SNL Transcripts: Malcolm McDowell: 11/22/80


 Saturday Night Live Transcripts


  Season 6: Episode 2


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Air Date:

Host:

Musical Guest:

Special Guests:

Cameos:

Bit Players:

November 22nd, 1980

Malcolm McDowell

Captain Beefheart & The Magic Band

None

None

Andy Murphy

Matthew Laurance

Eddie Murphy
The ExecutionSummary: A boisterous mother (Denny Dillon) instructs her son (Gilbert Gottfried) to sit up straight in the electric chair before he’s executed.

Transcript

Montage

Malcolm McDowell’s MonologueSummary: English actor Malcolm McDowell explains how he had to get his U.S. work permit renewed so he could host the show tonight.

Transcript

Mutually Omaha’s Wild KingdomSummary: Jim Fowler (Joe Piscopo) goes off in search of that exotic beast – the Negro Republican.

Note: Eddie Murphy, who had been hanging around the studio after repeatedly trying to be added to the cast, makes his debut in this sketch, albeit sitting on the couch with no lines while an uncredited extra plays the role of the black man. Murphy took great offense to this misuse of his talents.

Transcript

Tobacco Growers of AmericaSummary: Tobacco Growers spokesman Joseph Richman (Gilbert Gottfried) claims the human lung is to blame for lung cancer, not cigarettes.

Transcript

Serf CitySummary: Earl (Malcolm McDowell) and Lord Jack (Charles Rocket) make a sport of riding on the backs of lowly peasants.

Transcript

The Reagans Adopt Amy CarterSummary: Following Inaugueration Day, Ronald (Charles Rocket) and Nancy Reagan (Gail Matthius) adopt Amy Carter (Denny Dillon) so they can provide her with a proper privileged lifestyle.

Recurring Characters: Ronald Reagan, Nancy Reagan, Amy Carter.

American Milk AssociationSummary: Alex de Large (Malcolm McDowell), from “A Clockwork Orange”, speaks highly of moloko.

“Showdown”Summary: In a film by Ken Friedman, a romantic conflict begats a Wild West-style shootout.

Captain Beefheart & The Magic Band performs “Hot Head”

Weekend Update with Charles RocketSummary: Charles Rocket conducts a video interview with Yoko Ono (Denny Dillon) and house husband John Lennon (Malcolm McDowell). Joe Piscopo uses Rock-’em Sock-’em Robots to predict the results of the Roberto Duran-Sugar Ray Leonard rematch. Commenting on last week’s show, Dr. Murray Abromowitz (Gilbert Gottfried) says it wasn’t funny.

Recurring Characters: John Lennon, Yoko Ono.

Transcript

Gothic Novel ShopSummary: A bookstore owner (Malcolm McDowell) specializing in gothic romance novels goes out of his way to meet the specific reading needs of a wonton customer (Ann Risley).

“The 100 Years War”Summary: A quick summary of the 100 Years War, as told through a University Extension Course in World History.

The Leather Weather ReportSummary: Dominatrix Thelma Thunder (Denny Dillon) beats the man (Charles Rocket) stretched across her map while giving the weather forecast.

Transcript

Commie Hunting SeasonSummary: The governor (Malcolm McDowell) of Greensboro, North Carolina lays down the ground rules as local rednecks with itchy trigger fingers look forward to shooting Commies on the first day of the new hunting season.

The Rocket ReportSummary: Charles Rocket bothers people while strolling along 5th Avenue.

Transcript

Jack The StripperSummary: Dame Lydia Snoot (Malcolm McDowell) searches for the notorious Jack the Stripper, who turns out to be Prince Charles (Charles Rocket) working the exotic dance circuit.

Recurring Characters: Prince Charles.

Captain Beefheart & The Magic Band performs “Ashtray Heart”

“Someone Is Hiding In My Apartment”Summary: In a film by Mitchell Kriegman, a man (Mitchell Kriegman) fears an unknown presence in his apartment whom he appears to be involved with in a relationship.

The Wine CellarSummary: Carolyn Parker (Denny Dillon) dismisses fancy French wines and proper American wines to go with American junk foods.

GoodnightsTranscript

SNL Transcripts

SNL Transcripts: Elliot Gould: 11/15/80: Vickie’s Date


 Saturday Night Live Transcripts


  Season 6: Episode 1




80a: Elliot Gould / Kid Creole & The Coconuts

Vickie’s Date

Mark Doyle…..Elliot Gould
Vickie…..Gail Matthius
Sharon Malone…..Ann Risley

[ open on interior, fancy restaurant. 40-year old Mark Doyle sits at a back table sharing drinks and shrimp cocktail with teenaged Valley girl, Vickie. ]

Mark Doyle: Would you like antoher shrimp cocktail, Vickie?

Vickie: No, thanks – three is enough. This place is not too cool, so just forget it.

Mark Doyle: Aw, I’m glad you like it. You look lovely in this light.

Vickie: Oh, God – It’s better than those grody pizza places guys my age take me to! For sure!

Mark Doyle: Oh, well – well, that’s alright, I – I’m not as ancient as you think I am! I’m gonna have another drink, would you like to have one?

Vickie: No, thanks, but don’t – you know, like, don’t get me wrong or something, because I, like, really like going out with, like, a guy whose in his forties, and stuff. Um – like this friend of mine, you know, um, was, like, seeing one of our teachers this summer – but I wouldn’t do that, no way —

Mark Doyle: Vickie, I just turned forty. THat doesn’t put me into the forties!

Vickie: [ still on her previous train of thought ] Ha! Yeah, well, God, what would I say of I saw him in the hall the next day: “Hello, Mr. Caleska?” I’m sure! I couldn’t even hack it, no way!

Mark Doyle: Well.. so tell me where your head is. Do you like movies?

Vickie: Um – I told my mom I was going to a movie and stuff tonight, you know? [ laughs ] Duuuhh! [ laughs ] Sometimes parents are so stupid, you know? I wonder how they got to be their age! [ shakes her head and laughs ] No offense.

Mark Doyle: [ waves his hand ] No, that’s – that’s okay.

Vickie: [ grabs his cigarette ] Low tar, I’m sure, right? [ smokes his cigarette ] I usually smoke non-filters – not too cool! [ taps the ash into the ashtray ] So, uh, like – do you have a job, or some junk?

Mark Doyle: [ pleased at the thoughtful question ] Well, yes, I do. I seel securities.

Vickie: Oh! Like burglar alarms, and some junk?

Mark Doyle: No, it’s like stocks and bonds.

Vickie: [ not grasping what he means ] Ohhhh. [ a beat ] Wow. [ changes the subject ] So, um, like – do you come here a lot, like, with your friends and stuff, you know?

Mark Doyle: Oh, no, no. There’s almost.. no chance of me seeing anybody I know here. I don’t think.

Vickie: Yeah, ’cause I bet a lot of people in here think I’m probably your daughter or something —

Mark Doyle: Ohhh, no! No, I-I-I don’t think anybody.. thinks that.

Vickie: You know, don’t get the wrong idea – I think you’re a really cool guy! Um, um — you really are a cool guy! Um, um — like, if I was here with a guy >my age, and stuff, he’d practically be trying to take my shirt off! Right here. Gro-oss! Like, you know,they told us in Bio, and stuff, that they can’t even help it. And, like, you know, when they get to be your age, they don’t even want it – they really calm down, like.

Mark Doyle: Uh – are you sure you wouldn’t like another drink?

Vickie: No, thanks.

Mark Doyle: Well, I have an idea. Why don’t we catch a bite here.. and then, we can go out, and – and.. catch a bite someplace else –?

[ Sharon Malone enters the scene, carrying two drink glasses ]

Sharon Malone: Well, look who’s here. [ she sits ]

Mark Doyle: [ flustered ] Oh..

Sharon Malone: Mark Doyle.

Mark Doyle: Hello, Sharon.

Sharon Malone: Hi. I haven’t seen you since we did the Philadelphia portfolio – did that go well, alright?

Mark Doyle: Oh, yeah, it – it worked out just fine. Sharon Malone.. this is Vickie.

Sharon Malone: Hello.

Vickie: Hi.

Sharon Malone: Well, uh – I was a little worried, since, uh, some of the bonds hadn’t reached maturity yet.

Mark Doyle: No, no – it was o-kay.

Sharon Malone: Oh, good. Well, uh, I’ve really got to go. [ to Vickie ] It was really nice to meet you, and good to see you, Mark. [ stands and exits ]

Vickie: For sure! Like — Mark — like?

Mark Doyle: Uh-huh? What?

Vickie: Um — there’s this really cool dance coming up next week — it’s like a Homecoming dance, sorta — and I was thinking, like, well, you know, I was thinking it would be really cool, like, if you took me, or some junk?

Mark Doyle: Oh, Vickie, no, I don’t think so, uh — its not that I don’t want to —

Vickie: Oh. Oh, ’cause it’s not like I want to go, really, no way! No way! ‘Cause, like — you know, they try to make the wishing wells the basketball goals, and — I’m sure. Nobody —

Mark Doyle: Well, you understand — I mean, that’s the age problem, and I’m sure your school would look askance at that, and I – I just can’t see myself dancing barefooted on the floor of your gym, with all of the signs, and all of those people, and — fighting Buccaneers, and, uh — I don’t —

Vickie: Well, it’s not like I need a date, or something, ’cause, like, I’m going with somebody, okay? [ points out her steady ring ] He’s really a cool guy. He’s in the Marines —

Mark Doyle: Oh, really? Is he – is he in the service?

Vickie: Yeah! He’s sort of black!

Mark Doyle: [ nervous ] Oh. Really?

Vickie: Yeah. He is. Well, what’s the matter? What, are you prejudiced, or something?! I’m su-ure! I’m not gonna sit around with some kind of bigot, or something! Maybe it’s okay in your day, but it’s not cool –!

Mark Doyle: Vickie, Vickie, please — you’re just upset about the Homecoming dance, and using this as an excuse. Now, please relax, and-and-and let’s order another drink!

Vickie: Well, I’m not sitting around with a racist! I’m just gonna get out of here! I’m gonna probably thumb it, and you don’t even care! Duh! I’m sure! Quit it! God! [ leaves the table ]

[ Mark finishes his drink and ponders what just happened, as we fade ]

SNL Transcripts

SNL Transcripts: Elliot Gould: 11/15/80: Weekend Update with Charles Rocket


 Saturday Night Live Transcripts


  Season 6: Episode 1








80a: Elliot Gould / Kid Creole & The Coconuts

Weekend Update with Charles Rocket

…..Charles Rocket
…..Gail Matthius
John Anderson…..Joe Piscopo
Barry Grosscup…..Gilbert Gottfried

[ open on Charles Rocket seated behind the revamped Weekend Update set, nonchalantly scribbling notes on his news sheets ]

Announcer: And now it’s time for Weekend Update, with anchorman Charlie Rocket.

Charles Rocket: Good evening. I’m Charles Rocket.. with Weekend Update.

Like most American men, Ronald Reagan spent this afternoon at home, watching the Notre Dame-Alabama football game. Unwilling to offend either his Irish-Catholic or his Southern Baptist supporters, Reagan remained steadfastly neutral, and would say only that he was grateful “no white player had been injured.”

Late tonight, President-Elect Reagan announced that he intends to keep at least one of his campaign promises, and will appoint a black to his cabinet. The new administration’s Secretary of Defense is to be Shirley Temple Black.

In a bold move to bolster the sagging economy, Reagan also announced that he intends to abolish the Federal Department of Education. Reagan claims the strategy will aid millions of out-of-work Americans with college degrees, who can now be put to work reading conservative books and magazines aloud to a generation of younger, illiterate citizens.

Charles Rocket: [ holds his hand to his ear ] Apparently, Im’ receiving some word — yes, there seems to be some commotion outside the White House. Uh, we take you now to Washington for a live report from Gail Matthius. [ turns to reveal Gail on the monitor behind his left shoulder ] Gail?

[ show Gail Matthius standing outside the White House, as John Anderson paces behind her ]

Gail Matthius: There is indeed some commotion here outside the White Huose gate, Charlie, as defeated Presidential candidate, John Anderson, is standing hre with what appears to be a suitcase.

John Anderson: Iiiiii don’t understand it. Obviously, the gate is not functioning properly. It must be some sort of snafu – yes, that’s what it is, it’s a SNAFU! [ waves to someone or something off-camera ]

Gail Matthius: [ pulls a woman with Anderson toward her ] Uh – what exactly is going on here?

Woman: Uh, could you lower your voice, please? It’s just that, uh – what’s going on is that we haven’t gotten around to telling Mr. Anderson the election results.

Gail Matthius: Oh. Oh, you mean he thinks he’s —

Woman: Shhh. That’s right – he doesn’t know that he lost.

Gail Matthius: Didn’t he watch the elections?

Woman: Well, uh – he siad he was sure the American people would elect the right man, and.. then he went to bed. [shrugs her shoulders ]

Gail Matthius: Well, this is terrible, uh, something has to be done. someone has to tell him.

Woman: Well, you like disasters – you tell him!

Gail Matthius: [ considers the challenge for a moment, then scans the crowd for John Anderson’s current whereabouts ] Mr. Anderson! I have something very important to tell you —

John Anderson: [ comes forward immediately, already in mid-thought ] You know, my very first act as President will be to form a commission to study this gate problem! Yes, I’d like to — but, it just might be the buzzer – yes, it could be the buzzer! Let’s not be too — [ starts calling out ] Hello?! Hello? Anyone there?! [ presses buzzer on wall ] It’s President Anderson!

Gail Matthius: How humiliating to the Congressman —

Woman: Go on – tell him. You’re a reporter – go on, you can do it! Yuo can do it! Go on, tell him!

Gail Matthius: Okay! Okay! [ as Anderson wanders back toward her ] Uh – Mr. Anderson —

John Anderson: PRESIDENT Anderson, young lady!!

Gail Matthius: Well, that’s what I wanted to tlak to you about.

John Anderson: [ waves with a big smile to no one in particular ] Yes, yes! Be totally candid, now!

Gail Matthius: Regarding the election —

John Anderson: Yes, yes! Be forthright!

Gail Matthius: — you haven’t —

John Anderson: Yes, yes!

Gail Matthius: [ finally gives up the effort ] You have a great four years ahead of you – congratulations!

John Anderson: Thank you very much, Miss! Thank you, thank you! [ begins waving erratically again ]

Gail Matthius: This is Gail Matthius, reporting from the White House, where “President” — [ winks at the camera ] Anderson is awaiting the beginning of his term! Back to you, Charlie.

Charles Rocket: Thank you, Gail. Thank you very much. Of course, we’ll all be keeping an eye on that developing story.

Meanwhile, actor Cary Grant, today, slapped former Weekend Update anchorman, Chevy Chase, with a $10 million defamatino suit, for allegedly calling him a “homosexual” on NBC-TV’s “Tomorrow” show. Grant charges that Chase’s remarks were completely and totally false, and added, “He’s the homo, not me. And one mroe crack like that, and I’ll scratch his eyes out, Mary!”

Taking his lame duck presidency quite literally this week, Jimmy Carter demonstrated one of his most important duties to visiting Israeli Prime Minister, Menachim Begin. Here, we see the outgoing Chief Executive performing his lame duck call. [ slide changes to a multitude of ducks in the sky ] Responding to the heart-rending sound, thousands of concerned ducks quickly descended on the White House lawn to help a brother in need.

Prince Charles finally ended speculation about whether he would ever find a bride who had both royal blood and a spotless past. Happily, the Prince’s rumored choice, who has been certified as “completely virginal” is Lady Diana Spencer, formerly Lord “Dwayne” Spencer, who underwent a transsexual operation last month in Helsinki to qualifiy as “Queen” of England.

This week, NASA announced a significant discovery by the voyager 1 spacecraft: the rings of Saturn have been visible to man for centuries. we all knew that, but, thanks to Voyager 1 and its sensitive listening equipment, we now, for the first time, can hear the famous rings. Here’s the NASA tape – let’s listen. [ cue a series of alarm clock sounds ] And how about that, huh? The rings of Saturn! [ chuckles proudly to himself ] We’ve come a long way since man walked on the moon, haven’t we?

Charles Rocket: You know, unlike most TV anchorpersons, Yours Truly is mroe than just.. another pretty face. I’m a working journalist. And, this week, when the Big Apple was humming with rumors of a new John Lennon and Yoko Ono album, this newshound hit the streets to get the inside story. Let’s take a look at this Rocket Report:

[ dissolve to pre-taped film, Charles Rocket standing on the street in front of the Dakota ]

Charles Rocket: Hi! Charles Rocket, here in New York City, right across the street from the Dakota Building, home to a lot of celebrities, and a place where a LOT of celebrities would LIKE to live, but just can’t. But we’re interested in just two celebrities who live there – John Lennon and Yoko Ono! In fact, we’re interested in their album. How are we going to find out about the inside story on that album, that so few people really know anything about? Well, we’re gonna go across the street, we’re gonna talk to some people who have an inside lead on that very album, we’re gonna find out what the real story is. Come on along, to the Dakota Building! [ begins walking toward the Dakota ]

[ cut to an old woman, Mrs. Miller, speaking ]

Mrs. Miller: I know Lennon is in that building, because all the youngsters gathered there for an autograph. I know they’re there. But even that, I said to myself, why do they allow them to gather up there, you know? It’s — that building — I say it must be in the hands of different people, it can’t be owned by the same people —

Charles Rocket: If it were in your hands, Mrs. Miller, what would you do?

Mrs. Miller: Ohhh, I’d keep it from garbage — I wouldn’t allow anything like that. What for? What for?

[ cut to reveal a pile of garbage on the ground in front of the building, as Rocket enters frame ]

Charles Rocket: Garbage. Filthy, disgusting garbage. What a display. Something you certainly wouldn’t expect, here in front of the fancy Dakota Building. Let’s go talk to the doorman to find what the story is on this disgusting site. Even though the garbage could connain a clue to the album, it’s got to go. [ turns to walk toward the lobby door ]

[ cut to close-up of the building’s doorman ]

Charles Rocket: Say, what’s the big idea with all the garbage?

Doorman: They’re [ inaudible ] — the contractors.

Charles Rocket: And the contractors are responsible for that display?

Doorman: That’s right.

Charles Rocket: Oh. So it has nothing to do with the building management or anything?

Doorman: No.

Charles Rocket: So, what happened with the, uh, album? I mean, how’s it going with John Lennon’s album?

Doorman: I don’t know.. I don’t know.. I don’t know.. [ walks away from Rocket ]

Charles Rocket: You.. seem to be pretty evasive..

Doorman: I told you no – no.

[ cut to a messenger speeding away on a motorbike ]

Charles Rocket V/O: That’s a messenger service used here at the Dakota Building, and they’re off to.. tell John and Yoko that.. Charles Rocket, yours Truly, is here to find out.. all the very latest on their album.

[ cut to garbagemen picking up a separate pile of garbage at the Dakota ]

Charles Rocket V/O: Of course, out back, behind the Dakota Building, is where the real garbage can be found. Garbage that’s supposed to be here. And these are the gentlemen who pick up the garbage here at the Dakota Building. People who probably have an inside lead on what’s happening.. with John Lennon and Yoko Ono’s album.

[ Rocket approaches one of the garbagemen ]

Charles Rocket: What can you tell us about John Lennon and Yoko Ono’s garbage, and.. all that we might be able to learn from the secrets that might be hidden and contained within there? You know, they cut a new album, and we’d sure like to get an inside lead on what’s going on with that album. Can you help us at all, Clarence?

Garbageman: Well, I don’t know anything about that. That’s music – this is garbage!

Charles Rocket: Oh. He’s playing dumb, ladies and gentlemen. Clarence is probably playing a game with us. Right now, clarence, I’ll bet the Alton Company actually asked you not to state anything to reporters should we actually, uh, you know, come up to, and approach you, and ask you those kinds of questions.

Garbageman: No. No. No. No one said anything to me —

Charles Rocket: No clues. You haven’t been able to, uh, find out anything new, and —

Garbageman: [ getting angry ] Look, man! If you gonna take up my time —

Charles Rocket: Yeah?

Garbageman: How am I gonna pick up this garbage?!

Charles Rocket: The man wants to work.

Garbageman: I’m gonna work, and that’ll be it!

[ cut to Rocket alone on the street ]

Charles Rocket: Well, instead of just hoping for news about the album, I guess we’re all gonna have to share the disappointment.. of not finding anything out at all. I’m Charles Rocket, behind the Dakota Building, what excitement we’ve had.. hope you enjoyed it.

[ cut back to Charles Rocket at the Weekend Update desk ]

Charles Rocket: Just remember – you saw it here first, on The Rocket Report. In other news:

In a new Ladies Home Journal interview, Anita Bryant says she has come to believe that there is nothing wrong with homosexuality, provided they “do it in a cage.” [ Rocket shrugs ]

Yet another air diaster nearly struck today, when a small two-seater airplane, flying from Puerto Rico to the mainland, crashed off the coast of Florida. Happily, though, the Coast Guard reports that the pilot and all 180 passengers have been recovered.

Charles Rocket: Well, since the Presidential campaign began, we all have heard speculation that Mr. Reagan will never live out his full term in office. Today we’re talking to Barry Grosscup, who’s just written a new book about that very subject.

[ camera pulls out to reveal Barry Grosscup sitting to Rocket’s right ]

Charles Rocket: Mr. Grosscup, tell us what you’ve learned about Ronald Reagan.

Barry Grosscup: Okay, Charlie.

Charles Rocket: Charles.

Barry Grosscup: [ holds up a photo of Ronald Reagan ] The man.. is already.. dead!

Charles Rocket: Wait a minute. Now, let me get this straight – you’re saying the President-Elect, Reagan, is actually.. dead?

Barry Grosscup: He’s as dead as a door nail. He’s been dead since the New Hampshire primaries. The picture’s coming out in my new book – “The Faking of a President.” [ holds up a photo of Reagan surrounding by George H. W. Bush and a couple of other administrative figures ] This is Reagan at a press conference – Bush is holsing him up!

Charles Rocket: Well —

Barry Grosscup: Always holding him up!

Charles Rocket: I can see where, you know — I-I don’t understand, it doesn’t —

Barry Grosscup: Here’s another one. [ holds up photo of Reagan, Bush, and one another man, all holding their hands in the air ] Reagan at a press conference – again, they’re holding him up! [ shrugs ]

Charles Rocket: Mr. Grosscup, listen – I happen to have been at a press conference with Mr. Reagan, earlier this week — he looked perfectly fine —

Barry Grosscup: Uh, you THINK you saw Reagan! Who you saw.. was an actor by the name of Ron Jenkins. He’s a Welsh actor, 29 years old – here’s a picture of him — [ holds up photo of a smiling Reagan ] Small time, did a couple of commercials – but he got Reagan to a T!

Charles Rocket: Th-this has got to be the most ridiculous thing I’ve —

Barry Grosscup: Look – here’s a picture of Reagan putting on his make-up. [ holds up photo of Reagan applying make-up ] The Reagan make-up here – Jenkins applies it all the time!

Charles Rocket: Mr. Grosscup, listen – we’re running out of time. I-I-I don’t see how we can just waste time —

Barry Grosscup: [ holds up another photo of Reagan ] See how he works a crowd! It’s amazing!

Charles Rocket: Look — I mean, I don’t get it.

Barry Grosscup: Look! Who do you want to run the country – Ronald Reagan, or just some stupid actor?!

Charles Rocket: Well, thank you very much, Mr. Grosscup. I guess it takes all kinds, huh?

The rate of inflation continued to spiral upward this week, and claimed a new and unexpected victim: the prstitution industry. In order to meet consumer demands without sacrificing efficiency, streetwalkers in Portland, Oregon have cut back on non-essential services, and are offering no-frills sex to prspective customers.

And, this one just handed me: The Department of Naturalization, in an attempt to simplify cumbersome alien identification procedures, has designated all American citizens as Shirts and all incoming immigrants as Skins.

Charles Rocket: And that’s the Weekend Update. This is Charles Rocket saying, “Good night, and.. watch out.”

[ camera pulls back, as Rocket signs off on his news copy ]

[ fade ]

SNL Transcripts

SNL Transcripts: Elliot Gould: 11/15/80: Speed Listening


 Saturday Night Live Transcripts


  Season 6: Episode 1



80a: Elliot Gould / Kid Creole & The Coconuts

Speed Listening

Spokeswoman…..Denny Dillon

[ open on snobbish woman sitting back in a leather chair as she speed-reads a book. After a few moments, she finally notices the camera upon her. ]

Spokeswoman: [ speaking in airs ] Hello! One of life’s greatest pleasure is relaxing with a good obok and some good music. [ glances at her watch ] But I’m a busy woman – I like to relax fast. I read my favorite books fast, and now, I listen to my favortie music, fast. I’ve learned to.. speed-listen! [ glances at a record player on the endtable next to her chair ] As a matter of fact, I’m going to relax with the haunting strings of Beetoven’s Fifth Symphony, in its entirety, right now – while you listen more about this revolutionary idea.

[ she turns on the record player and returns to quickly reading her book. The music flows from the record player at an equally fast rate. ]

Announcer: With speed-listening, you’ll soon be enjoying the great music of the ages, that you could never pay attention to before.

[ titles scroll up the screen:

Verdi’s “Rigoletto” (20 seconds)

Wagner’s “Ring of the Nibelungen” (35 seconds) ]

Announcer: And you can listen to popular tunes, too.

[ more titles scroll up the screen:

“You Light Up My Life” (1 second)

“Just the Way You Are” (1 second)

“Stairway to Heaven” (2 seconds) ]

Announcer: Call now, and you’ll also receive: this speed-listening album:

[ dissolve to close-up of album: “The World’s Great Music” ]

Announcer: “The World’s Great Music.” Which contains the complete works of: Bach, Brahms, Mozart, Handel, Manilow, and Stravinsky.

[ image pulls out to reveal a 45 wrapped in an open sleeve ]

Announcer: And this bonus: “American Top 40 Singles from 1950 to the present.”

[ dissolve back to Spokeswoman, as she finishes both her book and Beetoven’s Fifth at the same time ]

Spokeswoman: [ exhales joyously ] Isn’t that moving! Don’t put off listening to these classic masterpieces, because you think they’re too long! Hear them in half the time, with this half-assed way of listening to music! Speed-listening! Because — [ turns record player back on ] your relaxation time is precious.

[ another classical tune plays, as she begins sleed-reading her book once more ]

[ fade ]

SNL Transcripts

SNL Transcripts: Elliot Gould: 11/15/80: Elliot Gould’s Monologue


 Saturday Night Live Transcripts


  Season 6: Episode 1




80a: Elliot Gould / Kid Creole & The Coconuts

Elliot Gould’s Monologue

…..Elliot Gould
…..Denny Dillon

Announcer V/O: Ladies and gentlemen – Elliot Gould!

[ dissolve to the new Home Base set – supposedly meant to capture “The Look of the eighties”, but really a replica of Grand Central Station. A single elevator car is centered between a winding staircase. The elevator descends its shaft, sans Gould, who appears running frantically down the staircase. Gould beats the elevator to the stage, waits a moment for it to finish its descent, then opens the doors and pretends as if he were stepping out of the elevator car, then waves tothe audience and takes his place at Home Base. ]

Elliot Gould: Uh – I really am happy to be here. You know, uh, I’ve always had a very special feeling about doing “Saturday Night Live.” This is kind of like home to me. Over the years, I have done a lot of crazy things on this show. I’ve dressed up like a girl, I’ve told jokes.. I’ve ung, I’ve danced.. I was a Bee. But, tonight – tonight, I would really like to take a serious moment and share something personal with you, because I really am moved to be he host of this, the first show of thenew season. So, I wanted to “open up” with something a little bit more meaningful.

[ runs back toward the elevator, where a large trunk stands on its side ]

You see – my mother has been, uh, collecting things — [ drags to trunk back to the front of the stage ] I’ve been in, uh — for all my life, for me. And, uh – I really wanted to share it.. with you.

[ opens the trunk, reaches in and pulls out an old cloth diaper – the audience awwwws ]

This – this was my very first diaper. [ turns it around ] And these are the original safety pins. They’re rusty now. [ looks toward an audience member ] I’d like to share this.. with you. [ hands the diaper to an audience member, then returns to digging in the trunk ]

[ pulls out a tiny pair of boy’s underwear ] Oh! And this was my very first pair of real underwear! I remember when my folks gave them to me! I was so excited, I could hardly wait to put them on! [ looks toward another audience member ] I want to share this.. with you. [ hands the pair of boy’s underwear to this audience member, then returns to digging in the trunk ]

[ pulls out a pair of extremely soiled boy’s underwear ] Now – this was a — [ audience cracks up ] a very important pair of shorts. Very — this was the pair I wore for a whole summer, before I learned that you have to change your underwear! [ takes a deep sniff of the underwear, rolls his eyes and shakes his head ] I’m not gonna share this with you!

[ pulls out a pair of boxer shorts ] And these are my first pair of boxer shorts. Now, I began wearing it when I learned just how dangerous jockey shorts can be. You see — it’s true. The male, uh.. appendange.. was meant – truly – to be cooler than the rest of you. jockey shorts hold you too close and – and keep you too warm. That can make you sterile. So, if you worry about sterility, the answer just might be.. your underwear. Let me show you what I mean! [ begins to unbuckle his pants and pull them down his legs, as Denny Dillon steps forward carrying a garment bag ]

Denny Dillon: Uh.. Elliot?

Elliot Gould: Denny!

Denny Dillon: Excuse me —

Elliot Gould: Denny! What are you doing here? This is my monologue.

Denny Dillon: Well, I-I know that, but I-I didn’t know there was somebody else who understood about underwear.

Elliot Gould: Oh? You do?

Denny Dillon: Yeaaah!

Elliot Gould: Well, tell me – what kind of underwear do you have?

Denny Dillon: Well — [ pulls out two pairs of silky panties ] I’ll give you these two —

Elliot Gould: Okay.

Denny Dillon: — for, uh – those boxer shorts — [ grabs for Gould’s boxer shorts ]

Elliot Gould: Well, no, no, no! You don’t know how valuable these boxer shorts are.

Denny Dillon: Yeah?

Elliot Gould: Yeah.

Denny Dillon: [ reaches into her garment bag ] More valuable than these? [ pulls out an older pair of women’s undergarments ]

Elliot Gould: Oh?

Denny Dillon: These are my grandmother’s bloomers!

Elliot Gould: Well, I’ll tell you what, Denny, I-I-I — [ begins digging in his trunk ]

Denny Dillon: I’ll give you two —

Elliot Gould: I can trade you — [ pulls out a second pair of boxer shorts ] a pair of Donald sutherland’s boxers.. [ digs smoe more, pulls out a bra ] Nick Nolte’s brassiere —

Denny Dillon: [ pulls out a leopard-print leotard ] I’ll — I have this

Elliot Gould: And, if you hand me that – that leotard would be very nice —

Denny Dillon: Yeah.

Elliot Gould: We’ll be right back.

[ Gould begins to excitedly dig through Denny’s garment bag, as the camera pulls back and fades ]

SNL Transcripts

SNL Transcripts: Elliot Gould: 11/15/80: A Public Service Announcement: Highway Education


 Saturday Night Live Transcripts


  Season 6: Episode 1






80a: Elliot Gould / Kid Creole & The Coconuts

A Public Service Announcement: Highway Education

[ SUPER: “A PUBLIC SERVICE ANNOUNCEMENT” ]

[ shows Father getting into his car, with his family inside ]

Father: Okay now, what does everybody want to read today?

Daughter: Peter Pan!

Son: Huckleberry Finn!

Mother: How about the Swiss Family Robinson?

Father: Yeah, I think the kids will get a kick out of that. [ drives off ]

Announcer: The Andersons are about to take a leisurely Sunday afternoon drive. And read a classic novel at the same time. [ The family drives off, passing a sign that says “Swiss Family Robinson Ave.” ]

Thanks to a combined effort of the Department of Education and the Department of Highways,  The American public will be better educated and more entertained each and every time the travel on one of our fine roads.

[ They pass by signs that read, “SWISS FAMILY ROBINSON by Johnathan Swift”, “CHAPTER ONE”, “Shipwrecked…”, “And alone”, “For many days…”, etc. ]

[ cut to Housewife driving; super: Housewife ]

Housewife: Oh I just love these mystery novels. You know, once I started Agatha Christie, I just can’t put her down!

Announcer: Highway education will even make bussing more acceptable, enabling students to study, even while in transit.

[ a school bus passes by signs that read, “Q: Who was the 14th American president?”,”A: Grover Cleveland” ]

[ cut to Truck Driver by truck; super: Truck Driver ]

Truck Driver: Yeah, when I finish Sartre’s Being and Nothingness on my next drive, I’ll get my Master’s degree in Western philosophy.

[ cut to Book Critic in limo; super: Book Critic ]

Book Critic: Even though I find his storylines often intriguing, Kurt Vonnegut’s pacing is much too erotic.

[ cut to elderly couple driving around; super: Elderly Couple ]

Elderly Husband: You know, me and Evelyn decided that when we retired, we’d spend the rest of our days just driving around the country and catching up on our reading. Yeah, America sure is quite a library.

[ they drive by sign that reads, “…and so they lived happily ever after. The end.” ]

Announcer: This message has been brought to you by The Petroleum council. We’re trying to educate America.

Submitted by: Tony DuMont

SNL Transcripts

SNL Transcripts: Elliot Gould: 11/15/80: Goodnights


 Saturday Night Live Transcripts


  Season 6: Episode 1



80a: Elliot Gould / Kid Creole & The Coconuts

Goodnights

…..Elliot Gould

Elliot Gould: Well, the – the network, uh, had asked me to, uh – to extend their invitation to the President-Elect, his family, and all of you out there to eat as much Creole and Coconuts as you can. And, uh — [ turns to each cast member ] this is Gail.. and that’s Denny, and Ann.. and.. this is Gil, and Joe, and, uh.. [ Charles Rocket raises his hand ] Charles. And uh.. we’re gonna be around forever, so I hope we can.. keep on coming back.

[ end theme music plays, credits roll, the cast wraps a hula hoop around Elliot Gould ]

SNL Transcripts

SNL Transcripts: Elliot Gould: 11/15/80: At One With…


 Saturday Night Live Transcripts


  Season 6: Episode 1




80a: Elliot Gould / Kid Creole & The Coconuts

At One With…

Tom Morris…..Elliot Gould
Sgt. Steve Brick…..Joe Piscopo
Cpl. Peter Thomas…..Charles Rocket

[ open on title card ]

[ dissolve to Tom Morris ]

Tom Morris: Welcome to “At One With…” I’m your host, Tom Morris. The Supreme Court recently ruled that homosexuals should be allowed to serve in the Armed Forces. To see how the military is adjusting to this ruling, we’ve invited a man who’s been in the Army for the past twenty years. His name is Sgt. Steve Brick.

[ pull out to reveal a frowning Sgt. Steve Brick seated next to Tom Morris ]

Sgt. Brick, how do you feel about the recent court ruling on the decision for homosexuality?

Sgt. Steve Brick: Well, uh, naturally, I didn’t care for it. But it is the law! And, uh, we’ve gotta let ’em in, well, hell! We’ve gotta let ’em in!

Tom Morris: But does the Army have any special plans for new homosexual recruits?

Sgt. Steve Brick: We’ve decided that these people work to the best of their ability in their own environment. That’s why we’ve formed a special Gay Brigade.

Tom Morris: I see. Will their training be any different?

Sgt. Steve Brick: Uh – a little different. I’ve brought someone along to, uh, show you that today’s Army is not afraid to change. [ stands, walks over to a gay recruit, standing straight ] This is Cpl. Peter Thomas. [ leans into his face and yells: ] Thomas, are you a homosexual?!

Cpl. Peter Thomas: Yes, SIR!!

Sgt. Steve Brick: You ever have any heterosexual thoughts?!

Cpl. Peter Thomas: No, SIR!!

Sgt. Steve Brick: You ever read an issue of PLAYBOY?!

Cpl. Peter Thomas: No, SIR!!

Sgt. Steve Brick: What was that picture of BO DEREK doing in your locker, Soldier?!

Cpl. Peter Thomas: That was NOT my locker, SIR!!

Sgt. Steve Brick: Whose picture DO you have in your locker?!

Cpl. Peter Thomas: Cary Grant, SIR!!

Sgt. Steve Brick: Who else?!

Cpl. Peter Thomas: Just Grant, SIR!!

Sgt. Steve Brick: [ to Tom ] Obviously, this man is a homosexual. The next thing we like to teach them is: restraint! [ turns back to Cpl. Peter Thomas ] You’re a homosexual?!

Cpl. Peter Thomas: Yes, SIR!!

Sgt. Steve Brick: Can you restrain those tendancies?!

Cpl. Peter Thomas: Yes, SIR!!

Sgt. Steve Brick: Are you sure?!

Cpl. Peter Thomas: Yes, SIR!!

Sgt. Steve Brick: [ with eyes popping out of his head ] Would you-ou-ou like to kiss me-e-e-e?!

Cpl. Peter Thomas: No, SIR!!

Sgt. Steve Brick: You mean to tell me you wouldn’t want to plant your lips on mi-ine?!

Cpl. Peter Thomas: No, SIR!!

Sgt. Steve Brick: You wouldn’t want to ram your tongue down my throat, Soldier?!

Cpl. Peter Thomas: No, SIR!!

Sgt. Steve Brick: [ turns back toward Tom ] This! Is a trained soldier!

Tom Morris: Well, tell me – how can a soldier – it’s remarkable – how can one soldier tell when another soldier is homosexual?

Sgt. Steve Brick: Uh – that’s really quite easy. Say I’ve pulled guard duty, and I come across Cpl. Thomas here. [ turns back to Cpl. Peter Thomas ] Halt! Soldier! Who goes there!

Cpl. Peter Thomas: Cpl. Peter Thomas, Homo Number 4-5-6-7-8-9-6-2!!

Sgt. Steve Brick: What was Judy Garland’s first movie?!

Cpl. Peter Thomas: “Pigskin Parade”! SIR!!

Sgt. Steve Brick: The Mayor of San Francisco?!

Cpl. Peter Thomas: Dianne Feinstein! SIR!!

Sgt. Steve Brick: How many of the Village People are really GAY?!

Cpl. Peter Thomas: TWO!! The others are imposters! SIR!!

Tom Morris: Well, that is amazing! Now – the so-called Gay Brigade, where are they stationed?

Sgt. Steve Brick: Fort Dix. [ the audience laughs in spite of themselves ] I – I’d, uh – I’d like to show you right now, Mr. Morris, how a homosexual soldier marches

Tom Morris: Good.

Sgt. Steve Brick: [ to Cpl. Peter Thomas: ] Thomas! March ti-i-ime!!

Cpl. Peter Thomas: [ softly, as he marches in place ] Hut! Two, three —

Sgt. Steve Brick: I can’t HEAR you!!

Cpl. Peter Thomas: [ louder ] Hut! Two, three —

Sgt. Steve Brick: SING it for me, Soldier!!

Cpl. Peter Thomas: [ singing loud ] “I’m in the Army, and I’m gay!”

Sgt. Steve Brick: Left! Right! Left! Right!

Cpl. Peter Thomas: “That don’t mean I swish and sway!”

Sgt. Steve Brick: Left! Right! Left! Right!

Cpl. Peter Thomas: “I won’t go down on anyone!”

Sgt. Steve Brick: Left! Right! Left! Right!

Cpl. Peter Thomas: “Uncle Sam is the only one!”

Sgt. Steve Brick: Left! Right! Left! Right!

Cpl. Peter Thomas: [ marches off ] “I’m in the Army, and I’m gay –!”

[ Sgt. Brick returns to his seat ]

Tom Morris: Well, thank you, Sgt. Brick. [ to the audience ] We’ll see you next week on — good night!

[ dissolve back to title card ]

[ fade ]

SNL Transcripts

SNL Transcripts: Elliot Gould: 11/15/80: Cheering Up Jimmy


 Saturday Night Live Transcripts


  Season 6: Episode 1






80a: Elliot Gould / Kid Creole & The Coconuts

Cheering Up Jimmy

Amy Carter…..Denny Dillon
Rosalyn Carter…..Ann Risley
President Jimmy Carter…..Joe Piscopo

[ open on Rosalyn Carter sewing as she sits in the Oval Office. Amy Carter comes running in, ]

Amy Carter: Mama! What’s wrong with Daddy? He’s acting so strange!

Rosalyn Carter: Well, he’s just a little upset, honey. You must remember, he’s going through a very difficult time in his life.

Amy Carter: But, Mama! All he does is stare off into space!

Rosalyn Carter: Well, your just gonna have to be patient with your Daddy, honey.

Amy Carter: But, Mama! I saw him urinating in the hallway!

Rosalyn Carter: Well, that’s all the more reason we’re just gonna help Daddy lift up his spirit.

[ Amy shrugs her shoulders, as soon-to-be ex-President Jimmy Carter, wearing a suit over pajama pants, shuffles into the Oval Office ]

President Jimmy Carter: How did it happen? I didn’t vote for him.. you didn’t vote for him.. none of my friends didn’t vote for him. I don’t understand. How ever did I lose? [ sinks into his chair ]

[ Rosalyn and Amy come around opposite sides of the desk to comfort Jimmy ]

Rosalyn Carter: Oh, Jimmy. We didn’t want to win that silly ol’ election, anyway.

President Jimmy Carter: We didn’t?

Rosalyn Carter: Of course not. Now, how many times did you tell me that being President was just..no.. fun?

Amy Carter: That’s right, Daddy! Why, remember how much fun we used to have on the farm, or we used to plow the fields together!

Rosalyn Carter: Darlin’, we haven’t planted a furrow or plowed a seed in four years.

President Jimmy Carter: I do miss it.

Rosalyn Carter: Well, that’s why we took certain precautions, like the debates?

President Jimmy Carter: The debates? I don’t recall..

Amy Carter: Daddy! The debates! Remember when you and Mr. Reagan stood up in front of the TV camera, and Mr. Reagan looked so calm and relaxed, and.. you looked so TENSE and MEAN!

Rosalyn Carter: You see, darlin’? That was part of the plan. We knew that once you stood up in public and talked, nobody would vote for you.

President Jimmy Carter: You were right about that.

Rosalyn Carter: You see, our plan worked all along. And now, we are free.

Amy Carter: [ chipper ] Like the slaves!

Rosalyn Carter: No more cares, no more worries. And, now, you can show your true feelings, Jimmy.

President Jimmy Carter: My.. true feelings? About what?

Rosalyn Carter: Well, honey, about all those people who [ seductively ] let you down.

President Jimmy Carter: Yeah. Like the Jews! I hate them! Those beanyheads didn’t vote for me!

Amy Carter: And the hostages!

President Jimmy Carter: Well, they didn’t vote for me, either!

Amy Carter: Yeah! What about the Democrats?

President Jimmy Carter: Yeah! My own party —

Rosalyn Carter: And now, honey.. you can release all those lustful thoughts..

President Jimmy Carter: I can! And.. I-I-I.. I want —

Rosalyn Carter: Amy, honey, I think you’d better be running along, now.

Amy Carter: But, Mama! I wanna hear!

Rosalyn Carter: [ sternly ] Amy!

[ Amy runs out of the Oval Office ]

Rosalyn Carter: Now, Jimmy.. I just want you to let it all out. [ stands him up next to the desk ] Honey, I’ve been waiting four years for this. [ unbuttons her blouse to reveal a black bra snug against her skin ]

President Jimmy Carter: I want to be naked!

Rosalyn Carter: Yes! Yes! [ pushes the red phone aside, and sits on the desk ]

President Jimmy Carter: Standing in the Oval Office —

Rosalyn Carter: Oh! GIVE it to me, Jimbo! [ stretches herself across the desk ]

President Jimmy Carter: I – I – oh, these last four years have robbed me of any lustful thoughts.

Rosalyn Carter: Don’t you see, darlin’, that’s why we had to lose – it was either the election or the erection.

President Jimmy Carter: Yeah! I can FEEL it!

Rosalyn Carter: Yeah!

President Jimmy Carter: I can feel the power returning to my body!

Rosalyn Carter: Yeah!

President Jimmy Carter: For the first time in four years, I can finally do what I’ve always wanted to do!

Rosalyn Carter: Well, then why don’t you just go ahead and DO IT, Mr. President! [ titls her hand back and breathes in anticipation ]

President Jimmy Carter: [ loosens his grip on Rosalyn and presses a button on the intercom ] Tell Billy to meet me in the Rose Garden! [ removes a pistol from inside his des, spins the chamber and walks with determination out of the Oval Office ]

[ Rosalyn looks out with great confusion and disappointment ]

[ camera zooms out ]

[ SUPER: “Coming Up: J.R. Shot by B.B.” ]

[ fade ]

SNL Transcripts

SNL Transcripts: Elliot Gould: 11/15/80: American Cancer Society


 Saturday Night Live Transcripts


  Season 6: Episode 1




80a: Elliot Gould / Kid Creole & The Coconuts

American Cancer Society

Spokeswoman…..Gail Matthius

Spokeswoman: Hello! I’m from the American Cancer Society, with an important message for all women.

You know, breast cancer used to be a taboo subject, especially on TV. But, fortunately, today we are able to talk about it freely and openly. Learning how to examine your breasts can help save your life. There’s a simple procedure for dong this, which I will now demonstrate. Please watch carefully, observing all my movements.

[ she unbuttons her blouse and rips it off, as a black bar covers her full frontal ]

Spokeswoman: [ touching her breasts behind the black bar ] Begin here… touching this. Use this to probe that. Check to see if there’s anything like that. Then glide that along like this, like that, to see if there’s anything like this or that. Next, flex this firmly, while pressing that. Then flex this while pressing that. Finally, squeeze this between this and that. And that will look like this. Do not do this like this… or these will look like this. Do this like that, and that will look like this. And, lastly, one word of warning: If anything like… this… looks anything like… that… consult your doctor immediately. That could be fatal.

Thank you!

[ dissolve to title card ]

Announcer: The preceding public service announcement was brought to you by the Service for Public Service Announcements.

[ fade ]

SNL Transcripts