Andy Rooney


93t: Heather Locklear / Janet Jackson

Andy Rooney

Ed Bradley … Tim Meadows
Andy Rooney … Norm MacDonald


[Bumper for CBS’ TV newsmagazine “60 Minutes”: aticking stopwatch. Dissolve to correspondent EdBradley addressing the camera.]

Ed Bradley: As the old refrain goes, “Peoplewho need people are the luckiest people in the world.”And then – there’s Andy Rooney.

[Dissolve to elderly, graying weekly commentator AndyRooney who sits at the desk in his office, with hisjacket off and shirtsleeves rolled-up, addressing thecamera in his irritatingly snide, cadencedvoice.]

Andy Rooney: People are everywhere nowadays. Itseems like you can’t go anywhere without bumping intosome people. People follow you when you’re shopping.They ask you for directions. And, sometimes, they askyou what time it is. People never know what time itis. They have to ask you.

There are over four billion people in the world.That’s a lot of people. And I suppose most people likeeach other all right. But I don’t. Idon’t like people and I never have. Iguess that makes me bad.

Advertisers are always using people to help sell theirproducts. [holds a box of Kellogg’s Corn Flakescereal] Here’s something called corn flakes. It’s gota picture of some people on the box. I guess we’resupposed to think, “Well, these people likecorn flakes. I guess I will, too.” [sets box aside]But I don’t think that. I don’t like people. And Idon’t like pictures of people either.

There’s even a magazine now about people. [holds up acopy of People Magazine with a photo of ClintEastwood on the cover] It’s called “PeopleMagazine.” This issue has a picture of somefellow’s head on the cover. I’ll bet that’s a goodarticle. [sets magazine aside]

Here’s a box of letters from different people. [dumpsa large box of envelopes on the desktop] Seems there’snothing people enjoy more than writing me letters.[picks envelopes from the pile and holds them up tothe camera, one at a time] Here’s one from -Washington. This one’s from – Ohio. Here’s one from -North Dakota.

Here’s one from – Paris, Texas. Now, I don’t knowwhere Paris, Texas is – but I do knowthis — I’m getting pretty tired of cities inTexas naming themselves after cities in France.

Here’s one from Chicago. This one’s from Iowa. Here’sone from Iowa, too. Here’s one from Montana. Thisone’s from someplace called “Kansas City.” Here’s onefrom Montana. Here’s one from Arizona. This one’s fromLas Vegas. Here’s one from Virginia – and here’sanother one – from West Virginia. This one’sfrom Indiana. I don’t know where this one’sfrom – but it’s yellow and has a big stamp on it. Thisone’s from Colorado. Here’s one from Michigan.

I receive about one hundred of these letters everysingle day. I never open them. I don’t likeopening them. I set fire to them.

Then, I pour water on the box of burning letters toput it out the fire. Then, I take the whole mess and Idump it out of my window on the people below. Peopledon’t like that much. But I like doing it to them. Isuppose that makes me bad.

[Dissolve back to Ed Bradley, addressing thecamera.]

Ed Bradley: We’ll be back next week withanother edition of “60 Minutes.”

Submitted Anonymously

SNL Transcripts

Author: Don Roy King

Don Roy King is directing his fourteenth season of Saturday Night Live. That work has earned him nine Emmys and thirteen nominations. Additionally, he has been nominated for thirteen DGA Awards and won in 2014, 2016, 2017, 2018 and 2019. Mr. King is also the creative director of Broadway Worldwide which brings theatrical events to theaters. The company has produced Smokey Joe’s Café; Putting It Together with Carol Burnett; Jekyll & Hyde; and Memphis, all directed by Mr. King. He completed the screen capture of Broadway's Romeo & Juliet in 2013. - LinkedIn

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