SNL Transcripts: Ray Sharkey: 01/10/81: Eddie Murphy Stand-Up


 Saturday Night Live Transcripts


  Season 6: Episode 6






80f: Ray Sharkey / Jack Bruce & Friends

Eddie Murphy Stand-Up

…..Eddie Murphy

Eddie Murphy: How you doing? I’m Eddie Murphy. Anybody in the audience ever — [ the audience applauds enthusiastically ] Thank you! Thank you. [ the audience calms down ] How many people in the audience have seen Black people fight before? [ the audience cheers enthusiastically ] For those of you who haven’t, I’ll show you what it’s like:

[ Eddie turns his head and falls into character ]

“What did you say to me, man? What? Now, wait a second! Now, be cool, man! Me and you gonna talk!” [ looks to his side ] “Little Dude, did you hear what he said about my Momma? The dude said my Momma got a wooden leg with a kickstand! Now, my momma leg ain’t got no kickstand on it, man! It’s just a regular wooden leg! Don’t you be exaggeratin’ about my Momma, man!”

[ Eddie looks around himself ]

“He said WHAT?! Your Momma got a wooden leg with a KICKSTAND on it?! You crazy man! You should whip his behind, man! Whip it, what, just like that record sing! Whip it! Whip it good! Put your FOOT in his BUTT! Keep it in there for a little while!”

“Hey, be cool, little dude! I’m gonna say something about HIS Momma! Say, man! [ to the little dude ] Listen to this here. Say, man! YOUR Momma… got some MOUTH in the back of her NECK! And the bitch chew like THIS!” [ Eddie stretches his arms out and swings his head up and down ] “Hear what I say about his Momma, little dude?”

[ laughing, as Little Dude: ] “Momma got a mouth on the back of her neck and chew like!” [ imitates the motion ] “I can’t breathe! I can’t breathe! Oh! Oh! Whip his butt! Don’t be changin’ the subject, you gettin’ your behind WHIPPED! Believe me!” [ does a double take ] “Say, man — put that gun away! Whatchoo gonna do with that gun, shoot somebody? Well, then, SHOOT HIM! Go ahead, shoot him! He’s messing with you, not me! Shoot him!”

“That’s right, man! Shoot me, if you gonna shoot somebody!”

[ Eddie makes a popping sound, then looks down at little dude and smiles ]

“Nice shot, man!” Thank you!

[ the audience applauds ]

Eddie Murphy: Once again — here is Jack Bruce & Friends!

SNL Transcripts

SNL Transcripts: Ray Sharkey: 01/10/81: Citizens For A Better America


 Saturday Night Live Transcripts


  Season 6: Episode 6




80f: Ray Sharkey / Jack Bruce & Friends

Citizens For A Better America

Dr. Swen Gazzara…..Gilbert Gottfried

[ open on Dr. Swen Gazzara, Exec. Dir., Citizens For A Better America, seated at desk ]

Dr. Swen Gazzara: THe other day, I said it’s about time I bought myself an enema. So I went to my local Rexall’s and bought an enema. Later that night, using it under normal conditions, it clogged. It was then that the old expression “They don’t make ’em like they used to” hit me. Why does this country produce such shoddy goods? Why? Because Americans have lost faith and pride in their work. Everyone wants a glamour position. The american people are not satisfied with routine employment. They resent having boring, tedious, subservient, just plain and humdrum jobs. Let’s refer to them here and out as… “hum” jobs.

I come from a humble working class family. My father had a “hum” job. My mother had a “hum” job. And me? — I’ve had several “hum” jobs. For every corporate leader and every prestigious, high-paid executive, there are many workers underneath them performing thw “hum” jobs. [ an audience member “Whoo”s ]

So come on, America, let’s put pride back in our work, no matter how meager. Let’s say: “Mr. President, give me a job digging ditches! Give me a job mopping floors! Give me a job selling newspapers! Mr. President… give me a “hum” job!”

[ dissolve to “PUBLIC SERVICE ANNOUNCEMENT” card ]

Announcer: This has been a Public Service message.

[ fade ]

SNL Transcripts

SNL Transcripts: Ray Sharkey: 01/10/81: Ray Sharkey’s Monologue


 Saturday Night Live Transcripts


  Season 6: Episode 6






80f: Ray Sharkey / Jack Bruce & Friends

Ray Sharkey’s Monologue

…..Ray Sharkey

Announcer: Ladies and gentlemen — Ray Sharkey!

[ Sharkey runs out, does a pratfall and lands seated on the floor, then jumps to his feet ]

Ray Sharkey: ALRIGHT!! [ he blows kisses to the audience ] Hi, everybody! 20 million people out there — I LOVE YOU!!

Voice from the Audience: We do, too!

Ray Sharkey: [ he shrugs ] That’s my mother, it’s okay. [ the audience laughs ] It really is! It really is my mother! Back in New York, man! This is it, I gotta tell you. This is the greatest [ mouths: “fuckin'” ] city in the whole world! [ the audience cheers ] Alright! When I got here, they said to me the irst thing I gotta do is come out and, uh, you know, say a few words… I said, “Great!” Hey — a monologue! I always wanted to do a monologue, you know? Those laughs… tell some jokes… a little stand-up routine. So, a little later on, I’m gonna tell some jokes and stuff, and I may need a little help from the audience out there. You guys are my friends — right?

[ the audience cheers enthusiastically ]

Okay! That’s later! But I gotta tell you about my trip coming into town — in one minute. I go through this whole thing. I got off the plane, right? I fly from Los Angeles to New York — a distance of about… 3,000 miles, right? It took five hours, okay? To get my bags from the plane to the car — 300 feet — it takes me about SIX hours! Fuhgeddaboudit! So I get in the cab, I get on the freeway — oh, they call ’em “highways” here, sorry about that! — and I look and I see the 59th Street Bridge, and I know I’m home. You know? I mean, it’s like what a feeling. Ugh! The worst thing about it — I took this flight, it’s called a Redeye. Anybody take the Redeye? [ the audience cheers ] Fuhgeddaboudit! I mean, everybody walks on the plane looking so beautiful… the next day, it’s like, fuhgeddaboudit! I sat next to this woman, she was the most beautiful woman in the world. In the morning, she wakes up, she looks like… ugh! Fuhgeddaboudit! We broke up — I didn’t even sleep with her! It was terrible. When I got to the city, I got so depressed, you know? I was driving in the car, and this BLIZZARD was comin’ down! Fuhgeddaboudit! And it snows… there’s a beautiful white blanket. I’m depressed and then, wait a minute, man… underneath this white blanket is the greasy, gray film and dirt of New York. This is, this is my home, and I love it! I’m glad to be back!

[ the audience applauds enthusiastically ]

And about those jokes, you know what? I’m not supposed to do this, but I’m gonna do it! Forget about the jokes! I’m here to have a good time, and we’re ALL here to have a good time! We’ve got a GREAT show! Hang on, we’ll be right back! ENJOY YOURSELVES!!

SNL Transcripts

SNL Transcripts: Ray Sharkey: 01/10/81: To Tell the Truth


 Saturday Night Live Transcripts


  Season 6: Episode 6












80f: Ray Sharkey / Jack Bruce & Friends

To Tell the Truth

Number One…..Matthew Laurance
Number Two…..Charles Rocket
Number Three…..Eddie Murphy

[ open on silhouettes of three men ]

[ camera zooms in on first man as his face is lit ]

Announcer: Number One: What is YOUR name, please?

Number One: My name is… Jimmy “The Weasel” Fratianno.

Announcer: Number Two?

Number Two: My name is Jimmy “The Weasel” Fratianno.

Announcer: And Number Three?

Number Three: My name is Jimmy “The Weasel” Fratianno!

Announcer: [ reading ] “I, Jimmy “The Weasel” Fratianno, was once one of the highest members of the Mafia. I have personally murdered many people, some of them close friends. When I learned there was a contract out on my life, I decided to turn government conformant. Since then, I have become responsible for the convictions of Teamster officials in San Francisco, and Mafia bosses in Los Angeles and New York. In addition, my testimony has led to a grand jury investigation of Frank Sinatra’s alleged ties with convicted mobsters. At this moment, the Mafia is OUT to get me, and my life isn’t worth a plug nickel.”

Now! Will the REAL Jimmy “The Weasel” Fratianno… please step forward?

[ the three men make half-hearted attempts to step forward and back in an effort to tease the audience, until Number One finally steps forward to reveal his true identity ]

[ the audience applauds ]

[ Number Two whips out a pistol and shoots Jimmy “The Weasel” Fratianno in the back of the head ]

[ as Fratianno drops dead, Number Three looks at Number Two with grave concern ]

[ Number Two wraps his arm around Number Three’s neck and points his gun at his face ]

Number Three: [ panicked ] “LIVE FROM NEW YORK, IT’S SATURDAY NIGHT!!”

SNL Transcripts

SNL Transcripts: Karen Black: 01/17/81


 Saturday Night Live Transcripts


  Season 6: Episode 7


This free script provided by http://javascriptkit.com]]>






Air Date:

Host:

Musical Guest:



Special Guests:

Cameos:





Bit Players:

January 17th, 1981

Karen Black

Cheap Trick

Stanley Clarke Trio

None

Bill Martin

Michael Nesmith

Rich Schmaltz

Pete Fatovich

Jeannine Kerwin
Carters Leave the White HouseSummary: On Inauguration Day, Rosalynn Carter (Ann Risley) instructs Jimmy (Joe Piscopo) and Amy (Denny Dillon) to strip the White House bare before the Reagans move in.

Recurring Characters: Jimmy Carter, Rosalynn Carter, Amy Carter.

Transcript

Montage

Karen Black’s MonologueSummary: Karen Black will say absolutely anything to garner cheap audience applause.

Also Hosted: 76d.

Transcript

The Legendary ComposersSummary: Spokesman (Charles Rocket) pitches an album containing the classical origins of today’s hottest hits.

Foundation For The Tragically HipSummary: In a clip from “Elephant Parts”, spokesman (Bill Martin) for the Foundation For The Tragically Hip solicits financial donations to help spoiled rich kids survive in a material-based mindset.

The LivelysSummary: Game show host Phil Lively (Charles Rocket) and his lovely wife, Francis (Gail Matthius), invite their new neighbors (Gilbert Gottfried, Denny Dillon) over for dinner and a quiz show-style interrogation.

Recurring Characters: Phil Lively, Francis Lively.

Reagan’s Vice PresidentSummary: At Frank Sinatra’s (Joe Piscopo) request, President Ronald Reagan (Charles Rocket) appoints wife, Nancy (Gail Matthius), as his Vice-President.

Recurring Characters: President Ronald Reagan, Frank Sinatra, Nancy Reagan.

Transcript

The Rocket ReportSummary: Charles Rocket rides along as New York City’s daredevil cab driver, Rich Schmaltz, cuts through traffic at a red light.

Transcript

Mona Lisa in LoveSummary: A museum security guard (Charles Rocket) tells the Mona Lisa (Karen Black) he wants to break up.

Transcript

Cheap Trick performs “Baby Loves to Rock”

Weekend Update with Charles Rocket & Gail MatthiusSummary: Mary Lou James (Ann Risley) provides dieting tips for stupid dieters. The stock footage of “Rush to the Sunbelt!” documents the migration to the midwest. Joe Piscopo contradicts his stance on the scalping of Super Bowl XV tickets by trying to unload his own pair for a profit.

Transcript

60 MinutesSummary: Dan Rather (Joe Piscopo) offsets an investigation into the mysterious lack of women journalists at CBS.

Recurring Characters: Dan Rather.

Transcript

Stroke VictimSummary: A stroke victim (Gilbert Gottfried) is unable to communicate with the chatty visitors in his hospital room.

Fair Dinkum Championship FinalsSummary: Sports Reporter Joe Piscopo is on the scene at the championship Fair Dinkum Finals between manly Scottish athletes (Charles Rocket, Matthew Laurance).

Neighbor ConfrontationSummary: The woman next door (Yvonne Hudson) complains to her neighbor (Eddie Murphy) about the noise coming from his stereo.

Transcript

Paulie Herman at the DinerSummary: Jersey Guy Paulie Herman (Joe Piscopo) and his newfound lunch companion (Karen Black) channel their inner Jack Nicholson while trying to order a simple piece of wheat toast at a roadside diner.

Recurring Characters: Paulie Herman.

Transcript

Cheap Trick performs “Can’t Stop It But I’m Gonna Try”

Saturday Night Live Action DollsSummary: Charles Rocket demonstrates how much fun it is to play with the cast action dolls.

Transcript

What’s It All About?Summary: Karen Black can’t keep up with the changing subjects discussed by hosts Pinky (Denny Dillon) and Leo Waxman (Gilbert Gottfried).

Recurring Characters: Pinkie Waxman, Leo Waxman.

National Handgun AssociationSummary: Proving the adage that “People that kill people, not guns”, A mugger (Matthew Laurance) uses a black man (Eddie Murphy) to rob a pair of innocent victims (Joe Piscopo, Ann Risley).

Transcript

Stanley Clarke Trio performs “Wild Dog”

GoodnightsTranscript

SNL Transcripts

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SNL Transcripts: Elliot Gould: 11/15/80: Weekend Update with Charles Rocket


 Saturday Night Live Transcripts


  Season 6: Episode 1








80a: Elliot Gould / Kid Creole & The Coconuts

Weekend Update with Charles Rocket

…..Charles Rocket
…..Gail Matthius
John Anderson…..Joe Piscopo
Barry Grosscup…..Gilbert Gottfried

[ open on Charles Rocket seated behind the revamped Weekend Update set, nonchalantly scribbling notes on his news sheets ]

Announcer: And now it’s time for Weekend Update, with anchorman Charlie Rocket.

Charles Rocket: Good evening. I’m Charles Rocket.. with Weekend Update.

Like most American men, Ronald Reagan spent this afternoon at home, watching the Notre Dame-Alabama football game. Unwilling to offend either his Irish-Catholic or his Southern Baptist supporters, Reagan remained steadfastly neutral, and would say only that he was grateful “no white player had been injured.”

Late tonight, President-Elect Reagan announced that he intends to keep at least one of his campaign promises, and will appoint a black to his cabinet. The new administration’s Secretary of Defense is to be Shirley Temple Black.

In a bold move to bolster the sagging economy, Reagan also announced that he intends to abolish the Federal Department of Education. Reagan claims the strategy will aid millions of out-of-work Americans with college degrees, who can now be put to work reading conservative books and magazines aloud to a generation of younger, illiterate citizens.

Charles Rocket: [ holds his hand to his ear ] Apparently, Im’ receiving some word — yes, there seems to be some commotion outside the White House. Uh, we take you now to Washington for a live report from Gail Matthius. [ turns to reveal Gail on the monitor behind his left shoulder ] Gail?

[ show Gail Matthius standing outside the White House, as John Anderson paces behind her ]

Gail Matthius: There is indeed some commotion here outside the White Huose gate, Charlie, as defeated Presidential candidate, John Anderson, is standing hre with what appears to be a suitcase.

John Anderson: Iiiiii don’t understand it. Obviously, the gate is not functioning properly. It must be some sort of snafu – yes, that’s what it is, it’s a SNAFU! [ waves to someone or something off-camera ]

Gail Matthius: [ pulls a woman with Anderson toward her ] Uh – what exactly is going on here?

Woman: Uh, could you lower your voice, please? It’s just that, uh – what’s going on is that we haven’t gotten around to telling Mr. Anderson the election results.

Gail Matthius: Oh. Oh, you mean he thinks he’s —

Woman: Shhh. That’s right – he doesn’t know that he lost.

Gail Matthius: Didn’t he watch the elections?

Woman: Well, uh – he siad he was sure the American people would elect the right man, and.. then he went to bed. [shrugs her shoulders ]

Gail Matthius: Well, this is terrible, uh, something has to be done. someone has to tell him.

Woman: Well, you like disasters – you tell him!

Gail Matthius: [ considers the challenge for a moment, then scans the crowd for John Anderson’s current whereabouts ] Mr. Anderson! I have something very important to tell you —

John Anderson: [ comes forward immediately, already in mid-thought ] You know, my very first act as President will be to form a commission to study this gate problem! Yes, I’d like to — but, it just might be the buzzer – yes, it could be the buzzer! Let’s not be too — [ starts calling out ] Hello?! Hello? Anyone there?! [ presses buzzer on wall ] It’s President Anderson!

Gail Matthius: How humiliating to the Congressman —

Woman: Go on – tell him. You’re a reporter – go on, you can do it! Yuo can do it! Go on, tell him!

Gail Matthius: Okay! Okay! [ as Anderson wanders back toward her ] Uh – Mr. Anderson —

John Anderson: PRESIDENT Anderson, young lady!!

Gail Matthius: Well, that’s what I wanted to tlak to you about.

John Anderson: [ waves with a big smile to no one in particular ] Yes, yes! Be totally candid, now!

Gail Matthius: Regarding the election —

John Anderson: Yes, yes! Be forthright!

Gail Matthius: — you haven’t —

John Anderson: Yes, yes!

Gail Matthius: [ finally gives up the effort ] You have a great four years ahead of you – congratulations!

John Anderson: Thank you very much, Miss! Thank you, thank you! [ begins waving erratically again ]

Gail Matthius: This is Gail Matthius, reporting from the White House, where “President” — [ winks at the camera ] Anderson is awaiting the beginning of his term! Back to you, Charlie.

Charles Rocket: Thank you, Gail. Thank you very much. Of course, we’ll all be keeping an eye on that developing story.

Meanwhile, actor Cary Grant, today, slapped former Weekend Update anchorman, Chevy Chase, with a $10 million defamatino suit, for allegedly calling him a “homosexual” on NBC-TV’s “Tomorrow” show. Grant charges that Chase’s remarks were completely and totally false, and added, “He’s the homo, not me. And one mroe crack like that, and I’ll scratch his eyes out, Mary!”

Taking his lame duck presidency quite literally this week, Jimmy Carter demonstrated one of his most important duties to visiting Israeli Prime Minister, Menachim Begin. Here, we see the outgoing Chief Executive performing his lame duck call. [ slide changes to a multitude of ducks in the sky ] Responding to the heart-rending sound, thousands of concerned ducks quickly descended on the White House lawn to help a brother in need.

Prince Charles finally ended speculation about whether he would ever find a bride who had both royal blood and a spotless past. Happily, the Prince’s rumored choice, who has been certified as “completely virginal” is Lady Diana Spencer, formerly Lord “Dwayne” Spencer, who underwent a transsexual operation last month in Helsinki to qualifiy as “Queen” of England.

This week, NASA announced a significant discovery by the voyager 1 spacecraft: the rings of Saturn have been visible to man for centuries. we all knew that, but, thanks to Voyager 1 and its sensitive listening equipment, we now, for the first time, can hear the famous rings. Here’s the NASA tape – let’s listen. [ cue a series of alarm clock sounds ] And how about that, huh? The rings of Saturn! [ chuckles proudly to himself ] We’ve come a long way since man walked on the moon, haven’t we?

Charles Rocket: You know, unlike most TV anchorpersons, Yours Truly is mroe than just.. another pretty face. I’m a working journalist. And, this week, when the Big Apple was humming with rumors of a new John Lennon and Yoko Ono album, this newshound hit the streets to get the inside story. Let’s take a look at this Rocket Report:

[ dissolve to pre-taped film, Charles Rocket standing on the street in front of the Dakota ]

Charles Rocket: Hi! Charles Rocket, here in New York City, right across the street from the Dakota Building, home to a lot of celebrities, and a place where a LOT of celebrities would LIKE to live, but just can’t. But we’re interested in just two celebrities who live there – John Lennon and Yoko Ono! In fact, we’re interested in their album. How are we going to find out about the inside story on that album, that so few people really know anything about? Well, we’re gonna go across the street, we’re gonna talk to some people who have an inside lead on that very album, we’re gonna find out what the real story is. Come on along, to the Dakota Building! [ begins walking toward the Dakota ]

[ cut to an old woman, Mrs. Miller, speaking ]

Mrs. Miller: I know Lennon is in that building, because all the youngsters gathered there for an autograph. I know they’re there. But even that, I said to myself, why do they allow them to gather up there, you know? It’s — that building — I say it must be in the hands of different people, it can’t be owned by the same people —

Charles Rocket: If it were in your hands, Mrs. Miller, what would you do?

Mrs. Miller: Ohhh, I’d keep it from garbage — I wouldn’t allow anything like that. What for? What for?

[ cut to reveal a pile of garbage on the ground in front of the building, as Rocket enters frame ]

Charles Rocket: Garbage. Filthy, disgusting garbage. What a display. Something you certainly wouldn’t expect, here in front of the fancy Dakota Building. Let’s go talk to the doorman to find what the story is on this disgusting site. Even though the garbage could connain a clue to the album, it’s got to go. [ turns to walk toward the lobby door ]

[ cut to close-up of the building’s doorman ]

Charles Rocket: Say, what’s the big idea with all the garbage?

Doorman: They’re [ inaudible ] — the contractors.

Charles Rocket: And the contractors are responsible for that display?

Doorman: That’s right.

Charles Rocket: Oh. So it has nothing to do with the building management or anything?

Doorman: No.

Charles Rocket: So, what happened with the, uh, album? I mean, how’s it going with John Lennon’s album?

Doorman: I don’t know.. I don’t know.. I don’t know.. [ walks away from Rocket ]

Charles Rocket: You.. seem to be pretty evasive..

Doorman: I told you no – no.

[ cut to a messenger speeding away on a motorbike ]

Charles Rocket V/O: That’s a messenger service used here at the Dakota Building, and they’re off to.. tell John and Yoko that.. Charles Rocket, yours Truly, is here to find out.. all the very latest on their album.

[ cut to garbagemen picking up a separate pile of garbage at the Dakota ]

Charles Rocket V/O: Of course, out back, behind the Dakota Building, is where the real garbage can be found. Garbage that’s supposed to be here. And these are the gentlemen who pick up the garbage here at the Dakota Building. People who probably have an inside lead on what’s happening.. with John Lennon and Yoko Ono’s album.

[ Rocket approaches one of the garbagemen ]

Charles Rocket: What can you tell us about John Lennon and Yoko Ono’s garbage, and.. all that we might be able to learn from the secrets that might be hidden and contained within there? You know, they cut a new album, and we’d sure like to get an inside lead on what’s going on with that album. Can you help us at all, Clarence?

Garbageman: Well, I don’t know anything about that. That’s music – this is garbage!

Charles Rocket: Oh. He’s playing dumb, ladies and gentlemen. Clarence is probably playing a game with us. Right now, clarence, I’ll bet the Alton Company actually asked you not to state anything to reporters should we actually, uh, you know, come up to, and approach you, and ask you those kinds of questions.

Garbageman: No. No. No. No one said anything to me —

Charles Rocket: No clues. You haven’t been able to, uh, find out anything new, and —

Garbageman: [ getting angry ] Look, man! If you gonna take up my time —

Charles Rocket: Yeah?

Garbageman: How am I gonna pick up this garbage?!

Charles Rocket: The man wants to work.

Garbageman: I’m gonna work, and that’ll be it!

[ cut to Rocket alone on the street ]

Charles Rocket: Well, instead of just hoping for news about the album, I guess we’re all gonna have to share the disappointment.. of not finding anything out at all. I’m Charles Rocket, behind the Dakota Building, what excitement we’ve had.. hope you enjoyed it.

[ cut back to Charles Rocket at the Weekend Update desk ]

Charles Rocket: Just remember – you saw it here first, on The Rocket Report. In other news:

In a new Ladies Home Journal interview, Anita Bryant says she has come to believe that there is nothing wrong with homosexuality, provided they “do it in a cage.” [ Rocket shrugs ]

Yet another air diaster nearly struck today, when a small two-seater airplane, flying from Puerto Rico to the mainland, crashed off the coast of Florida. Happily, though, the Coast Guard reports that the pilot and all 180 passengers have been recovered.

Charles Rocket: Well, since the Presidential campaign began, we all have heard speculation that Mr. Reagan will never live out his full term in office. Today we’re talking to Barry Grosscup, who’s just written a new book about that very subject.

[ camera pulls out to reveal Barry Grosscup sitting to Rocket’s right ]

Charles Rocket: Mr. Grosscup, tell us what you’ve learned about Ronald Reagan.

Barry Grosscup: Okay, Charlie.

Charles Rocket: Charles.

Barry Grosscup: [ holds up a photo of Ronald Reagan ] The man.. is already.. dead!

Charles Rocket: Wait a minute. Now, let me get this straight – you’re saying the President-Elect, Reagan, is actually.. dead?

Barry Grosscup: He’s as dead as a door nail. He’s been dead since the New Hampshire primaries. The picture’s coming out in my new book – “The Faking of a President.” [ holds up a photo of Reagan surrounding by George H. W. Bush and a couple of other administrative figures ] This is Reagan at a press conference – Bush is holsing him up!

Charles Rocket: Well —

Barry Grosscup: Always holding him up!

Charles Rocket: I can see where, you know — I-I don’t understand, it doesn’t —

Barry Grosscup: Here’s another one. [ holds up photo of Reagan, Bush, and one another man, all holding their hands in the air ] Reagan at a press conference – again, they’re holding him up! [ shrugs ]

Charles Rocket: Mr. Grosscup, listen – I happen to have been at a press conference with Mr. Reagan, earlier this week — he looked perfectly fine —

Barry Grosscup: Uh, you THINK you saw Reagan! Who you saw.. was an actor by the name of Ron Jenkins. He’s a Welsh actor, 29 years old – here’s a picture of him — [ holds up photo of a smiling Reagan ] Small time, did a couple of commercials – but he got Reagan to a T!

Charles Rocket: Th-this has got to be the most ridiculous thing I’ve —

Barry Grosscup: Look – here’s a picture of Reagan putting on his make-up. [ holds up photo of Reagan applying make-up ] The Reagan make-up here – Jenkins applies it all the time!

Charles Rocket: Mr. Grosscup, listen – we’re running out of time. I-I-I don’t see how we can just waste time —

Barry Grosscup: [ holds up another photo of Reagan ] See how he works a crowd! It’s amazing!

Charles Rocket: Look — I mean, I don’t get it.

Barry Grosscup: Look! Who do you want to run the country – Ronald Reagan, or just some stupid actor?!

Charles Rocket: Well, thank you very much, Mr. Grosscup. I guess it takes all kinds, huh?

The rate of inflation continued to spiral upward this week, and claimed a new and unexpected victim: the prstitution industry. In order to meet consumer demands without sacrificing efficiency, streetwalkers in Portland, Oregon have cut back on non-essential services, and are offering no-frills sex to prspective customers.

And, this one just handed me: The Department of Naturalization, in an attempt to simplify cumbersome alien identification procedures, has designated all American citizens as Shirts and all incoming immigrants as Skins.

Charles Rocket: And that’s the Weekend Update. This is Charles Rocket saying, “Good night, and.. watch out.”

[ camera pulls back, as Rocket signs off on his news copy ]

[ fade ]

SNL Transcripts

SNL Transcripts: Elliot Gould: 11/15/80: Vickie’s Date


 Saturday Night Live Transcripts


  Season 6: Episode 1




80a: Elliot Gould / Kid Creole & The Coconuts

Vickie’s Date

Mark Doyle…..Elliot Gould
Vickie…..Gail Matthius
Sharon Malone…..Ann Risley

[ open on interior, fancy restaurant. 40-year old Mark Doyle sits at a back table sharing drinks and shrimp cocktail with teenaged Valley girl, Vickie. ]

Mark Doyle: Would you like antoher shrimp cocktail, Vickie?

Vickie: No, thanks – three is enough. This place is not too cool, so just forget it.

Mark Doyle: Aw, I’m glad you like it. You look lovely in this light.

Vickie: Oh, God – It’s better than those grody pizza places guys my age take me to! For sure!

Mark Doyle: Oh, well – well, that’s alright, I – I’m not as ancient as you think I am! I’m gonna have another drink, would you like to have one?

Vickie: No, thanks, but don’t – you know, like, don’t get me wrong or something, because I, like, really like going out with, like, a guy whose in his forties, and stuff. Um – like this friend of mine, you know, um, was, like, seeing one of our teachers this summer – but I wouldn’t do that, no way —

Mark Doyle: Vickie, I just turned forty. THat doesn’t put me into the forties!

Vickie: [ still on her previous train of thought ] Ha! Yeah, well, God, what would I say of I saw him in the hall the next day: “Hello, Mr. Caleska?” I’m sure! I couldn’t even hack it, no way!

Mark Doyle: Well.. so tell me where your head is. Do you like movies?

Vickie: Um – I told my mom I was going to a movie and stuff tonight, you know? [ laughs ] Duuuhh! [ laughs ] Sometimes parents are so stupid, you know? I wonder how they got to be their age! [ shakes her head and laughs ] No offense.

Mark Doyle: [ waves his hand ] No, that’s – that’s okay.

Vickie: [ grabs his cigarette ] Low tar, I’m sure, right? [ smokes his cigarette ] I usually smoke non-filters – not too cool! [ taps the ash into the ashtray ] So, uh, like – do you have a job, or some junk?

Mark Doyle: [ pleased at the thoughtful question ] Well, yes, I do. I seel securities.

Vickie: Oh! Like burglar alarms, and some junk?

Mark Doyle: No, it’s like stocks and bonds.

Vickie: [ not grasping what he means ] Ohhhh. [ a beat ] Wow. [ changes the subject ] So, um, like – do you come here a lot, like, with your friends and stuff, you know?

Mark Doyle: Oh, no, no. There’s almost.. no chance of me seeing anybody I know here. I don’t think.

Vickie: Yeah, ’cause I bet a lot of people in here think I’m probably your daughter or something —

Mark Doyle: Ohhh, no! No, I-I-I don’t think anybody.. thinks that.

Vickie: You know, don’t get the wrong idea – I think you’re a really cool guy! Um, um — you really are a cool guy! Um, um — like, if I was here with a guy >my age, and stuff, he’d practically be trying to take my shirt off! Right here. Gro-oss! Like, you know,they told us in Bio, and stuff, that they can’t even help it. And, like, you know, when they get to be your age, they don’t even want it – they really calm down, like.

Mark Doyle: Uh – are you sure you wouldn’t like another drink?

Vickie: No, thanks.

Mark Doyle: Well, I have an idea. Why don’t we catch a bite here.. and then, we can go out, and – and.. catch a bite someplace else –?

[ Sharon Malone enters the scene, carrying two drink glasses ]

Sharon Malone: Well, look who’s here. [ she sits ]

Mark Doyle: [ flustered ] Oh..

Sharon Malone: Mark Doyle.

Mark Doyle: Hello, Sharon.

Sharon Malone: Hi. I haven’t seen you since we did the Philadelphia portfolio – did that go well, alright?

Mark Doyle: Oh, yeah, it – it worked out just fine. Sharon Malone.. this is Vickie.

Sharon Malone: Hello.

Vickie: Hi.

Sharon Malone: Well, uh – I was a little worried, since, uh, some of the bonds hadn’t reached maturity yet.

Mark Doyle: No, no – it was o-kay.

Sharon Malone: Oh, good. Well, uh, I’ve really got to go. [ to Vickie ] It was really nice to meet you, and good to see you, Mark. [ stands and exits ]

Vickie: For sure! Like — Mark — like?

Mark Doyle: Uh-huh? What?

Vickie: Um — there’s this really cool dance coming up next week — it’s like a Homecoming dance, sorta — and I was thinking, like, well, you know, I was thinking it would be really cool, like, if you took me, or some junk?

Mark Doyle: Oh, Vickie, no, I don’t think so, uh — its not that I don’t want to —

Vickie: Oh. Oh, ’cause it’s not like I want to go, really, no way! No way! ‘Cause, like — you know, they try to make the wishing wells the basketball goals, and — I’m sure. Nobody —

Mark Doyle: Well, you understand — I mean, that’s the age problem, and I’m sure your school would look askance at that, and I – I just can’t see myself dancing barefooted on the floor of your gym, with all of the signs, and all of those people, and — fighting Buccaneers, and, uh — I don’t —

Vickie: Well, it’s not like I need a date, or something, ’cause, like, I’m going with somebody, okay? [ points out her steady ring ] He’s really a cool guy. He’s in the Marines —

Mark Doyle: Oh, really? Is he – is he in the service?

Vickie: Yeah! He’s sort of black!

Mark Doyle: [ nervous ] Oh. Really?

Vickie: Yeah. He is. Well, what’s the matter? What, are you prejudiced, or something?! I’m su-ure! I’m not gonna sit around with some kind of bigot, or something! Maybe it’s okay in your day, but it’s not cool –!

Mark Doyle: Vickie, Vickie, please — you’re just upset about the Homecoming dance, and using this as an excuse. Now, please relax, and-and-and let’s order another drink!

Vickie: Well, I’m not sitting around with a racist! I’m just gonna get out of here! I’m gonna probably thumb it, and you don’t even care! Duh! I’m sure! Quit it! God! [ leaves the table ]

[ Mark finishes his drink and ponders what just happened, as we fade ]

SNL Transcripts

SNL Transcripts: Malcolm McDowell: 11/22/80


 Saturday Night Live Transcripts


  Season 6: Episode 2


This free script provided by http://javascriptkit.com]]>





Air Date:

Host:

Musical Guest:

Special Guests:

Cameos:

Bit Players:

November 22nd, 1980

Malcolm McDowell

Captain Beefheart & The Magic Band

None

None

Andy Murphy

Matthew Laurance

Eddie Murphy
The ExecutionSummary: A boisterous mother (Denny Dillon) instructs her son (Gilbert Gottfried) to sit up straight in the electric chair before he’s executed.

Transcript

Montage

Malcolm McDowell’s MonologueSummary: English actor Malcolm McDowell explains how he had to get his U.S. work permit renewed so he could host the show tonight.

Transcript

Mutually Omaha’s Wild KingdomSummary: Jim Fowler (Joe Piscopo) goes off in search of that exotic beast – the Negro Republican.

Note: Eddie Murphy, who had been hanging around the studio after repeatedly trying to be added to the cast, makes his debut in this sketch, albeit sitting on the couch with no lines while an uncredited extra plays the role of the black man. Murphy took great offense to this misuse of his talents.

Transcript

Tobacco Growers of AmericaSummary: Tobacco Growers spokesman Joseph Richman (Gilbert Gottfried) claims the human lung is to blame for lung cancer, not cigarettes.

Transcript

Serf CitySummary: Earl (Malcolm McDowell) and Lord Jack (Charles Rocket) make a sport of riding on the backs of lowly peasants.

Transcript

The Reagans Adopt Amy CarterSummary: Following Inaugueration Day, Ronald (Charles Rocket) and Nancy Reagan (Gail Matthius) adopt Amy Carter (Denny Dillon) so they can provide her with a proper privileged lifestyle.

Recurring Characters: Ronald Reagan, Nancy Reagan, Amy Carter.

American Milk AssociationSummary: Alex de Large (Malcolm McDowell), from “A Clockwork Orange”, speaks highly of moloko.

“Showdown”Summary: In a film by Ken Friedman, a romantic conflict begats a Wild West-style shootout.

Captain Beefheart & The Magic Band performs “Hot Head”

Weekend Update with Charles RocketSummary: Charles Rocket conducts a video interview with Yoko Ono (Denny Dillon) and house husband John Lennon (Malcolm McDowell). Joe Piscopo uses Rock-’em Sock-’em Robots to predict the results of the Roberto Duran-Sugar Ray Leonard rematch. Commenting on last week’s show, Dr. Murray Abromowitz (Gilbert Gottfried) says it wasn’t funny.

Recurring Characters: John Lennon, Yoko Ono.

Transcript

Gothic Novel ShopSummary: A bookstore owner (Malcolm McDowell) specializing in gothic romance novels goes out of his way to meet the specific reading needs of a wonton customer (Ann Risley).

“The 100 Years War”Summary: A quick summary of the 100 Years War, as told through a University Extension Course in World History.

The Leather Weather ReportSummary: Dominatrix Thelma Thunder (Denny Dillon) beats the man (Charles Rocket) stretched across her map while giving the weather forecast.

Transcript

Commie Hunting SeasonSummary: The governor (Malcolm McDowell) of Greensboro, North Carolina lays down the ground rules as local rednecks with itchy trigger fingers look forward to shooting Commies on the first day of the new hunting season.

The Rocket ReportSummary: Charles Rocket bothers people while strolling along 5th Avenue.

Transcript

Jack The StripperSummary: Dame Lydia Snoot (Malcolm McDowell) searches for the notorious Jack the Stripper, who turns out to be Prince Charles (Charles Rocket) working the exotic dance circuit.

Recurring Characters: Prince Charles.

Captain Beefheart & The Magic Band performs “Ashtray Heart”

“Someone Is Hiding In My Apartment”Summary: In a film by Mitchell Kriegman, a man (Mitchell Kriegman) fears an unknown presence in his apartment whom he appears to be involved with in a relationship.

The Wine CellarSummary: Carolyn Parker (Denny Dillon) dismisses fancy French wines and proper American wines to go with American junk foods.

GoodnightsTranscript

SNL Transcripts

SNL Transcripts: Malcolm McDowell: 11/22/80: The Execution


 Saturday Night Live Transcripts


  Season 6: Episode 2







80b: Malcolm McDowell / Captain Beefheart and the Magic Band

The Execution

Prisoner…..Gilbert Gottfried
Priest…..Charles Rocket
Executioner…..Joe Piscopo
Mother…..Denny Dillon

[ open on dark corridor, as a prisoner is led to the electric chair. A priest reads from the Psalm of David as they walk. ]

Priest: [ reading ]
“The Lord is my shepherd; I shall not want.
He makes me lie down in green pastures.
He leads me beside still waters.
He restores my soul.
He leads me in paths of righteousness
for his name’s sake.

Even though I walk through the valley of the shadow of death,
I fear no evil,
for thou art with me;
thy rod and thy staff,
they comfort me.

Thou preparest a table before me
in the presence of my enemies;
thou anointest my head with oil;
my cup overflows.
Surely goodness and mercy shall follow me
all the days of my life,
and I shall dwell in the house of the Lord
forever.”

Prisoner: I’m sorry, Father!

Priest: God will forgive you.

Prisoner: I’m sorry! I’m sorry! I’m sorry, Father…

[ he is strapped down in the electric chair ]

Prisoner: I’m sorry… I’m sorry, Father… Sorry…

[ the executioner grabs the handle ]

Executioner: All set.

Mother V/O: That’s my son! My son, I HAVE to see him!

[ the prisoner’s mother runs forward ]

Prisoner: Mom!

Mother: Son! Sit up STRAIGHT!! Sit up STRAIGHT!!!

[ the executioner pulls the switch, as the electrical jolt causes the prisoner to stretch out straight in the chair ]

Prisoner: “LIVE FROM NEW YORK, IT’S SATURDAY NIGHT!!”

SNL Transcripts