SNL Transcripts: Fran Tarkenton: 01/29/77: Leo Sayer performs “You Make Me Feel Like Dancing”



 Saturday Night Live Transcripts


  Season 2: Episode 13




76m: Fran Tarkenton / Leo Sayer, Donny Harper Singers

Leo Sayer performs “You Make Me Feel Like Dancing”

…..Leo Sayer

Announcer: Once again, here’s Leo Sayer.

Leo Sayer: [ singing ]
“You’ve got a cute way of talking
You got the better of me
Just snap your fingers and I’m walking
Like a dog hanging on your lead

I’m in a spin, you knowShaking on a string, you know!

You make me feel like dancing
I want to dance the night away
You make me feel like dancing
I want to dance the night away
You make feel like dancing
I feel like dancing (whoo!) dancing (whoo!) dance the night away
I feel like dancing (whoo!) dancing (whoo!) ahhhhh!

Quarter to four in the morning
I ain’t feeling tired, no no no no no
Just hold me tight and leave on the light
‘Cause I don’t want to go home

You put a spell on me
I’m right where you want me to be!

You make me feel like dancing
I want to dance the night away
You make me feel like dancing
I want to dance the night away
You make feel like dancing
I feel like dancing (whoo!) dancing (whoo!) dance the night away
I feel like dancing (whoo!) dancing (whoo!) ahhhhh!

You take me higher
I’m gonna catch on fire, ’cause

You make me feel like dancing
I want to dance the night away
You make me feel like dancing
I want to dance the night away
You make feel like dancing
I feel like dancing (whoo!) dancing (whoo!) dance the night away
I feel like dancing (whoo!) dancing (whoo!) dance the night away
I feel like dancing (whoo!) dancing (whoo!) dance the night away
I feel like dancing (whoo!) dancing (whoo!) ahhhhh!

You really slipped me a potion
I can’t get off of the floor
All this perpetual motion
You gotta give me some more
You gotta give me some more

And if you’ll let me stayWe’ll dance our lives away!

You make me feel like dancing (I wanna dance my life away)
You make me feel like dancing (I wanna dance my life away)
You make me feel like dancing (I wanna dance my life away)
I feel
You make me feel like dancing (I wanna dance my life away)
You make me feel like dancing (I wanna dance my life away)
I feel
You make me feel just like dancing (I wanna dance my life away)
I feel!”

SNL Transcripts

SNL Transcripts: Fran Tarkenton: 01/29/77: Leo Sayer performs “When I Need You”



 Saturday Night Live Transcripts


  Season 2: Episode 13



76m: Fran Tarkenton / Leo Sayer, Donny Harper Singers

Leo Sayer performs “When I Need You”

…..Leo Sayer

Fran Tarkenton: Ladies and gentlemen — Leo Sayer.

Leo Sayer: [ singing ]
“When I need you
I just close my eyes and I’m with you
And all that I so want to give you
It’s only a heartbeat away.

When I need love
I hold out my hands and I touch love
I never knew there was so much love
Keeping me warm night and day.

Miles and miles of empty space in between us
The telephone can’t take the place of your smile
But you know I wont be traveling forever
It’s cold out, but hold out, and do I like I do

When I need you
I just close my eyes and I’m with you
And all that I so wanna give you, babe
It’s only a heartbeat away.

It’s not easy when the road is your driver
Honey that’s a heavy load that we bear
But you know I wont be traveling a lifetime
It’s cold out, but hold out, and do like I do.

Oh, I need you.

[ sax solo ]

When I need love
I hold out my hands and I touch love
I never knew there was so much love
Keeping me warm night and day.

When I need you
I just close my eyes
And you’re right here by my side
Keeping me warm night and day.

I just hold out my hands
I just hold out my hand
And Im with you, darling
Yes, I’m with you, darling
And all I wanna give you
It’s only a heartbeat away.

When I need you.”

SNL Transcripts

SNL Transcripts: Fran Tarkenton: 01/29/77: Fran Tarkenton’s Monologue



 Saturday Night Live Transcripts


  Season 2: Episode 13








76m: Fran Tarkenton / Leo Sayer, Donny Harper Singers

Fran Tarkenton’s Monologue

…..Fran Tarkenton
Coach…..John Belushi
Lee Whitehead…..Bill Murray
…..Garrett Morris

Announcer: Ladies and gentlemen — Fran Tarkenton!

Fran Tarkenton: Uh, thank you. Thank you very much. Uh, now I’m not going to predict how this show will turn out. Uh — [ he laughs ] You know, I’ve never hosted a TV show before, and I really don’t have the best track records… as far as predictions go. Before the Superbowl, I kind of made a fool of myself. I got on national television, and told the whole world the Vikings would definitely win the game. And, as you probably know, we… were narrowly defeated. Uh — [ he laughs ] by a very, very lucky Oakland team.

Uh — before we go any further, I’d like to say something about the kind of people here on “Saturday Night”. They asked me to do this show a week before the Superbowl, and, uh — I thought if we lost the game, “Saturday Night” would be well within their rights to, uh, call me the next day and cancel. Well… [ he chuckles ] I was wrong, and, uh, they called me at Half Time.

Now, I want everyone to know — especially you Vikings fans out there — that the Vikings aren’t dead yet. [ the audience cheers ] Uh — we’re a team, uh, built on pride and discipline. And, next July, we’re going back to Mankato, Minnesota — we’re gonna work harder than ever. We’re gonna put on those bonnets and purple jerseys, and strap those little shoulder pads on, and I guarantee ya’ that… we’ll BE in that Superbowl next season! And I predict… we’ll lose again.

[ the audience applauds the joke ]

You know, in the NFL, most plays are sent into the court of act from the sidelines. But, I’m a little different. I call my own plays, and I’m gonna try and do that tonight. So, right now, I’d — I’d like to sing a song. [ he nods ] Uh — a song that’s really, uh — very, very special to me, and… here it is.

[ music begins to play, as Tarkenton grabs a microphone, and pulls up a stool and sits ]

“Feelings!
Nothing more than feelings!”

[ on the sidelines, John Belushi cringes at the results of Tarkenton’s performance ]

[ commentator Lee Whitehead appears in superimposed circle on the left side of the screen ]

Lee Whitehead: Well, you can’t help but wonder if maybe Coach John Belushi has made a technical error tonight, in letting Fran Tarkenton try his luck as a singer. Now, don’t get me wring — I’m not badmouthing Tark, uh, but you just can’t expect a guy who’s passed over 25,000 yards and 300 touchdowns to be able to pull off a dramatic ballad.

[ Belushi angrily slams a chair against the sidelines ]

Lee Whitehead: Now, I’m sorry, but that’s my opinion, uh —

[ Belushi grabs Garrett Morris off the bench ]

Lee Whitehead: Now, it seems that, uh, Belushi is sending in a play, with Garrett Morris, the talented running back out of Julius Irving High School here. And I wonder, uh, if we can get our statistician, Bobby Van Ry, to find out how many miles 45,000 yards adds up to.

[ Garrett runs up to Home Base ]

Lee Whitehead: Now, it looks like Garrett is gonna make a little bit of a change here. Back to the action for a second.

[ Garrett and Tarkenton agree to switch places for the good of the team, as Tarkenton shuffles away from Home Base and Garrett continues the song ]

Garrett Morris: [ singing ]
“Feelings!
Wo-oh-oh-oh, feelings!
Wo-oh-oh-oh, feelings!”

[ on the sidelines, Tarkenton balks at the switch, so Belushi smacks him ]

Garrett Morris: [ singing ]
“Again… in my… hea-ea-ea-earrrrrttt!!”

We’ll be right back!

[ Garrett bows gracefully, as the crowd cheers ]

SNL Transcripts

SNL Transcripts: Fran Tarkenton: 01/29/77: Sports Injury



 Saturday Night Live Transcripts


  Season 2: Episode 13






76m: Fran Tarkenton / Leo Sayer, Donny Harper Singers

Sports Injury

Coach…..John Belushi
Chambers…..Dan Aykroyd
Player…..Garrett Morris
Second Coach…..Bill Murray
…..Fran Tarkenton

[ open on Coach John Belushi and members of Team Saturday Night watching from the sidelines as they cheer on their teammate, Chambers ]

Coach: Alright, alright, alright! Come on! We’ve got it! Come on! We’ve got it! Okay, he’s open! He’s open! Go, Chambers, go! Go, Chambers, go! Go, Chambers! [ he cringes ] Ohhhh!!!! He dropped the ball! Oh, God, I don’t believe it! [ turns to his players on the bench ] Defense, get in there! Get in there! Defense! Move!! Move!! Get that ball!! Get that ball!

[ the various sidelined players run onto the field, as the Coach looks about frantically ]

Where’s Chambers?! Chambers, get over here! Chambers! [ Chambers steps forward ] Chambers! What’s going on out there, Chambers?! You’re the best halfback we’ve got! You were wide open — then some guy puts an arm tackle on you, and you fumble the ball! I don’t believe it! What happened?!

Chambers: [ nervously ] I don’t know, I saw daylight, and I was going through, Coach, and… the guy grabbed my arm — pulled my arm off — and I fumbled the ball!

Coach: [ confused ] What?

Chambers: He tore my arm off!

[ Chambers shifts his body to reveal that his right arm is missing ]

Coach: [ incredulous ] So, it’s a little injury, is that it?! You can’t play hurt, is that what you’re trying to tell me, you CREAM PUFF!! You can’t play hurt, Chambers? Well, this is a championship game!

[ another player walks up ]

Player: Hey, man?

Chambers: Yeah?

Player: [ holds up the detached arm ] Is this yours?

Chambers: Yeah.

[ Coach grabs the detached arm and sends the player on his way ]

Coach: Is this the arm, Chambers?

Chambers: Yeh, that’s it.

Coach: Well, it looks fine to ME!! [ shoves the arm toward a second coach ] Tape it up! Come on! Get it up there! Tape it up! [ the second coach begins towrap tape around Chambers and his detached arm ] Now, remember, Chambers — just TOUCH the ball, alright? Just TOUCH the ball! [ to the second coach ] Get that tape up there! Come on! Come on! [ pounds Chambers along the chest to hold the tape in ] Now, run! You know — when the going gets tough, the tough get weak! No, the tough get hurt! The tough get going!! Don’t worry about it! [ to the second coach ] Get that tape up there! [ the botched tape job is complete ] Okay, it’s in! It’s fine! Now, when you play with pain, you play well! Alright? Okay, get out there!

Chambers: What if I — what if I permanently damage the arm?

Coach: It’s alright — you can always be a place kicker! Move! Get out there! Get out there, Chambers!

[ Chambers runs back onto the field, as Coach moves down the roster ]

Coach: Tark! [ Fran Tarkenton jumps to his feet ] Move out there, kid! Come on! Do the intro! [ Tarkenton runs across the studio ] Let’s go! Make it happen! Make something happen!

[ Tarkenton scrambles toward the audience to introduce Leo Sayer ]

SNL Transcripts

SNL Transcripts: Fran Tarkenton: 01/29/77: Home Restaurant



 Saturday Night Live Transcripts


  Season 2: Episode 13





76m: Fran Tarkenton / Leo Sayer, Donny Harper Singers

Home Restaurant

Man…..Bill Murray
Woman…..Jane Curtin
Husband…..Dan Aykroyd
Wife…..Gilda Radner
Daughter…..Laraine Newman

[ open on couple sitting at a table in an in-house restaurant ]

Man: How’s the drink?

Woman: Strong. But it’s really good. And they actually live here?

Man: Mmm-hmm. The Vice-President of DataCorp, Bill Holding, told me about this place, a man and his wife turn their own home into a restaurant three nights a week. It got a four-star rating in Food Map magazine.

Woman: Oh, wow!

Man: They said it was real expensive, but I made reservations two months in advance, because you’re worth it.

[ laughs ]

[ Husband enters dressed as waiter ]

Husband: Is everything satisfactory?

Man: Oh, yes, everything is great!

Woman: And you have a lovely home!

Husband: Oh, thank you, thank you very much. You know, it is our pleasure to serve you, and extend the hospitality of the region of Alsace to you here in America, at Maison Alsace American. This is my wife, Ellen, she will assist me in preparing the meal for you tonight, and making you feel at home in our home. This is our home, as you know. I am the cook, I would like to tell you – I told you a ittle bit about it on the phone when I confirmed your reservation. What we are going to have for you tonight, exclusively for you. As you know, this is our home. I cook only three nights a week, for only one couple. This week I have chosen you. This way we can serve you exclusively, and give you our full hospitality. Now, tonight, for you, I have supper from the Alsace region of France. You will have, to start, Pate de Foie Gras. A soup made from leeks and tomatoes..

Wife: Excuse me, Maitre? The tomatoes are not as fresh as the red peppers.

Husband: We will be using the tomatoes in the soup, they are perfect for the soup. As I have said before – I am the cook, this is my home.

Wife: If you will excuse me. [ exits to kitchen ]

Husband: And, we will have, for you, some Quiche Lorraine with Apple, and you will have Les Cotelettes D’agneau, lamb chops, with green beans, Haricot Vert we say, and candied carrots and a little sauce on that, for you. We have the Patisserie for dessert, and the wine will be a red Alsatian wine, 1968 vintage. Does that sound good to you?

Woman: Oh, that sounds really good!

Husband: Alright, and for your entertainment pleasure, our daughter Francine will play the recorder for you. I come back. I hope you enjoy. Please. [ exits to kitchen ]

[ Daughter plays the recorder badly, as Husband and Wife can be heard yelling and screaming in the kitchen ]

[ Husband re-enters with the soups ]

Wife: And, for you now, the soup.. and the Pate.. for your pleasure.

Husband: And, the wine. I hope you enjoy it, vintage 1968, from the Alsace region.

Wife: Right. Please, enjoy yourselves, we are only here to serve you, you should have a lovely time.

Woman: Oh, I’m sure we will!

Husband: And, for you. I am glad you enjoy it, it is a very good wine, and we have more downstairs for you. Alright. And, for your entertainment pleasure – Francine – our daughter Francine will play, for you, the recorder. [ exits to kitchen ]

[ Daughter plays the recorder badly, as Husband and Wife continue to yell and scream in the kitchen, crashing noises can also be heard ]

[ Husband re-enters with main course ]

Husband: And, for you now, the main course, which is, of course, Les Cotelettes D’agneau, with the small mint sauce on it, for you. Excuse me, I hope you enjoy it. Les Haricots-Verts. And a small light sauce on the carrots.

Man: Are you okay?

Husband: It’s nothing. I drop a plate.

Woman: The soup was delicious!

Husband: Soup is very good, I’m glad you enjoy it. Please enjoy your meal, please feel free to be at home in our home. And, for your entertainment pleasure now, Francine, our daughter, will play, for you, the recorder. Please enjoy. [ exits to kitchen ]

[ Daughter plays the recorder, as Husband and Wife continue to yell and scream in the kitchen, banging things up terribly ]

Daughter: [ screams ] Please!! I cannot take it any longer!! You must help me, I am in trouble!! I have to go to Colorado to see my boyfriend!! All I need is $35 more for the bus, oh please!!

[ Wife stumbles out of the kitchen ]

Wife: When you are through with your meal, the Patisserie – eclair, eclair – for later. Are you enjoying your meal, is everything satisfactory?

Woman: Delicious!

Wife: Oh! And now, for your enjoyment, our daughter Francine will play the recorder. [ exits to kitchen ]

[ Daughter plays the recorder badly, as Husband and Wife continue to yell and scream in the kitchen, ruckus heightening ]

Daughter: [ screams ] Oh, please!! All I need is $35!! If you have $20, please give it to me!!

[ Man slips Daughter a $20 bill as Husband re-enters the room ]

Husband: I hope you are enjoying the meal.

Man: Great!

Husband: Myself, for myself – and I speak for myself – I am having some trouble in the kitchen. Having some trouble with, you say, La Four, the stove, the oven is giving us some troubles tonight. How are your carrots? Good for you tonight? Oh, not as good as last week, because my wife does not know how to prepare a sauce, you see? These carrots are not as good as last week! She is so stupid sometimes! So stupid, my wife! Sometimes – yes, my wife!

[ Wife stabs Husband in the back, piercing the bill with the knife ]

Wife: And here.. the check. But do not rush. Sit, enjoy your meal, take as much time as you like. And, for your listening pleasure,Francine will always play. Thank you! [ exits to kitchen ]

Man: [ looks at the check, smiles ] Hey, now that is not bad at all!

[ fade out ]

SNL Transcripts

SNL Transcripts: Fran Tarkenton: 01/29/77: Hotel Sketch



 Saturday Night Live Transcripts


  Season 2: Episode 13








76m: Fran Tarkenton / Leo Sayer, Donny Harper Singers

Hotel Sketch

Alice…..Laraine Newman
…..Fran Tarkenton
Lee Whitehead…..Bill Murray
Referee…..Joe Dicso
Coach…..John Belushi
Waterboy…..Mitchell Laurance

[ open on Fran Tarkenton showing Alice into his hotel room ]

Alice: Ohhh, so this is your room?

Fran Tarkenton: [ as he helps to remove her jacket ] Yeah… [ he chuckles ] Uh, Room 411. My last night here.

Alice: Wow! [ she sits on the edge of the bed ] It’s really incredible running into you after the Superbowl, you know? I mean, it was outrageous! I thought to myself: “Fran Tarkenton, in this bar, all alone, with all that energy to be spent!”

Fran Tarkenton: [ he laughs as he sits next to her ] Yeah, well — uh, you know, I’m beat. uh — I’m about ready to crash…

Alice: Really? I could talk ALL night, man! Did I ever tell you –? [ stops herself ] No, I couldn’t have, we just met. About, when I was in the fourth grade, you know? And this girl, Jean Romberg, had a fly on her, you know? And, like, it really blew my mind, but she didn’t know it, man! And I thought, “Well, if I had a fly on me, I would know it, you know? And, like, that’s when I realized that I saw things and felt things on a much deeper level than most people.

Fran Tarkenton: [ nods his head wearily, then jumps to his feet ] Uh — TIME OUT! TIME OUT!

[ a Referee runs onto the set and stops the scene, as Tarkenton runs off the set to join the Coach on the sidelines. A waterboy joins in offering comfort to Tarkenton. ]

[ Lee Whitehead appears in a circle on the left side of the screen ]

Lee Whitehead: Well, it looks like Tark has called Time Out, uh — he’s heading to the sidelines to talk over the situation with Coach John Belushi. You know, Belushi’s kind of an even-tempered, kind of a stoic kind of a guy. But he’s got one of the winningest records in the entire network, so he’s the kind of guy you’re not — you’re not gonna let loose. That’s the kind of guy you’re gonna pay a lot of attention of —

[ Tarkenton begins to return toward the set ]

It looks like they’re deciding on some kind of a — some kind of a plan of action over there, but, uh —

[ Tarkenton turns and returns to the Coach’s side ]

No, wait a second… it looks like he’s going BACK to the sidelines. Apparently, they’re gonna double-check on something. You don’t want to have any kind of miscommunication at this stage. Uh, certainly you want to make sure that there’s no misinformation on anything that’s going on. You know — Tark, they call him the “Little Viking”, but it just so happens that he’s got a huge, huge Oldsmobile that he loves to drive around, just run it into parking meters! It’s a funny story. [ he laughs ] But we can’t tell it now.

[ Tarkenton runs back toward the set ]

He seems to be confident now, and he’s running back for his next move.

[ Referee blows his whistle, then steps off-camera as the scene continues ]

Fran Tarkenton: How about a drink?

Alice: Oh, thank you!

[ Tarkenton jumps over to the minibar and fixes her a quick drink as she brushes her hair ]

Alice: You know, it’s really weird the way hair collects in my hairbrush…

Fran Tarkenton: Yeah, uh… yeah, uh… [ he dims the lights ] There, that’s uh — that’s better.

[ Tarkenton runs over to the nightstand and begins to undo his tie ]

Alice: Like, maybe you’ve never thought of it this way, bu,t like… fottball’s such a territorial thing. I perceive it as a very male thing.

Fran Tarkenton: Yeah, uh — [ he chuckles ] Yeah, it gets pretty rough out there!

Alice: Oh, I HATE violence — I really hate it. I mean, I’m sooo sensitive, you know? And, you know, a lot of women don’t like me. I mean, you can understand why. [ Tarkenton sits on the bed ] And, like, it really depresses me. I mean, sometimes I would like to take a razor blade and slice up my face.

Fran Tarkenton: Uh — [ he chuckles ] Yeah. Um, you mind if I lie down?

Alice: Oh, outrageous! [ Tarkenton lies down across the bed ] I had this premonition of me unfolding in front of you like a flower while you were lying down! [ she lies next to him ]

Fran Tarkenton: [ excited ] Oh, far out, man!

Alice: Fran, does it ever bother you that you’re called “Fran”? I mean, you know about, in that song, “A Boy Named Sue”? Well, like, I was thinking: if you have a son, you’ll name him “Bob” or “George” or “Frank” — anything but “Fran”.

Fran Tarkenton: Uh — you like music, huh? Uh, I’ve got my cassette player with me here. Uh —

[ he reaches over to the nightstand and turns his cassette player on ]

Voice of Bob Dylan: “Lay, lady, lay… lay across my big brass bed…”

Alice: Oh, wow! I just KNEW you’d be into Dylan! You know, I am so psychic that it’s frightening!

Fran Tarkenton: [ rubbing his back ] Uh, my back’s a bit sore — I think I’ll start up the Magic Fingers here. [ he turns on the massaging device connected to the bed, as it begins to vibrate ]

Alice: Fran? Why do they call you “The Scrambler”?

Fran Tarkenton: [ he chuckles ] I don’t know. I guess ’cause I scramble around a lot!

Alice: [ solemnly ] Tell me about Joe Namath’s —

[ Tarkenton climbs out of bed, throws on his robe, and stomps off of the set towards the Coach standing on the sidelines, as the Referee blows his whistle ]

[ Lee Whitehead appears in a circle on the left side of the screen ]

Lee Whitehead: Well, with only a few seconds remaining, Tark has stepped out-of-bounds and stopped the clock. Uh, once again, he’s conferring with Coach John Belushi, uh — gonna see if he can put some scoring, maybe on the clock’s score, just before the clock runs out, here on the first half. Uh, you know, it’s a real psychological defeat to go all the way down, and get this far, and not score. But, uh, Tarkenton’s a pro, he’s been there before, he’s the kind of guy who hits and hits hard and keeps coming — you know what I’m talking about, ladies and gentlemen! He’s the kind of guy who goes once, twice, three times, and the kind of guy who likes to come back late from practice, if you know what I’m talking about.

[ Tarkenton runs back onto the set ]

Back to the action!

[ Tarkenton removes his shirt and jumps into the bed, as the Referee blows his whistle ]

[ 0008 seconds remain on the clock ]

Fran Tarkenton: Alice?

Alice: What, Fran?

Fran Tarkenton: Uh, want to go to bed?

Alice: Sure!

[ as the seconds wind down to 0000, Alice climbs on top of Tarkenton ]

[ a gun fires, ending the scene ]

[ Tarkenton and Laraine hop out of bed and run off the set to the sidelines, as Team Saturday Night retreats for Halftime ]

[ fade ]

SNL Transcripts

SNL Transcripts: Fran Tarkenton: 01/29/77: Grand Stand



 Saturday Night Live Transcripts


  Season 2: Episode 13






76m: Fran Tarkenton / Leo Sayer, Donny Harper Singers

Grand Stand

Bryant Gumbo…..Garrett Morris
Lee Whitehead…..Bill Murray
…..Fran Tarketon
Conductor…..Howard Shore

[ open on “Grand Stand” logo ]

[ pan out to reveal Lee Whitehead and Bryant Gumbo seated at the sportsdesk ]

Lee Whitehead: Well, it’s, uh — it’s certainly been an exciting first half of comedy, here in the RCA Building. Hello, I’m Lee Whitehead.

Bryant Gumbo: And I’m Bryant Gumbo. We’ll have some of the first half highlights with Fran Tarkenton, after this message.

[ dissolve to repeat of “Wrigley’s Gum” ad parody from Season 1 ]

Bryant Gumbo: Hello, welcome back to “Grand Stand”. We’re talking with Fran Tarkenton, host for “Saturday Night”.

Lee Whitehead: Fran, uh, you had a pretty good first half — you completed 11 out of 16 jokes, for a total of 97 laughs. Now, uh, some of the jokes have been pretty hard-hitting — do you think this is a dirty show? [ no response from Tarkenton ] Well, it appears that, uh, Fran cannot hear us. We’ll have that interview in just a few moments. But, first — let’s take a look at the “Saturday Night” blimp, uh, which is now above the studio.

[ cut to a close-up of the blimp above the audience, pan out for long shot ]

Lee Whitehead V/O: And, uh, the blimp, of course, is just a small part of the amazing technological hook-ups which bring us “Saturday Night Live.”

[ return to Lee and Bryant at the desk ]

Bryant Gumbo: Uh, excuse me — excuse me, Lee, I think Fran can hear us now. Is that correct, Fran?

Lee Whitehead: Uh, we’ve got Fran here. Hello, Fran? Fran? [ Tarkenton just grins like an idiot, unable to hear either of the sports anchors ] Well, I guess we’re not ready yet for that interview with Fran Tarkenton.

Bryant Gumbo: Yeah, yeah. And while we wait, uh, let’s look at some highlights from a show that is already in progress on ABC. Their late night movie is “That’s Entertainment, Part 10”. Uh, it has an exciting scene from “EVery Man’s House”.

[ cut to black-and-white film footage, with SUPER: “In Progress On ABC” ]

[ a man sings “It’s… A… Big… Wide… Wonderful World…” to a bird in his hand, while his wife brings coffee and they sit at the table ]

[ return to Lee and Bryant at the desk ]

Lee Whitehead: And, of course, we’ll be keeping you posted on the development in that show. Uh, I understand that, uh, FRan can hear us now. So, Fran, is that right? Can you hear us? Hello, buddy. [ no response from Tarkenton, who just smiles dumbly on the monitor ] Well… so, uh, Fran can’t hear us! So, let’s take it down to the floor — Howard Shore and his band, for some of that Half Time pageantry!

[ cut to a marching band playing on the field, as the Conductor steps forward and climbs a ladder before them ]

Announcer: And now, the White Plains Marching Band… saluting blind, non-white American composers! To begin our tribute, the band will perform… “You Are the Sunshine of My Life… while forming a pair of giant sunglasses in the c of the field.

[ the band stumbles about in an effort to form the shape ]

[ return to Lee and Bryant at the desk, in mid-interview ]

Lee Whitehead: — a hard-hitting show. Do you think this is a dirty show, Fran?

Fran Tarkenton: Uh, no, I don’t think so. I — I think it’s good, clean comedy. You know, no one’s taking any cheap shots out there, except, maybe, that Stevie Wonder joke we just heard.

Bryant Gumbo: I — I hope Stevie’s not hurt, speaking of cheap shots. Uh, when Don Meredith announced during the Superbowl that you were going to host “Saturday Night” — you know? — he said you were going a long way with no talent. Uh, what do you think about that?

Fran Tarkenton: Uh, well, Lee — [ he laughs ], I’m not a vicious kind of guy, but, you know, there are three quarterbacks in the NFL who are gay, and… when Don was playing, there were four!

Bryant Gumbo: Okay, Fran, uh — [ he coughs ] Let’s take a look at some highlights from, uh, the first half.

[ show slow-motion footage from the Monologue ]

Bryan Gumbo V/O: Now, uh, this was early on in the show, and I think it was your first big laugh.

Fran Tarkenton V/O: Yes, I-I’d say this was definitely the turning point of the first quarter. John Belushi, he set me up just beautifully, and I went in for the laugh untouched.

Bryan Gumbo V/O: Yeah, uh —

Lee Whitehead V/O: Now, why don’t you tell us what’s happening in this scene, here —

[ show slow-motion footage from the Steroids ad parody ]

Lee Whitehead V/O: Right here.

Fran Tarkenton V/O: Well, now, I’m getting the time to get my jokes off, and I-I’m connecting with the audience, and I hope to do a lot more of that before the show’s over.

Lee Whitehead V/O: Terrific steroid bit, if I must say so. You look pretty good here, uh, no question about it. This next piece of tape we’re gonna see here, uh —

[ show slow-motion footage from the Hotel sketch ]

Lee Whitehead V/O: Oh, yeah, you look REAL good here! Now, you want to tell us what kind of condition you have to be in to pull this one off?

Fran Tarkenton V/O: Well, yeah, I think condition’s a big factor, and that’s why the show is so funny tonight. [ he chuckles heartily ]

[ return to Lee and Bryant at the desk ]

Well, thank you, Fran, and that’s all the highlights. And we hope you’ll continue to be funny for us in the second half, or else — [ he mimes cutting his throat ]

Fran Tarkenton: Well, thank you, Lee and Bryant, and, uh —

Bryant Gumbo: Yeah, and, uh, thanks — that’s “Grand Stand”. Thank you, Lee, for anchoring.

Lee Whitehead: Thank you, Bryant, for providing the color!

[ they all augh uproariously at the joke ]

[ the credits begin to scroll ]

Announcer: The preceding broadcast is the property of the National Comedy League. Any reproduction or rebroadcast, without the expressed written consent of the NLC, is strictly prohibited by common sense.

[ fade ]

SNL Transcripts

SNL Transcripts: Fran Tarkenton: 01/29/77: French Liquid



 Saturday Night Live Transcripts


  Season 2: Episode 13







76m: Fran Tarkenton / Leo Sayer, Donny Harper Singers

French Liquid

Announcer…..Michael O’Donoghue
Third Woman in line…..Edie Baskin
Fourth Woman in line…..Anne Beatts
Fifth Woman in line…..Rosie Shuster

[ open on saleslady demonstrating her product at the perfume counter, a line of women standing in front of her ]

Announcer: Every time you buy a perfume… one million other women are buying the same perfume.

[ close-up of product ]

But now, there is French Liquid. One million women can wear French Liquid, and it won’t smell quite the same on any of them.

[ slow pan across the line of women, from front to back ]

[ over first woman in line ]

For example, on her, it smells like wildflowers…

[ over second woman in line ]

On her, it smells like tropic rain…

[ over third woman in line ]

On her, it smells like warm rain pellets…

[ over fourth woman in line ]

On her, it smells like Cicely Tyson’s toothbrush…

[ over fifth woman in line ]

On her, it smells like a dead otter in the drainpipe…

[ full shot of women standing in line ]

French Liquid. Vive le difference!

[ dissolve to audience shot, zoom in on women with CAPTION: “On Her It Smells Like French Kitty-Litter” ]

SNL Transcripts

SNL Transcripts: Fran Tarkenton: 01/29/77: Community Appeal



 Saturday Night Live Transcripts


  Season 2: Episode 13



76m: Fran Tarkenton / Leo Sayer, Donny Harper Singers

Community Appeal

…..Fran Tarkenton
…..John Belushi

[ open on footage of Fran Tarketon on the field, as his live head shot appears in the upper right corner ]

Fran Tarkenton: Hi, I’m Fran Tarkenton. [ Tarkenton fumbles in the play footage ] That was a great moment for me.

[ corner pulls out to reveal John Belushi, dressed as a boy scout, seated beside Tarkenton ]

Fran Tarkenton: And this was another great moment. [ puts his arm around Belushi ] This is John Belushi. Until recently, John was an actor of some promise. Then drugs destroyed his mind. But your dillars have helped. Through care and dedication, John has been rehabilitated to the point where he… sees shadows, and can name three countries. Go ahead, John.

John Belushi: Belgium… Belgium… and Kansas City…

Fran Tarkenton: Good boy. Now, tell the people about the special program they put you on.

John Belushi: First, I get up in the morning and I get my shot. Then, they put me on a special bus. And — [ he jerks around suddenly to glance over his shoulder ] And, then they take me to a park that has a rubber wall. Then, I see a film. And, on Sunday, I have milk.

Fran Tarkenton: Good boy, John, good boy. Community Appeal. [ the title slide appears over them ] Thanks to you… he’s working.

[ fade ]

SNL Transcripts

SNL Transcripts: Fran Tarkenton: 01/29/77: Amy Carter In School



 Saturday Night Live Transcripts


  Season 2: Episode 13









76m: Fran Tarkenton / Leo Sayer, Donny Harper Singers

Amy Carter In School

Teacher…..Jane Curtin
Heather…..Gilda Radner
Amy Carter…..Laraine Newman
Secret Service Agent #1…..Dan Aykroyd
Secret Service Agent #2…..Bill Murray
Black Student…..Garrett Morris

[ open on interior, grade school classroom ]

Teacher: Alright, class, is everyone ready for our morning quiz?

Class: Yes, Miss Branshat!!

Teacher: Good.

[ Secret Service agents enter classroom, and make sure everything is in order. They open the door and let Amy Carter in. ]

Hello, Amy. You’re late again. Take your seat, Amy.

Secret Service Agent #1: Sorry. The limosine got stuck in traffic.

Teacher: You could have used your flashers! Now.. [ agents continue to scope the room before allowing Amy to take her seat ] ..settle down, boys. We’re gonna have an American History quiz this morning. now, who would like to tell me why we have quizzes?

Heather: Pick me! Pick me, Miss Branshat!

Teacher: Alright, Heather Thurman. You tell us.

Heather: We take quizzes to show what we know, not what we don’t know.

Teacher: That’s right, yes that’s very good! Alright, pupils, tablets ready. Now, in your best penmanship, write down the answers to these questions. Alright. Who is our new President?

Secret Service Agent #1: [ chuckles ] She should get that one!

Secret Service Agent #2: Yeah!

Teacher: Okay, now. Who was our first President? [ Amy answers the question, her agents look on ] Who was the President during the Civil War?

[ Amy doesn’t appear to know the answer ]

Secret Service Agent #1: [ whispers ] Lincoln. Abraham Lincoln.

Black Student: [ looks up and points to his quiz sheet ] I know it!

Teacher: Okay. Who was the President during the War of 1812?

[ Amy doesn’t appear to know the answer ]

Secret Service Agent #1: [ whispers ] Madison. James Madison.

Teacher: Alright. Why did the Pilgrims come to America?

[ Amy doesn’t appear to know the answer ]

Secret Service Agent #2: [ looks at Heather’s paper, whispers the answer ] The pilgrims.. came to America.. to escape.. religious persecution. ..S-E-C-U-T-I-O-N.

Heather: [ notices the agent looking at her answers ] Miss Branshat, Miss Branshat! Amy’s cheating!

Amy Carter: I am not!

Heather: You are, too!

Amy Carter: I am not!

Heather: You are, too!

[ Sensing a security violation, the Secret Service agents quickly stuff Heather into her desk and pound on the top. Miss Branshat intercedes. ]

Secret Service Agent #1: Sorry, Miss Branshat, it won’t happen again.

Teacher: Well, just see that it doesn’t! Settle down, Heather. Alright, next question – and no copying this time! Compare and contrast the Jeffersonian and Jacksonian democracy in relation to the reformist movement of 1834.

[ Amy turns to her Secret Service agents, but they slowly back away and exit the classroom ]

Secret Service Agent #1: I don’t really know that one..

Secret Service Agent #2: No..

[ zoom out ]

[ SUPER: “Coming Up Next: Obscene Hog-Calling Contest” ]

[ fade ]

SNL Transcripts