Mercedes AA Class Sedan ad

[Starts with Julia walking]

Julia Louis-Drefus: Isn’t it amazing how much of our world is powered by something so small [showing AA size battery that goes in TV remotes]. There are million uses for these little wonders. Well, make that a million and one.

[Cut to video commercial clip of Mercedes car]

Introducing the Mercedes AA class. The first fully electric luxury sedan powered entirely by AA batteries.

[Julia opens the boot of the car and it’s filled with AA size batteries.]

No more plugs. No more charging stations. Just 9,648 AA batteries. Zero emissions. Lifetime drivetrain warranty. And a top speed of 52 mph. Everything you’ve come to expect from Mercedes. On board satellite navigation. Bose stereo system. And ample trunk space to store extra batteries.

[Julia opens the trunk. The trunk is also filled with batteries.]

And it is the only luxury sedan to receive the prestigious AA+ grade, from Batteries magazine. The Mercedes AA also ranks best in class in safety. Thanks to standard curtain airbags.

[Cut slow motion video clip of car crashing to test airbags. As the car crashes, the AA size batteries are flying everywhere inside the car.]

A touch screen in the center console keeps you constantly informed of each battery’s power level. You’ll know battery is dying before it’s dead.

Console: In three miles replace batter. Replace- replace- replace– [showing many batteries that needs replacing]

Speaker Julia: You can replace them individually or all at once. With the ribbon release auto dump feature.

[Julia pulls the ribbon and the batteries start falling out of the car]

The Mercedes AA class luxury sedan… [Julia opens the door to get out but the door is stuck because of the batteries that just came out of the car]

[Julia gets out hardly]

Batteries not included.

Meet and Match

Brad… Beck Bennett

Beth… Kate McKinnon

Barbara… Julia Louis-Drefus

Trevor… Taran Killam

Max… Kyle Mooney

Cecily Strong

Vanessa Bayer

Jay Pharoah

Jon Rusnitsky

[Starts with people enjoying in Meet N’ Match pub]

Brad: Okay singles, looks like we got a lot of love connections tonight. Which is what match.com, Meet N’ Match is all about. We’re winding down soon so if you need any last drink tickets, come see me, your man Brad at the host table. Now, let me hear you make some noise.

[Everybody cheering for Brad]

[space ship landing sound]

[Beth and Barbara enter the pub. They’re wearing long dresses, have long hair and both their eyes are completely black. And their voices are of male.]

Beth: Hello, we are two females from this planet.

Barbara: We must find men for dating.

Beth: I am concerned. We do not look like the human women here.

Barbara: Yes, but we must succeed in dating males. That must be your focus.

Brad: I see we’ve got some singles joining us. Get up here ladies and introduce yourselves. Sorry, them’s the rules. Oh, my god! Your eyes! Dude!

Beth: Hello, I am one Beth.

Barbara: And I am the Barbara.

Brad: Um, what are you two looking for tonight?

Barbara: Adult males for dating to produce a child.

Beth: Our kind is dying. A child can restart the world engine.

Barbara: Our twin stars are dimming. Our kind is dying. We need to produce a child now.

Beth: If a child cannot undim the bistars, our world will invert into it’s mantle.

Brad: Ay…. super weird. But we need all the girls we can get. So ladies, have fun tonight.

[Beth and Barbara walk towards Trevor and Max]

Beth: Hello, we are flirting. Now we must date.

Trevor: Woah, you move fast. Ha-ha. I’m Trevor.

Max: I’m Max and your eyes are crazy, but that’s kind of hot.

Barbara: We must date now. Our kind is dying.

[Cecily and Vanessa comes in to approach Trevor and Max

Cecily: Hey guys, um, this thing’s almost done. You guys down for an after party?

Beth: No, go! These men belong to us.

Vanessa: Um, you can’t call dibs on guys.

[Beth and Barbara start making noise and Vanessa is possessed by them and her nose is bleeding.]

Cecily: Oh my god, Paige, your nose is bleeding. Paige!

Vanessa: Who is Paige? Where am I?

[pulling her friend away]

Cecily: We’re gonna sue you!

Trevor: Whoa, damn! You girls are intense.

Max: Ay, you wanna get a drink or what?

Barbara: No, there is not time. Come with us.

[Beth and Barbara pull Trevor and Max with them]

Beth: We will date in here. Our kind is dying.

[They go through the door]

Brad: Alright, FYI, there’s a large glowing crater out front so if you go outside to smoke, watch your stepperini! Ha-ha.

[Beth and Barbara come out of the door. Trevor and Max are turned into skeletons that are behind the door.]

Beth: That did not go well. They were too weak for the act.

Barbara: The act of dating turned them into bones.

Beth: Next time, we must not destroy the male.

Barbara: Yes, we learned our lesson

[two guys approach Beth and Barbara]

Jay: Ay, so we’ve been watching you two and y’all are freak.

Jon: We like that. Can we please buy you a drink?

Beth: Yes. And then give us the child.

Jay: Yeah, we can do that.

Brad: Alright, hey Matchers, if anyone knows about the two warm skeletons in the men’s restroom, please tolerate management. In the meantime, don’t be single. Mingle! Ha-ha-ha.

[The End]

Cinema Classics Marla Barlett

Reese De’What… Kenan Thompson

William… Taran Killam

Marla Barlett… Julia louis-Drefus

Kate McKinnon

[Starts with Cinema Classics intro]

Male voice: You’re watching Cinema Classics on PBS.

[Cut to Reese De’What in his set]

Reese De’What: Good evening and welcome to Cinema Classics. I am Reese De’What. Tonight we look back at the career of one of golden era Hollywood’s most accomplished film actresses Marla Bartlett. Inspired by fellow actor Marlin Brando, Marla would sometimes hide snippets of her lines around the set so she could discover them in the moment and deliver them fresh. Why did she go to these lengths? I do not know. I am not a good guesser. Just ask my wife. She said, “Guess what I want for my birthday.” And I said, “Your face from 10 years ago?” Worst IBF appointment ever! Let’s watch a scene from 1953’s classic drama ‘Women Tormented’, starring Marla Bartlett and see if you can spot where she hit he lines on the set.

[Cut to a clip from the drama ‘Women Tormented’]

William: I know you never told me to come back. But I can’t resist you, Elinor. This probably won’t mean much now but I brought you this. [puts a necklace on Marla’s neck] Just a small token of my affection. Do tell me you like it. What do you think?

[Marla looks at the mirror. There is “It’s beautiful, William.” written on the mirror.]

[Marla looks around]

Marla: It’s beautiful, William.

William: Then I suppose the only question is, what are we going to do about my wife?

[Marla runs towards the window and opens the curtain. Behind the curtain, it’s written “What if she went”.]

Marla: What if she went…

[Marla opens another curtain. Behind the curtain, it’s written “Missing”.]

missing.

[Cut to William]

William: Are you suggesting what I think you are?

[Marla walks to the shell and looks under it. There’s written “Yes”.]

[Marla walks to William]

Marla: [softly] Yes.

William: Are you positive?

[Marla walks to the shell and looks at the ‘Yes’ written under it again.]

Marla: Yes.

[Cut to Reese De’What in his set]

Reese De’What: Did you see any of her lines? I think I saw like, three. Was that right? [looking around] Hello? Is it just me here? Am I the only one working today? Soon, Marla was completely dependent on the hidden lines. But as filming progressed, her dark secret was exposed that she was too vein for her reading glasses. Let’s watch.

[Cut to the movie clip again]

William: Darling, I can’t go through with this. I love you, but we’re talking about murder.

[Marla walks away and looks behind a pot and reads.]

Marla: Murder is such a strong word.

[Marla picks up a clock and is searching for her lines]

Don’t you think?

[Marla picks up a glass of drink and starts drinking it as her line is written at the bottom of the glass.]

I certainly do.

[Marla picks up an ashtray beside the glass and reads.]

[sobbing] Made in China.

[Cut to Marla]

William: But Elinor, if we get caught it would mean the chair.

[Marla runs to William and unbuttons his shirt. There’s her lines written on his chest.]

Marla: William. Don’t be foolish. It’s too late. Far, far too late. I think we both know that. [reads her lines] And now kick me.

William: [whispering] I think it says ‘kiss me’.

Marla: [reads the lines again] No, it says kick me.

William: I guarantee it does not say ‘kick me’.

Marla: Kick me like you mean it.

[Cut to Reese De’What in his set]

Reese De’What: Did you see that? That other actor looked straight into the camera and gave a little mouth blow like [mimicking the mouth blow]. The director only let him kick her two times before he called cut. Let’s watch one final scene where Marla’s co-star’s frustration is clearly apparent.

[Cut to the movie clip again]

[William and Marla are standing facing each other when Kate walks in]
Kate: William, how could you?

William: Darling, I’m so sorry. But I have to do this.

[William pulls out a gun]

Kate: Oh, William, why? Why? You love me, remember? Come to your senses.

William: I’m– I’m sorry.

[William shoots at Marla and Marla falls on a piano. Marla is now looking for her lines on the fruits.]

Marla: I’ve been shot.

[Cut to William and Kate]

Kate: Are you sure?

[Marla falls and is crawling towards William and Kate]

William: Where are you going?

Marla: I need the shell that says ‘Yes’.

William: Then why don’t you just say ‘Yes’?

Marla: Shell.

[William brings the shell to her]

Marla: Yes!

[Cut to Reese De’What in his set]

Okay, I don’t think I can do this anymore. We used to do good movies. I don’t know what happened. Well, for Cinema Classics, I have been Reese De’What.