Price & Waterhouse

Price & Waterhouse

Voice on Intercom…..Mary Gross
Waterhouse…..Jim Belushi
Price…..Tim Kazurinsky
Man…..Brad Hall
Woman…..Julia Louis-Dreyfus


[ open on interior, Price & Waterhouse’s private office; Waterhouse sits behind the desk, Price leans in from the front ]

[ intercom buzzes ]

Waterhouse: [ presses button ] Yes?

Intercom: Mr. Price? Mr. Waterhouse? They’re here.

Waterhouse: Thank you.

[ Waterhouse walks over to the vaulted door, works an upper combination lock, a lower combination lock, spins the handle and opens the vault door ]

[ a dark-suited, shaded, man handcuffed to a steel briefcase enters, followed by a security guard ]

Man: Mr. Price? Mr. Waterhouse?

Waterhouse: Yes?

Man: The final Academy Award tallies, gentlemen.

[ Waterhouse proceeds to release the handcuffs from the briefcase, as Price holds a Bible to the man’s right hand ]

Price: Do you solemnly swear that you have not seen the contents of this briefcase?

Man: I have not, sir.

Price: That’ll be all.

Man: Thank you.

[ man and security guard exit the office, as Waterhouse quickly locks it shut ]

Price: You got your half of the combination?

Waterhouse: Yes, I do.

Price: Okay, here’s mine.

[ they take out their respective halves of the combination – Waterhouse collects both and reads them off ]

Waterhouse: Okay. 6 left.. 9 right.. 4 left.

[ Price removes a pile of sheets, as Waterhouse collects a stack of envelopes ]

Price: Okay. I’ll read the winners, and you pick up the winning envelope, okay?

Waterhouse: Okay. Alright, what do we have for Best Movie?

Price: Best Movie? [ looks on the sheets ] “The Dresser.”

Waterhouse: [ with a look of distaste ] I hated that movie. I mean, really – I really hated that movie.

Price: So did I.

Waterhouse: You did?

Price: Yeah. All that, “Can I help with Sir’s bedpan?”

Waterhouse: Ugh, that was horrible! Well, I guess, Mr. Price, it’s up to us again this year to pick the final tally. [ looks through the sheets ] Alright, let’s see.. “The Right Stuff”? [ Price shakes his head ] Too long. “The Big Chill”? Nice soundtrack..

Price: But, uh, far too pretentious.

Waterhouse: Yes. “Tender Mercies”? That was good.

Price: Yes.

Waterhouse: I liked that one. That was a very, very nice film.. [ shuffles envelopes ] Whoop! “Terms of Endearment”!

Price: “Terms of Endearment.”

Waterhouse: That’s the winner, made me cry!

Price: Made me cry, too.

Waterhouse: Yep, love that Brooks. He did a very good job.

Price: Okay.

Waterhouse: Alright. What’s next, Mr. Price?

Price: Let’s see, uh.. how about Best Supporting Actor?

Waterhouse: Best Supporting Actor – who do they have?

Price: Sam Shephard.

Waterhouse: [ crinkles his nose ] He sucked.

Price: Are you crazy? Sam Shephard was the only cool thing in that movie. The guy is good!

Waterhouse: That’s right, that’s right. He’s good.. he’s good-looking, he’s a good actor, he’s a great playwright, and he’s sleeping with Jessica Lange.

Price: [ now miffed as well, rips Shephard’s envelope ] Show-off! Screw it, let’s go with uh, Nicholson!

Waterhouse: Nicholson, let’s go with Nicholson, definitely. He’s balding, he’s got a pot-belly – he’s a real man! That’s a real man!

Price: Yeah.

Waterhouse: Alright, what do we have next? Who do you like for Best Supporting Actress?

Price: Uh.. I don’t like none of them.

Waterhouse: Me, either. Pick one.

Price: [ throws stack in the air, and grabs one at random ] And the winner is.. Cher. So, Cher gets the Oscar.

Waterhouse: Wow.

Price: It’ll be the shortest guy she’s gone out with since Sonny!

Waterhouse: [ chuckles ] Alright, who gets the big one here – Best Actress?

Price: [ reads ] Meryl Streep.

Waterhouse: No!

Price: No?

Waterhouse: No, I’m not going to let this happen again. She won last year, and she didn’t even do a foreign accent this year. Forget it!

Price: Besides, she’s got no boobs.

Waterhouse: Yeah.

Price: Let’s see who’s got the biggest set of headlights!

Waterhouse: Alright, let’s see. [ reads ] Meryl Streep..

Together: No.

Waterhouse: Shirley MacLaine? Yeah.. but she’s old, but..

Price: It’s still a good performance..

Waterhouse: Julie Walters..

Price: No.

Waterhouse: No. Jane Alexander?

Price: No.

Together: Debra Winger!!

Waterhouse: Hey!

[ they each kiss Debra Winger’s envelope ]

Price: Alright, what’s next?

Waterhouse: What’s next, is Best Actor.

Price: [ holds up the Academy tallies ] Hey, this thing’s useless.

Waterhouse: We don’t need it. [ tosses the Academy tallies ]

Price: Okay.

Waterhouse: Alright, who do we got? We got Michael Caine..

Price: Michael Caine..

Waterhouse: Alright.

Price: Tom Conti..

Waterhouse: Alright.

Price: Tom Courtney..

Waterhouse: Alright.

Price: Albert Finney..

Waterhouse: Alright.

Price: Robert Duvall.

Waterhouse: Wait. That’s four Englishmen and one American.

Price: Those limeys think we’re going to give them an Oscar every year?

Waterhouse: Uh-uh. Uh-uh, that’s it – Duvall gets it.

Price: Alright. But, wait, wait, hold it – Duvall didn’t say nothing in that movie!

Waterhouse: Yes. I know, Mr. Price. But it’s how he said nothing that counts.

Price: Well.. I mean, if that’s the case, who says nothing better than anybody else?

Together: [ as it comes to them ] Clint Eastwood!

Waterhouse: Yeah.

Price: Absolutely.

Waterhouse: Let’s give it to him. Wait! He’s not even nominated.

Together: [ as it comes to them ] Write-in!

[ the intercom buzzes ]

Waterhouse: Yes?

Intercom: Mr. Price, Mr. Waterhouse.. they’re here.

Waterhouse: Right with you. [ opens the door to let in a woman carrying a briefcase ]

Woman: Mr. Price, Mr. Wasterhouse – the final tallies for the New York Primary are now officially in your hands. [ hands them the briefcase, and exits ]

Price: I like Mondale.

Waterhouse: I like Hart.

Price: Well.. I like Mondale.

Waterhouse: Hart!

Price: Let’s flip for it.

Waterhouse: Alright, heads for Hart.

[ Waterhouse flips the coin, as Price catches it and looks at it without affording Waterhouse a glance ]

Price: Mondale!

Waterhouse: Hey! You cheat! Give it to me!

Price: I did not cheat!

[ they scuffle after the coin, as they tumble off the set and into the audience ]

[ zoom out, fade ]

SNL Transcripts

SNL Transcripts: Michael Douglas: 04/07/84: MTV Music News



 Saturday Night Live Transcripts


  Season 9: Episode 16





83p: Michael Douglas / Deniece Williams

MTV Music News

Nina Blackwood …. Julia Louis-Dreyfus

[ Opens with the MTV “rocket” logo sequence. Zoom out to reveal it’s being played on a TV monitor behind MTV VJ Nina Blackwood. ]

Nina Blackwood: Aloha! This is Nina Blackwood. [ waits for the applause ] All right! Thank you! And I’ll be doing a special interview with a brand new band with a world premiere vid-e-o! But first, here’s some music news.

[ picture of John Cougar Mellencamp appears on the monitor ]

John Cougar Mellencamp has just announced that he is changin’ his name again. Me-OW! From now on he’s gonna be known as John Cougar Mellencamp Kahuna Walla Walla Niki Pooga Weenie! Okay!

[ picture of ZZ Top appears on the monitor ]

And following the success of our “Lost Weekend with Van Halen” contest, MTV has plans for a Lost Weekend with ZZ Top — All right! — where some lucky viewer gets to spend two wild days vacationing in one of the band’s beards. Fun.

[ the MTV “astronaut” logo appears on the monitor ]

That’s the music news! We’ll be back with a special interview and a world premiere video, right after somebody tries to sell you, something …

[ Fade to the “Foldger’s Crystals” commercial ]

Submitted by: G. Gomez

SNL Transcripts

SNL Transcripts: Michael Douglas: 04/07/84: The Garage Band



 Saturday Night Live Transcripts


  Season 9: Episode 16













83p: Michael Douglas / Deniece Williams

The Garage Band

Nina Blackwood …. Julia Louis-Dreyfus
Garage Band member #1 …. Brad Hall
Garage Band member #2 …. Jim Belushi
Garage Band member #3 …. Gary Kroeger
Agent (in video) …. Tim Kazurinsky
Chick (in video) …. Julia Louis-Dreyfus

[ Open on Nina Blackwood in the MTV studio. Sitting beside her are the three members of the Garage Band, excited to be on the program. ]

Nina Blackwood: Welcome back! I’m Nina Blackwood on MTV, your music station! I’m in the studio with the Garage Band and their world premiere vid-e-o! All right! Ahoy there boys, what’s happening?

Garage Band members: All right! All right!

Garage Band member #2: We are the Garage Band, and we are number ONE!

Garage Band member #1: We have ARRIVED! Yeah!

Garage Band member #2: Right!

Nina Blackwood: This is great! OWWWWWCH! I love to meet new bands, and you are hhhhhhhhh-HOT-ah!

Garage Band members: “Hhhhhhh-HOT!” [ they react in excitement ]

Nina Blackwood: Okay guys, what’s your record label?

[ The band becomes somewhat sheepish ]

Garage Band member #1: Well, we uh … we don’t exactly have a recording contract or anything. Yet! Yet.

Garage Band member #3: We got a great cover, though! [ displays the cover of their album, and they all make sure the viewer sees it ]

Garage Band members: [ pointing to the album cover ] Check this out! Look at the cover! All right! This is a GREAT cover!

Nina Blackwood: Oh, so now uh, so this is your first record?

[ Awkward pause ]

Garage Band member #3: Well, it will be when we cut it. [ the other two nod in agreement ]

Nina Blackwood: You mean, you guys haven’t cut an album yet?

Garage Band member #1: Well — twelve songs is a lot to write.

Garage Band member #2: An awful lot. — But we got a VIDEO!

Garage Band members: Yeah! All right! It’s good!

Nina Blackwood: All right! Cookin’! I cannot WAIT to see it! Let’s roll the tape. World premiere vid-e-o from the Garage Band!

[ The Garage Band members writhe in excitement as their video comes on ]

[ SUPER: “LOOK AT OUR VIDEO” / THE GARAGE BAND / NO RECORD LABEL, YET ]

[ The video begins with a shot of an old man washing the back of a 1957 Ford Fairlane 500 Convertible. He perks his ear up as he hears … ]

Garage Band member #1: [ off camera ] ONE! TWO! One two three …

[ The old man drops his sponge into the bucket on the first downbeat. Cut to a smoke-induced shot of all three Garage Band members in a garage, rocking out with an additional bassist and drummer, as their song begins to play. As the song plays, we cut three close-ups of each member]

Garage Band: [ singing ] Look at our video, video, video,
Plenty of close-ups to make us look good.

[ The three close-ups are then seen as part of the “Brady Bunch” split screen. Three women appear in the next shot, in white negliges, in front of a graffiti’d wall. ]

Garage Band: [ singing ] Look at our video, video, video.
Don’t like our music? Well, look at these chicks!

[ Cut to the band members in the garage, marching along to the song, holding records and throwing bundles of money, eventually reaching the three women. ]

Garage Band: [ singing ] We just want to sell records. (whoa-oh)
We just want to get rich.
We just want to sell records. (whoa-oh)
We just want to get chicks.

[ Cut to the band in a bedroom, excitedly answering a ringing telephone. The agent appears in the room beside them, lip syncing to the song. He is then found in a shower surrounded by women, when Garage Band member #3 closes the curtain. ]

Garage Band: [ singing ] Our agent called us this morning.
He said “You’ve gotta make a video, boys.
And if it’s good enough, you’ll be on MTV
And all the kids will start buying your noise.”

[ Cut to the band posing by the convertible, followed by a guitar lick from Garage Band member #1. ]

Garage Band: [ singing ] So we rented and camera and we stole this car,
And now it’s lights, cameras, action, guitars!

[ The two other members appear beside him. ]

Garage Band: [ singing ] So if you’re looking for us, we’ll be on MTV,
‘Cause we’re the number one video stars.So BUY IT!

[ They all pose for a picture as the words “BUY IT” flash on the screen, with $6.98 in the upper right corner, reflecting the record cover shown earlier. The frame spirals downward, and we cut to alternating shots from the same angle of the three members outside, showing slick dance moves, wearing ZZ Top beards. ]

Garage Band: [ rapping ] Roses are red, violets for grapes.
We borrowed money for a video tape.
We’re so cool. Check out this action.
We can all move like Michael Jackson.
Eeny, meeny, miney, moe.
How do you like our video?
We got the cameras, we got the dough,
We’ll show you all the video tricks we know!

[ Cut to the band in the garage, which flips upside down and turns different colors. ]

Garage Band: Like special effects …

[ Back to the chicks in a sexy pose; the guitar gives a wolf-whistle ]

Garage Band: And chicks!

[ Cut to a slow-motion shot of Garage Band member #3 combing his hair ]

Garage Band: Slow-mo!

[ Back to the chicks, who toss facial pads at the camera; the guitar gives a wolf-whistle ]

Garage Band: And chicks!

[ Cut to Garage Band member #1 posing by the convertible as the motor roars ]

Garage Band: CARS!!

[ Back to the chicks, who roll their eyes and blow their hair upwards. ]

Garage Band: And chicks!

[ The band members appear behind them, dressed as ZZ Top and playing guitars ]

Garage Band: Guitars!

[ Cut to a shot of baby chickens, with a “wah-wah” sound from the keyboard ]

Garage Band: And chicks!

[ Cut to a smoke-induced, silhouetted shot of Julia in chains, writhing as the Garage Band members wave their guitars around as weapons ]

Garage Band: Sex … and … VIOLENCE!!!

[ They all fall to the ground as she looks confused. Cut to Garage Band member #1 performing a guitar “lick” with his tongue, then throwing it through a wall of glass towards the camera ]

Garage Band: Guitars!

[ Cut to Garage Band member #2, holding a keytar, sustaining one note ]

Garage Band: Keyboards!

[ Cut to Garage Band member #3, who plays the saxophone for one brief off-key note ]

Garage Band: Sax!

[ Cut back to the garage, where a doctor examines all their mouths with a tongue depressor, as they all say “ahhh” in corresponding harmonies. Julia appears by them, giving a wink. ]

[ Cut to the band in another smoke-induced part of the garage, coming towards the camera and waving their instruments, with a brief strobe effect. ]

Garage Band: [ singing ] We just want to sell records. (whoa-oh)
We just want to get rich.
We just want to sell records. (whoa-oh)
We just want to get chicks.

[ The smoke starts to make them cough as it fills the garage ]

Garage Band: [ singing ] We just want to sell records. (whoa-oh)
We just want to get rich.
We just want to sell records. (whoa-oh)
We just want to get chicks.

[ Outside, Garage Band member #2 crawls on the concrete and encounters a tube with exhaust coming from it. It’s connected to the car we saw at the beginning. The old man disconnects it from the exhaust pipe. ]

Garage Band: [ singing ] We just want to sell records. (whoa-oh)
We just want to get rich.
We just want to sell records. (whoa-oh)
We just want to get chicks.

[ The old man gets into the driver’s seat of the car, which is now full of chicks. The frame freezes. ]

Garage Band: [ singing ] We just want to sell records. (whoa-oh)
We just want to get rich.
We just want to sell records. (whoa-oh)
We just want to get chicks.

[ SUPER: ” LOOK AT OUR VIDEO” / THE GARAGE BAND / If you know anybody in the record business, call us. ]

[ Back to the MTV studio. Nina Blackwood and the Garage Band react in excitement to what they just saw. ]

Nina Blackwood: All right! Okay!

Garage Band member #2: Dig all those chicks! Chicks are great!

Nina Blackwood: There you are! The Garage Band vid-e-o! Hhhhhhh-HOT-ah!

Garage Band members: “Hhhhhhh-HOT-ah!”

Nina Blackwood: I hope you boys have a lot of luck with it!

Garage Band member #1: No, no, wait, wait, wait, wait, there’s more! You still haven’t seen “The Making of the Garage Band Video!”

Garage Band member #2: Very good, very good.

Nina Blackwood: Okay, guys, maybe some other time.

Garage Band member #2: Wait a minute — maybe some other time — that sounds like a song.

Garage Band member #1: “Maybe Some Other Time”!

Garage Band member #2: One, two, three —

Garage Band member #1: [ starts making up a song on the spot with the other members ] Maybe some other time, (wait, wait) maybe some other time, (that’s it, that’s it) exchanging glances, maybe some other– we’ll work on it.

Garage Band member #2: We’re gonna work on that.

Garage Band member #3: We can write.

Nina Blackwood: Okay! All right! Well now, right now it is now time for somebody to come between you … and your allowance.

Garage Band member #1: [ whispers to camera, gives thumbs up as she talks ] The Garage Band. We’re the Garage Band.

Nina Blackwood: Until later, adios!

[ The MTV logo takes up the screen. Fade to black. ]

Submitted by: G. Gomez

SNL Transcripts

SNL Transcripts: Michael Douglas: 04/07/84: Foldgers Crystals



 Saturday Night Live Transcripts


  Season 9: Episode 16








83p: Michael Douglas / Deniece Williams

Foldgers Crystals

Patient #1 …. Mary Gross
Patient #2 …. Gary Kroeger

[ Open on Spokesman standing outside ]

Spokesman: We’re here at New York’s famous Metropolitan University Hospital, which treats patients from all over the world.

[ Cut to Spokesman inside the hospital, walking among nurses and doctors ]

Spokesman: Here in the hospital’s intensive care unit, the supply of blood can make the difference between life … and death.

[ Cut to Spokesman in a hospital room, next to a patient in bed ]

Spokesman: Today, we’re secretly replacing the fine blood these patients normally live on …

[ Cut to Spokesman holding up the product ]

Spokesman: … with Foldger’s Crystals.

[ Cut to a shot of the crystals being spooned and stirred in a coffee pot-shaped intravenous ]

Spokesman: Are dark, sparkling Foldger’s Crystals rich enough to keep these patients alive and well? Let’s watch.

[ Cut to a shot of the patient’s arm – the liquid in the IV tube turns from dark red to dark brown. Cut to Spokesman next to patient ]

Spokesman: How do you feel?

Patient #1: Fine, thank you.

Spokesman: Did you know that we’ve replaced all of your blood with Foldger’s Crystals?

Patient #1: In instant?

Spokesman: That’s right.

Patient #1: I can’t believe it. I feel great. I’m full of Foldger’s Crystals, really?

Spokesman: Yes, and so are all the other patients in this intensive care unit. How do you all feel?

[ The other patients show reactions of approval ]

Other patients: Great! Terrific! Pretty good! Thumbs up!

[ Cut to Spokesman holding up the product again ]

Spokesman: Foldger’s Crystals. A coffee rich enough to replace human blood.

[ Fade to black ]

Submitted by: G. Gomez

SNL Transcripts

SNL Transcripts: Michael Douglas: 04/07/84


Air Date:

Host:

Musical Guest:

Special Guests:

April 7th, 1984

Michael Douglas

Deniece Williams

Kenny Loggins

  • American Express Traveller’s Script

  • Michael Douglas’ Monologue

  • MTV Music News

  • Foldgers Crystals

  • The Garage Band video “Look At Our Video”

  • Price & Waterhouse

  • 4 Ninutes to Live

  • Annie Audition

  • Deniece Williams performs “Let’s Hear It For The Boy”

  • Saturday Night News with Michael Douglas

    Recurring Characters: Wayne Huevos.

  • “Footless”

  • Personal Soundtrack

  • Debate Bloopers

  • “Sugar or Plain”

  • Deniece Williams performs “Wrapped Up”

  • Sleepy Boy 2000

    (Repeat) See: 02/19/83.

    SNL Transcripts

  • | Time Warner Cable |Cable TV Providers |Charter Cable

    Winston University

    Winston University

    Teacher … Robin Duke
    Mr. York … Billy Crystal
    Roger … Jim Belushi
    1st Student … Gary Kroeger
    2nd Student … Tim Kazurinsky
    3rd Student … Julia Louis-Dreyfus
    Sleeping Student … Brad Hall


    [High school classroom. CLASS OF ’84 COLLEGE DAY iswritten on the chalkboard. The students chatternoisily as the teacher brings the class toorder.]

    Teacher: Okay! Students! Students, could wehave quiet, please? Students! Students, this is Mr.York. He’s from Winston University.

    [The teacher sits as the wimpy, bespectacled collegerecruiter Mr. York stands at the front of the room infront of an easel displaying a large card with a colorphoto of the campus and struggles through a weak salespitch.]

    Mr. York: Thank you. [hesitantly, to the class]Hi. Um, Winston University is a four-year liberal artsinstitution which is located just thirty-five mileswest of Boulder, Colorado. Uh, you kids like to ski?

    [The apathetic students pay little attention to any ofthis. Someone responds unenthusiastically.]

    Mr. York: No? ‘Kay. [next card shows a photo ofa science building] Uh, this is the sciencebuilding. And we’ve got excellent laboratoryfacilities on campus, very modern equipment. Is, uh,anyone here interested in science? [long pause,no response] No?

    [Suddenly, a jock named Roger, wearing football shirtand sunglasses, speaks up.]

    Roger: Yeah.

    Mr. York: You?

    Roger: Yeah. I – I’m interested in, uh,aerodynamics. Look! [throws a paper airplane and makesloud noises, imitating a screaming fighter jetshooting exploding missiles, etc. He and the otherstudents laugh.]

    Teacher: [rises, sternly] Roger! Roger, behaveyourself! Turn– Roger, turn around! [chastises theclass] Now, you people are seniors now! This CollegeDay is for your benefit! You only have two moreyears to decide about your future — so I suggest thatyou pay attention. [returning to her seat] Go ahead,Mr. York.

    Mr. York: Thank you. [points to the sciencebuilding photo] Uh, this is the main quad. [realizeshe’s got the wrong card, reveals the next card with aphoto of the quad] Uh, er, right, uh, here.There’s the main quad. Heh. It’s been a whilesince I been on the campus. Eh, this is the main quad.This is where most of the freshman dormitories are.Uh, now, if – if you’re a freshman there, you – you’rerequired to use the dorms for the freshman year.[students groan] Oh, you’ll like them, they’re verynice. [suddenly clutching his head in pain] Oh, excuseme. Ohhh. Oooh.

    Teacher: [rises] Mister – Mister York, are youall right?

    Mr. York: I – I’m – I’m sorry. I have aterrible headache. Do you have any aspirin?

    Teacher: Oh, yes, there’s some up in theteachers’ lounge.

    Mr. York: Thank you.

    Teacher: I’ll go get some.

    Mr. York: Thank you very much.

    Teacher: [heads to the door, admonishes theclass] Now, you kids behave yourself. [studentsgrumble reluctant agreement] I’ll be rightback.

    [The teacher exits out the door. Mr. York, who hasfaked his headache in order to get the teacher out ofthe room, cautiously hurries to the door and shuts itafter her.]

    Mr. York: [urgently, to the students] How longwill it take her to get back here? [whips off hiseyeglasses] HOW LONG, DAMN IT?! [the students jump insurprise]

    1st Student: I don’t know — about threeminutes.

    Mr. York: Okay. [slaps a sleeping student] WAKEUP! LET’S GO! [hauls the student out of his chair andpoints to the nearby window] CLOSE THOSE BLINDS! LET’SGO! [jerks a thumb at the remaining two windows] CLOSETHOSE BLINDS! LET’S GO! [two students jump up and allblinds are closed as York rushes to the front of theroom and whips off his jacket] Let’s get this thingstarted.

    Okay, SIT DOWN! [everyone sits, their attentionriveted on the intense York who speaks rapidly butclearly] Now, listen carefully, I’m about to tell yousomething. It’s a secret. And if this secret everleaves this classroom, I will find you – and I willkill you. … [the students look at each other dumbly]Do you understand? Here’s how it works!

    [reveals the next card on the easel – an illustrationof a stack of cash split evenly between YOU andUNIVERSITY] Your parents cough up twelve thousanddollars a year to send you to Winston University,right? We split it right down the middle! … Sixthousand for you, six thousand for us. For four years,that’s twenty-four thousand dollars. Got it?

    [the students murmur enthusiastic agreement – nextcard shows an illustration of a campus full of falsebuilding fronts] All right, this is the campus. All ofthe buildings on campus? FAKE! … [points to the onereal building] This building is the dormitory. That’swhat we use it for on only one day of the year –Visiting Day, April 12th. We don’t care what you dowith the money, we don’t care where you go — but youmust be back on campus Visiting Day, April 12th. …If you’re not back on campus Visiting Day, April 12th,we will find you and we will kill you. …

    [students murmur, impressed, “Cool!” – next card is areproduction of a diploma] This is your diploma. Youwill be handed your diploma when you first arrive oncampus but you are NOT to show it to anybody for fouryears. … If you show your diploma to somebody withinthe four-year period, we will find you and we willkill you. …

    2nd Student: [nerdy guy in sweater andeyeglasses] Eh, eh, eh, excuse me. But – what aboutour education? What about learning? [Roger thejock smacks him in the back of the head with a book]… I – I’m sorry. Go on.

    Mr. York: Thank you. [next card shows a collegetranscript] Your grade point average will be athree-point-eight! Congratulations! [students cheerand applaud – next card shows photos of a telephoneoperator and U.S. MAIL bags] We have operators on dutyto – to forward all your phone calls. We will beforwarding your mail. Now–

    3rd Student: Wait a minute. Can we really getaway with this?

    Mr. York: [next card shows a photo of a massivecrowd of people on a green lawn] Last year, WinstonUniversity had a graduating class of fifty-ninethousand. … No books, no tests, no classes! Justtwenty-four thousand dollars and four years to spendit in! Winston University! Remember our motto — [nextcard reads:] “You Tell Anyone and We’ll KillYou.”

    [Students cheer and applaud as the teacher returnswith a bottle of aspirin. She is shocked at thestudents enthusiasm. York quickly hides thecards.]

    Mr. York: What’s the best college in theworld?!

    Students: [shouting with enthusiasm] WinstonUniversity!

    Mr. York: And where ya gonna spend your nextfour years?!

    Students: [shouting with enthusiasm] WinstonUniversity!

    Mr. York: Okay, thank you! Take someapplications on the way out.

    [York hands out applications as the students excitedlyrush up, grab them and exit the classroom.]

    Mr. York: Thank you very much. Nice seeing you.Right, bye. Bye-bye.

    [The teacher watches in amazement as the studentsdepart. York gathers up his cards and starts to put onhis jacket.]

    Teacher: [offers York the aspirin bottle] Oh,here you go.

    Mr. York: Oh, oh, oh, thanks but, uh, I’mfeeling much better now.

    Teacher: Well, I have never seen my students soenthusiastic.

    Mr. York: Well–

    Teacher: You must be a terrificsalesman.

    Mr. York: Yeah, but the school really sellsitself.

    Teacher: Well, I can imagine.

    Mr. York: [chuckles]

    Teacher: You know, a lot of the faculty hereare graduates of Winston University. …

    Mr. York: [quickly] Oh, really? Well, I’ve gotto go. Thank you very much. Bye. Nice talking to you.Bye. [hurriedly exits with his cards]

    Teacher: [waves good-bye, talks to herself,thoughtful] No one ever seems to talk about it muchthough. Hmm.

    [Applause as the teacher goes to chalkboard and startsto erase it. Dissolve and pull back to a wider view ofthe classroom set surrounded by cameras, lights,microphones, and the applauding Studio 8Haudience.]

    Submitted Anonymously

    SNL Transcripts

    Billy Crystal’s SNL Story

    Billy Crystal’s SNL Story

    … Billy Crystal
    … Dave Wilson


    [Applause for host Billy Crystal who stands in frontof a fancy backdrop labeled “MUSIC HALL” and addressesthe camera.]

    Billy Crystal: Thank you. I– [waits forapplause to end] I am, uh, especially thrilled to bethe host of Saturday Night Live tonight. This is showthree-seventy. Three hundred and seventy shows. I waspart of – the first show. You may not have–[scattered applause] But you didn’t see me. … Andthat is what this story’s quickly about.

    You know, when you’re doing something new– This was1975 and I was a new comic. I was “Bill” Crystal then– I was too hip for the “Y” and– … There was thisexciting show called Saturday Night Live and we werehere and I was part of the first show. The guest hostwas George Carlin and there was Andy Kaufman, ValriBromfield who’s on “The New Show,” Billy Preston,Janis Ian and it was great. And that cast who youloved.

    Now, things happen when you do a show — especially ashow like this and you see how crazy we are — thingsmovin’, things gettin’ cut, “Is this gonna work?That’s gonna work?,” the show was different in dressrehearsal than it is now and stuff. I was part ofthat. A piece of material I did was too long for theshow — and I got bumped. I wasn’t on the first show.I walked out those doors there. [points] Had to callmy relatives, which was the worst. [imitating oldJewish man on the phone] “What do you mean?! What didyou do?! Did you get FIRED?!” …

    So now I want to do for you the piece of material Ididn’t get a chance to do nine years ago. Okay?[applause] So–

    Voice of director Dave Wilson: Billy, Billy,Billy!

    Billy Crystal: [looks up] What? What?

    Voice of director Dave Wilson: I’m sorry,Billy, you won’t be able to do it. We’re out oftime.

    Billy Crystal: [annoyed and disappointed]Ohhhh. [apologetic, to the camera] I’ll see you inanother nine years. [to the director] That’s not fair,Dave! That’s not fair!

    [Applause as we dissolve to a bumper photo of Crystal,his hand to his face with one eye peeking out betweenhis spread fingers.]

    Submitted Anonymously

    SNL Transcripts

    SNL Transcripts: Billy Crystal: 03/17/84: Bad Career Moves



     Saturday Night Live Transcripts


      Season 9: Episode 15



    83o: Billy Crystal / Al Jarreau

    Bad Career Moves

    Fred Kaz…..Jim Belushi
    Hervé Villechaize…..Billy Crystal

    [ open on title card ]

    [ dissolve onto the set ]

    Fred Kaz: Good evening. I’m Fred Kaz, and welcome to “Bad Career Moves.” The show that features people from all walks of life who’ve made diastrous career choices. Won’t you please welcome this week’s guest – Hervé Villechaize.

    [ camera pulls out to reveal the tiny Hervé Villechaize sitting in the chair with his legs full across the cushion ]

    Hervé Villechaize: Good to see you, Fred. Very nice to see you.

    Fred Kaz: Well. It’s very, uh – it’s very nice to see, uh – it’s very nice to see anybody after that last career move you made.

    Hervé Villechaize: Yes, yes, I – it has been a very strange time for me, but, uh —

    Fred Kaz: So, how have you been?

    Hervé Villechaize: I’ve been very good, thank you very much. I, uh, try to keep in shape. You know, I run a great deal.

    Fred Kaz: Mmm-hmm. How much?

    Hervé Villechaize: I’m up to 300, uh – 350 feet a day. Sometimes, you know, I get a second wind and I can go another 100, 150 feet.

    Fred Kaz: Yeah.

    Hervé Villechaize: You break into what you call the runner’s exhilarated high. It’s very exhilarating to me.

    Fred Kaz: Yeah. Yeah. Okay. So, listen, uh – you gotta be a nut to quit “Fantasy Island.” Whatever possessed you?

    Hervé Villechaize: Well, uh, I felt they were not developing the character of Tattoo as a human being.

    Fred Kaz: Yeah. Sure. Like the audience really cared. I mean, uh, Hervé, all you really had to do was point to the plane and say, “Da plane, Boss! Da plane! Da plane!” And you get to go home with a big sack of money.

    Hervé Villechaize: Well, you don’t understand. I wanted to grow as an actor. Uh, I wanted to stretch.

    Fred Kaz: Oh, stop it!

    Hervé Villechaize: In fact, I always got a feeling on the set that Ricardo Montalban – who I had most of my scenes with – he was, like, looking down on me! And the food, at lunch, was always too big for me to handle. So, in the end, uh.. well, it came down, like it does in this business very often, to money. I wanted to get paid what I felt an actor of my status should be paid.

    Fred Kaz: Yeah? Well, how much was that?

    Hervé Villechaize: $75,000 a week.

    Fred Kaz: What? Tom Selleck only gets fifty grand a week!

    Hervé Villechaize: So? I felt that ws what I was worth, and I quit!

    Fred Kaz: So, that’s riduculous! That’s $25,000 a foot!

    Hervé Villechaize: Well —

    Fred Kaz: It was a bad career move. It was a bad career move. So, what are you working on now?

    Hervé Villechaize: I’m doing a little dinner theater. Uh, it’s an all-dwarf production of “Death of a Salesman.” We’re at the Rama Rama Dinner Theater, just outside Chula Vista. Just take I-90 to 106, get off at the Chimichango exit, adn we’re just opposite Carpet World.

    Fred Kaz: Death of a Salesman”?

    Hervé Villechaize: Oh yes, it’s a great play, and I play the classic role of Willy Loman. The play – the play – is very good. [ no audience response ] The play – the play – is very good. [ audience laughs ] But the food is very good.

    Fred Kaz: Yeah. Well, thanks, Hervé. You were a real idiot to quit “Fantasy Island.”

    Hervé Villechaize: Thank you.

    Fred Kaz: Anywho – join us next week on “Bad Career Moves”, when our guests – host – guest – will be Suzanne Somers. So long.

    [ fade ]

    SNL Transcripts

    SNL Transcripts: Billy Crystal: 03/17/84



     Saturday Night Live Transcripts


      Season 9: Episode 15


    This free script provided by http://javascriptkit.com]]>






    Air Date:

    Host:

    Musical Guest:

    Special Guests:

    Cameos:


    February 25th, 1984

    Billy Crystal

    Al Jarreau

    None

    Andy Breckman

    Ed Koch

    Clint Smith

    Yvonne Hudson
    St. Patrick’s Day Wrap-UpSummary: A confused Siobhan Cahill (Mary Gross) reports from a Purim celebration instead of the St. Patrick’s Day celebration she’d intended.

    Recurring Characters: Siobhan Cahill, Father Timothy Owens.

    Montage

    Bill Crystal’s MonologueSummary: Billy Crystal performs stand-up about dating as a teenager.

    Hung Like MeRecurring Characters: Pee Wee Herman.

    Winston UniversitySummary: The recruiter (Billy Crystal) for Winston University lets a high school class in on a secret, but, if they tell anyone about it, he will track them down and kill them.

    Transcript

    Family in the AtticSummary: A Swiss couple (Tim Kazurinsky, Robin Duke) suddenly remember that they never set a group of WWII refugees free after the war ended.

    Note: This sketch was pre-filmed to accomodate Eddie Murphy’s movie schedule.

    Sammy & ronald ReaganSummary: President Ronald Reagan (Joe Piscopo) asks Sammy Davis, Jr. (Billy Crystal) to publicly hug his opponents as a measure to guarantee his re-election.

    Recurring Characters: President Ronald Reagan, Sammy Davis, Jr.

    Unanswered Questions of the UniverseRecurring Characters: Havnagootiim Vishnuuerheer.

    Bad Career MovesSummary: Fred Kaz (Jim Belushi) interviews Hervé Villechaize (Billy Crystal), who recently quit “Fantasy Island” in pursuit of more money.

    Transcript

    Saturday Night NewsSummary: Recurring Characters: Fernando.

    Al Jarreau performs “Mornin'”

    God’s PlaceRecurring Characters: John F. Kennedy, Babe Ruth, Charlie Chaplin.

    The Womb

    Al Jarreau performs “Trouble in Paradise”

    Billy Crystal’s SNL StorySummary: Billy Crystal tells the audience about his stand-up performance that was cut from the very first of episode of “Saturday Night Live”, but time runs out once more before he can perform it.

    Transcript

    GoodnightsTranscript

    SNL Transcripts