SNL Tonight

The Dark Side with Nat X


The Dark Side with Nat X

Nat X…..Chris Rock
Joe Jackson…..Sinbad
Sandman…..Chris Farley


Announcer: Live, from Compton, California, BET TV – that’s BlackEntertainment Television – presents “The Dark Side with Nat X”. The onlyshow on TV written by a brother, produced by a brother, and strictly forthe brothers. Now, get ready for a man who’s so black, his shadowstill can’t find him. Step back, ’cause here comes Nat!

Nat X: Peace, brothers and sisters. I’m Nat X, and welcome to”The Dark Side”, the only five-minute show on TV! Why only five? Becausethat’s all the time I’ve got between the showings of “Malcolm X”. Now, a lotof people think “Malcolm X” might cause riots. I’ll tell you what movie’sgonna cause riots – that one where Whitney Houston’s hugging up on thatwhite boy, Kevin Costner! What’s the matter, Whitney? You can’t get ablack bodyguard? Why don’t you go borrow one from Eddie Murphy?! Anyway,I give “X” two thums up. Why only two? ‘Cause that’s all the thumbsthe Man would give me! Now, before we bring out my first guest.. [ theWhite-Man Cam suddenly comes on, zooming in for a close-up of Nat, andplacing the image of jailbars in front of him ] Hey, stop that! Get thataway! White-Man Cam! You ain’t gettin’ me! [ White-Man Cam cameramanwalks away ] Boy, I have’nt had that much fun since I did the Wild Thingwith Weezy Jefferson! Now, my first guest tonight is the envy of most menin America, because he is known to have slept with Janet Jackson. Pleasewelcome her father – Joe Jackson! [ Joe steps out and stands in front ofNat’s desk ] Sit your “I-Don’t-Believe-in-Birth-Control-Ass down![ Joe sits down ] Now, Joe, why don’t you tell the people why you’rehere?

Joe Jackson: I’m here to tell my side of the story againstthe miniseries “The Jacksons: The American Dream”. Did you watch it, Nat?

Nat X: Yeah, I watched it! I was amazed at your talent!

Joe Jackson: [ intrigued ] Oh? Did you like my guitar playing?

Nat X: No! I’m not talking about your guitar playing! I’m talkingabout your left hook! I mean, I saw you smack Jackie so hard, his afro cameoff!

Joe Jackson: Look, Nat.. I had some problems back then..

Nat X: Well, your problem must have been your jab.. ’causeyour left hook was workin’ fine!

Joe Jackson: Nat! Sometimes the kids brought it upon themselves.

Nat X: Now I can understand smacking LaToya.. but why would you hitTito? He never hurt nobody!

Joe Jackson: Nat, I suggest we talk about the show, before I goupside your head.

Nat X: [ agreeable ] Okay. [ pause ] Now, tell me the truth aboutMichael – was it all surgery, or did you smack the black off him?!Sandman, get him out of here!

[ Sandman rushes toward Joe with the broom to sweep him off the set, butJoe stands up and smacks Sandman on the nose ]

Joe Jackson: Hey, get up, boy! Get up!

Nat X: Hey, come on, Joe! He’s just a clown! Why don’t you gobeat up the Sylvers for singing “Boogie Fever”? [ Joe smacks Nat in thenose, stunning him ] Alright! That’s all the time we got! We gottaget out of here and go see the movie! Come on, let’s go see “X”!

[ Nat and his studio audience run off the set ]

SNL Transcripts

Cluckin’ Chicken


Cluckin’ Chicken

Clucky Chicken…..Adam Sandler
Dad…..Phil Hartman


[ open on exterior, Cluckin’ Chicken fast food restaurant ]

Jingle: “Something’s cookin’ at the Cluckin’ Chicken”

Clucky Chicken: [ popping into the front of the screen ] That’s me! [ flies up to a table flled with kids and their Dad ]

Dad: Hey, Clucky – why’s the Cluckin’ Chicken so chick-a-licious?

Clucky Chicken: Everybody knows why. It’s ’cause I’m flame-broiled! Yow-zee-yow-dow! But that’s not all – I’m cooked fresh! First my head’s cut off! [ the cook chops Clucky’s head off and send it flying through the restaurant ] Heads up! [ Clucky’s head appears before another chicken being gutted ] Then I’m plucked and gutted – my intestines are pulled out. Trust me, you don’t want ’em! Whee! Look at me! I’m gettin’ quartered and split breasts, wings, the whole nine yards! Chopitty, chop! Then the pieces of me get flame-broiled. Hear that sizzle? That’s me! 550 degrees! Good thing I’m dead, or yow-wee! Then I’m seasoned just right, and ready to go! [ takes a bite of a piece of chicken ] Hey, I’m good! Finally, I’m served to you, so you can chew me, swallow me, and convert me into waste matter. [ peers into the toilet ] Ga-ga-ga-gooey!

[ returns to the kids and their Dad ] Hey, kids, how’s the meat?

Kids: [ chewing ferociously ] You taste great, Clucky!

Clucky Chicken: [ head spinning around the restaurant ] Holy fanoley! The oxygen’s leaving my brain!

Dad; Any last words, Clucky?

Clucky Chicken: You betcha! [ singing ] “If you want a place for the greatest chicken, take it from my head, it’s easy pickin’, ’cause..

Jingle: “Something’s always cookin’ at the Cluckin’ Chicken!

Clucky Chicken: Being dead never tasted so go-nobbity good!

SNL Transcripts

SNL Transcripts: Sinbad: 11/21/92


Air Date:

Host:

Musical Guest:

Special Guests:

November 21st, 1992

Sinbad

Sade

None

  • Bush & Clinton in the Oval Office

    Recurring Characters: President George Bush, Bill Clinton.

  • Sinbad’s Monologue

  • Cluckin’ Chicken

  • The Gloria Brigade

  • Black Motorist Today

  • Deep Thoughts

    How to define love.

  • Sade performs “No Ordinary Love”

  • Weekend Update with Kevin Nealon

  • Superman’s Funeral

  • At Home With Monica Seles

  • Bram Stoker’s Blacula

  • Gilligan’s Biosphere

  • The Dark Side with Nat X

    Recurring Characters: Nat X.

  • Deep Thoughts

    The crows calling Caw.

  • Sade performs “Cherish The Day”

  • The Proud Pattersons

  • Office Thanksgiving Party

    SNL Transcripts

  • The New Suzanne


    The New Suzanne

    Suzanne…..Julia Sweeney
    Robert…..Michael Keaton
    Waiter #1…..Rob Schneider
    Waiter #2…..Tim Meadows
    Allan…..Phil Hartman


    Suzanne: This place is very nice.

    Robert: Yeah. Yeah, it is. And the food’s great, too.

    Suzanne: Oh.. how do you know Steve, Dan and Rick?

    Robert: Well, I work with Steve and Rick, and Dan lives across from me.

    Suzanne: Really?

    Robert: I’m really glad they set this thing up tonight, because.. well,they said you were a lot of fun.

    Suzanne: [ laughing ] Oh, really?

    Robert: And you know, we were probably gonna have.. you know.. well, theysaid, you know.. a wild time! So, I took the night off, you know,because they said it would be “worth it”.

    Suzanne: Oh, is that what they said? Oh, that’s sweet! I’m surewe’ll have a nice evening.

    Robert: [ excited ] Oh, yeah, yeah! I think we’re gonna have a prettyamazing night! In fact, they said that you really like your Jack Daniels, solet’s get this party rolling and get a couple Jacks, huh? [ Waiter #1 walksby ] Uh, waiter?

    Waiter #1: Uh.. yes, sir? I’m not your waiter, but I’ll tell himwhat you want.

    Robert: Oh. Thanks. A couple of Jack Daniels on the rocks.

    Suzanne: I’m sorry. Just a Perrier for me.

    [ the waiter makes a mental note, then starts to walk off. Robert grabs thewaiter and pulls him back for a second, so he can discuss the drinks withSuzanne ]

    Robert: Huh?

    Suzanne: I’m.. I’m not a big drinker anymore. I really can’t holdmy booze too well. I get a little.. anyway, Perrier would be fine. Thanks!

    Robert: Okay. [ sends the waiter on his way ] So.. you don’t drinkanymore?

    Suzanne: Oh, no! I used to be such a big partier! I used to loveto drink! The problem was, I’d get really, you know.. horny! [ laughs ]

    Robert: ] trying to digest this sudden information ] Yeah.. Yeah, wedon’t want that..

    Suzanne: Thank God that’s over with! I stopped drinking, and you knowwhat? I’ve never felt better!

    Robert: That’s great.. you should really be proud of yourself..

    Suzanne: Well, I am! You know what? I think I’m going to go all outand get the Lobster Special!

    Robert: [ sensing his dilemma ] Yeah.. it’s a good choice.. good choice..

    Suzanne: You know, it’s funny – when I’d go on a first date before,I’d be really insecure, and I’d order, like, the least expensive thingon the menu. Now, I think, “Hey, this guy asked me out! He mustlike me! I’m gonna order the best thing on the menu, because Ideserve it!” [ laughs ]

    Robert: [ starting to grow uncomfortable ] Yeah.. that’s a good rule..a very good rule..

    Suzanne: Can I tell you something? Um.. this is kind of embarrasing,but.. I used to be so wild that, if I went on a first date, half thetime we wouldn’t even make it to the restaurant. I mean, I’d meet him atthe door in a raincoat, with nothing underneath, and just drag himinto the bedroom! We wouldn’t even spend a dime![ laughs ]

    Robert: [ really disappointed, but trying not to show it ] But.. that’sthe old you?

    Suzanne: Oh, yeah. I was crazy back then! I would do crazy stuff likethat all the time!

    Robert: Now, this all stopped how long ago?

    Suzanne: Five weeks ago.

    Robert: Interesting. Interesting.

    Suzanne: Oh, my gosh, I was a mess! I’d do anything! I remember onceI woke up in bed with three guys! [ thinking ] Actually, it wasyour friends – Rick, Dan and Steve! Wow! I just remembered that! Isn’tthat funny?

    Robert: [ tries to laugh, but can’t ]

    [ Waiter #2 brings their drinks to the table ]

    Waiter #2: Alright.. a Jack Daniels on the rocks, and a Perrier forthe lady.. [ recognizes her ] Suzanne?!

    Suzanne: Oh, my gosh! Kenny?! [ laughs and gets up to hug him ]

    Waiter #2: It’s so good to see you!

    Suzanne: Yeah!

    Waiter #2: Look, I gotta take these orders, I’ll come back and getyours. Okay?

    Suzanne: Okay!

    [ Waiter #2 steps aside ]

    Robert: [ greatly distressed ] Yuo know him, Suzanne?

    Suzanne: Oh. Well, the old Suzanne dated him once!

    Robert: Oh. What’s the old Suzanne doing now?

    Suzanne: Oh, you wouldn’t want to meet her! She was crazy! I’mglad I’m telling you this, because I wouldn’t want you to worry I’m like thatanymore. I mean, that is so over, I promise you. Please don’t thinkill of me.

    Robert: No, no! I don’t actually, I don’t at all. Actually, I thinkyou’re being a little too hard on yourself. You know, sometimes when youhave a bad habit like that.. or smoking, or something.. you don’twant to quit cold turkey. You know? And this isn’t me just talking,either.. it’s medical journals, it’s things I’ve read.. They say it’s just alot smarter if you just taper off. You ever read that?

    Suzanne: No. This is better, believe me. I mean, a kiss on the cheekis so much more romantic to me than a night of wild sex!

    Robert: [ he wishes ] Yeah.. yeah.. Yeah, I guess, in a way..

    Suzanne: I mean, really.. Could you go out with a girl who, twomonths ago was dating a guy and decided to give him a little surprise becauseit was our one-month anniversary, so she crawled under the table and gavehim the best time he ever had? In a ppublic place! I mean,would you really want to date someone like that?

    Robert: [ lustful, confused ] No?

    Suzanne: That’s right! You wouldn’t! You know what? It was thisrestaurant, and I even thin it was this table! [ laughs ] Oh, gosh![ sees her date looking pale ] Are you okay?

    Robert: Uh.. yeah.. To tell you the truth, I’m not okay. I’m justnot feeling very well..

    Suzanne: Oh, well, you want to take a raincheck on this? I mean,that’s okay with me.

    Robert: You sure you don’t mind? Because, maybe we should..[ looks offscreen ] Waiter, could we get our check? [ looks at Suzanne ]Let’s go, huh?

    Suzanne: Alright.

    [ the both get up ]

    Robert: [ looks offscreen, panics ] Oh, my God..

    Allan: [ offscreen ] Robert?

    Robert: It’s my Dad and his new wife.

    Allan: [ walks up to the table ] Robert! Son! What are you doinghere? I thought that maybe.. [ notices Suzanne ] Suzanne?!

    Suzanne: Allan?! [ laughs and rushes to hug him ]

    Allan: [ glancing at table ] Hey! Our table!

    [ Robert reaches the height of his discomfort as the scene ends ]

    SNL Transcripts

    SNL Transcripts: Michael Keaton: 11/14/92: Michael Keaton’s Monologue



     Saturday Night Live Transcripts


      Season 18: Episode 6





    92f: Michael Keaton / Morrissey

    Michael Keaton’s Monologue

    …..Michael Keaton
    Male Audience Member…..Tom Davis
    Audience McGee…..Adam Sandler

    Announcer: Ladies and gentlemen – Michael Keaton!

    Michael Keaton: [ taking in all the applause, stretches out his arms and bugs his eyes ] Well, well, well! Thank you, thank you! Thanks! Thank you very much! It’s really a thrill to be here tonight, hosting “Saturday Night Live,” and it really feels great. Uh, I’m actually, right now, at a very great time in my life — I’m very happy, and my career is going well, and, uh — you know — I’m sure you know this, but when you do a lot of movies you get away from this kind of thing. I don’t know if any of you know this, but I actually got my start as a stand-up comic, and doing comedy on a show like “Saturday Night Live.” But.. it’s been about ten years since I’ve performed live, like this, and I-I gotta tell you — it feels great to be right here, in front of a LIVE New York City audience. Really! [ audience cheers ] Really! [ glances wearily into the audience ] You know, because I thought I’d be nervous, but you guys have really made me feel very comfortable. Uh — [ suddenly interrupted as he again glances wearily into the audience ]

    Voice of Random Audience Member: You’re doing great!!

    Michael Keaton: [ smiles ] Thank you very much! Thank you, thank you! Anyway, uh — [ glances wearily into the audience again ] Getting to the show tonight was kind of an adventure, and I, uh — [ glances wearily into the audience once more, and throws up his arms ] You know, hold on a minute. If you gyus will wait, there’s a little something bothering me. [ steps into the audience to address a gentleman sitting in the front row ] Uh, I’m sorry. Can I ask you a question? Is smething wrong?

    Male Audience Member: [ confused ] Pardon?

    Michael Keaton: Well, I mean, you know — it’s just, when I was up there talking about how great it is to perform tonight, I couldn’t help seeing — because you’re in the front row — that you weren’t applauding. You, uh, you-you just didn’t seem into it.

    Male Audience Member: No. W-what you said w-was fine. I’m just not a big applauder. [ smiles ]

    Michael Keaton: [ shrugs it off ] Oh! Okay. Alright. Okay. [ returns to Home Base ] Okay. So — [ pauses, then runs back to the gentleman in the audience ] See, the thing is, though — you know, when you’re home, you don’t have to applaud. But — well — actually, maybe you’d be a lot more comfortable there. You know what I’m saying? I mean, you’d be amazed at how quickly I can make that happen.

    [ the woman seated next to the man laughs at him ]

    Male Audience Member: Well.. it’s just that I was up all night standing in line for tickets, so I, uh — [ shrugs his shoulders ] frankly, I’m a little tuckered out!

    Michael Keaton: Oh. So you’re a little “tuckered out”? [ folds his arms ] Well, you know — you probably got a nice big bed at home! You know what I mean? Maybe you should just go on home and watch it there! You know what I’m saying? You’d be more comfortable. [ looks offscreen ] Security! Get him outta here! [ two security men enter and drag the man away ] Really. Bring in somebody who’s gonna enjoy himself. See ya’. Take a — take a break, baby. [ returns to Home Base ] Sorry. I know that’s uncomfortable, but I think I had to do that. I think everybody agrees that was the best thing to do.

    [ Audience McGee rises from his seat ]

    Audience McGee: NO!! He was here to enjoy the SHOW, just like the REST of us!!

    Michael Keaton: Yeah, yeah, I know. But the problem is, a guy like that can throw off an entire audience. You know what I mean?

    Audience McGee: Listen to yourself, Michael Keaton!! You can throw people out all you WANT!! But the REAL problem is inside of YOU-OU!! Not out here in the audience!!

    Michael Keaton: Yeah. But I mean ,the g-guy was asking for it! Just sitting there —

    Audience McGee: Michael!! You’ll NEVER be happy, until you leanr to let out the HA-ATE!! And make room for the LO-OVE!!

    Michael Keaton: [ thinks about it ] You know something? He’s right. He is. And I’m sorry. He’s right — that’s exactly what I’m gonna do. I apologize, I was a jerk. [ a beat ] Bring that guy back in here.

    Audience McGee: [ jumps and applauds ] BRAVO!! Bravo, Michael Keaton!! BRAVO!!

    [ the first man is returned to his seat in the front row ]

    Michael Keaton: When you’re wrong, you’re wrong. So, now — [ points in the direction of Audience McGee ] get this bonehead out of here, so we can get started, alright? BEAT IT, baby!!

    [ the two security men now remove Audience McGee from the studio ]

    Michael Keaton: Anyway — we’ve got a great show. Morrissey is here, and we’ll be right back!

    SNL Transcripts

    SNL Transcripts: Michael Keaton: 11/14/92: Goodnights



     Saturday Night Live Transcripts


      Season 18: Episode 6



    92f: Michael Keaton / Morrissey

    Goodnights

    …..Michael Keaton

    Michael Keaton: Uh — thank you very much! These people were, uh — nice people, and extremely talented! They made me feel very much at home. Also, thank you to Morrissey — the musical group. [ waves ] Thanks a lot!

    SNL Transcripts

    SNL Transcripts: Michael Keaton: 11/14/92: Elevator Trainee



     Saturday Night Live Transcripts


      Season 18: Episode 6






    92f: Michael Keaton / Morrissey

    Elevator Trainee

    Frank…..Rob Schneider
    Mr. Claymore…..Phil Hartman
    Eddie…..Michael Keaton
    Mrs. Berman…..Julia Sweeney
    Mr. Vanemy…..Kevin Nealon
    Janeane…..Melanie Hutsell
    Black Man…..Tim Meadows
    Second Man…..David Spade
    Woman…..Marilyn Suzanne Miller
    Third Man…..Ian Maxtone-Graham

    [ open on exterior, high-rise apartment building ]

    [ dissolve to interior, elevator. Frank the elevator operator stands confidently along the wall, next to his jittery trainee. Mr. Claymore stands in the foreground. ]

    Frank: They say it’s gonna stay this cold all week.

    Mr. Claymore: Well, we had a nice summer, Frank.

    Frank: We sure did, Mr. Claymore! Alright. [ the elevator stops, and the door opens ] Have a nice day!

    Mr. Claymore: Okay, Frank! [ exits the elevator ]

    Eddie: [ nervously ] Bye.

    [ Mrs. Berman steps into the elevator ]

    Mrs. Berman: Hi, Frank!

    Frank: Hey, Mrs. Berman. [ turns to his trainee ] Okay, Eddie.

    Eddie: [ to Mrs. Berman, nervously ] Uh.. what floor?

    Mrs. Berman: Twelve.

    [ Eddie turns to face the bank of elevator floor buttons ]

    Frank: This is Eddie. He’s a trainee. From the night shift.

    Mrs. Berman: Hi!

    Frank: Okay, Eddie. She said “Twelve,” so push the “12” button — right there! [ taps the “12” button ]

    Eddie: Alright. [ gives the “12” button a hard stab with his thumb ]

    Frank: Alright. There you go. You don’t have to kill it! [ the door closes ] Alright. That’s some weather, huh, Mrs. Berman?

    Mrs. Berman: It sure is cold, Frank.

    Frank: Yeah. Winter came a little early, huh? Right, Eddie?

    Eddie: [ interrupted from his daze ] Huh? I don’t know, uh.. I haven’t been outside in a while. [ shrugs his shoulders ]

    Frank: Eddie is a trainee, Mrs. Berman. I’m sorry.

    Mrs. Berman: That’s alright. [ the door opens ] See you later. [ she exits ]

    Eddie: Okay. [ he steps out of the elevator as well ]

    Frank: She’s getting out here, Eddie. Not you.

    Eddie: Oh. [ re-enters the elevator ]

    Frank: Okay, we’re gonna go back down, now. [ presses the “Lobby” button ]

    Eddie: Alright.

    Frank: Alright. You’re doing good. You’re learning. Yuo got time.

    Eddie: Thanks.

    Frank: Alright. Look — the weather’s a big topic. If you want to be good, you’ve gotta start learning about it.

    Eddie: Okay.

    Frank: The newspaper is a good tool. There’s a whole section in it about the weather. The elevator man’s best friend.

    Eddie: Wow.. I’ll have to get a newspaper.

    [ they hit the Lobby, and the door opens ]

    Frank: Hey, here comes Mr. Vanemy. Now, remember — it’s cold. So you got, “Hey — I hope you bring a sweater.” And, “Cold enough for you?”

    Eddie: [ nods his head ] Okay.

    Frank: Alright. Okay, here he comes. 23. [ presses the “23” button as Mr. Vanemy enters ] Hey, Mr. Vanemy! Say hello to Eddie! Trainee.

    Mr. Vanemy: Hi, Eddie.

    [ the door closes, the elevator begins its ascent. Eddie nervously stares down Mr. Vanemy, struggling to make conversation. ]

    Eddie: Cold enough? [ Mr. Vanemy frowns, confused ] For you?

    Mr. Vanemy: [ chuckles ] Yeah! First day on the job? [ Eddie nods nervously ] How do you like the new building?

    Eddie: [ struggles to get his words out ] Hope you got a sweater!

    Mr. Vanemy: [ looks at Eddie, wonders if he’s speaking with a mental defect ] Uh-huh.

    [ extended silence, as Eddie nervously smiles and stares at Mr. Venemy, until, finally: ]

    Eddie: Okay! Have a nice day, then!

    [ the elevator is still ascending. Frank does his best to cover for Eddie’s miscalculation. ]

    Frank: So. Okay. Well, almost there. Aaaaand.. here we are! [ the elevator finally stops, as Mr. Vanemy quickly makes his exit ] See you, Mr. Vanemy. [ the door closes, he presses the “Lobby” button then turns to Eddie ] Okay, you see what happened? You said “Have a nice day” way too early!

    Eddie: Yeah, yeah, I did, yeah —

    Frank: I mean, we have thirteen floors to go, and you’ve already shot your wad. And I had to bail you out. Remember: I won’t always be here.

    Eddie: I know.. I know..

    Frank: Alright. Also, a couple of fumbles about the weather. You’re not a robot — you can come up with your own stuff.

    Eddie: Right. Okay. Okay.

    Frank: Here we go. Here we go. [ the elevator stops at the Lobby, and the door opens ] Hey! Hey, Janeane, how you doing?

    [ Janeane enters ]

    [ Eddie promptly stares at Janeane and smiles ]

    Eddie: Cold enough for you, right?

    [ Janeane politely smiles at Eddie, confused by his awkward presence ]

    Frank: This is Eddie. Trainee.

    Janeane: Hi.

    [ Eddie continues to stare at her. He tries again: ]

    Eddie: It’s cold outside, right?

    Janeane: [ smiles awkwardly ] Mmm-hmm. It’s pretty chilly.

    Eddie: So it’s, you know, like, 41, 42 degrees, something like that?

    Janeane: I think, maybe, it’s colder than that! [ laughs ]

    Eddie: I mean, like, can you see your breath?

    Janeane: Uh — I-I don’t remember.

    Eddie: So, it’s.. probably.. in the thirties..?

    Janeane: Yeah.

    [ the door finally opens, as she makes her way out of the elevator ]

    Frank: See you, Janeane!

    Janeane: Bye.

    Frank: [ as the door closes, and he presses the “Lobby” button ] Okay, Eddie. Now you’re scaring the people.

    Eddie: Uh-huh.

    Frank: See, what — see, what happened is: now they think there’s a homeless person on the elevator.

    Eddie: Yeah.

    Frank: That’s not good. See — these questions are too much. You gotta keep it light, you know? Plus, you keep looking at ’em. Which is also homeless-y.

    Eddie: Okay.

    Frank: Okay, you don’t look at ’em. You talk to them,and then you look up at the numbers. [ points to the numbers ]

    Eddie: Okay.

    Frank: Like this. [ looks up at the numbers, then begins snapping his fingers and clapping his hands together ] This is also good. It’s a soothing move — people like it.

    [ Eddie does his awkward interpretation of the soothing move ]

    Frank: It’s your first day. Don’t worry. Okay. Yuo got a lot of time. [ the door opens ] Alrighty. I’m gonna let you fly solo on this one.

    [ Eddie grabs for Frank’s jacket sleeve, but Frank frees himself from Eddie’s grip and exits the elevator ]

    Eddie: Okay. [ a black man enters the elevator ] What floor?

    Black Man: 14.

    Eddie: Okay. [ stares awkwardly at the floor buttons ]

    [ a second man enters the elevator ]

    Second Man: Hi. 23.

    Eddie: [ looks up from the floor buttons, Frank didn’t say anything about multiple passengers ] Huh? What?

    Second Man: Hi. 23.

    [ a woman also enters the elevator. Eddie looks at her in disbelief, then struggles to catch his breath as he leans against the floor button panel ]

    Eddie: Okay — okay — okay, look, uh — I’m not going to be able to talk about the weather today, okay?

    [ incredibly, a third man enters the elevator, as Eddie gasps ]

    Third Man: 16, please?

    [ Frank re-enters the elevator, motions to his passengers, then calmy presses all their respective floor buttons ]

    [ the door closes ]

    [ dissolve to Lobby shot of elevator, pull back and fade ]

    SNL Transcripts

    Chameleon XLE


    Chameleon XLE

    Spokesman…..Phil Hartman
    Man…..David Spade


    Spokesman V/O: If you’re a luxury car owner, there’s something you should know. Luxury sedans are stolen at the rate of four per minute.

    [ show couple walking to curb from restaurant; his car is nowhere to be found ]

    Man: My brand new BMW! I just got this car two days ago!

    [ Spokesman enters foreground ]

    Spokesman: Frightening, isn’t it? Suddenly, the idea of buying a car for the cache of a hood ornament seems outdated. In the 90’s, you don’t need a car to tell the world you’re wealthy; you need a car to tell the world you’re smart.

    [ show luxury car under wraps, as a breeze sends the cloth flying to reveal a junky-looking vehicle underneath ]

    Spokesman: Introducing the Chameleon XLE for 1993. Finally, a luxury car that doesn’t look like a luxury car.

    Inside, the Chameloen XLE has everything you would expect in a luxury sedan of its class. Soft leather seating, a contoured instrument panel, and fine wood. But there’s more – much more.

    Authentically distressed fenders give way to a partially padded roof of blistered vinyl. While under the hood, a simulated transmission-fluid drip whispers, “Hey, not worth the trouble.” This is craftsmanship no one will steal. GThis is engineering for the inner-city driving experience.

    [ Spokesman places marble at the top of hood, which rolls forward into a hole at the bootm of the hood ]

    Spokesman: Every inch of the Chameleon XLE is a pinnacle of urban design.

    There’s attention to detail. Like three mismatched wheel covers, and one exposed rim in school-bus yellow. Standard.

    A broken taillight repaired with duct tape. Standard.

    Retractable antenna. Standard.

    The body of a Pontiac with a driver’s-side door from an Oldsmobile Delta ’88. All standard.

    A car thief takes one look at this, and keeps right on walking. Of course, it’s equipped with an automatic alarm system – but do you really think you’ll need it?

    [ Spokesman turns on alarm, which renders the car even more useless ]

    Spokesman: The Chameleon XLE. They might tow it away, but they’ll never steal it.

    SNL Transcripts