SNL Transcripts: Richard Dreyfuss: 05/13/78: Weekend Update with Jane Curtin & Dan Aykroyd



 Saturday Night Live Transcripts


  Season 3: Episode 19













77s: Richard Dreyfuss / Jimmy Buffett, Gary Tigerman

Weekend Update with Jane Curtin & Dan Aykroyd

…Jane Curtin
…Dan Aykroyd
…Bill Murray
Elliot Garfield…John Belushi
Paula McFadden…Gilda Radner
Roseanne Roseannadanna…Gilda Radner

[Open on Weekend Update desk as theme plays]

Don Pardo: And now, Weekend Update with the Weekend Update news team. Brought to you by Kierke Guard, the deodorant for sweaty, Danish philosophers. Here are anchorpersons Jane Curtin and Dan Aykroyd.

[Cut to Dan]

Dan Aykroyd: Good evening, I’m Dan Aykroyd.

[Cut to Jane]

Jane Curtin: And I’m Jane Curtin. Before we start, I’d like to take a moment to respond to some mail that we’ve received. Many of you have explained at times that I act in less than a professional manner. You say I become bitchy and lose my cool, hollering at Emily Litella or John Belushi or Roseanne Roseannadanna. You’re probably right. I do have some things that have been bothering [me] lately. Uh, my mother has Legionnaire’s Disease, but still, there is no reason letting my personal life interfere with my job as a responsible journalist, and I apologize. Never again will you see me lose my dignity by overreacting to any of my fellow correspondents, no matter how feeble they may be. [Raises her right hand] That’s a promise.

[Cut to Dan]

Dan Aykroyd: [nodding] Very well put, Jane. I’m, ah, sorry to hear about your mom. I was wondering why you were so cranky. I thought maybe you might be going through menopause.

[Audience laughter. Cut to Jane]

Jane Curtin: [smiling] No. Our top story tonight:

According to doctors at McGill University in Montreal, a substance called gum tragacanth, a thickening agent found in McDonald’s hamburger sauce — if you’re allergic to it — can cause itching, abdominal pain, a shortness of breath, a hives-like swelling of face, arms and trunk, and breathing difficulty due to a swollen larynx. A spokesman for McDonald’s reportedly commented “We do it all for you.”

The Environmental Protection Agency has ordered the American Motors Corporation to recall its entire output of 1976 cars due to a faulty pollution-control system. The offending devices have been snapped up by New York City slumlords, who will install them as air conditioners in substandard housing.

Dan Aykroyd: [clears his throat] The Treasury has just released the new metric conversion terms for American Federal Reserve currency, which will come into effect in 1981. The dollar will still be called the dollar, but quarters will be called quart-dollars, dimes will be deca-dollars, nickels will be penta-dollars, and pennies will be called hi-how-do-ya-do’s. No explanation was given.

Jane Curtin: And now, with this week’s review, here’s stargazer Bill Murray. Bill?

[Camera pans over to Bill Murray as audience applauds]

Bill Murray: Thank you, Jane. Well, just like all the other critics in this country, I gave my Oscar predictions the week before the Academy Awards. But unlike all those other critics, tonight I’m here to ‘fess up on just how badly I did. Uh, pretty damn badly, I’m afraid. Other than Diane Keaton’s nod for Best Actress, the party animal here completely struck out. Not that I wasn’t pleased to see the Wood-man snag a couple. Hey, class move not to show up, Wood-man, I loved it. I was just surprised that Hollywood had the good sense to give ’em to him. But I must say I was disappointed by the Best Actor selection. Like so many people around this show, I expected Richard Burton to take it for what I understand was a superb performance in Equus. Uh, when Richard Dreyfuss won, I asked Warner Brothers to send over a clip to see if I was wrong. Here’s a clip, Goodbye Girl. Can we show it, please?

[Cut to clip labeled “The Goodbye Girl.” Instead of Richard Dreyfuss and Marsha Mason, the clip features John Belushi and Gilda Radner portraying the film’s main characters, Elliot Garfield and Paula McFadden]

Elliot Garfield: By the way, I sleep in the nude, naked, au naturel, ah-buffo! Them’s my rules, and that’s the way it’s gonna be! [breathes deeply] And another thing, [removes panties from the shower curtain rod] I don’t…like…the panties…hanging…on…the rod! [Hands the panties to Paula as the camera zooms in to a close-up of her face]

[Cut to different scene from the movie]

Elliot Garfield: What do you know? You’re ten years old. Three more years you wanna drive or then you burrrrn.

[Cut to bathroom, where Paula is finishing washing her face. As she turns to leave, Elliot hands her a towel and kisses her]

Paula McFadden: Don’t you ever do that again! [Turns around to dry her face with the towel]

Elliot Garfield: Ooo, your lips say “no-no-no,” but your eyes say “yes-yes-yes”! [Elliot kisses Paula on the back of the shoulder. Scene freezes. Dissolve back to Bill Murray as audience applauds]

Bill Murray: Uh, I’m sorry, but to all my good friends at the Academy, I still have to say uh-uh, no, no way. Richard, Drey, we have seen these movies before, all of them. This is the same Dreyfuss I saw in Jaws, American Graffiti and Duddy Kravitz. Well, actually, I didn’t see Graffiti and Kravitz, but this is what I heard, so…. Anyway, you are letting yourself slide, dude. You’re fat now! Disgustingly fat! Now get into shape or quit the business! Do you wanna do that, Richard? Diiiick? Lumpy, come on! All right, that’s the Richard I think I know. For those of you who don’t agree with me: I’m sorry, but that’s the way I feel. Now get outta here, ya knuckleheads, I mean it. Back to the original knucklehead, Jane, will you pass this on to Danny for me? [Bill gives Jane a noogie] You knucklehead! Pass it on! [applause]

Jane Curtin: [Smiles as Bill exits] Dan?

[Cut to Dan in front of an image of a policeman grabbing a protester on the face]

Dan Aykroyd: Thank you. Last week in Houston, Texas, a disturbance broke out during a demonstration marking the death of a Mexican-American who died last year while in police custody. Houston officials laughed off the incident, advised rioters to do the same, and as seen here, sent police in to teach the Mexican-Americans how to smile. Jane?

[Cut to Jane]

Jane Curtin: This week, the Air Force reported two UFOs off the coast of Florida. Here to comment further on this phenomenon is correspondent Roseanne Roseannadanna.

[Applause as the camera pans over to Roseanne]

Roseanne Roseannadanna: Thanks, Jane. Mr. Richard Feder of Fort Lee, New Jersey, writes in and says: “Dear Roseanne Roseannadanna, Do you believe in UFOs? Have you ever seen a UFO? Have you had a contact with a UFO? Have you ever been beyond and back? Did you see Star Wars? Do you believe that we are not alone?” Mr. Feder, you ask a lotta questions for someone from New Jersey. But I know what you’re askin’ because once, I, Roseanne Roseannadanna, saw somethin’ that drove me crazy! It was a hot and clammy summer night, and I was sittin’ alone in my apartment. And I said to myself “Roseanne Roseannadanna, what you need is a ride in the country.” So, I got in my car and I start drivin’. And I love to drive, ’cause my car got an FM radio that I sing with. And I don’t wanna brag, but when I sing in my car, I sound just like Connie Francis! Well, it’s around ten o’clock at night. I didn’t know it, but off to the side of the road, there’s this drive-in movie theater, and they were showin’ this X-rated French movie called Le Sex Shop. And I was just ridin’ along, singin’ a song when all of a sudden, peekin’ through the trees, I saw the world’s biggest buttocks! Two big cheeks that was bouncin’ over the expressway. I thought I was gonna die! There it was in living color, a rectal eclipse! And underneath, there was words, you know, like, ah, subtitles? And this backside is talkin’ to me, sayin’ “Do you love me? I love you. Can you touch me, please. Hold me closer, darlin’. Kiss me, my honeybear.” I couldn’t believe it! Jane, tell me, did a rear end ever talk to you?

Jane Curtin: [Forcing herself to smile and remain calm] No, I-I don’t believe one ever has, Roseanne.

Roseanne Roseannadanna: Boy, you sure are in a good mood today.

Jane Curtin: Yes I am, Roseanne.

Roseanne Roseannadanna: Well good, because, you know, Jane, you know what really makes me sick? Did you ever, like, get a little piece o’ stuff, like, in the corner of your eye, you know, and you take it out and go “What is this? Did this come outta me, you know? Where am I gonna put it?” Then you start–you just start rollin’ it around and rollin’ it around, rollin’ around your finger and you think “Where am I gonna put it?” You think “Where am I gonna put it?” And then, it doesn’t matter where you’re gonna put it ’cause when you look it disappears! [Looking at Jane] Where does that thing go?

Jane Curtin: I’m sorry, I don’t know, Roseanne.

Roseanne Roseannadanna: [pointing to Jane’s eyes] Well, you better start thinkin’ about it ’cause you got a little piece o’ stuff right there. [Roseanne puts her arm around Jane] You know, Jane, I never noticed this, but, you know, you got a little moustache right there! Yeah, look at Jane, got a cute little tiny soft baby moustache right all blonde and cute and everything. [Jane starts to get annoyed] You know, you better not shave that ’cause it’ll grow back all black and thick and everything, okay?

Jane Curtin: Thank you, Roseanne.

Roseanne Roseannadanna: Aw, you’re welcome. You’re real wel–you know, you’re a very, very pretty girl. Very pretty. You know, I want you to tell me somethin’ just between you an’ me, Roseanne Roseannadanna, [pointing to Jane’s breasts] are both o’ your things the same size?

Jane Curtin: [Rips open her shirt to reveal her bra] CHECK FOR YOURSELF, ROSEANNE! [Roseanne puts her head in her hands as Jane recloses her shirt] I prom-I promised myself and my audience…that I wouldn’t lower myself to a level of the likes of you. Rectal eclipses, stuff that disappear when you put it in your fingers. I tried to contain myself when you took me apart piece by piece in front of millions of people. But I guess I’m just not that strong.

Roseanne Roseannadanna: Well, Jane, it just goes ta show ya, it’s always something. And you know something? I thought you were a lot bigger than that. [Jane gasps and puts her head in her hands] Good night, have a pleasant tomorrow!

[Applause. Weekend Update theme plays. Roseanne waves. Dan tries to comfort Jane as she cringes. Fade]

Submitted by: John Ravetti

SNL Transcripts

SNL Transcripts: Buck Henry: 05/20/78



 Saturday Night Live Transcripts


  Season 3: Episode 20


This free script provided by http://javascriptkit.com]]>


Air Date:

Host:

Musical Guest:

Special Guests:





Cameos:

Bit Players:


May 20th, 1978

Buck Henry

Sun Ra

Michael O’Donoghue

Tom Davis

Al Franken

None

Brian Doyle-Murray

Mitchell Laurance

Andy Murphy

Don Novello

Tom Schiller
Nixon’s BookSummary: Former President Richard Nixon (Dan Aykroyd) invites outraged viewers to buy his book just so they can kick it around.

Recurring Characters: Richard Nixon.

Transcript

Montage

Buck Henry’s MonologueSummary: As Buck Henry speaks glowingly of “Heaven Can Wait” and his friendship with Warren Beatty, a scroll suggests that his career is actually over.

First Hosted: 76e.

Transcript

Nerds Go To The PromSummary: Todd (Bill Murray) escorts Lisa (Gilda Radner) to their high school prom.

Recurring Characters: Lisa Loopner, Todd DiLaMuca, Mrs. Loopner, Mr. DiLaMuca.

Transcript

Samurai TV RepairmanSummary: Mr. Dantley (Buck Henry) has Futuba (John Belushi) repair his busted TV set.

Recurring Characters: Futaba, Mr. Dantley.

Transcript

Sodom Chamber of CommerceSummary: Members of the Sodom Chamber of Commerce seek ways to change their city’s vile image in the eyes of outside visitors.

Transcript

Weekend Update with Jane Curtin & Dan AykroydSummary: Laraine Newman narrates drawings from the Son Of Sam trial. Stargazer Bill Murray gives his review of the “The Greek Tycoon” and attempts to call Jackie Onassis. Jane Curtin and Dan Aykroyd debate over who gets to hold which viewpoint during Point/Counterpoint.

Olympia CafeSummary: Mr. Mike (Michael O’Donoghue) sings “Baby Ghouls” with backing vocals from a vampire (Laraine Newman).

Recurring Characters: Pete Dionasopolis, George Dionasopolis, Sandy Dionasopolis, Niko Dionasopolis, Mike Dionasopolis.

Transcript

Mr. Mike’s Least Loved MusicSummary: Mr. Mike (Michael O’Donoghue) sings “Baby Ghouls” with backing vocals from a vampire (Laraine Newman).

Recurring Characters: Mr. Mike.

Transcript

More Insects To Worry AboutSummary: Joan Face (Jane Curtin) discusses the dangerously artistic Bedanza mite with Dr. Russell Bedanza (Buck Henry).

Recurring Characters: Joan Face.

Transcript

Stunt PuppySummary: Howard (Buck Henry) is directed to inflict abuse on puppy in a tense family scene.

Recurring Characters: Brian Welles, Howard, Gwen, Tommy.

Transcript

Bad Conceptual ArtSummary: Leonard Pinth-Garnell (Dan Aykroyd) presents an excerpt from Pavlov’s “Video Chicken I”.

Recurring Characters: Leonard Pinth-Garnell.

The Franken & Davis ShowSummary: Tom Davis reveals that he and Al Franken are gay lovers, destroying Al’s family life immediately.

Transcript

Sun Ra performs “Space is the Place” & “Space-Loneliness”

GoodnightsTranscript

SNL Transcripts

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SNL Transcripts: Buck Henry: 05/20/78: The Franken & Davis Show




 Saturday Night Live Transcripts


  Season 3: Episode 20











77t: Buck Henry / Sun Ra

The Franken & Davis Show

…..Buck Henry

[ open on animated title sequence ]

Announcer: It’s time for the Franken & Davis Show, starring Al Franken and Tom Davis. And now, here’s Al and Tom!

[ dissolve to Home Base, as bare-chested Al and Tom enter amid great audience applause ]

Al Franken: Good evening, ladies and gentlemen!

Tom Davis: You know, uh — we’ve had so many requests for our Sumo Wrestler piece that, tonight, we just had to do it again! But, first — we’d like to introduce some VERY important people in the audience.

Al Franken: You know, there’s an old saying that behind every successful man… you’ll find a woman! And Tom and I are certainly no exceptions. So, tonight, ladies and gentlemen… I’d like you all to meet my lovely wife Darlene. She’s up there. [ he points toward the balcony ] Davey? Davey, can we get a shot of her? [ cut to shot of woman seated in balcony ] There she is! She’s over there! Ladies and gentlemen, my lovely wife Darlene! [ the audience applauds as Darlene smiles graciously ] And sitting next to her, is our son Al, Jr. [ camera pans over to a child-sized version of Al Franken ] Al, Jr. is nine years old, and he’s already in the Second Grade! And, sitting next to Al, Jr., ladies and gentlemen — Suzanne, the girl Tom lives with! [ camera pans over to a blonde woman, as the audience applauds her beauty ]

Tom Davis: [ seriously ] Al? Al, I can’t — I can’t live this lie any longer, ladies and gentlemen. Al just introduced his family and the girl I supposedly live with, to present a facade.

Al Franken: Tom…

Tom Davis: No! With all the Anita Bryant stuff going on… with all the DEFEAT of gay rights all across the United States, some people have to stand up and be counted! I think we should…

Al Franken: No, no…

Tom Davis: No, the truth of the — I mean it! The truth of the matter is: Al and I are homosexual lovers! I’d like to get that out.

Al Franken: DAMMIT, TOM!! Dammit!

Tom Davis: Al, listen — it was gonna come out sooner or later… I just thought it would be the best thing — RIGHT NOW!

Al Franken: [ nervously ] Ladies and gentlemen, uh — Tom is just joking! [ laughing ] This is part… of the routine!

Tom Davis: This is NOT a part of our routine, ladies and gentlemen. This is NOT a joke. Al and I are homosexual lovers, and we are PROUD of it! Both of us! I’d just like to say that. And, uh —

Al Franken: [ miffed ] Tom… how could you do that to us? In front of everybody… ESPECIALLY in front of my WIFE and KID! How can you do…?

Tom Davis: [ stunned ] Well, don’t they know?

Al Franken: No, they don’t know! NO! [ he hangs his head ] In front of all these people! And all the MILLIONS of people at home!

Tom Davis: That’s… that’s EXACTLY my point, Al! I — I — I wanted to make this announcement tonight… and… and… and these people are with you. They like you, they respect you… I think, in fact, they probably respect you MORE. Ladies and gentelmen, don’t you respect Al more now that you know? Now that you know…

[ the audience boos wildly ]

Tom Davis: Now that…

Al Franken: [ aggravated ] You — you see?! You see?!

Voice of Al, Jr.: I HATE YOU, DADDY!! I HATE YOU!! I HATE YOU!!

[ cut to Al, Jr. standing in the audience ]

Al, Jr.: I HATE YOU, DADDY!! I HATE YOU!! I HATE YOU!!

[ Al, Jr. storms away from the balcony, as Al’s wife runs after him ]

Voice of Al, Jr.: [ trailing off ] I HATE YOU, DADDY!! I HATE YOU!!

Al Franken: [ to Tom ] You see? Not only you ruined MY life…. but you ruined little Al, Jr.’s, too!

Tom Davis: [ calmly ] Al… you’re taking this…

Al Franken: [ furiously ] YOU’RE GONNA BE SORRY YOU DID THIS, TOM!!!

Tom Davis: You’re taking this the wrong way…

Al Franken: [ shoving Tom ] YOU’RE GONNA BE SORRY YOU DID THIS!! I’M GONNA MAKE YOU SORRY YOU DID THIS!!

Tom Davis: Come on! Let’s just do the Sumo…

Al Franken:[ shoving Tom ] YOU’RE GONNA BE SORRY, TOM!! I’m GONNA MAKE YOU SORRY [ he runs behind the stage curtain ]

Tom Davis: Oh, stop the theatrics! Come back here! [ to the audience ] I’m so sorry — [ to Al, behind the curtain ] Al, come here! Put that gun down! Don’t put that gun to your head!

[ a gunshot fires off, and Al’s body drops behind the curtain as his leg dangles outward ]

[ Tom returns to face the audience ]

Tom Davis: [ sullen ] Uh… well, that’s the end of the show… Good night, everybody…

[ dissolve to title card ]

Announcer: The Franken & Davis Show is brought to you by… [ ad card appears ] The Communist Party of America. Working for a BETTER tomorrow! And, now — here’s Al and Tom!

[ dissolve back to Al and Tom onstage ]

Al Franken: Just kidding, everybody!

Tom Davis: He didn’t really shoot himself!

Al Franken: Good night, everybody!

Tom Davis: Good night!

[ dissolve to audience wide shot, zoom in on man with SUPER: “Can’t Keep Anything Down” ]

[ fade ]

SNL Transcripts

SNL Transcripts: Buck Henry: 05/20/78: Goodnights




 Saturday Night Live Transcripts


  Season 3: Episode 20



77t: Buck Henry / Sun Ra

Goodnights

…..Buck Henry

Buck Henry: Good night, folks! They’ll all be back in the Fall — or not. See you then. Thank you for coming!

[ Dan Aykroyd steps forward to show off his t-shirt ]

Announcer: Be sure to watch encore performances of “Saturday Night Live” right through the summer. Beginning this Saturday, with host O.J. Simpson. And now, this is Don Pardo sinking into the Summer of ’78. Good night.

SNL Transcripts

SNL Transcripts: Buck Henry: 05/20/78: More Insects To Worry About




 Saturday Night Live Transcripts


  Season 3: Episode 20






77t: Buck Henry / Sun Ra

More Insects To Worry About

Joan Face…..Jane Curtin
Dr. Russell Bedanza…..Buck Henry

Joan Face: Good evening, and welcome to “More Insects to Worry About”. I’m your host — Joan Face. Tonight’s guest is one of the country’s leading entymologists — Dr. Russell Bedanza.

Dr. Russell Bedanza: It’s very, very nice to be here, Miss Face. I LOVE your show! For me, it’s the omly thing on television worth watching.

Joan Face: Oh, thank you, Dr. Bedanza! You’ve devoted your life to insects — cataloging them, photographing them, even living amongst them as an insect. Now, I ask this of everyone who comes on this show, and if you had to pick one insect out of the whole insect kingdom, that was the biggest threat to the survival of the human species… what would that insect be?

Dr. Russell Bedanza: Oh, boy! [ he laughs heartily ] Whoo-hoo-hoo! That’s a tough one! I hate to single one out, when they’re are SO many! Uh — let’s see. There is, of course, the mucus-flinging lawn faggot… uh, MAGGOT! Sorry! UH — the, uh — the common crotch wasp, a tricky little devil… and, uh, the whooping slug.

Joan Face: [ excited ] Oh! Aren’t they the ones that fasten themselves to human eyeball and just suck like there’s no tomorrow?

Dr. Russell Bedanza: Exactly! They’re a real nusiance, Miss Face. You actually have to steam them off. But, for a real nightmare insect — make mine the Bedanza Mite.

Joan Face: The Bedanza Mite? Named after you?

Dr. Russell Bedanza: No — I’m named after it.

Joan Face: Well, what makes the Bedanza Mite such a threat?

Dr. Russell Bedanza: Well… they’re a burrowing mite. His favorite habitat is the human brain. 80% of their body weight is in their mouth parts, so you can very well imagine how VORACIOUSLY they can tongue through that grey matter! [ he chuckles ] They make it look easy!

Joan Face: Well, how do they get in there? Do they gnaw their way through the skull?

Dr. Russell Bedanza: Well, they could if they wanted… but they seem to prefer natural openings, like the mouth, ears, nostrils, tear ducts — any aperature at all. They can’t walk by one without going in.

Joan Face: Well, what do they do once they’re in the brain.

Dr. Russell Bedanza: Ah! During they day, they excavate; during the night, they scavange — that is, they go out and look for interesting things to bring back inside.

Joan Face: What sort of things?

Dr. Russell Bedanza: Oh, whatever’s close at hand. Usually, things found on the host’s night table: loose change, ticket stubs, breath mints…

Joan Face: Generally, small things?

Dr. Russell Bedanza: Ah, you would be surprised, Miss Face, what these mites can pack into a hollowed-out human cranium. Now, autopsies have turned up car keys, checkbooks, jars of cold cream, and — once — a paperback copy of “Shogun”. It’s incredible. It seems like the worst victims sleep with their mouthes or their legs open.

Joan Face: Why do they do it?

Dr. Russell Bedanza: For art, Miss Face. Don’t ask me why, but these insects fancy themselves as artists. To them, a collection of loose objects hung inside someone’s head is art.

Joan Face: They make art?

Dr. Russell Bedanza: Ah… well, they call it art. I’m an anthropologist, not an art critic. But I know what I like. FRankly, uh, I’ve got a four-year old at home who can do better than these insects.

Joan Face: So, you’re married?

Dr. Russell Bedanza: Well, no. Mrs. Bedanza passed away.

Joan Face: [ sullen ] Bedanza mite?

Dr. Russell Bedanza: Yes. Mrs. Bedanza was a mouth-breather. Things kept disappearing around the house, but we NEVER put two and two together, ’til, one day, they top of her head CAVED IN.

Joan Face: [ sympathetic ] I’m very sorry…

Dr. Russell Bedanza: I kind of blame myself But back to mite art. You know, some of their work’s not altogether bad. There’s a colony of them out on the coast that are branching out into some new areas. I did catch a very interesting show of theirs that’s on Don Ho’s rear end.

Joan Face: [ excited ] What’s it like?

Dr. Russell Bedanza: Well, it’s very hard to describe. You’ve really got to see it for yourself. For instance, there’s this swizzle stick from Trader Vic’s…

Joan Face: Oh, no, no, no, no! Don’t spoil it for me! How long is it going to be going on?

Dr. Russell Bedanza: I think it’s on through June, then Don’s going back to Hawaii and he’ll probably bring the exhibit back with him.

Joan Face: [ jotting it down ] Well, I’ll have to see…

Dr. Russell Bedanza: One thing — don’t go on a Sunday. The crowds are incredible, they go on for miles.

Joan Face: Thank you!

Dr. Russell Bedanza: [ slyly ] You know, I wouldn’t mind going seeing it again myself…

Joan Face: [ blushing ] Well, great! I’d like that very much. [ to the audience ] Well, that about wraps it up for tonight. Join me next week, when we’ll worry about Disco Lice. Thank you.

[ Joan quickly returns her attention to Dr. Bedenza, as the camera pans upward into the audience and zooms in on a woman with SUPER: “Flosses With A Friend” ]

[ fade ]

SNL Transcripts

SNL Transcripts: Buck Henry: 05/20/78: Buck Henry’s Monologue




 Saturday Night Live Transcripts


  Season 3: Episode 20





77t: Buck Henry / Sun Ra

Buck Henry’s Monologue

…..Buck Henry

Announcer: Ladies and gentlemen — Buck Henry!

Buck Henry: Thank you all very much! It is VERY nice to be be back here, and an HONOR to be back here for the LAST show of the Third Season of this EXTRAORDINARY show. [ the audience applauds enthusiastically ] I, uh — I did the last show of last season, and, uh, I sometimes… I suppose you’ve wondered — and I’ve wondered — why I’m back again to do the last show of this season, because, I mean, they have some quite incredible hosts. Last week was Richard Dreyfuss, the winner of an Academy Award; a few weeks before was Steve Martin, perhaps the fastest rising young comic of our time… and I think, when you really come down to it — and I say this, I think, without any false sense of pride or modesty that what it probably is, is that the “Saturday Night Live” accepts the fact that, from me, they gain a sense of — what shall I call it? — class. I mean, after all, I have been, for the last year or so, working on a major motion picture called “Heaven Can Wait”, with some quite extraordinary people. I’ve been with them for a year. Uh — James Mason, Julie Christie, and my good friend and producer of the film and star of the film and co-director of the film… Mr. Warren Beatty, who has become a real pal of mine, a real friend, and a wonderful, wonderful guy to work with. Uh, I mean… we’ve been, we’ve been together now for almost… I guess for a year now. And Julie Christie has been with us, too, and she’s a wonderful girl and I could tell you terrific stories about her, if I had the time. All of us working together, in this kind of enterprise… I think, doing something as BIG as a picture like this gives my career — and the “Saturday Night” show — a sense of working on something, a persoective of something larger than just a weekly television show. I think the way I live, for instance, the way I live in Hollywood, the way I conduct myself both professionally and in my private life, demands a kind dignity to the show that most guests can’t give it. My home in Hollywood, I think, epitomizes, perhaps, what people like myself… what can I say about it? It’s not garish, but it represents a kind of classiness, and a kind of Hollywood success that most people understand and go for, and perhaps envy a little, and this show certainly can use some of it. I think there are fine people here, and they understand exactly what they’re doing when they asked me to come out here and say some things about them and about myself, and about what kind of person I am and that I deserve to be here. I’ve done this a few times, and I think I’m proud of this time because I know how I’m helping them out of a tight spot, being the last show of the year. And I know Lorne, if he were here, would probably say the same thing because, not only is he my buddy, but because he’s got that same sense of show business, and the same feeling for me and for all of you built in.

[ as Buck talks, the following text SCROLLS up the screen: ]

“Buck doesn’t know Warren Beatty. He doesn’t know Julie Christie, either. He seems to know he’s here now, but clearly he doesn’t know why.

You see, Buck’s career is over. It’s been more than ten years since “The Graduate”. Even David Begelman doesn’t return his calls. This is a tough period for him — burnt out and lonely — what his psychiatrist calls “Mid-Life Crisis”.

It’s sad the way things work out in comedy. One day you’re on top of the heap, the next day you’re trying to convince people you know Warren Beatty.

Buck never married. He lives alone in his small Hollywood apartment — just a few magazines and a telescope. You figure it out. Sure, maybe we should have gotten some big star to do the last show. Some say with NBC in third place in the raings war, we can’t afford to be sentimental.But we believe there are some things more important than ratings — like helping a has-been through a difficult period. But then, that’s the kind of people we are.

Well, we’ve helped him through this. Now it’s up to you the audience, to help him through the rest of the show.

And Warren, if you’re watching, you can help, too. If you see Buck somewhere, and you recognize him, just nod or wave. It will mean an awful lot to him. Remember, the wheel turns, and maybe someday, if your world crumbles, you can go over to Buck’s small apartment and use his telescope.” ]

Buck Henry: So… I wanted to thank you for this opportunity to talk to you, and, uh — we’ll be right back!

SNL Transcripts

SNL Transcripts: Buck Henry: 05/20/78: Mr. Mike’s Least Loved Music



 Saturday Night Live Transcripts


  Season 3: Episode 20





77t: Buck Henry / Sun Ra

Mr. Mike’s Least Loved Music

Written by: Michael O’Donoghue

Mr. Mike…..Michael O’ Donoghue
Vampire…..Laraine Newman

[ open on Mr. Mike singing “Baby Ghouls” ]

Mr. Mike: [ singing ]
“Some like it hot,
Some like it cold,
Some like it in the grave
Nine years old.

Look out for the baby ghouls;
They’re breaking all the rules.
Look out, look out, you fools, for the baby ghouls.

They’ll ask for a candy bar,
Show their appendix scar,
Ride in your fancy car on their way to school.
They’re driving you insane,
Gobbling up your brain,
Playing out in the rain by the swimming pool.”

[ Vampire is seen next to him, translating his spoken interlude into sign language ]

Mr. Mike: I was driving down Route 17, saw this little girl hitchhikerand I picked her up, and I noticed that when she crossed her legs I could seemy face reflected in her black patent leather shoes. Well, we were drivingfor a while when she turns to me and says, “Hey Mister, hey mister I likeyour flesh, let’s you and me go park.” And I say, “How about Lover’s Lane?”and she says, “No let’s go to the cemetery, no one will bother us there.”And so we drive to the cemetery, and I’m laying on the grass and telling herwhat pretty.. red.. lips she has. She replies, “Mama says no lipstick, so wedip our lips in blood.” and I look up at the tombstone, and on it, is carved,my own.. name!

Mr. Mike: [ continues singing ]
“One morning, you wake up dead.
Teddy Bear by your bed.
They wanna give you headstones, the Baby Ghouls.
Blood stains on the party dress,
Little white gloves a mess,
Look out for the pre-pubess of the Baby Ghouls.
Look out for the pre-pubess of the Baby Ghouls.
Look out for the pre-pubess..”
[ Vampire sneaks up behind him and bites him on the neck ]
“..Of the Baby Ghouls.”

[ Mr. Mike is fading, while blood comes out of vampire’s mouth ]

[ fade to black ]

Submitted by: Tony DuMont

SNL Transcripts

SNL Transcripts: Jill Clayburgh: 03/18/78: Olympia Cafe



 Saturday Night Live Transcripts


  Season 3: Episode 14








77n: Jill Clayburgh / Leon Redbone

Olympia Cafe

Pete Dionasopolis…..John Belushi
George…..Dan Aykroyd
Nico…..Bill Murray
Sandy…..Laraine Newman
New Waitress…..Jill Clayburgh
Male Customer…..Garrett Morris
Female Customer…..Gilda Radner
Benefit Lady…..Jane Curtin

[A busy diner owned by the blustering, mustachioedPete Dionasopolis. He rings up a sale on his cashregister. Greek music plays quietly in the backgroundthroughout the sketch. The phone rings and Peteanswers:]

Pete: [into phone] Hello, Olympia Cafe! … [yells toGeorge, the cook] Cheeseburger! Cheeseburger!Cheeseburger! Cheeseburger!

George: Cheeseburger! Cheeseburger! Cheeseburger!Cheeseburger!

Pete: [into phone] No. No fries, chips. … [yells toNico, the counterman] Four chip!

Nico: Four chip!

Pete: [into phone] What to drink? No Coke. Pepsi. …[yells to Nico] Four Pepsi!

Nico: Four Pepsi!

Pete: [into phone] All right.

[Sandy, the stern, dark-haired waitress is training anawkward new employee.]

Sandy: [to the new waitress] Just do what I do, huh?[demonstrates what to say to the others] Cheeseburger!

New Waitress: Cheeseburger!

Sandy: Cheeseburger!

New Waitress: Cheeseburger!

Sandy: Cheeseburger!

New Waitress: Cheeseburger!

George: Cheeseburger! Cheeseburger! Cheeseburger!

Sandy: Three chip!

New Waitress: Three chip!

Sandy: Three Pepsi!

New Waitress: Three Pepsi!

Nico: Three chip! Three Pepsi!

Male Customer: [paying his bill, to Pete at the cashregister] I see that you are training another newwaitress again.

Pete: [making change] Yeah. But she won’t stay. Theyall want money! You know? Even him! [indicates Nicowho stands by, grinning stupidly] I bring him overfrom Greece. I give him free food. A nice place tosleep in the back. But, even now, he’s always askingfor money! Ehh! [pushes Nico back to work] Come on,get out of here.

Sandy: Cheeseburger!

New Waitress: Cheeseburger!

Sandy: Cheeseburger!

New Waitress: Cheeseburger!

George: Cheeseburger! Cheeseburger!

Sandy: Two chip!

New Waitress: Two chip!

Sandy: Two Pepsi!

New Waitress: Two Pepsi!

Nico: Two chip! Two Pepsi!

Female Customer: [sitting at counter, to Pete] Hey,uh, I’m almost done. I, uh, better order that stuff togo.

Pete: Ah! I like you. You eat fast. All right, what togo?

Female Customer: Um, I want a cheeseburger, Pepsi anda bag of chips.

Pete: [yells] Cheeseburger! Pepsi! Chip!

George: Cheeseburger!

Nico: Pepsi! Chip!

Pete: Sandy! C’mere!

Sandy: [Pete exits as Sandy stands at the cashregister with the new waitress who hangs up her coatbefore Sandy explains the system] Okay, when Petegoes, you have to stand by the cash register but don’ttouch it. Pete is the only one to touch the cashregister, huh?

Benefit Lady: [enters with placard, goes to counter,talks to Nico] Hi! Uh, we’re having a benefit for theTagart twins — you know, the little boys that ate theballoon — and I was wondering if I could put thisposter in your window. [Nico doesn’t understand a wordshe’s saying but nods anyway] I can? [Nico shrugs, thebenefit lady is delighted] Oh!

Nico: [to the benefit lady] Cheeseburger?

Female Customer: [to the benefit lady] Look, um, hedoesn’t understand English. All he knows is”Cheeseburger” …

Nico: [to female customer] Cheeseburger?

Female Customer: [George brings her order in a bag]Oh, hi, George, look, uh, I wanna tell you this joke,okay? [indicates Nico] Oh, tell him too — it’s realfunny. Um, this guy says to the owner of a restaurant… [George translates in Greek to Nico] Uh, I gotsome bad news for you and some worse news … [Georgetranslates] Uh, the bad news is … [Georgetranslates] … that there’s a fly in my soup …[George translates] Uh, the worse news is … [Georgetranslates] It’s the best part of the meal! … [Anamused George translates the punch-line but Nicodoesn’t understand so George repeats it. Nico stilldoesn’t get it, shrugs apologetically. George givesup, gestures to the customer that Nico is not toobright, hands her her order, and heads back to thegrill.] Thank you. [rises, pays at register, andexits]

Sandy: [phone rings, Sandy picks up, speaks intophone] Olympia Cafe. … To go? Okay. … [yells]Cheeseburger! Cheeseburger!

George: Cheeseburger! Cheeseburger!

Sandy: Two chip! Two Pepsi!

Nico: Two chip! Two Pepsi!

Pete: [returns, shoos Sandy and the new waitress away]All right, come on, come on, come on, come on, let’sgo, come on, move, come on!

Benefit Lady: [to Pete] Hi! Um, we’re having a benefitand I was wondering if I could put this poster in yourwindow.

Pete: Sure. Five dollars.

Benefit Lady: No! No, no, no, you don’t understand.It’s a benefit.

Pete: [upset] Look, you come in here, you don’t evenbuy something, you want me to put something in thewindow?!

Benefit Lady: Oh, okay, I’ll buy something, I’ll buysomething.

Pete: Okay, what’ll you have?

Benefit Lady: Uh, I’ll have a club sandwich and a tea.

Pete: No club, no tea. Cheeseburger.

Benefit Lady: Okay, I’ll have a cheeseburger, welldone.

Pete: All right, cheeseburger. What to drink?

Benefit Lady: Ah, no tea?

Pete: No tea. Pepsi.

Benefit Lady: Ah, do you have root beer?

Pete: No. No root beer. Pepsi.

Benefit Lady: Grape. Do you have–?

Pete: Pepsi!!

Benefit Lady: I don’t think I want anything to drink,thanks.

Pete: Okay, tea. [quickly pours her a tea]

Sandy: Cheeseburger!

New Waitress: Cheeseburger!

Sandy: Cheeseburger!

New Waitress: Cheeseburger!

George: Cheeseburger! Cheeseburger!

Pete: [upset, to the new waitress] Hey, hey, yo! Hey,you! You don’t say it right! Okay? Listen. [with Greekaccent, spoken quickly and without pronouncing the”s”] Cheeseburger!

New Waitress: Cheeseburger!

Pete: Cheeseburger!

New Waitress: Cheeseburger!

Pete: No, no. Cheeseburger!

George: [thinks an order is being made] Cheeseburger!

New Waitress: Cheeseburger! Cheeseburger!

[Pete, George, and the new waitress all yell”Cheeseburger” back and forth, faster and faster,until the waitress explodes in fury:]

New Waitress: [throws her ticket book] I can’t standthis place! [runs behind register to grab her coat]It’s, like, nuts! I’m just getting out of this place!This is crazy! [grabs coat] Cheeseburger!Cheeseburger!

George: Cheeseburger! Cheeseburger!

New Waitress: [keeps ranting] Pepsi! Chip!

Nico: Pepsi! Chip!

New Waitress: [putting on coat] Cheeseburger! Pepsi!

George: Cheeseburger!

Nico: Pepsi!

Benefit Lady: [trying to calm her] Hey, it’s okay!It’s okay! Everything’s gonna be fine now. [to theemployees, who watch dispassionately] Can somebody gether a glass of water?

Pete: No water. Pepsi.

Benefit Lady: All right, a Pepsi!

Pete: One Pepsi! [But Nico merely stands there,watching the distressed waitress until Pete hits himseveral times with a menu] Pepsi! Pepsi! Pepsi! Comeon!

Nico: Pepsi!

Sandy: Cheeseburger! Cheeseburger! Cheeseburger!Cheeseburger!

George: Cheeseburger! Cheeseburger! Cheeseburger!Cheeseburger!

[We end on the image of numerous burger pattiessizzling on George’s grill.]

[ pull back to wide shot of studio, with SUPER: “coming up next… How To Beat The Solar System” ]

[ fade ]

Submitted Anonymously

SNL Transcripts

SNL Transcripts: Jill Clayburgh: 03/18/78: Shower Mike




 Saturday Night Live Transcripts


  Season 3: Episode 14






77n: Jill Clayburgh / Leon Redbone

Shower Mike

Jane Herkiman…..Gilda Radner
Richard Herkiman…..Bill Murray
Morty Coony…..John Belushi
Judy Coony…..Jill Clayburgh

[ open on Jane Herkiman taking a shower while singing “Up, Up and Away” ]

[ Richard Herkiman enters behind her and picks up a shower mike ]

Richard Herkiman: JOHNNY NASH, ladies and gentlemen! Come on, let’s hear it for her, isn’t she terrific! She’s my better half!

Jane Herkiman: Come on, you’re embarrassing me…!

Richard Herkiman: Let me introduce myself — I’m Richard Herkimann. And I’d like to see if we can’t get my wife, Jane, to do one more number! How about it, Jane?

Jane Herkiman: Would you stop it, Richard? You’re embarrassing me! I’m taking a shower, now stop it.

Richard Herkiman: Aw, come on! I’ll bet you know this one: “Ahhh, love! Love will keep us together!” Thank you! Take it, Jane, come on!

Jane Herkiman: No! I’m not… Richard!

Richard Herkiman: “You gotta stay strong! Just stop!”

Jane Herkiman: Would you STOP it, Richard? I can’t…

Richard Herkiman: “Just stop!”

Jane Herkiman: STOP IT!!

Richard Herkiman: ‘Cause I’d like to introduce a very funny guy, as a matter of fact! He just stopped by, on his way to the train. The funniest guy in the neighborhood, as a matter of fact! Our friend, our next-door neighbor — MORTY COONY! Come on in!

[ Morty enters dressed in a business suit, as Jane screams ]

Morty Coony: Hi, how are ya’! Thank you, Richard! And Hello, Jane, how are ya’?

Jane Herkiman: [ cowering ] Morty, what did you do?! Good Morning!

Richard Herkiman: You folks at home DON’T know this, but Morty’s wife threw him out of the house this week — a week ago — and he’s been hanging around our place ever since, telling his jokes, and he’d love to tell you a few! Now, you may have heard a few of them before, but, uh, remember: It’s Morty’s name, okay? Let’s hear it for MORTY OONY! [ he hands his shower mike over ]

Morty Coony: You know what? I noticed on the way over here that Herb across the street was having a garage sale!

Jane Herkiman: Did — Did you go over and buy anything?

Morty Coony: Why should I? I already have a garage!

[ Morty and Richard laugh hysterically ]

Morty Coony: Thank you!

Richard Herkiman: I TOLD you! The man is hysterical!

Morty Coony: Gracias! Gracias! That’s funny. You know, my garage is SO messy that the other day I was rummaging around there… I found my OLD CAR!! [ he laughs ]

Richard Herkiman: Mor-ty! You’re killing me!

Morty Coony: No, really! You know, my garage roof, you know, is leaking? So the roof had to be tarred! You know?

Richard Herkiman: Yeah.

Morty Coony: So I told my kid I’d give him thirty bucks to put the tar on the roof. I come home, and the jerk put the TUB of tar on the roof!

[ they all crack up laughing ]

Morty Coony: Thank you! Thank you! The garage… What else? What else?

Richard Herkiman: Are you kidding? He’s fantastic! He’s funny 24 hours a day, and that’s a big compliment. And, you know — the garage jokes? Funny, because he’s been living in our garage for the last week! Is that where that came from? I guess comedy works that way. It’s a strange combination of pain and environment, or something like that…

Morty Coony: Yeah, I guess so. I guess so. Yeah… yeah…

Jane Herkiman: Richard, you’re certainly very CRUEL in the shower. Now, why don’t we just forget all about it and why don’t I make you breakfast, Morty?

Richard Herkiman: Just a moment, Jane. [ he grabs his shower mike from Morty ] I think you’re gonna change your mind about my being cruel, AND about fixing Morty’s breakfast when I tell you — and Morty doesn’t even know about this — that behind the shower curtain is somebody who I think has something to say to Morty. Let me intriduce a friend and a neighbor — MRS. MORTY COONY! Come on in here, Judy!

[ he pulls a fully-dressed Judy Coony into the shower ]

Morty Coony: Sweetheart!

Judy Coony: Morty! I’ve come to ask you to leave the Herkimans’ garage and come on home, we miss you!

Morty Coony: Really? Aw, Judy!

[ Morty and Judy hug and kiss one another, and Richard and Jane follow suit ]

Richard Herkiman: Well, SOMEBODY’D better fix BREAKFAST!! Morty and I have to catch that ol’ 8:05 — we gotta get out of here and go to work! Just remember to… [ singing ] “look in your heart and let LOVE…!”

All: “KEEP US TOGEEEEEETH-ERRRRR…!!!”

[ the camera pans up the shower, then cuts over to the audience and zooms toward a man, then quickly pans over to the woman seated next to him, with SUPER: “Caught On Guard” ]

[ fade ]

SNL Transcripts

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SNL Transcripts: Jill Clayburgh: 03/18/78: Sybil III




 Saturday Night Live Transcripts


  Season 3: Episode 14







77n: Jill Clayburgh / Leon Redbone

Sybil III

Dr. Wilbur…..Jill Clayburgh
Sybil Connolly…..Jane Curtin
Colleen Fernman as Sybil Dorsett…..Gilda Radner
Sybil Weintraub…..Laraine Newman
Debras…..Anne Beatts, Yvonne Hudson, Marilyn Suzanne Miller, Karen Roston, Rosie Shuster

[ open on Dr. Wilbur’s office, as she dictates ]

Dr. Wilbur: The patient continues to exhibit accute schizophrenia, perhaps the most remarkable case of the Three Faces of Eve. Each of her multiple personalities is so clearly defined that it’s almost as though I were in a room with THREE separate individuals. [ she stops dictating and presses her intercom ] Miss Bernstein, would you send in “Sybil”?

[ music sting, over title card ]

Announcer: “Sybil, Part III.”

[ return to Dr. Wilbur’s office, as three women enter the room ]

Dr. Wilbur: Hello, “Sybil”.

Sybil III: Hello, Dr. Wilbur!!!

Dr. Wilbur: “Sybil”, why don’t you take a seat? [ they sit down in three seats ] Well… “Sybil”, “Sybil”, “Sybil.” Today, the two of us are gonna confront reality! You are laboring under the delusion that you are THREE separate individuals.

Sybil Weintraub: We ARE three separate individuals!

Sybil Connolly: God, we’ve been THROUGH this!

Dr. Wilbur: I know you feel that. But, in fact, you’re all ONE person! You are Sybil Dorsett from Willow Quarters, Wisconsin.

Sybil Weintraub: [ pointing to the middle Sybil ] This is Sybil Dorsett. [ pointing to the far Sybil ] She’s Sybil Connolly, from Boston. [ pointing to herself ] I’m Sybil Weintraub, from Shaker Heights, Ohio. I mean, look I’ve got PROOF! [ she whips out her wallet ] Here’s my I.D. with all my name on it — Sybil Weintraub!

Dr. Wilbur: Sybil, you’re fighting me.

Sybil Connolly: Look — you just think we’re the same person because we ALL happen to be named SYBIL!

Dr. Wilbur: Well, that is what tipped me off. But there’s something else that’s gonig on here. “Sybil”, one of your personalities isn’t expressing herself, why is that?

[ Sybil Dorsett looks around, blankly ]

Sybil Connolly: Because she’s VEGGED out!

Dr. Wilbur: Sybil, you’re very hostile today. Aren’t you forgetting how much progress we’ve already made? I mean, when you first came here you were manisfesting sixteen different personalities. And now we’ve successfully integrated all but three!

Sybil Connolly: Of course! The other thirteen Sybils STOPPED coming to the session!

Sybil Weintraub: Maybe they were smarter than we were.

Sybil Connolly: Well, besides, there weren’t enough chairs.

[ Sybil Dorsett laughs boisterously, then withdraws ]

Dr. Wilbur: Sybil, you will never be a whole person until you relive your childhood traumas and admit that your mother was a MONSTER who TORTURED you with BUTTON HOOKS, while hanging you upside-down from the kitchen light fixture and giving you ICE WATER ENEMAS!

Sybil Connolly: What?!

Sybil Weintraub: What are you talking about?

Dr. Wilbur: Oh, Sybil, Sybil, Sybil… face the truth. Remember!

[ the three Sybils look at one another ]

Sybil Weintraub: Oh, alright… So my mother did hang me from the light fixture and give me ice water enemas. So what?

Sybil Connolly: So did mine! Big deal!

Sybil Weintraub: I know it looks bad, but, believe me, it’s just a weird coincidence.

Sybil Connolly: It is a pretty weird coincidence.

[ Sybil Dorsett laughs boisterously, then withdraws ]

Dr. Wilbur: Sybil, we seem to be on the verge of a breakthrough. Now, would you mind going back to the couch? I know it makes you uncomfortable, but please try it.

Sybil Connolly: I HATE this part!

Dr. Wilbur: Sibyl, why deny that you’re schitzo? We all have many people inside of us. I myself am a psychiatrist…

[ Sybil Dorsett lies on the couch, as Sybil Weintraub and Sybil Connolly squeeze next to her and knock her to the floor ]

Dr. Wilbur: I’m a mother… I’m a married woman… I’m an unmarried woman. I’m a dancer, and, as a matter of fact, I’m, uh… I’m TWO dancers! I’m Jazz and Modern.

[ Sybil Dorsett squeezes back onto the couch, knocking Sybil Connolly to the other side of the floor ]

Dr. Wilbur: Uhhh… I’m a furrier, I’m, uh… I’m four artists — I’m an Impressionist, a Photorealist, an Abstract Expressionist, and a Primitive. And I’m a lot of gym teachers. And i’m at least one dental technician.

[ Sybil Connolly and Sybil Weintraub finally decide they’ve had enough and tiptoe for the door ]

Dr. Wilbur: I’ve had problems… like most young women. I was hung from light fixtures and tortured by my mother. I survived… and so can you. You can become WHOLE again. I know it.

[ the door slams, as Sybil Connolly and Sybil Weintraub make their exit ]

[ Dr. Wilbur turns to see only Sybil Dorsett lying on the couch ]

Dr. Wilbur: Sybil!

[ Sybil Dorsett looks around catatonically ]

Dr. Wilbur: You’re cured! Oh, Sybil, look at you — you’re a whole person again! Ohhhh!! [ she pulls G to her feet ] It won’t be necessary for you to come back here every week. [ she grabs G’s coat ] You just check in with me every now and again when you’re feeling a little bit down. Oh, Sybil… [ she struggles to help G into her coat ] I’m so GLAD this happened! And you just remember your mother cannot hurt you NOW! Now, listen — I have another appointment, and she’s waiting for me… [ she walks G to the door, crashing her into it ] But you just keep in touch! Bye hye, Sweetie!

[ Sybil Dorsett exits, as Dr. Wilbur sits at her desk ]

Dr. Wilbur: [ into intercom ] Uh, Miss Bernstein? Uh, send in Debra.

[ a huge group of women storm into the room, shoving Sybil Dorsett in with them ]

Dr. Wilbur: [ blowing a whistle ] Okay, Debra! Hold it down! Now, the two of us have a LOT of work to do here, so let’s not waste any time. And remember, Debra — I never promised you a rose garden.

[ pull out, with SUPER: “coming up next… Illegal Alien Celebrities” ]

[ fade ]

SNL Transcripts

http://cabletelevisionbundles.s9.com/ | Special Cable TV Promotions | http://www.chartercabledeals.org/