SNL Transcripts: Julian Bond: 04/09/77: Emily Litella in Love



 Saturday Night Live Transcripts


  Season 2: Episode 18




76r: Julian Bond / Tom Waits, Brick

Emily Litella in Love

Emily Litella…..Gilda Radner
…..Jane Curtin

[ open on Emily Litella sitting in the locker room plucking the petals off of a daisy ]

Emily Litella: He loves me… he loves me not…

[ Jane Curtin enters and sits ]

Jane Curtin: Hi, Emily!

Emily Litella: Ohhh!! Oh, Jane, you scared me! I thought it was one of the boys trying to sneaking into the dressing room and get a look at my panties!

Jane Curtin: Emily, are you okay?

Emily Litella: Oh, Jane… can I confide in you?

Jane Curtin: Woman to woman?

Emily Litella: Yes. [ beaming ] I’ve just met this LOVELY man, and — and he’s really got the BEST of me!

Jane Curtin: [ chuckles pleasantly ] Emily! You and a man? That’s incredible!

Emily Litella: [ annoyed ] What’s so incredible about it?!!

Jane Curtin: Well… nothing, I — I just thought that you were past that, you know —

Emily Litella: Just because a woman’s over 40 doesn’t mean she can’t get HOT! What’s the matter with you?!

Jane Curtin: I didn’t mean anything by it. Oh, by the way — have you prepared anything for tonight’s “Weekend Update”?

Emily Litella: Oh, Jane, I was meaning to speak to you about that. No! I haven’t — I can’t think of anything to talk about.

Jane Curtin: Emily, “Update” goes on in a half an hour!

Emily Litella: Well, I know, but, you see, I have other things on my mind.

Jane Curtin: Like what?

Emily Litella: Love.

Jane Curtin: Oh, that’s terrific, Emily. But it stil doesn’t solve my “Update” problem.

Emily Litella: But, Jane, don’t you understand? I’m in LOVE! All I can do is THINK about him! I’m HOT! Red Hot! I mean… you can melt BUTTER all over prts of my body! I mean, my heart’s beating in places it’s never beaten before!

Jane Curtin: Okay, okay, okay…

Emily Litella: But, Jane, you see, this man really brings out the ANIMAL in me! I mean… [ singing ] “He makes me feel… He makes me feel… He makes me feel like a nat-ion-al woman!”

Jane Curtin: “Natural”.

Emily Litella: [ still singing ] “Oh, baby! Whatcha gonna beeee…?”

Jane Curtin: Emily.

Emily Litella: [ still singing ] “Makes me feel so good..!”

Jane Curtin: Emily!

Emily Litella: [ still singing ] “Oh, I…”

Jane Curtin: EMILY!!!

Emily Litella: What?!

Jane Curtin: [ solemnly ] “He makes me feel… like a natural woman.” Not “national” — “natural”.

Emily Litella: Ohhhhh. I must have gotten carried away. Oh.

Jane Curtin: I suppose now you’re gonna say “Never mind.”

Emily Litella: Oh, no.

Jane Curtin: What, then?

Emily Litella: I’m gonna say… “Live, from New York, it’s Saturday Night”!

SNL Transcripts

SNL Transcripts: Julian Bond: 04/09/77: Goodnights



 Saturday Night Live Transcripts


  Season 2: Episode 18



76r: Julian Bond / Tom Waits, Brick

Goodnights

…..Julian Bond

Julian Bond: That’s the show for tonight. I want to thank all of you here for coming, and, uh, thank my mother, thank my wife, and, uh, particularly than the Not Ready for Prime Time Players, and… thank everyone who made this one of the strangest experiences I’ve ever had in my whole life. Thank you all very much.

[ the cast steps forward to surround Bond on stage ]

[ the credits roll ]

Announcer: Mr. Mike was played by Michael O’Donoghue. Next Saturday night, our host will be Elliot Gould with musical guests Rosalyn Kind and the MacGarrigle Sisters. This is Don Pardo! Look for me in the Easter parade tomorrow — I’ll be dressed as a baby duck! Good night.

SNL Transcripts

SNL Transcripts: Julian Bond: 04/09/77: Dr. X, Family Counsellor



 Saturday Night Live Transcripts


  Season 2: Episode 18







76r: Julian Bond / Tom Waits, Brick

Dr. X, Family Counsellor

Dr. X … Dan Aykroyd
Announcer … Don Pardo
Mark … John Belushi
Harry … Bill Murray
Colleen … Gilda Radner

[A man, in suit and tie, wears an eerie metallic maskwith dark eyeholes, stars and odd rectangular slitscut out of it — sort of a hockey mask from Hell. Withframed diplomas hanging on the wall behind him, hesits at a desk and addresses the camera.]

Dr. X: Hello. I’m Dr. X, Family Counsellor. Familycounseling is a specialized service. My role as aprofessional counselor is to provide a warm, safeatmosphere of trust so that the family can discusstheir problems freely in a comfortable environment.Tonight, please join me as I counsel the “M” family.

[Dissolve to a card that reads: DR. X FamilyCounsellor. We hear grandiose soap opera music and thesound of a beating heart.]

Announcer: And now another case from the files of Dr.X, Family Counsellor.

[Dissolve to Dr. X’s office. A human skeleton standsby a window where sunlight streams in. Dr. X now leanson the front edge of his desk. The “M” family areseated around him: Mark, an obnoxious young boy whochews gum and wears a baseball cap; Harry, the uptightfather, in a business suit; Colleen, theconservatively-dressed mother, who stares into space.]

Dr. X: Hello, Mark. [puts a hand on Mark’s shoulderwhereupon it is casually revealed that Dr. X’s rightarm is, in fact, a bulky prosthetic device] Hello,Harry. Hello, Colleen. I’m glad that all of you couldcome here today. This is a place to grow, to solveproblems. And we can only do this by talking andcommunicating. I want each of you to feel free to sayanything at all that comes into your mind.

Mark: Where’d ya get that mask?!

Harry: Mark!

Dr. X: [to Harry] It’s all right. [to Mark] Mask? Iguess you mean this mask, Mark. Well, uh, everyone hasan image or a false front in life, Mark. Um, everyonewears a mask.

Mark: Yeah, sure. But not a silver mask with holes init like that one!

Harry: [angry] Mark! [Harry bolts out of his seat andattacks Mark, shouting and strangling his son; Dr. Xpulls Harry away and forces him back to his chair]

Mark: Leave me alone!

Dr. X: All right. Let him have his own space, Harry.That might be part of the problem. He needs breathingspace. [matter-of-fact, to Mark] Mark, fair enough.It’s a question. I’ll answer it. I’ll tell you where Igot the mask. Remember that massive spill of lethalradioactive materials near Beatty, Nevada in 1956?Well, Mark– [starts screaming horribly; Mark andHarry reach out to comfort him]

Mark: Hey! Dr. X! Take it easy!

Dr. X: [sudden calm sing-song] Oh, nothing …[recovers] I’ll be all right. Released a little of myown trauma there. Thank you. [back to business as ifnothing had happened] Harry, what do you see as thesource of the problem in your family now?

Harry: Well, it’s this kid. [points to Mark] He’s myson. He’s rude — you heard him. He’s a rotten kid.Besides, he never listens to his mother. Right,Colleen? [Colleen, who has barely moved, continues tostare into space]

Dr. X: Harry, the boy might just need some elbow room,freedom to express himself. [playfully rubs Mark’sbaseball cap with his prosthetic device] You know,freedom–

Mark: Hey! Where’d ya get that arm?!

Harry: Hey! You fool! [bolts out of his seat,shouting, and punches Mark; Dr. X once again,intervenes and guides Harry back to his chair]

Mark: [making fists at Harry] Try it! Try it! Try it!Try me!

Harry: [yells at Mark] You wanna try the old man?[sits down] You wanna try the old man?

Dr. X: All right. Harry! [calmly, to Mark] I guess youmean this arm. Well, Mark, fair enough. I’ll tell you.Remember in 1958 when the Air Force tried to cover upthat bad rocket sled accident? Well, Mark, I happenedto be the WAAAAAH!– [screams horribly and cries; Markand Harry try to comfort him]

Mark: Dr. X! What’s wrong? What’s wrong, Dr. X?

Dr. X: [sudden calm sing-song] Oh, nothing ….[recovers, acts as if nothing’s happened] Harry,you’ve got a– Well, Colleen, you’ve chosen to remainsilent here. [Colleen still stares into space] Markand Harry have said things. I’d like to know how youfeel.

Harry: She’s fine. [puts an arm around her] Aren’tyou, honey? [kisses her head; she’s unresponsive buthe holds her and touches her affectionately]

Dr. X: Well, she’s not saying a word, Harry.

Harry: She’s good. She’s fine. She’s just fine,she’s–

Dr. X: I think she’s catatonic, Harry. You’ve gottaface up! Now, you came here pretending that it wasMark who needed the treatment when in fact your wifeneeds the counseling and treatment. My colleague, Dr.R. D. Laing, might say that you and Mark are “incollusion.” You’re reinforcing the false reality thatColleen is normal and non-catatonic.

Harry: Come on. She’s just shy, Doctor.

Dr. X: Harry! Harry, wake up and smell the coffee! Thewoman’s vegged out! She’s null and void! It’s – it’s -it’s simple: Jack marries Jill, Jill has Joey, Jill isa veg, Jack won’t admit it, Joey plays along. What doyou think, Mark? [playfully touches Mark’s cap withhis prosthetic device]

Mark: She vegged out! How do you eat with that maskon?

Dr. X: Back off, Mark. I use tubes. And liquidprotein! [again screams horribly; again Mark and Harrytry to comfort him]

Mark: Hey! Dr. X! What’s wrong? Lighten up!

Dr. X: [calm sing-song] Oh, nothing …

Mark: Hey, can you drive a stick shift with that arm?[Harry threatens to attack Mark again but Dr. X waveshim back]

Dr. X: Mark–

Mark: You know, Dr. X–

Dr. X: I happen to own a Lamborghini Miura, a veryexpensive five speed automobile. Yes, I can drive astick shift.

Mark: You’re a freak, you know that?

Dr. X: Thank you.

Mark: But, you know, you’re weird, you know? You’vebeen through some heavy stuff, man, you know? I’d liketo hang out with you if I can.

Dr. X: Mark, you could come here and work at theclinic with me if you wanted to. Would that be allright, Harry?

Harry: Ho ho, if you think you can do something withthis kid, take him. I’d love to get him off my hands.

Dr. X: All right. I think that’s a – a – a goodwork-out of the problem here. [Mark claps his handshappily, Harry sarcastically waves goodbye to Mark] IfMark starts work, then he can, uh– I’ll give him someelbow room, some free space and he can just relax …

Mark: Oh, great!

Dr. X: You can go and start work in the lab right now.[points to a nearby door] Go ahead and, uh, Glindawill give you a lab coat.

Mark: [rises, heads for door] Thanks a lot, Doc! Seeya later, folks! Nice workin’ with ya!

[As Mark exits out the door, we hear a strange buzzingsound coming from the lab.]

Dr. X: [to Harry] We have to work these problems out.And, uh …

[From behind the closed lab door, we hear the strangebuzzing, Mark screaming, a dog barking, more buzzing.]

Harry: [after glancing at Colleen] Hey, X, what’sgoing on in there?

Dr. X: [calm sing-song] Ohhhhhh, nothinnnng …

[We hear an offscreen voice say, “Start your crane” asDr. X retreats behind his desk and we hear again histheme music combined with the sound of a beatingheart. A superimposition reads: DR. X FamilyCounsellor.]

Announcer: Join us next week for another case with Dr.X, Family Counsellor.

[Dr. X awkwardly tries to pick up a phone from hisdesk with his fake hand and Mark puts his arm aroundColleen as we crane and pan up off the set to revealthe applauding audience and zoom in on onebespectacled woman who peers down at the actors below.A superimposition reads: KNOWS WORDS TO “HOLLYWOODSQUARES” THEME MUSIC. A friend, sitting two seatsover, taps her on the arm. The woman looks over andthen up, registering great surprise — “Oh!” — clapsher hands to her mouth and then laughs.]

Submitted Anonymously

SNL Transcripts

SNL Transcripts: Julian Bond: 04/09/77: Creeley’s Soup



 Saturday Night Live Transcripts


  Season 2: Episode 18




76r: Julian Bond / Tom Waits, Brick

Creeley’s Soup

Little Girl…..Gilda Radner
Voice of Soupman…..Bill Murray

[ open on Little Girl at table eating soup ]

Voice of Soupman: [ from off screen ] Hey, kid.

Little Girl: What?

Voice of Soupman: What’s that you’re eating?

Little Girl: Soup.

Voice of Soupman: Yeah, but what kind of soup?

Little Girl: Vegetable soup.

Voice of Soupman: What kind of vegetable soup?

Little Girl: Aunt Jane Creeley’s Vegetable soup.

Voice of Soupman: Of course it is. And do you know what goes into Aunt Jane Creeley’s Vegetable soup?

Little Girl: Vegetables.

Voice of Soupman: That’s right, kid. Aunt Jane’s home grown vegetables. Tomatoes, peas, carrots, green beans, mushrooms, potatoes, and corn. There’s seven in all. Count them.

[ Little Girl takes out some of the vegetables in her soup, puts them on the table, and counts them ]

Little Girl: 1, 2, 3, 4, 5, 6, 7.

Voice of Soupman: You really like that soup, don’t you?

Little Girl: Uh-huh. More than anything in the whole wide world!

Voice of Soupman: Okay. I’ll give you a brand-new doll for that soup.

Little Girl: No.

Voice of Soupman: All right. How about a brand-new doll and a bicycle?

Little Girl: Uh-uh.

Voice of Soupman: All right. How about a brand-new doll, a bicycle, and tickets to the circus?

Little Girl: [ thinks for a moment ] No! Leave me alone! I’m eating!

Voice of Soupman: You really love your that soup, don’t you?

Little Girl: Mm-hmm.

Voice of Soupman: You see those little pieces of corn in there?

Little Girl: Yeah?

Voice of Soupman: Well take them out and stuff them into your nose.

Little Girl: [ puzzled at being asked ] Why?

Voice of Soupman: Because the Soupman says so.

[ Little Girl picks corn out of the soup and sticks them in her nose ]

Little Girl: It hurts!

Voice of Soupman: [ laughs wickedly ] Well, in that case you better take some hot soup and pour it all over your nose.

Little Girl: [ shocked again ] Why?

Voice of Soupman: Because there’s nothing better for a stuffy nose than nice, hot soup.

Little Girl: Why?

Voice of Soupman: Because the Soupman says so.

[ Little Girl painfully does as told, pouring the bowl of soup over her nose. Then, she puts down the bowl and tries to eat whatever soup remains in the bowl ]

Announcer: [ reading slogan on screen ] Creeley’s Soup. The child handler.

[ fade to black ]

[ fade up on audience wide shot, zoom in on woman with SUPER: “Has Every Known Annoying Habit” ]

[ fade ]

Submitted by: Tony DuMont

SNL Transcripts

SNL Transcripts: Julian Bond: 04/09/77: An Oval Office



 Saturday Night Live Transcripts


  Season 2: Episode 18









76r: Julian Bond / Tom Waits, Brick

An Oval Office

President Jimmy Carter…..Dan Aykroyd
Amy Carter…..Laraine Newman
Andrew Young…..Garrett Morris
…..Sen. Julian Bond

[ open on art card: “An Oval Office” ]

[ dissolve to interior, Oval Office ]

[ President Jimmy Carter sits at his desk, swamped with paperwork, as Amy Carter sits Indian-style on the floor singing to a Negro rag doll ]

President Jimmy Carter: Amy, dear — would you mind, uh, going to play someplace else? Daddy has a lot of work to do here, okay?

Amy Carter: Ohhh… [ she stands and approaches the desk ] Alright, I’ll go somewhere else. [ pouting ] It’s always United States FIRST, and Amy SECOND!

President Jimmy Carter: Well, I’m sorry, Amy, maybe we can… do something tomorrow.

Amy Carter: Well, you promised last November to take me to see “King Kong”!

President Jimmy Carter: I’ll do a study on it — I need more time.

Amy Carter: You made HUNDREDS of promises, and you hardly kepy ANY!

President Jimmy Carter: Come on, Amy! I’ve only been President for three months. Now, skeedaddle, willya?

Amy Carter: Okay. But I hope we don’t go through this six months from now!

[ the intercom buzzes ]

President Jimmy Carter: Hello?

Secretary’s Voice: United Nations ambassador Andrew Young and Georgia legislator Julian Bond are here, and would like to talk to you.

President Jimmy Carter: Well, send them right in! This is an open White House! [ turns to Amy ] Okay, Amy — why don’t you take your little black golliwog doll out the back way?

Amy Carter: Okay.

[ Amy exits the Oval Office from a side door, as Carter adjusts his cardigan and greets his guests ]

President Jimmy Carter: Well, hi! Welcome to the White House! Andy! What’s happenin’?

[ Carter and Andrew Young slap skin together ]

Andrew Young: Hi, Jimmy! Look, uh — I know you remember Julian from your days as governor, and I knew you’d want to give him some time. He was in my office.

President Jimmy Carter: Hi, how are you? [ shakes Bond’s hand ] It’s always good to see somebody from Georgia! How are things down there in the Peach State?

Sen. Julian Bond: The pits, Mr. President.

President Jimmy Carter: Please! Call me “Jimmy”, Julian! [ gives bond a bear hug ] I know — I know back in Georgia we had some disagreements, but now — well, I’m here in the Oval Office, and I’d like to give you a piece of my time, so… whatever you got to say, go ahead!

Sen. Julian Bond: Well, uh, uh, Jimmy — all I wanted to say is, you’ve spent so much time being concerned about the human rights of people in other countries, I think it’s about time you began to worry about the human rights of people right here in your OWN country.

President Jimmy Carter: You know… I’m glad you said that. I’m glad that SOMEBODY is finally picking up the ball onhuman rights, after I started it rolling. You know? [ Bond stands silent, as Young grins shamelessly ] Have I ever shown you the house I grew up in?

Andrew Young: Uh, yes… you sure —

President Jimmy Carter: Come on over here! [ leads the men to a portrait of a log cabin ] It was an authentic log cabin with no running water, and authentic, real Lincoln logs. And it had —

Andrew Young: [ interrupting ] Yeah, yeah, yeah… You know what, Jimmy? Last November, you got the Black vote, now, because you promised, uh, aid to the cities and better housing… you know?

President Jimmy Carter: Mmm-hmm. I know about better housing. That’s a problem I can relate to. Because, in the first years of my life, you see, my family and I… [ he picks up a model replica of a lean-to ] we lived in this little peanut shell lean-to here. It’s made entirely out of peanut shell. [ he puts the model down ] Did I ever tell you, gentlemen, that my Mother, Lillian, once touched a leper? [ he stretches his arms out to grab both men’s shoulders ]

Andrew Young: Uh — uh — yes, Jimmy, you did tell me that.

[ Carter returns to his desk ]

President Jimmy Carter: Hey, you know what? We’re having a… showing of the American Film Archives tonight, and we’re showing “The Golddiggers of 1932”. Maybe you’d like to come along and see it?

Andrew Young: Ohhh…

Sen. Julian Bond: I don’t know that film.

Andrew Young: Me, either.

President Jimmy Carter: “Golddiggers of 1932”. Does the name… “Ruby Keeller” strike a familiar note? [ both men remain silent, so Carter chuckles ] A little sense of humor! You know, I’m trying to… keep jokes in the White House, you know?

Sen. Julian Bond: Well, we, uh, appreciate it a great deal, Mr. President, but… you promised to imclude more Minority Cabinet members. Well, the Ford administration had ONE Black, and you’ve got just one Black: Patricia Harris.

President Jimmy Carter: Now, hold it a minute! You count Andy here, I’ve got TWO!

Andrew Young: Uh — Jimmy, I’m not really in the Cabinet. [ taps Bond’s arm ] BUT… Julian… I am important around here, and I get to SAY… almost anything I want.

Sen. Julian Bond: [ to Carter ] Well… you promised to appoint more women to the Cabinet. Ford had one woman, and you’ve got one woman: and, again, it’s Patricia Harris.

President Jimmy Carter: [ nods solemnly, then, changing the subject: ] Gentlemen, have I ever shown you this? [ looks down ] You know, when we very young, we didn’t have a place to live, really, and, uh… my parents kept me in this show box here. [ he lifts up a shoe box and removes the lid ]

Andrew Young: Yes, Jimmy! You showed me that — you showed me that before!

Sen. Julian Bond: Mr. President! Please! Can we get down to some —

President Jimmy Carter: Hey, please! Come on! [ wraps his arm around Bond’s shoulder ] Call me “Jimmy”, Julian! Please! Call me “Jimmy”! [ his intercom buzzes ] Hello?

Secretary’s Voice: Mr. President, the National Security Council is waiting for you.

President Jimmy Carter: Okay, tell them I’ll be right there! [ to his guests ] Gentlemen, I’m convening on the National Security Council because we’ve just had word of a flagrant violation of human rights. It seems there’s this Turkish sailor — he’s in a prison in Paraguay, and, uh… we have reason to believe that he’s being underfed. So, I think, with the help of the American Cabinet, the President of the American people, and the influence of Coca-Cola and Paraguay… we should be able to do something about it! Thank you, gentlemen, thank you very much for coming by! [ as he heads for the door ] Come by and see me any time, it’s always nice to see ya’!

[ Carter exits the Oval Office ]

Andrew Young: You see that? You see, Julian? I TOLD you: the man really cares!

Sen. Julian Bond: [ in an Amos tone ] He sure do, Andy!

[ pull back from set for wide studio shot, with SUPER: “Coming up Next… Is Television The Dead Sea Scroll Of The Future?” ]

[ fade ]

SNL Transcripts

SNL Transcripts: Julian Bond: 04/09/77: H&L Brock



 Saturday Night Live Transcripts


  Season 2: Episode 18





76r: Julian Bond / Tom Waits, Brick

H&L Brock

Lowell Brock…..John Belushi

[ open on Businessman seated in armchair ]

Lowell Brock: Hi, I’m Lowell Brock for H&L Brock. Not to be confused with H&R Block, our competitors. Usually it’s my brother Henry who does these commercials. Henry is the actor of the family. I’m the accountant. I do all the work. So here’s some more of my seventeen reasons why you should let me do your taxes. Reason #10. I take the time.

[ SUPER: “I Take The Time” ]

At H&L Brock, I take the time to do your taxes correctly – no matter how long it takes. And if there is a problem with the IRS, I’ll represent your claim. Why? Reason #11. I have the time.

[ SUPER: “I Have The Time” ]

Other tax firms aren’t interested in standing behind their work. I do. I have to. Why? Reason #12. I’m donig time.

[ SUPER: “I’m Doing Time” ]

[ camera pulls back to reveal Brock has been speaking from inside a jail cell ]

Yes, I’m doing time. About 10 to 20 years for fraud, forgery, and attempted bribes of IRS officials, which is another reason that i’m rarely seen on television. Even if I got out for good behavior in seven years, I still have plenty of time to prepare your returns. So why pay costly taxes when you don’t have to? Come down to H&L Brock tomorrow. Visiting hours are from 9:30 to 4:00, every other Thursday. [ runs tin cup along bars ] Guard! [ Guard enters ] Guard, your short form is finished. Now, how about those cigarettes? [ Guard hands him pack of cigarettes ]

[ SUPER: “H&L Brock – The Tax Fraud People ]

SNL Transcripts

SNL Transcripts: Julian Bond: 04/09/77: Black Perspective



 Saturday Night Live Transcripts


  Season 2: Episode 18






76r: Julian Bond / Tom Waits, Brick

Black Perspective

…..Garrett Morris
…..Julian Bond

[ title slide: “Black Perspective” ]

Garrett Morris: Good evening, and welcome to “Black Perspective”. I’m your host, Garrett Morris. Tonight our guest is Mr. Julian Bond, and we’ll be talking about the myths surrounding black I.Q. Specifically, the myth that whites are inherently more intelligent than blacks.

Julian Bond: Good evening, Garrett.

Garrett Morris: Now, Julian, perhaps you could explain something to me. In all these studies comparing black I.Q. to white I.Q., what kind of test is used to measure I.Q.’s in the first place?

Julian Bond: Well, this is the major problem with these studies. The measurements of I.Q. which form the basis of comparison come from tests composed by whites for whites. The tests are culturally biased; it’s not surprising that whites would score better than blacks.

Garrett Morris: Could you give us an example of what you’re talking about?

Julian Bond: Certainly. Here are some questions that have appeared on recent I.Q. tests. Number one: “You have been invited over for cocktails by the officer of your trust fund. Cocktails begin at 4:30, but you must make an appearance at a 6:00 formal dinner at the Yacht Club. What do you do about dress?
A. Wear your blue-striped seersucker suit to cocktails and change into your tuxedo in the bathroom, apologizing to your host for the inconvenience.
B. Wear your tuxedo to cocktails, apologizing to your host for wearing a dinner jacket before 6:00 PM.
C. Walk to the subway at Columbus Circle and take the “A” Train uptown.”

Garrett Morris: Uh.. I guess I’d choose the last one.

Julian Bond: I’m sorry, that’s incorrect.

Garrett Morris: Damn.

Julian Bond: Here’s another: “When waxing your skis for a cross-country run, you should…”

Garrett Morris: [ interrupting ] Well, I think I understand the problem with the tests. But the fact is that people have been saying that white people are smarter than black for hundreds of years. We’ve only had I.Q. tests for 20 or 30 years. How did the idea of white intellectual superiority originate?

Julian Bond: That’s an interesting point. My theory is that it’s based on the fact that light-skinned blacks are smarter than dark-skinned blacks.

Garrett Morris: [ not sure he heard that right ] Say what?

Julian Bond: I said I think it might have grown out of the observation that light-skinned blacks are smarter than dark-skinned blacks.

Garrett Morris: I don’t get it.

Julian Bond: It’s got nothing to do with having white blood. It’s just that descendants of the lighter-skinned African tribes are more intelligent than the descendants of the darker-skinned tribes. Everybody knows that.

Garrett Morris: This is the first time I’ve heard of it.

Julian Bond: Seriously? It was proven a long time ago.

Garrett Morris: Well, I still don’t quite understand. We’re out of time right now, but perhaps you could come back on the show again and explain it further.

Julian Bond: There’s very little to explain – it’s just like I told you.

Garrett Morris: Well, we are out of time. Good night. [ to Julian ] If you could repeat it just once more…

[ pull out, with SUPER: “It’s 1977 — Do You Know Where Your Children Are?” ]

[ fade ]

SNL Transcripts

SNL Transcripts: Julian Bond: 04/09/77: Bad Cinema



 Saturday Night Live Transcripts


  Season 2: Episode 18









76r: Julian Bond / Tom Waits, Brick

Bad Cinema

Written by: Tom Schiller

Leonard Pinth-Garnell…..Dan Aykroyd
Truman Capote…..John Belushi
Lina Wurtmuller…..Laraine Newman
T. Lazlo de Wizzen…..Julian Bond

[ open on title slide: “Bad Cinema” ]

[ Music: classical piano – “March of the Lunatics” ]

Announcer: And now it’s time for “Bad Cinema”, with your host — Leonard Pinth-Garnell.

[ music fades, as the scene dissolves onto Leonard Pinth-Garnell seated in a director’s chair surrounded by film reels ]

Leonard Pinth-Garnell: Hello, I’m Leonard Pinth-Garnell, and welcome once again to “Bad Cinema”. We have a terrible film for you tonight. Before we actually roll the film, I’d like to introduce our distinguished panel. We have, uh, with us — we’re delighted to have — author Truman Capote, who joins us tonight fresh from his debut as a bad actor.[ Capote smirks and nods ]

Leonard Pinth-Garnell: And with us, also, tonight — just joining us — Hello, Lina.

[ Laraine Newman enters the stage late ]

Lina Wurtmuller: [ quietly, due to not having a lapel microphone ] I’m so sorry.

Leonard Pinth-Garnell: That’s quite alright. Do you have — do you have the proper amplification? A microphone?

Lina Wurtmuller: Sorry.

Leonard Pinth-Garnell: I think there’s a small microphone on your chair. [ Lina grabs her lapel microphone and clips it on ] Thank you. If you could just clip it on.

Lina Wurtmuller: Very good!

Leonard Pinth-Garnell: Ah! With us, is Italian filmmaker Lina Wurtmuller, who, if she is given a few more years and continued complete artistic control, may well turn out to be one of the world’s leading BAD filmmakers. And we also welcome T. Lazlo de Wizzen, cinema noir critic for Jet magazine. He also holds a chair at Viscount College, where he teaches a workshop in BAD lighting.

[ Wizzen shakes his fist in triumph ]

Leonard Pinth-Garnell: I feel confident… that tonight’s selected bad film really BITES it! It was one of the worst works of Henri Heimeau, one of the very worst of the new breed of bad filmmakers to come out of Le College de Cinema Movec. Poorly conceived, dreadfully executed, we are proud to present Henri Heimeau’s “ooh-la-la! les legs!” Let’s roll the film, shall we?

[ Leonard Pinth-Garnell starts up the projector ]

[ dissolve to the film’s opening titles: a couple dancing before the Eiffel Tower, groups of people dancing around statues, various close-ups of Suzi’s legs, etc. ]

[ credits:

“ooh-la-la! les legs!”

un film de Henri Heimeau

Avec “Suzi” et Les Six ]

[ dissolve back to the projector as the film finishes ]

[ wide shot reveals Leonard Pinth-Garnell clapping, as members of the panel can be heard blowing raspberries ]

Leonard Pinth-Garnell: Terrible! Terrible! That wasn’t so good, was it? Panel. Truman.

Truman Capote: Yeah. Well, that was dazling turgid. A gem. A gem. It’s a treasure. Tell me, Leonard, where on Earth did you find it? Some of the WORST Heimeau I have ever seen! “ooh-la-la! les legs!” is a classic! It’s exquisitely bad! In Heimeau’s two-year search for his isi, he dredged up a perfect little actress — Suzi! She was the pits!

Lina Wurtmuller: Yes. You know, I know Heimeau very well, and his most dominant theme in his work is the twisting woman motif, in which he never fails to nauseate me thoroughly. And you must understand, I can tell you he chooses a girl he knows will be hostile and cooperative and disrespectful throughout the entire production! Adn the colors! He really knows how to abuse his pinks, it was nauseating!

T. Lazlo de Wizzen: Well, uh, Leonard, I don’t know if I have anything to contribute because my speciality in cinema critique is bad 3-D insect fear films of the ’60’s… and… this was one of the WORST 3-D insect fear films that I have ever seen.

Truman Capote: Oh, Lazlo! I didn’t know you were into, uh, bad 3-D insect fear films. Quelle coincedence! Oh! I just happen to have a VAST collection of bad 3-D insect fear films! Why don’t you come over for a private screening sometime?

Leonard Pinth-Garnell: I’m sure you gentlemen can work something out. Thank you so much, panel. I’m sorry that Henri Heimeau could not be with us tonight to view his film. I’m pleased to tell you, however, that he is presently employed as a chef at the Hotel Blaine Schiller in Paris, and is reputedly the worst cook in Paris. Next week on “Bad Cinema”, join me for an even worse film — Udja Corrada’s “Love on a Pin”. Until then, this is Leonard Pinth-Garnell saying good night.

[ he drops the film reel into a wastebasket near his foot ]

[ dissolve to title slide: “Bad Cinema” ]

[ fade ]

SNL Transcripts

SNL Transcripts: Julian Bond: 04/09/77: Right On Afro Lustre



 Saturday Night Live Transcripts


  Season 2: Episode 18






76r: Julian Bond / Tom Waits, Brick

Right On Afro Lustre

Written by: Al Franken & Tom Davis

Male Dancers…..Tom Davis, Al Franken
Female Dancers…..Laraine Newman, Gilda Radner
Ebony Model…..Julian Bond

[ open on a pair of male and female dancers on the disco floor ]

Jingle:
“You’ve come a long way, Negro
To get where you’ve got to today.
You’ve got your own hairspray now, Negro
You’ve come a long, long way.”

[ pull forward to reveal Ebony Model wearing a leather jacket and shirt suit sitting with a Girl Model at a table ]

Ebony Model: Hey there, Negro! Try Right-On Afro Lustre for that Right-On natural look.

[ he holds up the canister ]

Right-On Afro Lustre. you’ll know it because the canister is shaped like a fist.

[ cut back to the dancers on the disco floor ]

Jingle: “You’ve come a long, long way!”

[ cut to close-up of Ebony Model as he sprays the canister ]

Ebony Model: Right on!

[ fade ]

SNL Transcripts

SNL Transcripts: Julian Bond: 04/09/77



 Saturday Night Live Transcripts


  Season 2: Episode 18


This free script provided by http://javascriptkit.com]]>

Air Date:

Host:

Musical Guest:



Special Guests:

Cameos:

Bit Players:


April 9th, 1977

Julian Bond

Tom Waits

Brick

None

Patti Smith

Al Franken

Tom Davis

Michael O’Donoghue
Emily Litella in LoveSummary: Emily Litella (Gilda Radner) tells Jane Curtin that her lover makes her feel like a “national” woman.

Recurring Characters: Emily Litella.

Transcript

Montage

Julian Bond’s MonologueSummary: Sen. Julian Bond ponders the reasons why he might have been asked to host “Saturday Night Live”.

Transcript

H&L BrockSummary: Lowell Brock (John Belushi) has time to do your taxes because he’s doing time himself.

Recurring Characters: Lowell Brock.

Transcript

Black PerspectiveSummary: Garrett Morris and Julian Bond discuss the differences in IQ between light and dark-skinned blacks.

Transcript

An Oval OfficeSummary: Julian Bond and Andrew Young (Garrett Morris) confront President Jimmy Carter (Dan Aykroyd).

Recurring Characters: President Jimmy Carter, Amy Carter, Andrew Young.

Transcript

Tom Waits performs “Eggs & Sausages”

Dr. X, Family CounsellorSummary: Dr. X (Dan Aykroyd) meets with a family.

Recurring Characters: Colleen.

Transcript

Weekend Update with Jane CurtinSummary: The landing of a Concorde SST drowns out Jane Curtin.

Transcript

Right On Afro LustreSummary: The lustre that comes in a canister shaped like a fist.

Transcript

Great Moments In MotownSummary: Club Owner (Julian Bond) likes the new Motown group (Garrett Morris, John Belushi, Dan Aykroyd, Bill Murray), but wants to see hand gestures added to the performance.

Transcript

Creeley’s SoupSummary: A little girl (Gilda Radner) is tortured by the Soup Man (Bill Murray).

Transcript

Bad CinemaSummary: Leonard Pinth-Garnell (Dan Aykroyd) reviews the film, “Ooh-La-La! Les Legs!”

Recurring Characters: Leonard Pinth-Garnell, Truman Capote, Lina Wertmuller.

Brick performs “Dazz”

The FarbersSummary: Larry (John Belushi) and Bobbi Farber (Gilda Radner) acknowledge their neighborhood’s racial tolerance towards Julian Bond.

Recurring Characters: Larry Farber, Bobbie Farber.

Mr. Mike Meets Uncle RemusSummary: Mr. Mike (Michael O’Donoghue) tells Uncle Remus (Garrett Morris) the story of Brer Rabbit.

Recurring Characters: Mr. Mike.

Transcript

Patti SmithSummary: In a film by Gary Weis, Patti Smith talks about censorship.

Alabama ImprovementsSummary: George Wallace (John Belushi) delineates improvements to the South’s bad image.

Transcript

GoodnightsTranscript

SNL Transcripts

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