SNL Transcripts: Jill Clayburgh: 02/28/76: Great Moments in Herstory II



 Saturday Night Live Transcripts


  Season 1: Episode 15










75o: Jill Clayburgh / Leon Redbone

Great Moments in Herstory II

Announcer…..Don Pardo
Narrator…..Jane Curtin
Isadora Duncan…..Jill clayburgh
Eleanora Duse…..Gilda Radner

[ open on title card ]

Announcer: And now… “Great Moments in Herstory”! A celebration of women through the ages!

[ dissolve to interior sitting room ]

Narrator: [ over text scroll ]
“Nice
The South of France
September 13, 1927

Isadora Duncan, the uninhibited, barefoot, Mother of Modern Dance whose private performances and public Affairs have shocked polite society, and given her hundreds of painful splinters, has just returned from a triumphant tour of Soviet Russia. On this particular sunny Mediterranean morning, Isadora is visiting her close friend, famed actress Eleanora Duse, little suspecting that she is about to make one momentous decision which will alter her entire life…”

[ Isadora rushes down the stairs to to join Eleanora on the Chaise longue ]

Isadora Duncan: Well, darling, I can’t stay! But, oh, I MUST have your advice on a little matter!

Eleanora Duse: You look just ravishing, Isadora — where are you off to?

Isadora Duncan: Oh, I’m off for a spin in a red Bugatti with that absolutely heavenly young man! [ she tosses her hair back and laughs ] Let me ask your advice — Which one do you prefer? [ she wraps a short blue scarf around her neck ] This little scarf, tied comme sa? Or… do you prefer this green chiffon, which I love, tied like this? [ she wraps a long geen scarf around her neck ]

Eleanora Duse: Ohhh, Isadora, no question! The long one!

[ Isadora smiles and heads for the door ]

Isadora Duncan: Well, dear — Ta Ta!

Eleanora Duse: Have fun, darling!

Isadora Duncan: Bye bye!

[ Isadora slams the door shut ]

[ the slong green scarf gets caught between the door and the frame ]

[ a blood-curdling scream can be heard on the other side of the door, as Elenanora looks away with great confusion ]

[ return to title card ]

Announcer: This has been another… “Great Moments in Herstory”!

[ fade ]

SNL Transcripts

SNL Transcripts: Jill Clayburgh: 02/28/76: Great Moments in Herstory I



 Saturday Night Live Transcripts


  Season 1: Episode 15



75o: Jill Clayburgh / Leon Redbone

Great Moments in Herstory I

Announcer … Don Pardo
Narrator … Jane Curtin
Sigmund Freud … Dan Aykroyd
Anna Freud … Laraine Newman

[A graphic reads: Great Moments in Herstory]

Announcer: And now, Great Moments in Herstory, acelebration of women through the ages.

[Dissolve to a finely appointed sitting room, completewith globe, couch and easy chair. A narrator reads asuperimposed text as it scrolls by.]

Narrator: Vienna, April 12th, 1908. In the quaint oldhouse at number nineteen Berggassestrasse, DoctorSigmund Freud has been making bold advances in thetreatment of mental illness through a new techniqueinvolving the interpretation of dreams. His pioneeringefforts in the face of repressive Victorian attitudeswill ultimately lead to the development of theFifty-minute hour, over-use of the word “relating”,and a rash of bestsellers with personal pronouns intheir titles. Now, for the first time, he is about topractice his new method on a member of his own family:his daughter Anna, later to become a brilliant analystin her own right. Little does he know he is on thethreshold of revealing the secrets of the human mindby Fathering modern psychoanalysis…

[During the above, bearded, bespectacled Sigmund Freudenters, places a cup of tea on a table beside the easychair, pulls a book from a bookcase and, whilethumbing through it, makes his way to the easy chair.He sits and reads. His young daughter, Anna, enters,taps him on the shoulder and climbs into his lap. Theyspeak with heavy Viennese accents:]

Sigmund Freud: Hello, Anna. How did you sleep, Liebchen?

Anna Freud: Oh, I slept very well, Papa. You know, Ihad the strangest dream, though. I dreamt about a manwho looked just like you.

Sigmund Freud: [sipping tea] Mm hm.

Anna Freud: He had a beard just like yours. And he wasold enough to be my father.

Sigmund Freud: Ya.

Anna Freud: I couldn’t figure it out. And then, he wassitting on your bed, Papa.

Sigmund Freud: Uh huh.

Anna Freud: Along with all my male cousins. And theywere all bound and gagged except for one arm. Andeverybody was bare naked.

Sigmund Freud: [gets increasingly “turned on” as sheproceeds] Mm hm.

Anna Freud: And they had bowls of fruit in their laps,you know?

Sigmund Freud: Mm hm.

Anna Freud: And everybody kept offering me a banana. Iwas not hungry for a banana, though, you know? Exceptwhen the man with the beard offered me the biggest andripest banana. [Sigmund shifts uncomfortably and setsdown his tea cup] Oooh, Papa, that was the only bananaI ate. Oooh, and then the bed turned into a train,Papa.

Sigmund Freud: Ya?

Anna Freud: And it went through a tunnel. And we cameout of the tunnel [Sigmund holds up his trembling handas if he is about to grab Anna’s torso] and then Ifell and I fell and I fell and the man with the beardfell and fell and fell. [abruptly] And then we bothsmoked a cigarette. [Sigmund lowers his hand and coolsoff considerably] Papa, what did that dream mean?

Sigmund Freud: It doesn’t mean anything, Anna. It’sonly a dream. Sometimes a banana is just a banana. Anna?

Anna Freud: Yes, Papa?

Sigmund Freud: Please don’t mention this to Mama.

Anna Freud: [toys with his necktie] Oh, I won’t. [Theygive each other a hug.]

Announcer: This has been another [dissolve back to thetitle graphic] Great Moment in Herstory!

Submitted Anonymously

SNL Transcripts

SNL Transcripts: Jill Clayburgh: 02/28/76: Grable and Lombard/Goodnights



 Saturday Night Live Transcripts


  Season 1: Episode 15





75o: Jill Clayburgh / Leon Redbone

Grable and Lombard/Goodnights

Priest…..Chevy Chase
Betty Grable…..Jane Curtin
Carole Lombard…..Jill Clayburgh

[ open on Priest standing over a blushing bride ]

Priest: Do you, Betty, take Carole to be your lawful wedded wife?

Betty Grable: I do.

Priest: Do you, Carole, take Betty to be your lawful wedded wife?

Carole Lombard: I do.

Priest: I now pronounce you… wife and wife. You may kiss the bride.

[ Betty and Carole lean in to kiss, then freeze ]

Announcer: And now, the never told story of… “Grable and Lombard”.

[ loud applause drowns out the rest of Don Pardo’s announcement ]

Jill Clayburgh: [ waving ] Good night!

[ credits roll ]

Announcer: Next week, watch “NBC Weekend with Lloyd Dobbin”. Two weeks from tonight, our “saturday Night” host will be Anthony Perkins, with special musical guest Diane Keaton. And our announcer will still sound like Don Pardo. Yawn. Good night.31:30

SNL Transcripts

SNL Transcripts: Jill Clayburgh: 02/28/76: No More Falls



 Saturday Night Live Transcripts


  Season 1: Episode 15






75o: Jill Clayburgh / Leon Redbone

No More Falls

…..Lorne Michaels
Reporter…..Edie Baskin
…..Chevy Chase
Woman in Audience…..Rosie Shuster
…..Alan Zwiebel

[ open on Lorne’s office, as he’s being interviewed by a female reporter. Framed photos of Richard Nixon appear on Lorne’s desk. ]

Lorne Michaels: — talk to the producer. The producer is really the person who really knows what’s happening.

[ Chevy opens the door, then knocks on it ]

Lorne Michaels: Ah, Chevy.

Chevy Chase: [ to the reporter ] Excuse me, I’m sorry. [ sits on Lorne’s desk ] Lorne. Look. Uh.. uh..

Lorne Michaels: Shouldn’t you be downstairs opening the show?

Chevy Chase: I’m not going to do the fall. I’m sorry. Ah, I know we had an agreement, but I-I-I’m sick of being a clown.. I’m sick of just doing falls —

Lorne Michaels: Chevy, we can’t begin the show

Chevy Chase: — I’m being a damn newsman all the time! I mean, I-I-I-I can’t do it! Do you realize I was offered a “McMillan & Wife”?

Lorne Michaels: Do they do falls on “McMillan & Wife”?

Chevy Chase: That isn’t the point! I don’t want to be a buffoon any more! I’m sick of being identified with some kind of — people don’t even want to see the fall any more!

Lorne Michaels: I’m telling you, the most popular part of the show is the fall! Every show has opened with you falling, it’s — [ tries a different approach, holds up a single envelope ] I get stacks, stacks of mail! Here’s a letter right here, it just arrived. [ opens the letter, pretends to read it ] “Love the fall!”

Chevy Chase: [ reaches for the letter ] Let me see that.

Lorne Michaels: No. [ stuffs the letter into his desk ] The thing, it’s the most — no, the chandelier and the ladder is the most popular fall. I think you should go down there, open with the fall, and we cna talk about it some other time.

Chevy Chase: Alright, this is the last time!

Lorne Michaels: Trust me on this.

Chevy Chase: The letter – they really like it?

Lorne Michaels: The letter. [ pulls the letter out, holds it up for Chevy briefly ] “Most popular thing, love the fall.” So, if you could just go down there, and open with the fall, Chevy – believe me.

Chevy Chase: [ as he heads for the door ] No one likes it!

Lorne Michaels: No, it’s the most popular thing on the show. Good luck!

[ Chevy exits Lorne’s office and retreats down the hall. Before he makes his exit, we catch a glimpse of a framed picture of Chevy on top of a television set in Lorne’s office. ]

Chevy Chase: I don’t know.. he’s the boss..

[ Chevy appears amongst the audience muttering to himself, walking behind the rows toward the stage floor ]

Chevy Chase: I wonder if I’ve been conned into something. They like the fall, they like the fall.. My knee! My hip! They like it, they like it, but this is the last one. I really don’t mmind if I get a “Baretta” – I’ve had it.

[ Chevy steps into a row of audience members, squeezing his way across them ]

Chevy Chase: Excuse me, please. Excuse me. I’m sorry.. I’m sorry, I’m sorry.

[ Chevy reaches the end of the row; the woman on the end speaks to him ]

Woman in Audience: You’re not gonna do the fall with the chandelier and the ladder again, are you?

Chevy Chase: [ shaking his head ] I don’t believe this.

[ Chevy walks down a flight of stairs and onto the set, what looks like an office set-up with a ladder standing under a chandelier ]

Chevy Chase: Did you hear that? [ looks back toward the woman ] No. no, I’m not! I’ve got better things to do! [ bumps into the foot of the ladder, struggles back the way he came ] I’ve got much better things to do than that! [ trips on the first step as he makes his way back up into the audience ] I’m going to tell Lorne that right now!

[ Chevy trips at the top of stairs, but regains his balance before continuing to stumble his way amongst the audience as he mutters inaudibly to himself. As he stomps back through the row he came, Chevy trips and nearly falls over the railing. He catches himself and lifts himself back up ]

Chevy Chase: I’ve had it! I’ve had it!

[ Chevy takes another step, and stumbles in such a way that it sends him running across the hall in imbalance. He reaches the outer hall to Lorne’s office without a scratch. ]

Chevy Chase: This is it, Lorne. This is it, Lorne! This is exactly what we were talking about —

[ as Chevy stomps down the hall, he crashes into Alan Zwibel and they both crash to the floor. Chevy jumps back on his feet and staggers into Lorne’s office. ]

Chevy Chase: No! [ slams his hands on Lorne’s desk ] Absolutely not, I’m not doing it! And let me tell you why!

Lorne Michaels: Why?

[ Chevy attempts to sit on the edge of Lorne’s desk, but slides off and drops semi-backwards to the floor. Lorne waits patiently, as Chevy slowly rises and removes his glasses. ]

Chevy Chase: “Live, from New York, it’s Saturday Night!

SNL Transcripts

SNL Transcripts: Jill Clayburgh: 02/28/76: Car Yummies



 Saturday Night Live Transcripts


  Season 1: Episode 15







75o: Jill Clayburgh / Leon Redbone

Car Yummies

Mechanic…..Garrett Morris
Spokesman…..Dan Aykroyd

[ open on exterior, gas station, as Mechanic grabs pump and falls out of view ]

[ Spokesman steps forward with product in hand ]

Spokesman: I’m sure your whole family loves cheese! But one member never gets enough — your car! That’s why we created… Car Yummies. [ he holds up product ] Shaped like little traffic signs, Car Yummies provide ALL the essential additives your car needs. Plus: a hearty cheddar flavor that automobiles really go for!

[ Mechanic returns to scene ]

Mechanic: Pets like ’em, too!

Spokesman: Right you are, Ted! No motor vehicle can resist these tempting tank-sized chunks. Is it any wonder that Auto Trend Magazine called them “The perfect between-pump snack for cars on the go”?

Mechanic: And, take it from me: A well-fed car gives better mileage with fewer repairs.

Spokesman: As a reward, as an appetizer, or simply as a regular program of fuel supplement, why not treat your car… to Car Yummies!

Mechanic: Car Yummies! Gives your car pep and lets your car know that you care!

[ superimpose logo on screen ]

Announcer: Gull Oil. We care for your car.

[ dissolve to audience, zoom in on bearded man with SUPER: “Wearing Rubber Underwear” ]

[ fade ]

SNL Transcripts

SNL Transcripts: Jill Clayburgh: 02/28/76: H&L Brock



 Saturday Night Live Transcripts


  Season 1: Episode 15



75o: Jill Clayburgh / Leon Redbone

H&L Brock

Lowell Brock…..John Belushi

[ open on Lowell Brock leafing through the pages of thick tax books from his bookshelf ]

Lowell Brock: Hi. I’m Lowell Brock, of H&L Brock. With more of my seventeen reasons why you should bring your taxes to us, instead of H&R Block.

[ he sits in red leather chair, as SUPER appears ]

Reason #13: The H&L Brock Church and Synagogue.

The IRS does not require churches and synogogues to keep financial records. In 1957, my brother Henry became the first priest of Our Lady of the Holy Rebate. And, in 1963, our partner, Saul Weinstein, was ordained rabbi of Temple Banai Shalom Brock. If you are a wealthy religious person, you may want to make a large donation to either of these houses of worship, and claim it as a deduction. We will then kick back 95% of the donation, keeping the rest as payment of our services. Saving you a bundle on your returns. You can cheat on your taxes and look like a saint.

So come to H&L Brock You’ll thank the Lord you did.

[ SUPER: “H&L Brock. The Tax Fraud People” ]

[ fade ]

Submitted Anonymously

SNL Transcripts

SNL Transcripts: Jill Clayburgh: 02/28/76



 Saturday Night Live Transcripts


  Season 1: Episode 15


This free script provided by http://javascriptkit.com]]>










Air Date:

Host:

Musical Guest:



Special Guests:

A Film By:

Cameos:





Bit Players:


February 28th, 1976

Jill Clayburgh

Leon Redbone

The Singing Idlers

Andy Kaufman

Gary Weis

Edie Baskin

Lorne Michaels

William Wegman

Rosie Shuster

Alan Zweibel



Season 1: Order Now!free website hit counter No More FallsSummary: Tired of playing a buffoon on SNL, Chevy Chase tells Lorne Michaels he won’t be doing any more falls for the show.

Transcript

Montage

Jill Clayburgh’s MonologueSummary: Don Pardo’s game-show descriptions accentuate Jill Clayburgh’s story of her date with him.

Transcript

Great Moments In Herstory ITranscript

Jill Carson, Guidance Counselor!

Leon Redbone performs “Ain’t Misbehavin'”

White Guilt Relief FundSummary: Speaking as a representative of slavery, Garrett Morris says he’ll be happy to accept guilt funds from white people everywhere.

Transcript

Great Moments In Herstory IISummary: Isadora Duncan (Jill Clayburgh) chooses a fateful scarf.

Transcript

Weekend Update with Chevy ChaseSummary: Laraine Newman reports from a vacant New Hampshire a week after the Primary. Emily Litella (Gilda Radner) says she opposes the “deaf” penalty.

Recurring Characters: Emily Litella.

Transcript

H & L BrockSummary: Lowell Brock (John Belushi) and the H & L Brock tax team show how you can claim your home as a church and use it as a tax write-off.

Transcript

The Singing Idlers perform “Semper Paratus”

Jill Clayburgh & The Singing Idlers perform “Sea Cruise”

Car YummiesTranscript

The MuppetsSummary: The Muppets couldn’t be here this week, so Chevy Chase takes their place, using his bare hands to enact a scene titled “Paying the Milkman.”

Transcript

Gary Weis Film

Andy KaufmanSummary: Andy Kaufman pulls up four members of the audience to lip-synch to an old recording of “Old MacDonald.”

Transcript

The RestaurantSummary: While on a date, a woman (Jill Clayburgh) wonders what her boyfriend (Chevy Chase) is thinking about.

Transcript

Triple-TracSummary: The three-blade razor is designed for people who’ll believe anything they see.

Note: Repeat from 10/11/75.

Leon Redbone performs “Big Time Woman”

Great Moments In Herstory III

“The Mr. Bill Show”Summary: In a film by home viewer Walter Williams, clayman Mr. Bill is tortured by Mr. Hands and Sluggo.

Transcript

Grable & Lombard/GoodnightsSummary: Betty Grable (Jane Curtin) and Carole Lombard (Jill Clayburgh) are married in a new TV-movie sneak-peek.

Transcript

SNL Transcripts

SNL Transcripts: Desi Arnaz: 02/21/76: Very White



 Saturday Night Live Transcripts


  Season 1: Episode 14






75n: Desi Arnaz / Desi Arnaz, Jr.

Very White

Very White…..Chevy Chase

Announcer: Ladies and gentlemen — Mr. Very White.

Very White: [ reciting as he belts the piano ]
“Oh, baby!
[ breathes deeply ] Ooooh, baby, baby, baby, baby.
You know you’ve put me through sssssssso many changes
Oh no, baby, don’t cry, little girl!
Because you know I know you know I know you know I know
That I dig you and you dig me.
And, baby
I remember — I remember the first time I saw you.
You were down on a beach entertaining the Van Der Camps.
And I was at the tennis camp, looking for a fourth for mixed doubles.
And, baby, I — I feel like I’ve got to sing to you now!”

[ the music intensifies ]

“Ohhhh, baby!
Mmmmmmmm!”

[ his voice and the music softens ]

“But, baby
Baby
I’m gonna sing about the love and the music
Incessant, rambling music with no beginning and no end, baby
Like our love.
And you WILL know, baby
Because it’s music with no, no soul
And with absolutely no redeeming artistic value, my love.
Oooohhhhh, baby, baby, baby, baby!
Because deep down — deep, deep, deep down
In my very heart
My very simple, simple mind
I feel so — so strange, baby So strange, talking to you this way in front of all these people But, baby, I FEEL like I’ve got to — I feel like I’ve got to sing to you now. And I — I feel like you’ve got to hear me, in my heart!”

[ the music intensifies ]

“Ohhhh, baby!
Listen to me!”

[ he sneezes loudly, as his voice and the music softens ]

“Excuse me, baby, for loving you so much.
Because, baby
You looked soooo fine in that dress
when I saw you coming out of the Waldorf Astoria
at that International Debutante Ball
And I was — I was just talking like this, incessantly.
And you looked up at me
And you said, “Hmmmmmmm!”
[ he moans indistinctly ]
It was very unusual to me, to hear something like that.
So I figured — I figured
Baby, we must be meant for each other
Meant to — meant to sing together
Meant for me to talk to you, forever and ever
And for you to listen to me.
So I figured, why not sing to you now
Why not sing with all my heart, and all my breath
And sing so you can HEAR me, baby
Now, I want you to!”

[ the music intensifies ]

“Ohhhhhhhh!
Mmmmmm, baby!
Ooh!
Well, listen to me, baby!
Ahhhh!
Ohhhh!”

[ his voice and the music softens ]

“But, baby.
You know I love myself so much
I love my voice…”

[ SUPER: “Coming Up Next… Suburban Renewal” ]

[ fade ]

SNL Transcripts

SNL Transcripts: Desi Arnaz: 02/21/76: Weekend Update with Chevy Chase



 Saturday Night Live Transcripts


  Season 1: Episode 14









75n: Desi Arnaz / Desi Arnaz, Jr.

Weekend Update with Chevy Chase

…..Chevy Chase

Announcer: And now, “Weekend Update” with Chevy Chase. Substituting for vacationing Chevy Chase, is his sister Rita.

Chevy Chase: [ grinning ] Actually — Rita is on vacation. I’ll be right with you. [ into phone ] Honey… it’s not what tune you hum… it’s just how you hum. Okay. [ he hangs up ] Good evening! I’m Chevy Chase, and you — you’re merely a statistic!

Our top story tonight: In New Hampshire today, President Ford said competently that he will not only win the Primary, but he will go on to win the Secondary.

Democratic candidate Fred Harris appears to be a sure bet over Birch Bayh, and a possible winner in New Hampshire. Though Udall and Carter do look stronger, Harris is decidely more liberal than the Georgia governor, and has commentd that he just can’t see eye-to-eye with Udall. Harris visited a state prison in New Hampshire today. He is shown here singing “I Walk the Line”, as part of his Johnny Cash impression.

Senator Edward M. Kennedy announced in a press conference today that he is still NOT a candidate, in case any of his supporters have forgotten, and that he will repeat the announcement at each primary this year to remind anyone who might consider writing him in.

[ Chevy grins sheepishly ]

A number of Jewish groups have been boycotting travel to Mexico after its UN’s anti-Zionist vote last December, but have now lifted the boycott since the Mexican government announced this week that it does not equate Zionism with tourism.

Mohammed Ali easily retained his world heavyweight title last night by knocking out John Pierre Coopman in the fifth round of their bout. In the wake of the victory, the champ took time out to deny allegations that most of his recent fights have been with easy opponents who offer little opposition, insisting that all of his fights were against able and worthy opponents. The champ made these remakrs at a press conference to announce the scheduling of Ali’s next title defense against Helen Hayes in the early Spring.

South Vietnamese government has seized more than 100,000 books, calendars with nude pictures, and Playboy Magazine as part of a campagn to “eradicate the depraved culture brought in by the Americans.” Thry’ve also forbidden any Vietnamese to lock himself in the bathroom.

It was revealed today that the recent death of Teddy the koala bear was a suicide. Zoo officials close to the bear say he really did hate Quantas, and that he was despondent over the continuing death of Francisco Franco.

The airline gave Teddy a no-frills burial, consisting of no dinner, no movie, no oxygen, and a soft drink.

Despite oil company objections, the California Air Resources Board, Thursday, approved a program that would virtually eliminate harmful additives from motor fuel over the next four years. Their catchy slogan: “Get the lead out of your gas!”

Still to come: George Wallace picks a running mate. After this message.

[ dissolve into ad parody for Speed ]

[ return to newsdesk ]

Chevy Chase: This week, answering Ford’s statement that he was too conservative to be a president, Ronald Reagan said that Ford had twice offered him posts in the administration before. Sources reveal that the posts were Secretary of Witchcraft and Director of the Pony Express.

Angered over the decision by Congress not to give him Julie’s wedding dress, Richard Nixon has moved his family and staff to China. boarding the plane bearing a truckload of gifts for the Chinese, including boxes of old tape recordings and private records of campaign contributions, all of which he claims are of unique, historical value, Nixon smiled goodbye to the press for the last time, saying: “I am not a clook.”

Iowa governor Robert D. Ray, yesterday, signed a legislation banning pay toilets in his state. Budget-concious Iowans, who had been holding out for five years, breathed a collective sigh of relief and celebrated in the only way they knew how.

Well, Henry Kissinger was taken out and shot today by a city firing squad. The charge? Overweight.

The trial of 22-year old newspaper heiress Patricia Hearst continues. Yesterday, Patty appeared in court modestly dressed in a simple two-piece floral outfit, her nails neatly manicured. Asked to comment on her new, well-groomed image, Patty tensely replied, “I was afraid if I didn’t look nice, my mother would kill me.”

Chevy Chase: Reporting from San Francisco, is correspondent Horst Bucall:

[ cut to ARTIST’S RENDERING of trial — black and white footage of an old Betty Boop cartoon set in court ]

V/O: Patricia Hearst’s chief prosecutor asked her one question too many today, inadvertently opening the door to testimony, while describing to a heretofore uninformed jury how the Hearst estate has been bombed, and threats have been made on her life and the lives of her parents if they do not put a quarter of a million dollars into a defense fund for William and Emily Harris. As a hushed courtroom listened, Patty responded to the question: “What do you mean, Miss Hearst?”, following her answer to an earlier question, in which she said: “It’s happening in the streets right now.” The plaintiff was referring to further SLA activity, that has been taking place in spite of the belief by some members that the terrorist group are all either in custody, or dead.

[ cut back to Chevy, holding his nose as he speaks ]

Chevy Chase: This is correspondent Horst Bucall reporting from San — [ he sees the camera and lets go of his nose ] Francisco.

Well, that’s the news tonight. Good night, and have a pleasant tomorrow.

[ fade ]

SNL Transcripts

SNL Transcripts: Desi Arnaz: 02/21/76: The Untouchables



 Saturday Night Live Transcripts


  Season 1: Episode 14









75n: Desi Arnaz / Desi Arnaz, Jr.

The Untouchables

Written by: Al Franken & Tom Davis

Walter Winchell …… George Coe
Raoul Nitti ….. Desi Arnaz
Angel ….. Chevy Chase
Henchmen ….. Tom Schiller, Alan Zweibel
Student ….. Richard Belzer
Eliot Ness ….. Dan Aykroyd
Lee ….. Tom Davis
Rico ….. John Belushi
Youngblood ….. Desi Arnaz Jr.
Restaraunt Owner ….. Garrett Morris
Patron #1 ….. Laraine Newman
Patron #2 ….. Anne Beatts
Patron #3 ….. Michael O’Donoghue
Lucy ….. Gilda Radner

[Opens on Desi Arnaz Jr. standing alone on stage]

Desi Arnaz Jr.: You know, my parents produced a lot of shows besides I Love Lucy. Desilu Productions put on such classics as The Whirlybirds, Pete and Gladys, December Bride, and The Untouchables, just to name a few. And you know, Dad really threw himself into everything. For example, on The Whirlybirds, Dad created all the helicopter sound effects with his lips. (demonstrates by briefly making helicopter noises) That’s not easy to do. For Pete And Gladys, Dad designed Harry Morgan’s makeup. But on The Untouchables, because of his accent, Dad never got any speaking roles on the show. Until tonight.

[Dissolve to The Untouchables title card as the theme music starts to play]

Walter Winchell (V/O): At 4:26 p.m. on February 21, 1936, in a warehouse on the north side of Chicago, Raoul Nitti and his boys were turning out amphetamines to be sold illegally at a nearby high school.

[As Winchell narrates, the card dissolves to the warehouse, where Nitti’s henchmen are escorting a high school student in]

Raoul Nitti: Okay kiddo, now you listen to me and listen good, see? You give two of these (holds up a bag full of cocaine) to every guy on the football team before the game. You’ll be the big man on campus, huh?

Student: Thanks Mr. Nitti. I’ll run right over! (runs out excitedly, one of the henchmen closing the door behind him)

Raoul Nitti: Well fellas, let’s go over to the club, get a bite to eat, and see if the owner has wised up and scraped together our “protection money”. (laughs)

Henchmen: (laugh)

Raoul Nitti: Shut up! Get going!

[Henchmen quickly stop laughing and leave, with Nitti following them]

Walter Winchell (V/O): Meanwhile, in a medicine cabinet warehouse across the street, Eliot Ness and his Untouchables watch the mobsters’ every move.

[Dissolve to a close shot of Ness looking out a window with binoculars, pulling back gradually to reveal the entire window as Winchell speaks]

Eliot Ness: Rico, I can see them. There’s a blue jay. A red warbler over there. (looks down) Lee! Rico! Youngblood!

[They come behind him one by one as he says their names]

Eliot Ness: Nitti and a couple of his goons are coming out of that warehouse. I think he’s making his move. (puts down binoculars)

Rico: Say they’re making their move, Eliot?

Eliot Ness: Right. Rico, let’s trail ’em. I want to teach Nitti a lesson he’ll have a long time to forget. (takes out his pistol)

Rico: Eliot, look! A red-winged blackbird.

[Dissolve to a restaraunt, where Nitti and his machine gun wielding henchmen are entering]

Walter Winchell (V/O): At 5:37 that afternoon, Nitti and his henchmen were threatening the owner of a south side restaraunt who owed them extortion money.

Restaraunt Owner: Please Mr. Nitti, I know I’ve been late but business has been bad!

Raoul Nitti: Yeah, well you ain’t seen nothing yet. Wait till word gets around that every customer in your joint is gonna get killed. Ha ha ha! Angel…

[Angel, one of Nitti’s henchmen, hides his gun under his jacket and approaches a patron]

Angel: Excuse me, ma’am. You enjoying your meal?

Patron #1: Yes, the meal is all right but the wine could be a bit drier.

Angel: Well, I’m sorry to hear it. (takes out his gun and shoots her)

Patron #1: Ooo! (gently falls down dead on the table)

Restaraunt Owner: All right, all right! You win! I’ll have it by tomorrow.

Raoul Nitti: That’s much bettter. Listen, you mind if I use the telephone?

Restaraunt Owner: No problem. Here’s a nickel. (gives Nitti a nickel)

Raoul Nitti: Thank you very much. (goes to use the phone)

Angel: (approches a dining couple) Enjoying your meal.

Patrons #2 & #3: (talking over each other praising the meal)

Angel: I figure’d you’d like it. Heh heh.

Raoul Nitti: (talking on the phone) Hello, Lucy? How’s Little Nitti? That’s good. Listen, I want you to meet me in the warehouse in about a half an hour. And bring my machine gun with you. But bring the one with the real bullets. Don’t bring the one with the blanks, all right? Okay honey, I’ll see you then. (hangs up)

Walter Winchell (V/O): Meanwhile, across the street in the Westinghouse Building, Eliot Ness and his Untouchables maintain their vigil.

[Dissolve to Ness and Rico looking out a different window, this one decorated with flowery curtains. Ness is looking through binoculars]

Eliot Ness: Ah. I can see a Dutch freighter. Flying two, no, three flags. There’s a Russian oil tanker. (looks down) Well, Nitti hasn’t left the restaraunt yet.

[Cut to the inside of the building, a modern 1970’s kitchen. Lee and Youngblood are throwing magnetic oven mitts at the refridgerator]

Eliot Ness: Rico, this sure is a strange place. What did you say they called this place?

Rico: Said it was “The Kitchen Of The Future”.

Eliot Ness: Yeah…(looking around, then out the window) Lee! Rico! Youngblood! Looks like Nitti’s leaving. (Youngblood continues to throw the oven mitts) Youngblood, please! Stop playing with those oven mitts. We’re one step closer to tightening the noose around that rat’s neck.

Rico: Eliot, look! (they all go to the window) A fireboat.

Walter Winchell (V/O): At 6:09, Nitti was back at the warehouse. His female companion Lucy had just arrived bearing some bad news.

[In the warehouse, Lucy walks in carrying Nitti’s machine gun with a sad look on her face]

Raoul Nitti: Ahh, hello sweetheart. You remembered my maching gun, that’s nice of you dear. (notices Lucy’s sad look) What’s the matter with you? You look upset.

Lucy: Waaaaaaaahhh……

Raoul Nitti: What happened? Did you dent the car?

Lucy: Waaaaaaaahhh……

Raoul Nitti: Did the Capone people kidnap Little Nitti?

Lucy: Waaaaaaaahhh……

Raoul Nitti: WELL WHAT ARE YOU CRYING ABOUT???!!!

Lucy: They knocked off Fred and Ethel!

Raoul Nitti: (puts his gun down) It’s about time.

Walter Winchell (V/O): At that moment, Eliot Ness and his Untouchables were making their final stakeout in the medicine cabinet warehouse across the street from the Nitti hideaway.

[Back to the warehouse window, where Rico is looking through the binoculars]

Rico: Eliot, they’re making their move.

Eliot Ness: (looking around) Who, Nitti?

Rico: No, those two dames sunbathing on the roof.

Eliot Ness: (takes the binoculars) OK, men. It’s time to put the stopper on Mr. Nitti.

[Cut to the inside of the warehouse]

Eliot Ness: All right, I’ll go in there posing as that two-bit drug dealer we drilled last week. You guys come in from the rear. Let’s synchronize our watches.

[They all look down at their watches]

Eliot Ness: What time is it, anyhow?

Walter Winchell (V/O): The time was 6:16.

Eliot Ness: OK, 6:16. You guys give me three minutes, then come in.

[Eliot exits, leaving his Untouchables slightly confused]

Rico: Is that three minutes from now, when he left, or when he said it?

Lee: I don’t know. (pause) I don’t have a watch.

[Back in Nitti’s warehouse, Lucy is holding a machine gun and looking at a pair of congas]

Lucy: Do you still play these stupid drums?

Raoul Nitti: Nooo…that’s the way we smuggle the stuff in from the Cuba.

[Nitti breaks open the skin on one of the congas and pulls out a huge bag full of cocaine. Nitti and Lucy laugh, but then there is a knock on the door.]

Raoul Nitti: See who that is, will you?

[One of the henchmen opens the door, and Ness walks in wearing a large black beard]

Eliot Ness: Mr. Nitti, my name’s Peter Fonda. I believe you’re expecting me to pick up some illegal narcotics.

Raoul Nitti: No, no, I am not and I have never seen or heard of you before.

Eliot Ness: You haven’t?

Raoul Nitti: No.

Eliot Ness: Lee! Rico! Youngblood! You must have given me the wrong information!

Angel: Wait a minute, boss. This guy ain’t no drug dealer. He’s Eliot Ness!

[Angel goes over to Eliot and pulls off his beard]

Angel: He sent me up the river five years ago.

Raoul Nitti: Well now Mr. Ness, you are not only a stupid man. You are also a dead man! (to Lucy) Give me my gun, sweetheart.

Eliot Ness: Lee! Rico! Youngblood!

[The Untouchables don’t come to Eliot’s aide. Lucy hands Nitti his machine gun, and he fires an entire round of ammunition into Ness, but nothing happens]

Raoul Nitti: YOU GAVE ME THE ONE WITH THE BLANKS!!!

Lucy: Waaaaah…..

Walter Winchell (V/O): And little did Nitti realize that at that moment, the Untouchables were climbing the back stairs to get the jump on Nitti and his henchmen.

Raoul Nitti: You hear that boys? The lousy cops are coming the back way! Let ’em have it!

[Lee, Rico, and Youngblood rush in. Rico kills Lucy, and Lee and Youngblood kill Nitti’s henchmen]

Raoul Nitti: Lucy! Are you all right?

[Eliot takes out one of the bags of cocaine and tastes it]

Eliot Ness: This stuff’s as pure as it comes. Best I’ve ever tasted. Too bad it’s against the law.

Raoul Nitti: Well, that’s my own private stuff, you know? I’m going on a diet.

Eliot Ness: You’ll have plenty of time to diet where you’re going, Nitti.

Walter Winchell (V/O): Little did Nitti know that one month later, Nitti would escape federal agents…

Eliot Ness: Where’s that voice coming from? Lee, Rico, Youngblood, find that voice!

[Winchell continues talking as the Untouchables search the warehouse. After they clear away a stack of wooden crates, they find Walter Winchell sitting behind a desk, reading off a sheet of paper into an NBC microphone]

Walter Winchell: …arch enemy in a nursing home scandal that would rock the Jewish community. (abruptly stops when he sees Ness)

[Ness fires multiple shots into Winchell, who exclaims “Ah!” and “Oh!” each time. When he is done, Winchell goes back to the mic]

Walter Winchell: Walter Winchell was shot by federal officers. His condition is fatal. (collapses onto his desk)

[Dissolve back to the Untouchables title card. Applause, fade]

Submitted by: Dan Pascoe

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