SNL Transcripts: (None): 04/11/81: SNL is Improving


 Saturday Night Live Transcripts


  Season 6: Episode 12



80m: (None) / Jr. Walker & The All-Stars

SNL is Improving

…..Chevy Chase
…..Christopher Reeve
…..Robin Williams

(Open on Robin Williams, Chevy Chase, and Christopher Reeve standing together on home base. Chevy admiringly has his arms around the two other men)

Chevy Chase: Ladies and Gentlemen, we have a few extra seconds here and I just want to say a few words about–

(Chevy gets interupted by cheers and applause as he smiles and takes a bow while Robin makes a comedic gesture with his arm)

Chevy Chase: I just want to say for a few seconds about “Saturday Night Live”. Uh, it’s had its ups and downs. It’s had some great hosts. Uh, it’s uh…well, it’s on its way back up again and I know that some of my good friends are gonna back me up with that and I thank them for being with me tonight. Thank you for backing me and thanks for being with me.

(Robin and Christopher look at Chevy disapprovingly)

Christopher Reeve: [shaking his head] No, no.

Robin Williams: Uh, thanks. (They both walk off the stage)

Chevy Chase: Please? (points at the camera) I have friends. I have friends that will back me. Okay, how about Jr. Walker. Won eight gold records. You want to hear him? (Cheers and applause) All right. Okay.

Submitted by: Kyleman88

SNL Transcripts

SNL Transcripts: (None): 04/11/81: Goodnights


 Saturday Night Live Transcripts


  Season 6: Episode 12





80m: (None) / Jr. Walker & The All-Stars

Goodnights

…..Tim Kazurinsky
…..Chevy Chase
Irene Cara…..Gail Matthius

[ return from commercial with cast and guests surrounding Home Base; in the front, Chevy Chase kneels next to the monkey and offers a kiss ]

Tim Kazurinsky: Thanks, evrybody, we had a very nice time!

Chevy Chase: [ looking up from the monkey’s lips ] Good night!

[ “Same” begins playing again, as Irene Cara and her back-up dancers come down the spiral staircase at the rear of the stage ]

[ Irene jumps into Chevy Chase’s arms ]

Irene Cara: [ singing ]
“Baby, look at me
The girl who’s on TV
Sing the same song every time
Now you must know every rhyme by heart!”

Gail Matthius: [ breaking character ] You gotta put me down now, Chevy!

[ Chevy Chase puts Gail down, as the end credits begin to scroll ]

[ Irene Cara and her back-up dancers lead the cast through the audience ]

Irene Cara: [ singing ]
“– Captain Kangaroo
But you’re in good company
If you’re bored, just think of me!

I’m always the sa-ame!
(Same!)
I sing the same some forever!
Just like some sci-fi film!
(Same!)”

[ a break in the performance, as the back-up dancers carry Irene through the studio ]

Irene Cara: [ singing ]
At the Golden Globes
They ran short on stuff
Oh no, that was really nice
‘Cause they made me sing it twice in a row!”[ fade ]

SNL Transcripts

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SNL Transcripts: (None): 04/11/81: The Famous Broadcaster’s School of Cue Card Reading


 Saturday Night Live Transcripts


  Season 6: Episode 12





80m: (None) / Jr. Walker & The All-Stars

The Famous Broadcaster’s School of Cue Card Reading

Spokesman…..Joe Piscopo
Cue Card Boy…..Tim Kazurinsky

[ open on close=up of Spokesman’s face ]

Spokesman: Are you thinking about a career in television? In the exciting world of TV, it’s important to be prepared and look your sharpest whenever on camera! That’s why the FIRST step to a successful career in broadcasting is the Famous Broadcaster’s School of Cue Card Reading!

[ pull out to reveal the school’s sign on back wall ]

Spokesman: [ frequently glancing off-camera as he makes his pitch ] It’s a real art reading cue cards without letting the viewers at home know you’re doing it! I know it’s hard to believe… but I’m reading a cue card RIGHT NOW! That’s because I studied at the Famous Broadcaster’s School of Cue Card Reading! It’ll appear you’re looking STRAIGHT into the camera when you say things like “Hello!” and “Welcome to our show!” If you join now, you’ll receive a 10% discount to our affiliate: the Cable TV School of Camera Switching! Yeeeeeesss, the Cable TV SChool of Camera Switching! You’ll know what camera to look into —

[ he turns his head to glance at the camera currently on him, then the control room switches to the camera angle he was facing before ]

Spokesman: — and when!

[ he turns back to the appropriate camera, as the control room switches back to the other camera angle ]

Spokesman: Looks easy, doesn’t it? [ he keeps adjusting his head to find the correct camera ] That’s the Famous Broadcaster’s School of Cue Card Reading! Plus a 10% discount to the Cable TV School of Camera Switching! Join now! Here’s how!

[ cut to close-up of cue card with school address ]

Cue Card Boy: Send your name and address to:

“The Famous Broadcaster’s School of Cue Card Reading
Post Office Box 100
New York, New York
9-double 9-99!”

[ as the camera pulls back to reveal the cue card boy, he keeps looking between the camera and his own cue card ]

[ the camera pullback also reveals the Spokesman standing off to the side, and the camera angle remains static ]

Spokesman: Not affiliated with the Columbia Broadcast System!

[ fade ]

SNL Transcripts

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SNL Transcripts: (None): 04/11/81


 Saturday Night Live Transcripts


  Season 6: Episode 13


This free script provided by http://javascriptkit.com]]>

Air Date:

Host:

Musical Guest:

Special Guests:

Cameos:

April 11th, 1981

None

Jr. Walker & The All-Stars

Chevy Chase

Al Franken

Christopher Reeve

Robin Williams
SNL Storage RoomSummary: Chevy Chase finds Mr. Bill in storage, and the two reminisce about SNL’s old days until he accidentally falls and crushes the clay man.

Transcript

MontageNote: After going on hiatus for a few weeks, SNL returned with a late-season face lift, courtesy of its new producer, Dick Ebersol, who ordered a revamped opening montage that features the theme song from SNL’s first five seasons.

Note: Dick Ebersol wanted to hire John Candy and Catherine O’Hara away from “SCTV”, but Candy wasn’t interested and O’Hara, who had accepted at first, turned the offer down upon witnessing Michael O’Donoghue’s rant over the sixth season’s poor writing. In Candy and O’Hara’s place, “SCTV” co-stars Robin Duke and Tony Rosato crossed over to SNL instead.

Note: An actress named Emily Prager is credited as a featured player, yet she doesn’t appear in this episode and isn’t brought back for the following season. She was to have appeared in a commentary during “Weekend Update”, which was cut from the live broadcast, making her the only credited cast member to never appear on SNL.

Frank SinatraSummary: Frank Sinatra (Joe Piscopo) bashes Japan and promotes the purchase of American cars.

Recurring Characters: Frank Sinatra.

Transcript

Lite BeerSummary: Bill Cosby (Eddie Murphy) promotes Lite Beer to kids in a bar.

Recurring Characters: Bill Cosby.

I Married A MonkeySummary: Tim (Tim Kazurinsky) accuses his monkey wife, Madge, of having an affair.

Recurring Characters: Tim.

Transcript

Jr. Walker & The All Stars perform “Road Runner” and “Shotgun”

Weekend Update with Chevy ChaseSummary: Film critic Raheem Abdul Muhammed (Eddie Murphy) confuses “Altered States” with “Stir Crazy.” Laurie Metcalf asks people on the street if they would take a bullet for the president. Al Franken makes disparaging comments about SNL’s disastrous sixth season, and suggests that the show should be put to sleep.

Recurring Characters: Raheem Abdul Mohammed.

Transcript

SameSummary: Irene Cara (Gail Matthius) sings a parody about her similar-sounding musical selections.

Transcript

The Self-RighteousSummary: NBC’s newest series focuses on a group of holier-than-thou characters.

Transcript

Frank’s Wedding DaySummary: Italian Papa (Tony Rosato) gives his son, Frank (Tim Kazurinsky), advice about love and women on his wedding day.

Recurring Characters: Frank, Papa.

The Famous Broadcasters School Of Cue Card ReadingSummary: Spokesman (Joe Piscopo) advertises a school that help broadcasters to poorly read lines off of cue cards.

Transcript

SNL is ImprovingSummary: Chevy Chase insists that SNL is improving tonight, but Christopher Reeve and Robin Williams disagree.

Transcript

Jr. Walker & The All Stars perform “How Sweet It Is” and “What Does It Take”

Wild Country Gun CardsSummary: The firearms facts on the Wild Country Gun Cards bring a family together.

Bag LadySummary: Voiceover’s critique the actions of a bad lady (Denny Dillon) in a pre-filmed piece.

Note: Dick Ebersol suckered Neil Levy into taking credit for this film.

GoodnightsSummary: Irene Cara (Gail Matthius) performs a reprise of “Same” as the credits roll.

Transcript

SNL Transcripts

SNL Transcripts: Bill Murray: 03/07/81: Script in Development




 Saturday Night Live Transcripts


  Season 6: Episode 12














80l: Bill Murray / Delbert McClinton

Script in Development

Author…..Bill Murray
Helen Stewart #1/Mrs. Lawnsdale/Maid…..Ann Risley
Helen Stewart #2…..Denny Dillon
Mr. Lawnsdale…..Charles Rocket
Mr. Stewart…..Matthew Laurance

[ open on Author seated at typewriter on a darkened set ]

Author: [ reciting ] “Love Is Rough — Chapter One”.

[ the set lights up ]

Author: “It was a beautiful night.” No. “It was a dark and stormy night.”

[ lightning flashes outside ]

Author: “Helen Stewart strode into her library… and caught her reflection in the mirror.”

[ Helen Stewart enters to the center of the room, looks around for the mirror and runs toward it ]

Author: “Short, cute, and blonde as a button.”

[ Helen #1 throws her arms up in disgust and trades places with the more appropriate Helen #2 ]

Author: “Just then, there was a knock at the door!”

[ a knock sounds at the door — Helen #2 runs over ]

Author: “It was Mr. and Mrs. Lawnsdale, coming over for their weekly bridge game.”

[ Helen opens the door to Mr. and Mrs. Lawnsdale ]

Author: No, that’s no good. Let’s get Mrs. Lawnsdale out of there.

[ Mrs. Lawnsdale throws up her arms in disgust and exits the room ]

Author: “It was just Carl Lawnsdale.” That’s it! “– who was Helen’s secret lover.”

[ Mr. Lawnsdale goes to shake Helen’s hand, but then pulls her closer to him ]

Author: “Unable to restrain themselves any longer, they fell into a passionate embrace.”

[ Mr. Lawnsdale bends over to kiss Helen ]

Author: “–on the couch.”

[ Mr. Lawnsdale wraps Helen in his arms and hops her over to the couch ]

Author: “Carl moaned aloud:”

Mr. Lawnsdaler: Helen!

Author: “– and Helen moaned back:”

Helen: Carl!

[ they grunt in unison ]

Author: “But fate was not on their side. Because, at that moment, who should come rushing into the room, but Helen’s husband!”

[ Helen’s husband enters the room, as Helen and Mr. Lawnsdale bolt upright from the couch ]

Author: “– a tragic cripple from birth.”

[ the scene resets, as Helen’s husband hobbles comically into the room ]

Author: No, that’s no good. No, no, no, no — he was BLIND! “He was blind.”

[ Helen’s husband sits next to Helen and Mr. Lawnsdale on the couch and begins to motion his hands over their faces ]

Author: “Blinded with jealousy.”

[ Helen’s husband stands and steps back from the couple ]

Author: And, uh, “– pulled a GUN from his pocket and furiously snarled:”

Mr. Stewart: I don’t know WHICH of you to SHOOT!!

Author: “He chose his wife.”

[ the Jilted Husband shoots his wife — gun shot ]

Author: “She screamed –“

[ the Wife screams upon being shot ]

Author: “– and fell to the couch.”

[ she starts to fall away from the couch, but Mr. Lawnsdale pulls into the other direction and allows her to fall to the couch ]

Author: No, that’s no good. “Instead, he lets Old Man Lawnsdale have it.”

[ the Jilted Husband shoots Mr. Lawnsdale — gun shot ]

Author: Yeah, that’s it. “He — Lawnsdale falls to the ground.”

[ Mr. Lawnsdale falls to the ground ]

Author: No, no, that’s no good. He, uh — he, uh — “He falls backwards over the couch and slams his head through the Plate-Glass window.”

[ Mr. Lawnsdale looks toward the author like he’s insane, but complies with the storyline and sprawls across the edge of the couch and slams his head through the Plate-Glass window — glass shatters ]

Author: No, I don’t like that, either. “Instead, he staggers around the room, wildly, blindly.” [ Mr. Lawnsdale stands up and staggers ] “Finally, smashing against the bookcase, pulling the entire works of Leo Tolstoy down on his crumpled, lifeless body.”

[ Mr. Lawnsdale staggers into the bookcase, cradles the books into his arms and falls to the ground ]

Author: That’s good. Okay: “Helen is horrified, and lets out a scream.”

[ Helen screams ]

Author: “– a blood-curdling scream.”

[ Helen turns her scream up a notch ]

Author: “The most blood-curdling scream ever heard in the history of man.”

[ Helen screams with full intensity ]

Author: Okay, that’s it. “She belches and storms out of the room.”

[ Helen forces a burp and runs from the room gasping with her arms outstretched ]

Author: Uh — “Mr. Stewart laughs maniacally.”

[ he laughs maniacally ]

Author: “– and then slams himself right in the center of his foreheart with his right fist.”

[ confused, Mr. Stewart punches himself in the chest and the forehead ]

Author: Yeah! “Just then, alarmed by the noises coming from the room, the maid, Mimi van Boom rushes in.”

[ a pretty maid enters ]

Author: “She is pitifully old and ugly! no one can stand the sight of her! She smells and she stinks!”

[ Mr. Stewart cowers away, as the Maid slouches toward him ]

Author: “No one can stand her, that is, except Mr. Stewart, who is desperately in love with her.”

[ Mr. Stewart drops to one knee before the maid ]

Author: “– despite the fact that she sneezes constantly, has a tubercular cough, drools all over him, and brushes her dandruff into his face.”

[ the Maid performs all these disgusting habits over Mr. Stewart ]

Author: “But fate was NOT on their side! For at that moment, WHO should come dashing into the room… but HELEN!”

[ Helen rushes into the room ]

Author: She let out a yelp:”

[ Helen yelps ]

Author: Uh — “The discovered livers — l-l-l-livers — lovers — the LOVERS! — freeze in panic!”

[ the scene freezes, as the Author contemplates what he has written ]

Author: Let’s see… I don’t know about this. Let’s go over it.

[ Mr. Stewart drops the maid to the floor ]

[ he rips the page from the typewriter, as the characters collect themselves and exit the set ]

Author: Alright. [ reading ] “It was a beautiful night.” No, no, no. “It’s a dark and stormy night.” [ lightning strikes ] Uh — “Helen comes into the room, she sees herself in the mirror –” [ the maid runs into the room and toward the mirror ] “She’s short, blonde, and cute as a button.” [ the Maid runs off as Helen takes her position ] “There’s a knock at the door.” [ a knock sounds from the door ] “It’s Mr. and Mrs. Lawnsdale –” No, no. “It’s just Carl Lawnsdale.” [ Mr. Lawnsdale enters the room ] “They’re secret lovers, they embrace, they fall on the couch — they moan, he moans, she moans.” [ moaning and grunting from the couch ] Uh — “Enter the husband.” [ Mr. Stewart enters ] “He’s crippled…” Uh, no, no, no, no. “He’s blind.” [ Mr. Stewart hobbles to the couch, then feels his wife’s face ] Uh — “He pulls out the gun, he shoots her, she falls on the couch.” [ Helen is shot ] No, no, no. “He shoots him!” [ Mr. Lawnsdale is shot ] “He falls on the ground…” No, no, no, no! “He falls backward over the couch and slams into the Plate-Glass window…” [ Mr. Stewart steps around the couch and smaskes the window with his fist ] No, that’s not right, either. “He staggers over the room, he falls over, goes into the bookcase, pulls down the books of Leo Tolstoy on the shelf.” [ Mr. Stewart falls from the bookcase ] “Just then, Helen belches and runs out of the room.” [ she runs ] “The man laughs, but maniacally punches himself in the head.” [ he laughs ] “The old bag maid comes into the room.” [ the Maid rushes in ] “She’s old, she’s ugly, she stinks, she smells, she drools, she dribbles, she rubs her dandruff all over his face. He loves her.” [ they embrace wildly ] Uh — “Then a woman comes into the room, she yelps!” [ Helen yelps ]

[ the Author glances at this trash ]

Author: I don’t like this. It’s too artsy!

[ he crumples his page and puts a new sheet into the typewriter ]

Author: I need a whole new approach, I think. Let’s see… [ he types ] “I Gave My Heart to the Czar — Chapter One”.

[ the lights dim, as the characters exit the set ]

Author: “It was a dark and stormy night…”

[ fade ]

SNL Transcripts

SNL Transcripts: Bill Murray: 03/07/81: Nick Rivers




 Saturday Night Live Transcripts


  Season 6: Episode 12
















80l: Bill Murray / Delbert McClinton

Nick Rivers

Bud Slim…..Neil Levy
Nick Rivers…..Bill Murray
…..Paul Shaffer
Sid…..Eddie Murphy
Mary Kay Lady #1…..Denny Dillon
Mary Kay Lady #2…..Gail Matthius
Marlene Cooper…..Yvonne Hudson

[ open on Bud Slim performing a card trick for a group of patrons on a riverboat ]

Bud Slim: So this guy says to me: “Hey, kid, come here! Let me see that deuce again.” I said, “Sure.” But the deuce had become… THREE aces. [ he holds up three aces ]

[ the crowd cheers, as Nick Rivers rushes out ]

Nick Rivers: Let’s hear it for him! Our own Bud Slim. Let’s hear it for him!

[ Bud Slim exits ]

Nick Rivers: [ singing ]
“Ohhhh, sailing!
Takes me awayyyyy to where I want to be…”

Oh, heck! I’m not gonna sing one of his songs, because the guy just walked out of town with all the Grammys! I’m talking about Chris Cross, of course. Hi! My name is Nick Rivers. I want to welcome you all to the Paddlewheel Lounge aboard the Riverboat Queen, and what a MAJESTIC lady she is as she plies the Mighty Mississippi. We’re awfully, awfully sorry about the engine trouble that developed upstream, and it’s too bad because we HAD hoped to be in New Orleans for Mardi Gras, but, unfortunately, we’re gonna be two-and-a-half days late. Well, sorry. No big deal! But, hey — I think that the Mardi Gras we had at the dock in Cincinnati was just as good, and I mean that. [ looking toward the crowd ] Hey, here’s our good buddy Sid now, with another round of juleps. How you doing, Brother Man?

Sid: Hey, what’s happening, Rick?

Nick Rivers: Hey, how about a fresh Scotch for me?

Sid: Oh, sorry, Rick. I checked it out, man, you gotta pay for your drinks.

Nick Rivers: [ he sighs ] Okay, well, thanks for trying anyway, okay? Appreciate it. Hey, everybody, take care of Sammy, because he’s had a tough life. You know, he’s a character…

[ singing ]
“Who left a good job down in the city
He pumped a lot of tank down in New Orleans
But the dude never saw the good side of the city
‘Til he hitched a ride aboard the Riverboat Queen.
Oh!
Big wheel keep on turnin’
Oh, Proud Mary keep on burnin’
He be rollin’
He be rollin’!
Said that dude be rollin’ on the river!”

[ the crowd applauds ]

Nick Rivers: You know, the South is known for its lovely, lovely, lovely ladies, and I know a couple of genuine Southern belles when I see them. [ he kneeles before two women at a table ] Tell us — where you all from?

Mary Kay Lady #1: Uh — Richton, Minnesota.

Nick Rivers: [ he chuckles ] Wild guess — you two… are SISTERS!

Mary Kay Lady #1: [ she chuckles ] Oh, no — actually, we’re, uh, southern Minnesota representatives for Mary Kay Cosmetics.

Mary Kay Lady #2: We just got back from a big meeting in Cincinnati, and we met Mary Kay herself — and I gotta tell you, she’s an inspiration!

Mary Kay Lady #1: After all thee years, she still has the face and figure of a teenager.

Nick Rivers: Her? What abot you two? [ the ladies gush ] Come on, hey! If anybody’s gonna score on this trip, it’s gonna be at this table, and you know it! You know, you ladies might be interested to know that tomorrow we stop at historic Vicksburg, the site of the famous Siege of 1863, or 4, or 5, or 61 or 62, one of those years — not really sure — when the grand ladies of the South, in order to survive, were forced to eat rat flesh. Wow. True story.

[ Sid re-enters the room ]

Nick Rivers: Uh, Sid — how about some of those teeny little weiners, for the girls at Mary Kay. Can we have that, please? Hey, what the heck — bring teeny weiners for everybody, okay? [ to the crowd ] Life is a party, huh?

[ singing ]
“Now’s the time to come together
It’s up to you, WHAT’S your pleasure?
Everyone around the world,
COME HOME!
It’s a celebration!
Come on, Pablo!”

[ Nick leans over Paul’s piano as they sing together ]

“Celebrate good times, COME HOME!
Celebrate good times, COME HOME!”

Nick Rivers: [ singing ] “It’s a cel-e-braaaaaaa-tion!”

[ the crowd cheers ]

Nick Rivers: Yeah, thank you! You know, this has been a year for celebration. How about those… hostages coming home? Come on, applause! [ the crowd applauds ] You know, I got a little surprise for ya’. The Captain tells me that we have a very special guest onboard… and I would like you all to meet her: One of the original American hostages in Iran… Miss Marlene Cooper. [ grabbing Marlene’s hand ] Come on, stand up, would you please, Marlene? Stand up. [ she stands ] EVERYBODY, UP! EVERYBODY UP! EVERYBODY UP, DAMMIT!! COME ON!! [ the crowd stands and applauds ] Okay, everybody down. Everybody down! [ the crowd sits ] Thank you. Welcome home, Marlene.

Marlene Cooper: Thanks.

Nick Rivers: The Lord’s been good to you, huh? I guess it must be pretty sweet to be back in the U.S.A., huh?

Marlene Cooper: Well… I’ve been home for about a year now.

Nick Rivers: [ taken aback by this news ] Oh, I see. You’re one of the Black hostages they sent back early.

Marlene Cooper: Yes. Well, they only held us for about four weeks.

Nick Rivers: Oh, I’m sorry. That’s kind of a tough break — no parade, no yellow ribbon, no welcome home whatsoever. That must have been a pretty tough… experience for you. Well, let me see if I can try a little… [ he kisses her forehead ] rescue, something for you.

[ singing ]
“There ain’t nothin’ I can do!
Ain’t nothin’ I can say!
I’m comin’ to your emotional rescue.
Ooh-ooh, ooh-ooh, ooh-ooh-ooh!
Ooh-ooh, ooh-ooh, ooh-ooh-ooh!”

Thank you, thank you! You know, I’ve played most of the towns on this here river. I’ve been up and down this river, played most of the towns, but, unfortunately, I can’t go back to most of them. But Nick Rivers isn’t going to be floating on this river forever. I’m hoping like any entertainer, to get that… [ he crosses his fingers ] big break, in that big town where it’s all happening.

[ singing ]
“Aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaand!!
If I can make it there
I’m gonna make it
Any-wherrrrrrrrrrrrrrrrrrrrreeee!!
It’s, up, to, yooooooouuu, Neeeeeeew Or-leans
Neeeeewwwww Or-leeeeeeeeans!”

Thank you!

[ camera pulls up and pans into the audience, stopping at a man with SUPER: “Ato Crash Test Dummy” ]

[ fade ]

SNL Transcripts

SNL Transcripts: Bill Murray: 03/07/81: Saturday Night Newsline




 Saturday Night Live Transcripts


  Season 6: Episode 12












80l: Bill Murray / Delbert McClinton

Saturday Night Newsline

…..Charles Rocket
…..Joe Piscopo

[ open on Charles Rocket at news desk ]

Charles Rocket: This is “Newsline.”

Our top story tonight: Lady Diana Spencer just broke off her engagement to Prince Charles, because she discovered he was not a virgin.

Well, after three long months in court, Jean Harris was found guilty of murdering this man: Dr. Tarnauer. Apparently, she did it because she was in a jealous rage. Hard to beleive anybody could be jealous of this guy!

Well, anyway, Mrs. Harris contended she was trying to commit suicide. She probably thought she could get herself in the head by ricchoeting the bullets off his pajamas. That must have been it, yeah! That’s probably it!

Well, Washington, D.C. has been buzzing all week about Congressman John Jeanerette’s wife, Rita, who, as we all know, posed nude in this month’s Playboy. Now, look, I don’t know… what’s the big deal here? I mean, I saw the pictures, and… Rita: You were great! I thought you really looked really good! And if you really stop and think about it, it could have been worse. I mean, how would you like to look at a seven-page spread of Mrs. Tip O’Neill? I don’t know… [ he shakes his head ] That wouldn’t be good.

Charles Rocket: Well, it’s been a big week in sports, and here to tell us all about it is our own Joe Piscopo.

Joe Piscopo: Thanks, Charlie! Hello again, everybody! Joe Piscopo, live, Saturday Night Sports! The big story! Hockey! Violence! Penalties! Blood! Stitches! Gore City!

[ cut to two hockey players holding hockey sticks at one another ]

Joe Piscopo V/O: Solution? Softer sticks!

[ the players begin to attack one another with the rubber sticks ]

Joe Piscopo V/O: Violence! Plenty! Bloodshed! None!

[ return to Piscopo at the news desk ]

Joe Piscopo: Today, the stick! Tomorrow, the PUCK! Joe Piscopo, live, Saturday Night Sports!

Charles Rocket: Thank you, Joe. Did you say “puck”? Alright, well, once again —

[ the audience cheers ]

There’s another scandal that affects everyone who owns a television set. Oh, sure, I know many of you read about it in TV Guide — Cocaine is taking over Hollywood. Is that shocking, or what? The investigation is on, and everyone is scrambling. On the set of “Alice”, for example, they’ve taken all the spoons out of Mel’s Diner. At taping sessions, actors are understandably hesitant to call out: “Where are my lines?!” Well, it kind of makes you suspicious, doesn’t it? I mean, like, what did realy happen to Karl Malden, why did he get off the air? Well, when you think about it, his nose is so big he could have wiped out Hollywood all alone, you know what I mean?

Speaking of celebrities, Orson Welles and Shelley Winters are back at it again!

Charles Rocket: [ glancing off-camera ] For “Saturday Night Newsline”, I’m Charles Rocket. [ he turns to face the camera ] Ove here?

[ fade ]

SNL Transcripts

SNL Transcripts: Bill Murray: 03/07/81: Saturday Night Newsline II




 Saturday Night Live Transcripts


  Season 6: Episode 12








80l: Bill Murray / Delbert McClinton

Saturday Night Newsline II

…..Bill Murray

[ open on Bill Murray seated at news desk ]

Bill Murray: Hello. I’m Bill Murray for “Newsline”, Arts & Leisure. It’s that time of year again, time for everyone’s annual Oscar predictions.

[ the audience applauds wildly, as Bill Murray holds up his Oscar board list ]

I think you heard it here first… that in the categories of Best Supporting Actor and Best Supporting Actress, nobody gives a DAMN! [ he pulls the nominees of these actors from the board ] Let’s get these people off of here as quickly as possible, and get them out of here!

In the Best Actress category, there can only be ONE winner — and that is Mary Tyler Moore. [ he wipes the other nominees from the board ] And for one reason: Because Carol Burnett isn’t nominated.

In the Best Actor category, there can only be one winner — and that is Jack Lemmon, because Jack Lemmon is still alive.

And in the Best Picture category, there can ONLY be one winner, and that is “Tess”, because Hollywood hasn’t had a good party since Roman Polanski left.

[ he removes the winners from the board ]

But these awards are meaningless to you and me because, well… we’re not judging them, people. I think it’s time for some new awards, and I’m about to give them.

In the category of Best Supporting Actress: For her work in “Wholly Moses”, the winner is… Laraine Newman.

[ the audience applauds ]

In the category of Best Supporting Actor: For his fantastic work with Benji in “Oh! Heavenly Dog”… Mr. Chevy Chase.

[ the audience applauds ]

A first for this award — a tie in the Best Actress category: For her work in “How to Beat the High Cost of Living”… Ms. Jane Curtin; and for a DOUBLE nomination for “Gilda Live” and “The First Family”… Ms. Gilda Radner.

[ the audience applauds ]

And what’s gota be a second in the history of this category — uh, uh, a second tie in the Best Actor category: For their work as Jake and Elwood Blues… Dan Aykroyd and John Belushi.

[ the audience applauds ]

For the Best Picture, there, of course, is only one winner. And that is… “Caddyshack”. Because it was written by my brother, Brian Doyle-Murray, and Doug and Harold.

[ the audience applauds ]

Uh — finally, most important award of all: The Irving Thalberg Memorial Award for humanitarian, decency, and just all around good guyness… given to Garrett Morris, for his work with the Guardian Angels here in New York City.

[ the audience applauds ]

Those are my awards. Let’s see what happens!

[ fade ]

SNL Transcripts

SNL Transcripts: Bill Murray: 03/07/81: Saturday Night Newsline




 Saturday Night Live Transcripts


  Season 6: Episode 12












80l: Bill Murray / Delbert McClinton

Saturday Night Newsline

Dr. Jonathan Lear…..Mark King

[ open on Dr. Jonathan Lear seated at news desk ]

Dr. Jonathan Lear: I’m Dr. Jonathan Lear. This is “Saturday Night Live: Newsline”, Science Break. Tonight: DNA.

As most of us know, DNA is the basic building block of life. Also, DNA is the master molecule of life. It’s really great! We have been able to obtain actual photographs of DNA molecules, so let’s take a look at some of them.

[ he holds up a drawing of DNA ]

In its simplest form, DNA looks like a double helix.

[ he swaps out DNA cards ]

Here’s a photo of DNA molecules sitting up straight.

[ he swaps out DNA cards ]

Here’s some FAT DNA!

[ he swaps out DNA cards ]

Here’s some DNA hiding in spaghetti.

[ he swaps out DNA cards ]

Here’s DNA sitting on a picket fence.

[ he swaps out DNA cards ]

DNA following a fish.

[ he swaps out DNA cards ]

Have a nice day, DNA!

[ fade ]

SNL Transcripts

SNL Transcripts: Bill Murray: 03/07/81: Bill Murray’s Monologue



 Saturday Night Live Transcripts


  Season 6: Episode 12








80l: Bill Murray / Delbert McClinton

Bill Murray’s Monologue

…Bill Murray
…Eddie Murphy

Don Pardo V/O: Ladies and Gentlemen — Bill Murray!

[Huge cheers and applause as Bill appears at home base via the elevator. He exits out of it and struts to the edge of the stage and does a kick jump and a dance to finish it off as the music ends.]

Bill Murray: [pointing to the band] How about that band?! Come on! Come on! More!

[After Bill gestures them, the band starts to play the theme music again as Bill jumps up and down while walking to the other side of the stage and hugs a support pole and jumps down below to the audience. He picks up a female audience member, drapes her over his head, and sets her back down on her chair. He jumps back onto the stage and continues dancing when Eddie Murphy shows up and cues the band to stop playing.]

Eddie Murphy: Whoa-whoa-whoa-whoa! What the hell is…

Bill Murray: Eddie Murphy! Let’s here it for him! [stamps his feet on the stage as Eddie briefly smiles to the audience]

Eddie Murphy: What the hell are you doing? You’re supposed to be doing your monologue out here. You almost dropped this woman on her head, Bill!

Bill Murray: Well, I guess I got a little excited, huh? Well, what are you doing out here? Asking me what I’m doing, anyway?

Eddie Murphy: Well, you’re suppposed to be doing your monologue. This ain’t a band number. Do your thing!

Bill Murray: Oh, come on, Eddie. You know what we talked about. It’s just doesn’t matter, you know. I could go out here and say “Gee, these kids are great, golly! They got so much energy, and I don’t even know what’s gonna happen next!” Eddie, it just doesn’t matter. The important thing is that we’re working together.

Eddie Murphy: Yeah.

Bill Murray: Yeah, and that we’re BAD!

Eddie Murphy: Yeah.

Bill Murray: You’re bad!

Eddie Murphy: I’m bad.

Bill Murray: I’M bad!

Eddie Murphy: We’re both bad.

Bill Murray: I mean, that previous Black-White act, you know — or, should I say, that Pryor act — you know, they thought they were bad, or Wild or Wilder, if you will. They’re not as widl or bad as the Murray-Murphy combo! ‘Cause we’re BAD!

Eddie Murphy: Right, we bad!

Bill Murray: That’s right! In fact, we’re BADDER!

Eddie Murphy: Right! You mean we MORE bad!

Bill Murray: We’re MORE bad! We are the WORST, my man! Give me five, come on!

[ Eddie low-fives Bill ]

Eddie Murphy: We’re TERRIBLE! Give me fifteen!

[ Eddie low-fives both hands and raises one foot ]

Bill Murray: We are NAUSEATING! Now, give me some of that long sole, my man!

[ Bill turns around, raises one foot and holds out his hand, which Eddie high-fives downward to Bill’s foot ]

Bill Murray: Come on! Gvie me the PINK side now! [ Bill holds out his hand ]

Eddie Murphy: We gonna have to work on that one!

Bill Murray: And we’re both Irish, too! That’s so great!

Eddie Murphy: Yeah.

Bill Murray: Yeah, Murray and Murphy, the Irish duo. An Irish Jig, let’s do it man. [Bill does a dance move]

Eddie Murphy: [rather offended and pointing at Bill] Now, that’s bad AND dangerous, so watch yourself.

Bill Murray: Come on, man, I’m only kidding. We’re a team. We’re just like salt and pepper. [slaps hands with Eddie]

Eddie Murphy: Pepper and salt!

Bill Murray: Come on! Paprika and cinnamon!

Eddie Murphy: Hartman, Oprah!

Bill Murray: Yeah, Belushi and Aykroyd. [slaps hands again]

Eddie Murphy: That’s bad!

Bill Murray: That’s bad! We’ll be right back, man!

Eddie Murphy: Yeah!

[Cheers and applause as Bill and Eddie continue to give each other high fives including a jumping one as the screen fades.]

Submitted by Kyleman88

SNL Transcripts