to the bottom of a luncheonette counter.Former President Gerald R. Ford lectured this week at his alma mater, the University of Michigan. A former football captain, he went out to Spring training to give the boys some pointers. Ford is shown here throwing a football into his hat.[ Jane chuckles ] He doesn’t even wear a hat!Well, the President’s mother, Miss Lillian Carter, was thrown into a Washington jail today. The charge: spanking the President of the United States. The 78-year old matriarch, citing the retraction of a $50 federal income tax rebate, said, “I always spank Jimmy when he breaks a promise!” [ Jane laughs ]Jane Curtin: Well, the drive against pornography districts in major cities continued to gain momentum this week, as more demonstrations were held in New York. Bill Murray was on the scene at one of them in Manhatten, and has an eyewitness report. Bill?

[ Bill becomes more and more aroused as he reads his report ]

Bill Murray: Thank you, Jane. The Citizens’ Committee to clean up New York’s porn-infested areas continued its series of rallies today, as a huge, throbbing, pulsating crowd sprang erect from nowhere and forced its way into the steaming nether region surrounding the glistening, sweaty intersection of Eighth Avenue and Forty-Second Street. Thrusting, driving, pushing its way into the usually receptive neighborhood, the excited throng, now grown to five times its original size, rammed itself again and again and again into the quivering, perspiring, musty darkness, fluctuating between eager anticipation and trembling revulsion. Now, suddenly, the tumescent crowd and the irresistable area were one heaving, alternately melting and thawing turgid entity, ascending to heights heretofore unexperienced. Then, with a gigantic, soul-searching, heart-stopping series of eruptions, it was over. Afterwards, the crowd had a cigarette and went home. Jane?

Jane Curtin: [ eyes Bill suspiciously ] Thank you, Bill. That was a very stimulating story.

Bill Murray: [ uncomfortably ] I’ll say!

Jane Curtin: The story’s over. You can leave now.

Bill Murray: Uh… no, I can’t. [ Jane grimaces ] It would be very embarrassing.

Jane Curtin: [ laughs nervously ] I see. Well, then… why don’t you relax, and, uh, have some stories. [ she passes news sheets toward him ]

Bill Murray: Thanks very much.

Mrs. Margaret Trudeau was spotted at an Ottawa dry cleaners today. The wife of Canadian Prime Minister Elliot Trudeau would give no explanatino for the trip, and refused to comment on why her husband had no accompanied her. When reporters contacted the Prime Minister and informed him of his wife’s trip to a dry cleaners, he said he had had no idea she’d even planned a trip to any dry cleaners, and it was the first he’d heard about it.

Jane Curtin: [ photo: Gov. Ella Grasso holding a Raggedy Ann doll ]
Connecticut Governor Ella Grasso met this week with actress Shirley MacLaine to discuss the Equal Rights Amendment. Governor Grasso thanked Miss MacLaine for her committment and dedication, then took her home and threw her on a bed.

Well, at long last, medical science has come up with a device that completely eliminates the risk of cancer by smoking. It’s a surprisingly simple method, in which a white mouse is used as a filter, which traps all the cancer-causing agents before they are inhaled by the smoker.

Bill?

Bill Murray: [ holds up a mouse smoking a cigarette ] Yes, Jane, I have one right here. And if you like to smoke and hold small animals, I think you’ll enjoy this!

Jane Curtin: [ chuckles ] Well, unfortunately, I don’t have a light, so… let’s just…

Bill Murray: I think I know the answer to that one!

[ they both chuckle ]

Bill Murray: A medical milestone, this week, when a team of doctors in Thailand successfully joined a pair of Siamese twins, which was born separated. Having gotten this operation out of the way, the doctors’ next task will be to join two Siamese cats, so the twins can have a pet.

Jane Curtin: Tragedy struck the world of show business this week, when TV personality Howdy doody committed suicide in his Beverly Hills home. Close friend Buffalo bob, who was visiting, said the 33-year old Doody suddenly leaped from the couch and threw himself into the fireplace. Howdy left a suicide note, which read simply, “Hey, kids, what time is it? It’s time for me to die.”

Today, Laraine Newman was there at the funeral. Laraine?

Laraine Newman: Jane, I’m standing outside Forest Lawn Cemetary, where funeral services have just been held for Howdy Doody. It was a solemn and star-stuffed occasion, with the former puppet’s close friends and relatives in attendance. Pallbearers included Charlie McCarthy, Mortimer Snerd, Jerry ??, uh, Knucklehead Smith, David eisenhower, and Senor Wences’ fist. Few people knew that Doody had a wife — Debbie Doody. [ looks offscreen ] I see she’s approaching me right now. Howdy, Debbie!

[ Debbie Doddy, clinging to strongs, bounces forward, laughing ]

Laraine Newman: Oh, I’m so sorry. I know this is a time of grief for you, Debbie, but… what’s in the future for Debbie Doody?

Debbie Doody: I don’t know!

Laraine Newman: Well, thank you for spending this time with us —

[ Debbie wraps her arm around Laraine as she bounces around ]

Laraine Newman: — in your moment of… GRIEF! [ she laughs ]

Debbie Doody: Thank you! Thank you!

Laraine Newman: Back to you, Jane!

[ Debbie continues to wrap herself around Laraine and spin the both of them around as she bounces amid her strings ]

[ return to Jane at the news desk ]

Jane Curtin: Howdy Doody, dead at 33.

[ SUPER: “Howdy Doody: 1944-1977” ]

Jane Curtin: And now, here’s “Weekend Update”‘s meteorologist, John Belushi, with a word about the weather.

John Belushi: Thank you, Jane. Tonight, I’d like to address myself to those of you who cannot, or are too paranoid to, go outside. The so-called shut-ins. People who really don’t know what weather is about. There’s really nothing to be afraid of. Here’s some examples of weather. Okay? Sunny. [ he flips a desk lamp on ] Warm. There’s sun. See? It’s nice, you get a tan from it there, you know? Sun. Makes plants grow. Partly cloudy. [ he waves his hand in front of the bulb ] See? Sun. Foggy. [ he covers his entire hand over the bulb ] Whoa! You can see, but it’s cloudy. Cloudy and… and… cold! [ he wraps a scarf around his neck, then covers the bulb with his hands ] Ohhh, cold! Oh, I’m cold! See that? Sometimes we get electrical storms, and that’s like this: [ he flips the lamp on and off, while making electrical sound effects ] Sometimes you get, uh, showers. [ he reaches below the desk ] Showers are like this: [ he sprays a bottle of water onto his face ] See? Or, sometimes, you have to wear a hat, you know, with showers. [ he puts a rain hat on his head, then sprays his face some more ] Oh, boy! And, sometimes, it’s cloudy with showers: [ he covers the lamp with one hand while spraying his face with the water bottle in the other hand ] And, sometimes, you know, you have to have wind: [ he turns on a fan behind him ] There’s wind! Wind and showers! [ he continues to spray water on his face ] You see? And, also, you can get — you can get hail! [ he picks up a box of mothballs and tosses them into the air ] Hail is something very strange, like this. See? Hail is like this! Sometimes you can get really hurt, it’s like: [ he slams a mothball onto the desk ] BAM!! See, sometimes you get hail, snow, wind, and then SNOW, also! [ he reaches below the desk to toss powder into the air ] This is snow, and this is hail, and this… is… rain!! [ he demonstrates all the elements in rapid-fire succession ] Okay?! And then, you get THUNDER!! [ he flips the lamp again and makes the lightning sound effects, as he maintains all the elements simultaneously ] Yeah, that’s SLEET!! You know?!

And you know something? Let me tell you something! And when you’ve got all this stuff happening — [ he smacks the fan out of view ] GET OUT OF HERE!!! When you get all this stuff happening here, you know, if you’re in an airplane? Forget it, pal! You’re as good as dead, because you don’t have a chance! ‘Cause they don’t give you parachutes! They give you an oxygen mask! But no parachutes! So, listen, I don’t blame you for not going outside! But that’s not gonna help you, either, pal, ’cause what about tornadoes? Huh? Huh?! And it doesn’t matter WHAT corner of the basement you’re in — you’re as good as dead! And a dam bust?! A dam breaks, okay? [ he takes the sprayer off the bottle and pours the water on himself ] DURING a tornado, and a plane crashes into your house! Right?! And don’t expect your insurance man to be on the spot! No, he’s no idiot! He’ll wait! He’ll make sure you’re dead, so he can keep the money! [ starts pounding the desk ] Because insurance companies own EVERYTHING in this country!! And if you don’t like it here, pal — if you don’t like the weather in this country — why don’t you go to India, huh? Go to India, where they’ve got monsoons that’ll wash your crosp away! And you’ll probably drown! And, even if you DO survive, the only thing you can eat are COWS!! BUT!! Yuo can’t eat the cows, because Nooooo!! They won’t eat the cows! NOOOOOO!!! Uh-uh!! They won’t eat ’em! They’d rather STARVE than eat a cow!! The only thing they eat is MUD and CURRY!! And I HATE curry!! I HATE curry!! I’d rather eat MUD than curry!! [ starts pounding the desk again ] I like COW FLESH and MEAT!! You know what I like? I like prime rib! I like sirloin steak! I like AMERICAN food!!

[ Jane tries to calm John down ]

[ raising his fist ] DON’T PUSH ME, Curtin! I mean it!! [ he continues ] I like American food! yuo know, one thing I’ll never understand is why the Japanese eat raw fish! I mean, didn’t they invent the habachi?! But, NOOOOOO!!! They don’t want to do that! NOOOOOO!! Not them!! They want to eat it RAW!! They want to eat it raw, with that gooey, transparent noodle! You know! Spaghetti noodles, I can eat, as long as it’s not overcooked!

Jane Curtin: Wrap it up, John!

John Belushi: DON’T! [ he raises his fist ] I swear to God, Curtin!! [ he continues ] You know — you know what else I hate?! Mexican chili! Like, real Mexican chili! You know, man? Because it’s GREEN, you know? It’s green, and it’s real hot! It’s not like the chili I had in the cafeteria at school, which was RED CHILI, with meat and with beans!! And there was NO WAY I was gonna pay for it or eat it!! I told the waitress: “I’m not paying for this!! This is not the chili I know!! Where are the chili beans, huh?! WHERE’S THE MEAT?!! WHERE IS IT?!! Forget it, I’m not gonna pay –!!”

[ Belushi violently flips his chair backwards, getting himself wedged between the news desk and the back wall of the set before pushing himself more violently and finally knocking himself to the floor with a primal scream ]

Jane Curtin: That’s the news. Good night, and have a pleasant tomorrow.

SNL Transcripts

SNL Transcripts: Elliot Gould: 04/16/77: Nick “Summers”



 Saturday Night Live Transcripts


  Season 2: Episode 19









76s: Elliot Gould / The McGarrigle Sisters, Roslyn Kind

Nick “Summers”

Nick “Summers”…..Bill Murray
Pianist…..Paul Shaffer
Jane the Waitress…..Anne Beatts
Gunner Alquist…..John Belushi
Mrs. Alquist…..Gilda Radner
Skeeter Miller…..Elliott Gould
Mrs. Campbell…..Laraine Newman
Jimmy Joe Red Sky…..Dan Aykroyd
Shelley…..Howard Shore

(FADE IN on a rack of antlers and a neon “BUD” sign on the back wall of a dimly lit bar.)

Nick “Summers”: [ singing ] “I write the SONGS that make the whooole world siiiiiiing…”

(ZOOM OUT to reveal Nick singing onstage with Paul Shaffer accompanying on piano, and several patrons seated at tables.)

Nick “Summers”: [ singing ]
“I write the notes and the words and ev-e-ry-thi-iiiii-iiiiing…
I write the songs that make the young girls CRY-YYYYYYYYY…
I write the songs, I write the sooo-ooongs…
I AM MUSIC! And I write the SOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOONGS!”

(A bare trickle of applause greets his performance.)

Nick “Summers”: Thank you. Thank you very much. Hello, welcome to the Zephyr Room, up at the beautiful Breezy Point Lodge at Lake Minnehonka.

[laughter]

Nick “Summers”: My name is Nick Summers. Thank you. And I’m gonna TRY to entertain you for a little while, I wanna thank you once again. I want you to know that a Minnehonka summer is a fun summer. That’s what you’re here for, that’s what I’m here for, and I’m KIND of a fun guy… so let’s relax, and HAVE a little bit of fun. Say, did anybody hear a loon about 6:15, huh? [touches his ear] I did. You gotta keep your ears open.

[ Paul tinkles the keys of his piano ]

Nick “Summers”: Yes, that’s what they sound like, Paul. [laughs] And if you want the kids to see some deer, get up about 6:30, and stand over by the volleyball courts, and they’ll come out, believe me.

(A waitress steps in front of Nick and holds up a tray of drinks.)

Nick “Summers”: [taking drink] Oh, for me, I bet. Thanks, Jane.

(She whispers briefly in his ear and steps aside.)

Nick “Summers”: Thank you. Jane’s just told me we’ve got an anniversary at the Breezy Point tonight, right down in front.

(CUT to a morose-looking couple at a table with a checkered tablecloth.)

Nick “Summers”: Hello, and you are Mr. and Mrs…?

Gunner Alquist: Uh, Gunnar Alquist, from Fond du Lac, Wisconsin.

Nick “Summers”: Oh, welcome aboard, and, uh, Mrs. Alquist, do you still love him just as much as you ever did?

(He sticks the mike in her face as she slumps over the table.)

Mrs. Alquist: [in a monotone] Yes, I do.

Nick “Summers”: If you had it all to do over again, would you do it?

Mrs. Alquist: No.

[laughter]

Nick “Summers”: Is there a song that I can sing for you two?

Mrs. Alquist: NO!

Nick “Summers”: [stands back up] Well, I’d just like to say this… [ singing ] “Happy ANNIVERSARYYYYYYY, Mr. and Mrs. Gunnar Alquiiiiiiiiist… Happy ANNIVERSARYYYYYYY… tooo-o-oooo… yoooooooooouuuuuuuuu.”

(One or two people clap.)

Nick “Summers”: Thank you. I want to take this opportunity to introduce a celebrity in the audience, sitting way back there in the dark… [scans the room] I ALMOST CAN’T see you, Skeeter! Don’t you want anybody to know that you’re HERE?! The man who put the Breezy Point Lodge on the map, Lake Minnehonka’s own water-ski instructor, SKEETER MILLER! C’mon, let’s hear it!

(CUT to Skeeter clasping his hands above his head and waving.)

Nick “Summers”: He also does a heckuva job with the water show on Saturday afternoons. [steps to table] And who is this pretty young miss, Skeeter? What’s your name, Miss?

Nrs. Campbell: [snaps] Uh, that’s MRS.

Nick “Summers”: Mrs……?

Nrs. Campbell: Mrs. Campbell.

Nick “Summers”: Mrs. Campbell — oh, of course, your husband broke his ankle, he’s gonna be laid up this week. Sorry about that. But I’m awfully glad that YOU two could come, thank you for that–and be sure, everybody, to check out Skeeter’s show, or ask him to help you get up on the boards yourself, ’cause he’s a terrific–

(Nick is suddenly interrupted by Paul playing the bugle theme from the Kentucky Derby.)

Nick “Summers”: UH-OHHHHHHHHH! That’s the Catch of the Day Fanfare, which can mean only one thing, time for a special event: the CATCH of the DAY!!!

(Paul plays another fanfare as a fisherman steps stiffly onstage with a fish in his hand.)

Nick “Summers”: Here it is, the biggest fish pulled out of Lake Minnehonka today, caught by our own fishing and snowmobile guide, Jimmy Joe Red Sky.

(Jimmy drapes the fish proudly over his arm.)

Nick “Summers”: He is the best guide in the parts, no question about that–he’s got a BEAUTIFUL Chris Craft with twin Mercs. And he packs a lunch, right, Jimmy Joe?

(A man at the bar carefully touches the fish’s head.)

Jimmy Joe Red Sky: [in Native American accent] Better not touch that fish there, it’ll take yer hand right off, lookit those teeth!

(Nick chuckles.)

Jimmy Joe Red Sky: You want one of these, ya come to the dock tomorrow with TEN BUCKS at four-thirty in the morning. I’ll get ya a couple.

(He walks smoothly offstage.)

Nick “Summers”: Okay, when he says that, he means it. I’ll tell you something, he’s an Indian, and they don’t lie. I love that. Thank you, Jimmy Joe.

[laughter]

Nick “Summers”: Well, we’ve reached the audience participation part of the program. Every night at nine-thirty, we dance the Snowball, where everybody joins in. So play that song, Paul… and let the Snowball… begin.

(Paul hits a piano flourish and starts in.)

Nick “Summers”: “I’ll beginnnnn…”

(No one rises to dance.)

Nick “Summers”: The first couple on the floor will also get their picture on the cover of next week’s Breezy Point Lodge Bulletin, so ladies and gentlemen, it’s dancing time.

(CUT to the patrons sitting passively in their chair.)

Nick “Summers”: [surveying audience] Time to get UP… and DANCE.

(Nobody moves an inch.)

Nick “Summers”: Wait a minute, Paul, for a second… you know, we never do this in the Snowball Dance, but just for the heck of it, tonight let’s make this a Ladies’ Choice! Let’s dance.

(Paul plays dutifully, but no one gets up.)

Nick “Summers”: Well, I can’t believe this. This has never happened before, has it, Paul? [sticks mike in Paul’s face]

Paul Shaffer: [softly] No.

Nick “Summers”: Never has. [glances to side] Shelley? That’s surprising, isn’t it? Well, I think everyone’s probably a little bit too tired to dance tonight, anyway. So let’s all call it a night, and get up early, and let’s HOPE that those raindrops STOP falling on my head.

(Paul tickles the ivories a few seconds.)

Nick “Summers”: And look who’s clowning, do you believe this? Paul! He drives over from Ely, you know, and if you think the mosquitoes are bad here, you should see them over in Ely. The mosquitoes have license plates. And I mean that. Seriously. The deer flies have antlers! Now, get outta here! But this rain isn’t gonna hold too much longer, I’m sure of that. Well, good night, everybody, and this is Nick Summers saying, a Minnehonka summer is a fun summer, that’s what you’re here for, that’s what I’m here for. I AM a fun guy, and I hope that you had fun tonight. Say, and one more thing, I want you just to remember…

[piano cue]

Nick “Summers”: [ singing ]
“To siiiiiiiinnng…” [snaps fingers]
That’s right–“sing a sooooooooonnnnng,
Sing it LOOOOOOOOOOOOOOUUUUUD,
Sing it sharp–“

[speaking] Remember to put on some six-twelve when you go out!

[singing] “To sing it happyyyyy, not SAD–“

[speaking] You know, we got bears over at the garbage dump–just flash your headlights!

[singing] “Sing of the GOOD TIMES, and not the BAAAAA-AAAAAAAAAAAAAD… “WELL, NO MATTER IF IT’S NOT GOOD ENOUGH–“

[speaking] This is my SEVENTH SUMMER UP HERE!!

[singing] “For anyone else to hearrrrrrrrrrrrrrr…
Just siiiiiiiiiiinnnng…
SIIIIING A SOOOOOOOOOOOOONG!!!
PLEASE won’t you SING ME a SONG!”

(The bar patrons finally break into decent applause.)

Nick “Summers”: [bowing] Thank you. Good night.

[ZOOM OUT and PAN high above the set as the studio audience also cheers. ZOOM IN on a frizzy-haired young man in a white turtleneck sweater. SUPERIMPOSE, “GREGARIOUS LONER.” After a few seconds, he notices himself on the monitor, points, and laughs. FADE to black.]

Submitted by: Sean

SNL Transcripts

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SNL Transcripts: Elliot Gould: 04/16/77: Natural Causes Restaurant



 Saturday Night Live Transcripts


  Season 2: Episode 19








76s: Elliot Gould / The McGarrigle Sisters, Roslyn Kind

Natural Causes Restaurant

Elaine Melcher…..Gilda Radner
Shelly Melcher…..Elliot Gould
Jason…..Dan Aykroyd
Sunset…..Laraine Newman

[ open on interior, Natural Causes Restaurant, as Shelly and Elaine Melcher walk up and enter the empty restaurant ]

Elaine Melcher: Shelly, this is it. Oh, isn’t it lovely?

Shelly Melcher: It doesn’t look very busy.

Elaine Melcher: Well… I know, I know, but maybe people — it’s not closed, is it?

Shelly Melcher: Uh, I don’t know…

Elaine Melcher: Well, why don’t we sit here?

Shelly Melcher: Why don’t we sit down, yeah. [ they sit ] It doesn’t look like anyone’s here.

Elaine Melcher: Look! [ she holds up a pair of chopsticks ] Chopsticks! Chopsticks!

[ Jason and Sunset emerge from the kitchen ]

Jason: Welcome to the Natural Causes Restaurant! I’m Jason, and this is my old lady, Sunset. She’s really far out!

Sunset: Welcome to our space! It’s NO accident that you’ve stumbled upon our door.

Elaine Melcher: Hi! Uh — uh, we’re Shelly and Elaine Melcher. Uh, we read about the Natural Causes Restaurant in New West magazine. You know, that article, uh — “Beyond Vegetarianism”?

Jason: That was a far out article. It’s really brought us a lot of business. That was really a good thing…

Shelly Melcher: Is it okay that we sit here?

Sunset: Oh. What are your signs?

Elaine Melcher: Uh — Gemini and Pisces.

Jason: You’re at the right table, it’s perfect — perfect for your energy.

Sunset: Okay… [ points from Shelly to Elaine ] Gemini… Pisces.

Shelly Melcher: No, no, it’s the other way around.

Sunset: Oh! I KNEW it! Oh, wo-ow!

Jason: Far out!

Sunset: Like, here at the Natural Causes Restaurant, we are really, like, beyond vegetarianism. Like, we serve meat, but we don’t believe in killing it.

Jason: Dig it! Like, we feel that, like, slaughtered animals are full of fear, you know? And eating fear produces bad karma, you know? So, like, we serve animals that only died from natural causes! [ hands them a pair of menus ] Here are your menus.

Shelly Melcher: [ looking at the menu ] Well, this menu doesn’t describe what you have in the dishes. What’s, uh, the Kahutek Special?

Sunset: Oh, well, see — it changes all the time. Like, you never know what’s gonna die at any given moment.

Jason: Like, today, the Kahutek Special might be leg of lamb, because we have a sheep back in the kitcehn that’s dying of anthrax. [ to Sunset ] Do you wanna go see if it’s dead yet, Sunset?

Sunset: Sure.

[ they take a peek into the kitchen ]

Shelly Melcher: I don’t know if I can go through with this…

Elaine Melcher: Shelly!

[ Jason and Sunset return ]

Sunset: Ooh, bad news! Uh, the sheep’s still wheezing.

Elaine Melcher: [ reading her menu ] Um — well, uh — what’s this? What’s the Mare Baba?

Jason: Okay, the Mare Baba is, like, frogs legs on a bed of brown rice.

Elaine Melcher: Oh, Shelly! You LOVE frogs legs!

Shelly Melcher: [ considering it ] Where did you get them from?

Jason: I pick them up from Fairbanks High’s biology lab. You know? They’re just missing their mouth parts, you know?

Shelly Melcher: I think I’ll pass. What else do you have?

Jason: Well, how about seagull?

The Melchers: Seagull?!

Jason: Yeah, a seagull that was drowned in the Santa Barbara oil slick. Completely, you know…

Shelly Melcher: What’s the Easy Winner?

Jason: Uh… race horse struck by lightning. On stone-ground pita bread with hummis.

Sunset: Right, and prepared with love!

Jason: Really!

Sunset: Lots of love!

Elaine Melcher: Horse? Horse. Shelly, do you feel like horse?

Shelly Melcher: No, I don’t think I could eat a horse.

Elaine Melcher: Oh, Shelly… [ turns to Jason and Sunset ] You see, we’re a little new to this. Maybe you could recommend something?

Jason: Well, the fresh cat is very nice.

Shelly Melcher: Fresh cat?

Jason: Yeah. It was just run over an hour-and-a-half ago on Highway 1.

Shelly Melcher: [ aghast ] You mean, you use animals that were killed in traffic accidents?

Sunset: Hey! There are NO accidents!

Shelly Melcher: Well, Pasadena on the cat! Would you mind checking on that sheep again?

Sunset: Sure. [ she exits to the kitchen ]

Jason: Like, we garnish it with insects that I scrape off the windshield of my van. You know?

[ Sunset returns ]

Sunset: Ooh, wow, uh — bad news again. The sheep seems to have perked up.

Jason: Oh, wow… that’s a drag. [ a beat ] Well, what’ll it be? Frog, seagull, horse, or cat?

Shelly Melcher: [ holding up his menu ] Well, what is this, uh — Ohm Surprise?

Jason: Oh! The Ohm Surprise. Well, that’s just steak, man. You know…

Shelly Melcher: Steak? [ sarcastically ] What happened, did the cow have a heart attack?

Jason: No, man. What happened, was… one day, I was standing outside of the restaurant. Okay? And, like, this cow dropped out of the sky! You know? And, later, I found out it was this flying Mexican meat smuggler’s airplane, you know? He was being chased by the U.S. Border Patrol, he got caught on radar, and he had to jettison his cattle!

Shelly Melcher: [ incredulous ] Are you trying to tell me that you hve steak on the menu, because some flying Mexican meat smuggler, who was being chased by American feds, dropped the cow over your restaurant, accidentally?!

[ Jason shakes his head ]

Sunset: There are NO accidents!

Shelly Melcher: Hmm.

[ an airplane can suddenly be heard buzzing overhead, as a crash sounds, and a cow drops through the ceiling and hits the floor ]

Jason: So, man, how would you like your steak: rare, medium, or well-done?

[ pull back on studio wide shot, with SUPER: “Coming Up Next… Teenage Retirement Villages Fro Dropouts” ]

[ fade ]

SNL Transcripts

SNL Transcripts: Elliot Gould: 04/16/77: Elliot Gould’s Monologue



 Saturday Night Live Transcripts


  Season 2: Episode 19




76s: Elliot Gould / The McGarrigle Sisters, Roslyn Kind

Elliot Gould’s Monologue

Written by: Michael O’Donoghue

…..Elliot Gould
…..John Belushi
…..Bill Murray

Elliot Gould: Well, hello, hello, hello! Here I am back in New York, and this is where I’m from, right?

You know, when I was a littler kid, I was told I was supposed to be a song-and-dance man on Broadway. So I did that. And whenever I come on the show, I knew the first time I’d love to sing old songs. I sang “Crazy Rhythm” and “Let Yourself Go”. And then last time, I sang “Anything Goes”, by Cole Porter. And tonight, I had planned to sing a verse of “All The Things You Are”, “Don’t Fence Me In” and “You’ve Gotta Have Heart”.

But we’ve got a better idea. I’d like to reintroduce a dance song that was the rage a long time ago and is almost forgotten now. It was written by Mr. Tommy Malone and Moe Silverfarb. Both of them gone now – God bless them. And it’s from a show called “The Gypsy Priest”, which opened in the Wintergarden Theater in the Spring of 1927, and it sent all Amercia dancing. So tonight, folks, fifty years later, I’d like to show it to you.

[ cut to graphic of exterior, 30 Rockefeller Center ]

Announcer: And now, live from Studio 8H, high atop Manhatten’s famed Rockefeller Plaza, NBC proudly presents the dance craze you’ve all been waiting for – “The Castration Walk”!

[ dissolve to John Belushi, Elliot Gould and Bill Murray in tuxedo coat and tails ]

Together:
“Put your hand on your crotch
and your other one, too.
Then you give a little squeeze
and they both turn blue.
And it hurts so much you can barely talk.”

Elliot Gould: Now you’re doing the Castration Walk!

Together:
“Then you hop on your foot
and you roll on the floor.
And you knock things over
and you bang on the door.
And you scream, ‘Ow! Ow!’
And you shout, ‘Awk! Awk!'”

Elliot Gould: Now you’re doing the Castration Walk!

Together:
“Then your voice goes up
and you sound like this.
And you don’t want to hug
and you don’t want to kiss.
And you throw a little fit
and you start to squawk.”

Elliot Gould: Now you’re doing the Castration Walk

[ John, Elliot and Bill do the Castration Dance ]

Together:
“Now you’re doing the Castration
It’s a brand new sensation.”

Bill Murray:
Well, I went to the Rabbi
and he sent me to the moil.
But the moil was clumsy
and he made me a goil!

Together:
“Now you’re doing the Castration
It will soon sweep the nation.”

John Belushi:
I was sliding down the banister
and didn’t see the ouch.
Now I feel like a kangaroo
who lost his pouch.

Together:
“Now you’re doing the Castration
it’s no cause for a nation.”

Elliot Gould: Officer, I’d like to report a jewel heist!

Together: “Now you’re doing the Castration Waaaaaaaallllkkk!”

SNL Transcripts

SNL Transcripts: Elliot Gould: 04/16/77: Goodnights



 Saturday Night Live Transcripts


  Season 2: Episode 19





76s: Elliot Gould / The McGarrigle Sisters, Roslyn Kind

Goodnights

…..Elliot Gould

Elliot Gould: [ unaware of camera as he paces Home Base ] I’m — I’m on? Weive got sixty seconds to fill, right? Well, I know we’ve got Earl the Pearl sitting up there — [ he gestures to balcony ]

[ Belushi taps Elliot on the shoulder, then removes his shades to reveal fake eyeballs attached to his face as he looks around blindly ]

John Belushi: He’s up there?

[ Aykroyd makes his way to the front of the stage ]

Dan Aykroyd: Hey, I’d like to make an appeal — I need a pair of, uh, tanks for a Harley Davidson, a ’71 Electra Glide Police Special. I need Fat Bob tanks. I’ve only got, like, the 3.2 gallon tanks — I need the big tanks. Please write me a letter if you’ve got them. I’ll pay you good money. This is for a 1971 Electra Glide Harley Davidson Police Special — I need the tanks, the Fat Bob tanks. Thank you!

John Belushi: Also… Gail Sears — Gail Sears, uh, I hope your knee gets better, and Dick Butkus, also. [ to Elliot ] My two idols. That’s it.

Gilda Radner: That’s all, say good night!

John Belushi: Gilda, you want to say anything?

Gilda Radner: Nothing!

John Belushi: Say good night to Johnny Carson, Ed MacMahon, and, uh…

Laraine Newman: Doc Severinsen!

John Belushi: Doc Severinsen, uh — we don’t watch your show, but we respect it very much. Elliot Gould! The BEST host we’ve ever had! [ Elliot laughs ] You’re the BEST host we’ve ever had — honest!

[ the audience cheers, as Elliot shakes Belushi’s hand and the credits finally begin to roll ]

Announcer: Next Saturday night, our host will be Eric Idle, with musical guest Neil Innes and Alan Price. Your announcer is Don Pardo. I wonder: should I leave my make-up on ’til I get home? Why not? I look so handsome with make-up! Good night!

SNL Transcripts

SNL Transcripts: Elliot Gould: 04/16/77: United Face Bank



 Saturday Night Live Transcripts


  Season 2: Episode 19





76s: Elliot Gould / The McGarrigle Sisters, Roslyn Kind

United Face Bank

Joan Crawford…..Jane Curtin
Eldo Johnson…..Garrett Morris

[ open on close-up of a weird, faceless human being ]

Joan Crawford: Meet Kenny Rowland. Like most of Americans every year, little Kenny was born without a face. It’s not too late to save Kenny, but we need your help.

[ actress Joan Crawford enters the frame ]

Joan Crawford: Hi, I’m Joan Crawford, speaking for the United Face Bank. Have you ever wondered what life would be like if you didn’t have a face? Sort of like this, I suppose:

[ screen goes black, before returning to Crawford ]

Joan Crawford: Not very much fun, is it? Little things we take for granted — things like eating, seeing, hearing, smelling, talking, singing, laughing, breathing. These are all things the faceless never know. All they know is the world of tube — lots and lots of tube. Here’s someone who can tell us about that world, someone whose face transplant allowed him to become a top, professional football star: Eldo Johnson, of the Miami Dolphins.

[ Eldo steps forward. He’s a black man with a little white face sewn onto the front of his head ]

Eldo Johnson: [ obviously reading from cue cards for the first time ] Thank you, Joan. I used to… think… that I would never have a face… but United Face Bank gave me a new lease… on life… when… uh… I was fortunate enough to receive one from an eleven-year old white girl… Scarlett… killed in a rock fall. Admittedly, I might have preferred the face of a black, adult male… but they did the best… uh… they could with what they had.

Joan Crawford: Yes, Eldo, but soometimes, as in your case, their best JUST wasn’t good enough!

Eldo Johnson: [ whispering ] Hey, Joan, uh, you think they might have a black one, now? I mean, could I — you mind if I poke around in the fridge a little bit?

Joan Crawford: [ she smiles ] Go right ahead!

[ Eldo opens a refrigerator, filled with blank, staring faces in formeldehyde jars ]

Joan Crawford: [ chuckles ] Yes, only YOU can make a difference between despair and hope. Only YOU can provide the chance for a better life. Of course, funds are urgently needed, but, more importantly, I’m asking you to give of yourself. Help little Kenny put on a happy face! [ she smiles off into space, before finally turning towards Eldo ] Did you find anything?

Eldo Johnson: [ holding a jar ] Well, the closest I could come up with is, uh, uh, a Phillipino schoolteacher. [ he puts it back in the fridge ] I don’t know what I want…

[ slow zoom onto the contents of the fridge, as the accompanying SUPER appears: ]

Announcer: Support the United Face Bank. People without faces never have a nice day.

[ fade ]

SNL Transcripts