SNL Transcripts: Susan St. James: 10/10/81: Buh-Weet Sings



 Saturday Night Live Transcripts


  Season 7: Episode 2





81b: Susan St. James / The Kinks

Buh-Weet Sings

Buckwheat…..Eddie Murphy

[ a montage of “Little Rascals” stills are displayed ]
[ dissolve to grown-up Buckwheat smiling at the camera ]
Buckwheat: Boy, id bin a nong time since dem days. Hi, I’m Buh-weet,amembuh me? And I have compiled for you and your nistening pleasure, dumub my mavorite tongs. Id’s all ite here in dis uhn pectacular opper:”Buh-weet Sings”. Take a wisten:

[ SUPER: “Fee Tines A Mady” ]

[ singing ]

“Munce. Tice. Fee Tines A Mady.”
Announcer: Yes, they’re all here..

[ SUPER: “Wookin’ Pa Nub” ]

Buckwheat: [ singing ]

“Wookin’ Pa Nub in all da wong paces. Wookin ‘ Pa Nub.”

Announcer: Once Buh-weet sings a song, it’s eternally his.

[ SUPER: “?????” ]

Buckwheat: [ singing unintelligably ]

“..Menny Dabid Ibe..”

Yes.. Buh-weet. The man who sold more records that Elvis or the Beatles – in Kenya.

[ SUPER: “Una Panoonah Banka” ]

Buckwheat: [ singing ]

“Una Panoonah Banka-a-a-a-a!!”

And if you order now, you’ll get Buh-weet’s tribute to Alfalfa.

[ SUPER: “Barbah Ob Dabil” ]

Buckwheat: [ singing ]

“I’m da Barbah ob Dabil. Bigaro! Bigaro!” [ smiles ]

Order today. Send $49.95 for the full volume to:
Buh-Weet
Bah Firty Fee
New Nork, New Nork

Buckwheat: Take it fum “Ow Gang”: yo gang will nub it. Buy mywecord! O-tay!

SNL Transcripts

SNL Transcripts: Susan St. James: 10/10/81: Push Button To Explode Building




 Saturday Night Live Transcripts


  Season 7: Episode 2














81b: Susan St. James / The Kinks

Push Button To Explode Building

by: Andy Aaron & Tom Davis

Woman…..Emily Prager
Man…..Tom Davis

[ open on close-up of street sign: “Push Button To Cross Street” ]

[ pan upward to reveal close-up of second street sign: “Push Button To Explode Building” ]

[ a Woman walks up to the corner and pushes the button to cross the street, looks both ways, then crosses ]

[ cut to full shot, which now reveals building across the street, as a man approaches, reads both signs, then pushes the button to cross the street ]

[ second Man runs forward, not even looking at the signs, as his hand reaches out and pushes the button to explode the building behind him ]

[ sirens sound ]

[ the Man jumps, then realizes he’s pushed the wrong button and wuickly pushes the button to cross the street in order to accomodate for his mistake ]

[ the building suddenly explodes and crumbles to the ground, as the Man tries to casually sprint away from the scene without making eye contact across the street behind him ]

[ smoke and an eerie silence fills the air ]

[ cut to SUPER:
“A FILM BY
ANDY AARON

CONCEIVED BY
ANDY AARON
TOM DAVIS” ]

[ fade ]

SNL Transcripts

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SNL Transcripts: Susan St. James: 10/10/81: Goodnights



 Saturday Night Live Transcripts


  Season 7: Episode 2




81b: Susan St. James / The Kinks

Goodnights

…..Susan St. James

Susan St. James: Saturday Night is BACK!! Goodnight, everybody!

Announcer: Be sure to be with us again next week, as Oscar Award-winning George Kennedy hosts with musical guest Miles Davis. For all of us at “Saturday Night Live”, this is Mel Brandt, saying: “Good night!”

SNL Transcripts

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SNL Transcripts: Susan St. James: 10/10/81: Cheap Laffs



 Saturday Night Live Transcripts


  Season 7: Episode 2






81b: Susan St. James / The Kinks

Cheap Laffs

…Tim Kazurinsky
…Robin Duke
…Christine Ebersole
…Tony Rosato
…Joe Piscopo

[Open on “CHEAP LAFFS” title over a close-up of a bulletin board covered with rubber chickens, fake bunny ears and other joke objects. A Spike Jones song plays in the background. Camera tilts down to show Tim Kazurinsky typing. Tim becomes frustrated, rips the paper out of the typewriter, crumples it up, and throws it into the trash can.]

Tim Kazurinsky: Hi. I’m Tim Kazurinsky. You know, every week we come up with ideas for the show we think are funny . Trouble is, a lot of these ideas are incredibly cheap. For instance, we wanted to do a take-off on The Love Boat called The Lez-Boat. They didn’t let us do it. You know why? ‘Cause it was cheap, much too cheap for a high class show like this. Well, that’s another story. [Tim digs through the trash can, picks out a crumpled piece of paper and picks off a gum wrapper stuck to it.] All right! Here’s this week’s Cheap Laff–gum wrapper. It seems that these two women were having a drink at a bar, and then this guy walks in…[Dissolve to bar scene. Christine Ebersole brings her drink to the table where Robin Duke is sitting]

Christine Ebersole: Hey, Robin, where did Tony go?

Robin Duke: Oh, he, ah, just went to the bathroom.

[Tony walks up to the table]

Tony Rosato: Hi, Chris. Hi, Robin. How’s it going?

Christine Ebersole: Hi, Tony.

[Christine and Robin stare at Tony’s crotch for a moment]

Christine Ebersole: [leaning over to Robin and speaking softly] Robin, do you see what I see?

[Tony covers his crotch in embarassment and turns to the camera]

Tony Rosato: Oh, no! Those embarassing spots! I could’ve died!

[Cut to wide shot of bar as Joe Piscopo enters, playing a cheesy commercial announcer. He smiles and addresses the camera]

Joe Piscopo: How many times has this happened to you? I’m talking trouser tracks! Well, that’s a thing of the past thanks to new Sta-free Peenie Pads! They’re super-absorbent! Watch. [Steps up to table with two mannequin torsos wearing underwear] Here’s a pair of regular underwear. [Pours a pitcher of water into the underwear] Notice how that water just seeps right through. Now another pair of underwear with a Sta-free Peenie Pad. [Pretends to pour water] Peenie Pads stop the moisture on contact, give you all-day confidence. Watch!

[Dissolve to original shot of Christine and Robin at the table]

Christine Ebersole: Where’s Tony?

[Tony walks up]

Tony Rosato: Here I am. [Spreads his jacket to show off his dry crotch]

Joe Piscopo: Sta-free Peenie Pads. Good for the last drop!

[Dissolve back to Tim Kazurinsky holding up a page of the Sta-free script. He crumples it and throws it into the trash]

Tim Kazurinsky: Now that was cheap! This is Tim Kazurinsky saying so long until next time for “Cheap Laffs.”

[Camera pans up to the bulletin board. The “CHEAP LAFFS” title reappears]

[fade]

Submitted by: John Ravetti

SNL Transcripts

SNL Transcripts: Susan St. James: 10/10/81: McDonald & Wife



Saturday Night Live Transcripts


Season 7: Episode 2








81b: Susan St. James / The Kinks

McDonald & Wife

Ronald McDonald…Joe Piscopo
Sally…Susan Saint James

[“McDONALD & WIFE” title shown over theme music. Dissolve to Ronald McDonald in bed with Sally, whose head is bobbing up and down under the covers]

Sally: I can’t find it! I can’t find it! I can’t find it! [Comes out from under the covers]

Ronald McDonald: Aw, come on, honey!

Sally: The gun, honey. If we could just find the gun, then we’d know [begins kissing Ronald] who the killer is.

Ronald McDonald: Oh, Sally, don’t worry about it! [Rolls over while embracing Sally] In fact, don’t worry about a thing! [They kiss passionately] Bigger breasts!

Sally: Oh, Mac!

Ronald McDonald: No no, not yours, Sally, McMarilyn’s breasts. [Rolls over and lays on his back in bed] Did you notice them at the party tonight?

Sally: I wasn’t looking at McMarilyn’s breasts.

Ronald McDonald: Yeah, they were huge. They were like a pair of McMelons, I’m telling you. You know, I bet you she’s hiding something in there.

Sally: Oh, Mac, you’re so smart! [Moves in to kiss him] You always come up with the clues! [Both chuckle] It fell. [Ronald becomes sad] Oh, I mean McMildred’s souffle fell. [They kiss] Have you ever known one of McMildred’s souffles to fall? [kiss] That means that when the murderer [kiss] went upstairs [kiss] and shot your mother [kiss] that the s–when the body hit the ground [kiss] the souffle fell [kiss] and McMildred didn’t serve it! [kiss] That means the gun is in the souffle! [kiss]

Ronald McDonald: And the murderer is [kiss]

Both: McMildred!

Sally: [Starts to get out of bed] Oh, I’m going to go tell McEnright.

Ronald McDonald: [Stops her] Uh, McLater.

[She climbs back into bed and begins making out with Ronald]

Sally: All right!

[Fade to “McNeil/Lehrer & Wife” graphic]

Announcer: Join us next week for “McNeil/Lehrer & Wife”!

Submitted by: John Ravetti

SNL Transcripts

SNL Transcripts: (None): 04/11/81: Frank Sinatra


 Saturday Night Live Transcripts


  Season 6: Episode 12






80m: (None) / Jr. Walker & The All-Stars

Frank Sinatra

Frank Sinatra … Joe Piscopo
Jerry Hemphill … Tony Rosato
Melissa … Gail Matthius
Harold Duffy … Tim Kazurinsky

Don Pardo: Ladies and gentlemen, Mr. Frank Sinatra!

(Frank comes down the stairs and takes center stage. An American flag backdrop unfurls behind him.)

Frank Sinatra: (sings)
It’s time for you
It’s time for you
I’m tellin’ you that dreams come true
Come on baby, it’s time, time, time
It’s time for youuuuu!

(Applause)

Frank Sinatra: Thank you very much. You’re marvelous. Thank you so much, ladies and gentlemen. This is Francis Albert reminding you that it is time, it’s time that — for all of us to start buying and driving American cars. Recently I visited the Motor City, and I have to be quite honest with you, that I did not like what I saw. Capisce? Thousands, thousands and thousands of beautiful guys and chicks out of work because you are not buying American cars. Now I’d like you to meet one of the guys America forgot, if you’d be so kind, please welcome, from the United Auto Workers of America, Jerry Hemphill, ladies and gentlemen!

(Jerry emerges wearing a mechanic’s uniform and carrying a tool box. He sets down the tool box.)

Frank Sinatra: It’s, it’s very nice to have you here, Jerry. Speak. (points the microphone towards Jerry)

Jerry: Thank you, tha – good to be here, Frank. Well Frank, I-I used to work for Chrysler, and uh, I was installing power seat assemblies, until I got laid off, uh … well it’s bad enough for me and my old lady, you know, but uh, it’s hard to see the kids staying at home, just uh, starving.

Frank Sinatra: (points to the camera) You hear that, America? Because you do not care enough to drive and buy American cars.

Jerry: That’s right, Frank, I’ll tell ya, these people, they just build their cars, out of cheap, thin aluminum! Now I’ve got something to show you here, Frank …

(He opens his tool box and takes out a beer can)

Frank Sinatra: We’re talkin’ foreign labor here. We’re talkin’ Japs, ladies and gentlemen.

Jerry: This is a Japanese beer can, right here, Fred. Now you see how they’re cheap, thin aluminum.

(He picks up a bowling ball, also from the tool box.)

Jerry: Now your, your American cars, your American cars are built solid, like a J.C. Higgins bowling ball! You follow me, Frank? Huh?

Frank Sinatra: I got you, Jerry.

(Jerry smashes the beer can against the bowling ball, then says to the audience)

Jerry: You just thank God your family wasn’t in HERE. (indicates the crushed beer can)

Frank Sinatra: Thank you very much. Jerry Hemphill, ladies and gentlemen. Thank you very much, Jerry.

(Applause)

Frank Sinatra: Thank you so much. And now I’d like uh, viewers to meet someone that wasn’t so lucky, ladies and gentlemen.

(A nurse brings out a little girl, Melissa, in a wheelchair.)

Frank Sinatra: Tell us your name, sweetheart.

Melissa: Melissa.

Frank Sinatra: Melissa, tell the people your story.

Melissa: (speaking quickly) Well, my dad got one of those cheap, Japanese cars, you know, and we were going to my grandmother’s house you know for dinner, and um, and my dad ran into this cow, and he hurt the cow real bad, and I had to go to the hospital — (sobs) — and now I can’t play with the other children.

Frank Sinatra: God bless you, sweetheart.

Melissa: (cries) … and now I can’t even do that …

Frank Sinatra: Okay America, you wanna know the reason to stop buyin’ Jap cars? Huh? I got a thousand reasons …

(SUPER: photo of a cemetery)

Frank Sinatra: … like the rows upon rows of simple white crosses that mark the graves at Arlington National Cemetery.

(SUPER: photo of Pearl Harbor being blown up)

Frank Sinatra: I take you back to December 7th, 1941. And the story of a young gunner aboard the USS Arizona.

(Back to Frank.)

Frank Sinatra: Ladies and gentlemen, it is indeed my honor to introduce to you, Harold Duffy, US Navy, retired.

(Applause as Harold emerges, giving a salute with his right arm – his only arm.)

Frank Sinatra: (points to the stump) Okay chief, tell ’em how it happened.

Harold: Oh, I remember, I was playin’ the harmonica and laughin’ it up with some of my buddies ‘board the USS Arizona n’ then … from outta nowhere came them Jap planes … them machine guns spittin’ death … I lost my best buddy that day, Frank.

Frank Sinatra: I know what you mean. When we were shooting “From Here to Eternity,” I had to leave the set every day because of the tears in my eyes.

Harold: Frank … when you think of that, the next time you see a friend or neighbor drivin’ one of them Jap mobiles, you tell them that the same tuna-heads, that put together the assembly of that, that durn thing are, probably the same people who’re responsible for jammin’ bamboo chutes under these — (holds up his stump, then holds up his right hand) — THESE fingernails.

Frank Sinatra: Ouch.

Harold: Well who can understand the Oriental mind, Frank? I tell ya, the … you-you’re talkin’ about a people who build their houses out of paper. People who, who build their uh, who — they call their planes Zeroes … they call their boats JUNKS!

Frank Sinatra: Wait, wait — for the record, chief, I think the Junks are Chinese, not Japanese.

Harold: (becoming more hostile) What’s the difference?! You ‘member on Bonanza, whenever there was a range war, where the hell was Hop Sing anyway, huh? And you’re buyin’ cars from, from people that — they eat raw fish! Think of that! How would you like to open the glove compartment of, of your Honda, and find …

(He pulls a large trout out of his suit and wiggles it around.)

Harold: … one of THESE in here?!

Frank Sinatra: Thank you very much. Harold Duffy, ladies and gentlemen, US Navy, retired, from the USS Arizona.

(Applause.)

Frank Sinatra: Thank you, Harold Duffy … After, after hearing all these beautiful people speak tonight, there is only one thing I can say … (music swells up)

(sings)
Let’s strive for America
Strive for America
Each time I see those Datsun Z’s
I wanna punch out a Japanese
Go to hell, Toyota
Drop dead, Subaru
Let’s ride for America
Take pride in Americaaa …
Let’s drive for America
Old Red, I’m talkin, White,
And a-Bluuuuuuuuue!

(Applause as music continues)

(SUPER: “DRIVE FOR AMERICA”)

Submitted by: The G Man

SNL Transcripts

SNL Transcripts: (None): 04/11/81: Weekend Update with Chevy Chase


 Saturday Night Live Transcripts


  Season 6: Episode 12


















80m: (None) / Jr. Walker & The All-Stars

Weekend Update with Chevy Chase

…..Chevy Chase
Raheem Abdul Monhammed…..Eddie Murphy
…..Laurie Metcalf
…..Al Franken

Announcer: [ snooty ] This edition of “Weekend Update” is brought to you by… Smitt-Burney. Where we make money the old-fashioned way — WE STEAL IT!

[ dissolve to Chevy Chase on the phone at the news desk ]

Announcer: And now, “Weekend Update”, with Chevy Chase.

Chevy Chase: No, no… I think just a firm and gentle tug on the string, and… [ he snaps his fingers, then sees the camera ] Gotta go! [ he hangs up ] Good evening. I’m Chevy Chase, and… you still aren’t.

In the top of the news tonight… [ he flips a sheet over ] The war in El Salvador ended today, apparently, when the last villager in the entire country was shot in the head.

Well, actress MacKenzie Phillips and her father John Phillips said today that they have been offered all forms of drugs for one full year, but have finally gotten their heads together. Here they are seen celebrating having just announced their wedding plans.

As you all know, there has been a controversy over the so-called missing jokes of President Reagan, told between a Hilton Hotel and George Washington University Hospital. We at “Weekend Update” have located the missing jokes. The first, told between Avenue M and 19th Street, was: “Are we in Philadelphia, or are you just glad to see me?” The second, told as the limosine passed a red light on Avenue P, was: “I feel like a hundred dollars.” Secret Servicemen next chuckled when President Reagan said: “Who’s on first?” There will be more jokes upcoming, we’re sure!

This, uh — [ Chevy attempts to say “This just in”, but trips on his tongue and playfully sputters gibberish to the audience’s delight ]

This just in from Israel, where Talmudic scholars claim to have unearthed startling evidence that God may be Black. According to the report, the original Hebrew of the Old Testement, which is mistranslated, and the passage was: “I am that I am” should read: “I is what I is.” More on this story as it develops.

Alexander Haig, on his trip to the Mideast, stopped off at the Vatican to visit Pope John Paul, where he discovered that the Pope was away. Haig immediately announced: “I’m in control here.” [ points to the Pope’s photo ] The Pope!

Chevy Chase: Well, with a look at what’s going on in cinema, here’s “Weekend Update” film critic Raheem Abdul Mohammed.

Raheem Abdul Mohammed: Thank you, Chevy Chase! Look here — last week I went to see “Stir Crazy” over at the Twin Theater on 42nd at Broadway. Now, I like Twin Theater — I see all my movies at Twin Theater. But I wish I hadn’t seen “Stir Crazy”, ’cause, see, I was confused. Now, I don’t know why people are saying “Stir Crazy” is so funny. First of all, they had Gene Wilder in this isolation tank for half the movie, with these wires and whatnot all over him, right? Then, later on, his arms start swelling up and he turns into a caveman! I didn’t think that part was funny. Then, when he was in the hour, Gene Wilder’s feet turned into MONKEY feet! And the most ridiculous part about it was, later on, Gene Wilder turned into Richard Pryor… and was running around the city buck-naked with some dogs chasing him. I had to feel bad for him. They must have filmed that part after he got burnt or something, I didn’t think that was him. Then he went to the zoo and threw soem rocks at a deer — I didn’t understand that, either. And then all of a sudden, Gene Wilder was laying on the rock buck-naked again. That was too deep for me. Don’t take your kids. And another thing — people you see on the commercials, they be talking about: “We bad, that’s right.” I didn’t see that in the WHOLE movie! So if somebody walk up to you and say, “Hey, man, you see ‘Stir Crazy’?” You tell them Raheem Abdul Mohammed told you it wasn’t very damn funny! Back to you, Chevy Chase.

Chevy Chase: Thank you, Raheem.

Raheem Abdul Mohammed: You welcome!

[ Chevy holds out his hand for a shake ]

Raheem Abdul Mohammed: You want to buy some reefer?

[ Chevy glances off-camera ]

Raheem Abdul Mohammed: We talk about that later, Chevy.

Chevy Chase: At a press conference in Moscow this week, Soviet Premier Leonid Breznev proclaimed that he would give the Polish Communist Party more time to work out its problems. Putting his hands over his eyes, the president then said: [ puts his hands over his eyes ] “One-thousand one… one-thousand two…one-thousand three…” [ he lowers his hands ] Then he did this: [ he rips a sheet in paper in half ] I don’t know why!

[ image: train wreck ] Well, it was a bad day for the Little Engine That Could. It couldn’t, and it didn’t.

Chevy Chase: Actor Jimmy Stewart said last week that he’d take a bullet for the President. We sent “Weekend Update” reporter Laurie Metcalf to ask New Yorkers if they, like Jimmy Stewart, would take a bullet for the President, and if so, where?

[ cut to New York street scenes ]

Laurie Metcalf V/O: Would you take a bullet for the President?

Random New Yorker: Uh — no, ma’am. No.

Laurie Metcalf V/O: Is there someone you would take a bullet for?

Random New Yorker: Yes, I would, uh, I would take a bullet for, uh, my family or my children or my wife or my loved ones, something like that.

[ cut to another New Yorker ]

Random New Yorker: I would take any particular part of my body to protect the President from any assault or any harm to himself.

[ cut to Metcalf and a New Yorker ]

Laurie Metcalf V/O: Jimmy Stewart said, when President Reagan was wounded, that he would have taken the bullet. Would you take a bullet for a president?

Random New Yorker: [ leaning into the microphone ] Why not? It’s our patriotic duty to defend our president.

[ cut to Metcalf with another New Yorker ]

Laurie Metcalf V/O: Would you take a bullet for a president?

Random New Yorker: Nope.

[ cut to another New Yorker ]

Random New Yorker: No.

Laurie Metcalf V/O: Who would you take a bullet for?

Random New Yorker: I’d take it for my mother, that’s it.

[ cut to another New Yorker ]

Random New Yorker: Honestly speaking? Uh — I would.

[ cut to another New Yorker ]

Random New Yorker: Not on the tri-system of justice, no way! Unfortunately for us, what would be the point?

Laurie Metcalf V/O: Who would you take a bullet for?

Random New Yorker: When this country gets back to law-and-order, THAT’S when I think about taking a bullet the president!

[ cut to another New Yorker ]

Random New Yorker: I wouldn’t take it for the president, if he wouldn’t take it for me.

[ cut to another New Yorker ]

Laurie Metcalf V/O: Would you take a bullet for the President?

Random New Yorker: Sure.

Laurie Metcalf V/O: Uh — where would you take the bullet?

Random New Yorker: Anywhere it was coming — head, chest, stomach…

Laurie Metcalf V/O: If you could choose?

Random New Yorker: If I could choose? Yeah, I’d rather take it in the arm.

[ cut to another New Yorker ]

Random New Yorker: I would take it in the brain.

[ cut to another New Yorker ]

Random New Yorker: Probably, I would try to take it in my arm or my leg.

[ cut to another New Yorker ]

Random New Yorker: Well, I’m not gonna take it in the head.

[ cut to another New Yorker ]

Random New Yorker: I never gave it a thought.

[ cut to another New Yorker ]

Random New Yorker: I’d probably jump up high — that way, if the bullet came, it would probably hit in the chest or something… or maybe in the back. It wouldn’t be enough to kill, but enough to cripple, and at the same time, my thought, being a friend of the president, would block him.

[ cut to another New Yorker ]

Random New Yorker: That’s a tough question to ask, would I take it for someone else. No one could answer that. To be honest with you, I really don’t know.

[ cut to Laurie Metcalf ]

Laurie Metcalf: That’s how New Yorkers feel. This is Laurie Metcalf, “Weekend Update”.

[ dissolve to Weekend Update slide ]

[ dissolve back to Chevy at the news desk, trying to flick a booger off of his fingers ]

[ Chevy looks up, surprised to see the camera on him ]

Chevy Chase: Thank you!

Secretary of State Alexander Haig is also visiting the Middle East and Spain. While in Spain, the Secretary got a case of the Touristas. Haig held a news conference and said, “I’m in control.”

Speaking of Spain, Generalissimo FRancisco Franco remains deceased at this time. For up-to-the-minute news concerning any change in his condition, please stay tuned to this station.

A sad piece of news came in today from the Bedford Hills Prison, where Jean Harris is serving a sentence of fifteen years. At noon yesterday, she made her second suicide attempt. Two cellmates, three wardens, and a priest were killed.

Well, Las Vegas psychic Tamara Rand announced today that she is changing her name to “Yesterday”. She gave no reason for her decision. [ glancing at news sheet ] The writer’s strike continues…

In a comprehensive report released by the White House to the Senate Foreign Relations Committee today, the administration announced that, heretofore, the nations of South Africa, Zaire, Angola, Chad, Ethiopia, and Liberia.

In an attempt to modernize its services, the Catholic Church has introduced something new into Communion. In addition to dispensing the host, priests will now, also, dispense a co-host, which symbolizes the body of Mike Douglas.

[ Chevy pushes his news sheet off the side of the desk ]

Despite the recent attack on his father, it’s business-as-usual for Ronald Reagan, Jr., shown here dancing in the ballet: “The Flaming Dip.”

In people today, Erik Estrada, the actor, severely lacerated the inside portion of his ankle recently, while merely attempting to start his motorycle during the filming of a “CHiPs” episode. The 1000 CC bike then fell on his hair and hand, causing inexplicable publicity. Sources close to Estrada said they laughed and laughed.

Chevy Chase: [ holding up news sheet ] Hey, look at this!

[ image: two Sammy Davis, Jrs. on a stamp ] This just in, again: Here’s a mint issue of Zimbabwe’s first Air Mail stamp. [ Chevy appears confused ]

More really bad news for the Columbia space shuttle. Not only has a take-off been delayed for over two years, but at two o’clock today, Lt. Strickland of the Canaveral Police issued the shuttle a parking ticket, with fines exceeding $3 million. [ he chuckles ] “We tried to be lenient,” the lieutenant said, “but they’ve been here two years, and it is a six-hour zone.”

Chevy Chase: And now, to talk about the new “Saturday Night Live” staf and, of course, himself, is former “Weekend Update” correspondent, Mr. Al Franken. Al?

Al Franken: Thanks, Chevy. It’s nice to see someone else from the old show. [ he smiles impishly ] You know, most of you probably know me, Al Franken… [ SUPER: “Al Franken” ] from the Al Franken Decade reports I did last year. Or from the Franken & Davis shows that my partner, Tom Davis, and I did over the five years of the original “Saturday Night Live”. Now, during the past six months, I have suffered countless instances of personal embarrassment, from people coming up to me, Al Franken… [ SUPER: “Al Franken” ] and saying, “Hey, Al! Al Franken! Are you still writing for the show?” Or, “Al! Al Franken! How’s the show going?” Well, I’m here tonight to set the record straight. I am not involved, in any way, with the new “Saturday Night Live”.

[ the audience applauds ]

Now, there’s been a lot of articles on how “Saturday Night” fell apart. [ he holds up a TV Guide ] Now, here’s one in this week’s TV Guide. It’s a pretty good one, it’s okay. [ he opens to an inner page, headlined: “The Debacle of the Year” ] I don’t know if you can see that, but… the real story has never been told… ’til tonight. And you can believe it, because it’s coming from me, Al Franken. [ SUPER: “Al Franken” ]

You see, Lorne Michaels, the producer of “Saturday Night”, decided after last season that it was time to go on to different things. [ pull back to bring Chevy Chase into the shot ] Now, he figured the first season had been great. Then, Chevy left. And the show, of course, got even better. Then — then after the fourth year, Danny and John left. Now, them — them, we missed. [ return to close-up of Al ] So, after five golden years, Lorne decided to leave. And so did those close to him, including me, Al Franken. [ SUPER: “Al Franken” ]

So, NBC had to pick a new producer. Now, most knowledgeable people, as you might imagine, hoped it would be me, Al Franken. [ SUPER: “Al Franken” ] But instead, without consulting the show’s staff or cast, NBC picked Jean Doumanian, an associate producer on the show. Now, I don’t want to be cruel to Jean — because it might make you think less of me, Al Franken. [ SUPER: “Al Franken” ] Anyway, it took NBC twelve shows to figure out their horrendous mistake. And a month ago, they fired Jean. Okay, now, who do they pick to rectify the original error? Someone who knows what he’s doing? Someone like me, Al Franken? [ SUPER: “Al Franken” ] No, they picked Dick Ebersol. Now, I know Dick because he was a network executive in charge of late-night programming when “Saturday Night” started, and, as such, was the first person to steal credit for the success of “Saturday Night”, credit which should rightfully go to Lorne Michaels and me, Al Franken. [ SUPER: “Al Franken” ]

Now, let me give you some background on Dick “Mr. Humor” Ebersol. His credits include “The Waverly Wonders” starring Joe Namath, “Rollergirls”, and a show called “Valerie” about a kid from Brooklyn who dances every night at a disco. Now, to this day, Dick claims that he never saw “Saturday Night Fever”, and that it was all an amazing coincidence. Anyway, I know Dick, and I can tell you that he doesn’t know dick. [ laughter and applause ]

Okay. Now, the show is going to be a little better. No English-speaking person could do a worse job than Jean. But it’s clearly time to yank this tired old format off the air. So if you’re wondering what you can do for me, Al Franken… [ SUPER: “Al Franken” ] please write a card or letter to:

Put SNL To Sleep
30 Rockefeller Plaza
New York, New York 10020

Let’s put this show out of its misery! You’ll be doing a great favor for yourselves, and for me, Al Franken. [ SUPER: “Al Franken” ] Thank you!

Chevy Chase: Thank you, Al. Al, you’re actually going to be hosting the show next week, is that right?

Al Franken: Yeah. It’ll be, uh — my partner Tom Davis, and, uh, and me, Al Franken. [ SUPER: “Al Franken” ] We’ll be hosting, and our special guest will be The Grateful Dead.

Chevy Chase: Well, thanks, Al.

Al Franken: Yeah. So watch next week, but not after that.

Chevy Chase: Thank you, Al.

[ they stare one another down for a moment ]

Chevy Chase: This just in. [ Chevy glances at the page, then puts it down ]

Well, how long does it take to cook a baby in a microwave oven? Exactly 55 seconds per pound, claims Mrs. Nelson Lynde of Glancing Blow, Michigan, who turned this smally fry into a small roast in just eight minutes and fifteen seconds. And to that, let me add: Well done! [ he laughs ]

Chevy Chase: And that’s the news on this, the 81st day of the freedom for the hostages from Iran. Good night, and have a pleasant tomorrow.

[ the camera holds on Chevy for an extended period, as he sips from a glass of water while waiting for the scene to fade ]

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    SNL Transcripts: Charlene Tilton: 02/21/81: Haunted Lincoln Bedroom


     Saturday Night Live Transcripts


      Season 6: Episode 11
















    80k: Charlene Tilton / Todd Rundgren, Prince

    Haunted Lincoln Bedroom

    Nancy Reagan…..Gail Matthius
    Doria Reagan…..Ann Risley
    Bellboy…..Eddie Murphy
    Mary Todd Lincoln…..Denny Dillon

    [ open on close-up of a diary, as the hands of Nancy Reagan open it ]

    Nancy Reagan V/O: “Dear Diary… Everything’s going so well. I’m First-Lady, and every woman in America worships me.” Oh! [ she writes over her entry ] “Every human in America worships me. Only one thing mars my happiness: That scheming opportunist that married my Ron Jr. — Doria!” [ scribbling ferociously ] “DORIA! DORIA!! DORIA!!! If only things could be different…”

    [ thunder strikes, as the image dissolves to the Lincoln Bedroom ]

    [ Nancy opens the creaking door while holding a candleabra ]

    Nancy Reagan: I wonder what’s taking my new daughter-in-law so long? It isn’t every night a girl gets to sleep in Lincoln’s bedroom.

    Doria Reagan: Ow! Ow! It’s pitch black in this hall! Ow!

    Nancy Reagan: Oh, I’m sorry, Doria! Take this! [ she throws the candleabra into the hall ]

    [ Doria screams as she runs into the bedroom ]

    Doria Reagan: Oh! I was almost burned!

    Nancy Reagan: Thank God you’re all right — we could have had a nasty grease fire.

    Doria Reagan: It was awfuly nice of you to invite me to spend the night, Mrs. Reagan. Especially since you referred to me in the papers as “That cheap piece of trash.”

    Nancy Reagan: Ohhh, you know the press! Always “quoting” people! I mean… “misquoting” people.

    Doria Reagan: Oh. [ she laughs ] But I thought you said Skip was meeting us here?

    Nancy Reagan: Oh, he was just called away on an emergency pais-do-do.

    Doria Reagan: Oh.

    Nancy Reagan: But… he told me to take care of you, and that’s exactly what I intend to do.

    [ thunder roars ]

    Doria Reagan: I don’t know… it’s kind of creepy in here.

    Nancy Reagan: Oh, don’t worry — I’m here. If you need me, just ring this. [ she holds up a bell ]

    [ Nancy exits the bedroom, as thunder continues to rumble ]

    [ Doria grabs the bell and attempts to ring it, but discovers there’s no tone inside ]

    [ ominous laughter comes from the hall, so Doria frantically opens the door… only to discover Nancy standing outside the door ]

    Nancy Reagan: Oh! [ she covers her mouth ] Sweet dreams! [ she laughs ominously once again, and shuts the door ]

    [ Doria crosses the room and stands in front of a portrait of Abraham Lincoln, which suddenly reaches out and grabs her hair ]

    Doria Reagan: Aiighhhh!!!! Somebody, help me!! Help me!!

    [ Doria rushes across the room and thrusts the door open; Nancy enters ]

    Nancy Reagan: What is it?

    Doria Reagan: [ frantic ] Abraham Lincoln just tried to do my hair!!

    Nancy Reagan: Doria, Doria… you’re imagining things. Abraham Lincoln wouldn’t TOUCH your hair!

    Doria Reagan: Oh! Oh, yeah, yeah, yeah. You’re right. I forgot.

    [ Nancy shuts the door, then pokes her head back in ]

    Nancy Reagan: Of course I’m right.

    [ Nancy exits ]

    [ suddenly, there’s a knock at the door ]

    [ Doria opens the door to reveal a bellboy ]

    Bellboy: Are you Doria Reagan?

    Doria Reagan: [ afraid ] Yeah!

    Bellboy: I got a ticket for you. Ford Theater. Balcony. Care of… Mr. Booth. Enjoy.

    [ he exits and closes the door ]

    Doria Reagan: What is going ON here?!

    [ thunder strikes, and a voice begins to moan from underneath the bedsheets ]

    [ suddenly, the bedsheets flip over to reveal Mary Todd Lincoln singing ]

    Doria Reagan: Aiiiigghhhh!!! Mary Todd Lincoln singing Rogers & Hammerstein!! I’m getting out of here!! Somebody!! Somebody!!

    [ Doria thrusts open the bedroom door, as Nancy appears ]

    Doria Reagan: I’m leaving! And don’t you try and stop me!

    [ Nancy holds up Doria’s suitcase ]

    [ Doria grabs her suitcase and runs down the hall, screaming as she crashes down the stairs ]

    Nancy Reagan: Oh, and be careful on those stairs! Someone left marbles all over them!

    [ Nancy laughs ominously, as thunder crackles ]

    [ pull out on set, then upward into the balcony, zoom in on man in the audience with SUPER: “Couldn’t Score At Woodstock” ]

    [ fade ]

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    SNL Transcripts: Charlene Tilton: 02/21/81: Backstage Revenge


     Saturday Night Live Transcripts


      Season 6: Episode 11


    80k: Charlene Tilton / Todd Rundgren, Prince

    Backstage Revenge

    …..Charlene Tilton
    …..Gilbert Gottfried
    …..Todd Rundgren

    (the dressing room, backstage. Tilton sits on the same bench, reviewing the script for tonight’s show. Gilbert Gottfried comes in and notices her sitting there.)

    Gottfried: (shyly) Um … Charlene?

    Tilton: Hi, Gilly!

    Gottfried: (sits down) You know, tomorrow, we have the day off. And I was wondering if you’d like to have brunch with me. I mean, I know this place in Brooklyn, you can get unlimited Bloody Marys for five bucks.

    Tilton: Aww. (puts her hand on his shoulder) Hey Gilly, uh, I’m really sorry, but I’m having brunch with Charlie at the Plaza.

    Gottfried: Oh. Well, well, maybe tomorrow night we can see a movie. I mean, I wouldn’t mind seeing “Insatiable” again.

    Tilton: Well – Gilly, that’s very nice of you, but uh, I promised Charlie I’d see a show with him. He’s got these great tickets for “Evita.”

    Gottfried: Oh, you and Charlie … Ann must be feeling terrible.

    Tilton: Ann? What are you talking about?

    Gottfried: Oh, oh, you didn’t know that Ann and Charlie have been having this torrid love affair … Ann’s carrying Charlie’s baby.

    Tilton: (her jaw drops. she closes the script and suddenly becomes spiteful) That two-timer! I’ll get Charlie Rocket.

    (she gets up and leaves)

    Gottfried: (now sullenly jealous) Charlie Rocket. How come HE gets to take out all the hosts? Sally Kellerman, Jamie Lee Curtis, Malcolm MacDowell … (stands up) How come nobody wants to go out with me?

    Todd Rundgren: (passing by) Uh, uh, Gilly? I’ll go out with you. (tongue in cheek)

    (Todd walks out of shot. The camera zooms in on Gottfried’s scowling face)

    Gottfried: That Charlie Rocket. I’ll get him if it’s the last thing I do.

    (cliffhanger cue)

    Submitted by: The G Man

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