SNL Transcripts: Candice Bergen: 11/08/75: NBC Super Season



 Saturday Night Live Transcripts


  Season 1: Episode 4



















75d: Candice Bergen / Esther Phillips

NBC Super Season

Roberts…..Rene Auberjonois
Bob…..Albert Brooks

[FADE IN on a blue background over which the following captions appear: “THE THREE OF US” in the center, “MEDICAL SEASON” on the left, and “BLACK VET” on the right. A fast-paced, horn-laced theme song plays, typical of 1970’s TV network promotion jingles. A chorus of male and female voices sings along.]

Singers: “We’ve got a super season on NBC! Super season! You’re gonna like it a lot!”

[Like blocks, still photos of scenes from each show stack up in a grid.]

Announcer: Even a super season has super failures! That’s why, at NBC, we’ve got super replacements!

[The screen slowly fills up with photos.]

Announcer: Here are just a few of the new shows waiting in the wings!

[CUT to exterior of a hospital while dramatic horns pulsate in the background. The caption “Medical Season” appears in the upper left-hand corner as three people walk down the sidewalk in front of the building.]

Announcer: “Medical Season”!

[CUT to hospital orderlies wheeling a gurney down a hallway, then CUT to an ambulance pulling up toward emergency room doors.]

Announcer: Real stories! Real people! Real action! And reality was never like this!

[CUT to an older gentleman in a suit with combed-back gray hair and dark-rimmed glasses. He sits behind a desk and speaks to a young woman with her hair piled up in a bun.]

Senior Doctor: [in heavy accent] At best, I’d say you have a year to live.

Woman: [unemotionally] I know. I overheard you tell Dr. Franklin.

Senior Doctor: [outraged] You already knew, and you made me go through the agony of telling you this? You are an inconsiderate and thoughtless woman.

[CUT to Dr. Franklin, a young, Chad-Everett type in a gray suit walking out of the hospital with a red-haired, bearded man, wearing a black ‘70s leisure suit and smoking a cigarette.]

Roberts: If she’s in pain, then dammit, DON’T keep her alive.

Dr. Franklin: [stolidly] She’s not in pain. Your wife will be fine until she dies.

Roberts: [angrily] She should not be allowed to LIVE if she’s going to die like this!

Dr. Franklin: Well, you’re gonna die, Mr. Roberts. You’re allowed to live.

Roberts: [pulls on cigarette] I’m not going to die within a year, doctor!

Dr. Franklin: How do you know?

[The young doctor stops and faces Roberts.]

Dr. Franklin: You could be hit by a car driving home today! Roberts: I’m not GOING home today.

[Roberts stalks off as Dr. Franklin glares angrily after him. CUT to the senior doctor from the first scene accompanied by Dr. Franklin. A nurse is pushing a gurney with a young long-haired man on it down a hallway.]

Dr. Franklin: But it’s unneccessary! This man does not need surgery!

Senior Doctor: [accented] He’s already paid for it, and we’ve already spent the money.

[CUT to the same two doctors outside. The older doctor sits behind the wheel of a red sports convertible while Dr. Franklin leans on the door and stares angrily in his face.]

Dr. Franklin: You’re the man in charge! If you go on vacation during this crisis, you’ll lose the respect of every doctor who works for you!

Senior Doctor: I have weighed this decision most carefully. I’ll see you in a week.

[He waves bye-bye and pulls away in the car. CUT to a middle-aged man in a turtleneck leaning over a long-haired woman in a chair and talking intensely to her.]

Man: You’re not really in love with me. You just THINK you are. It happens all the time, Leslie. Patients think they’re in love with their doctors, but they never really are.

[CUT to a dramatic closeup of the man as he turns his head and snarls bitterly.]

Man: They SUCK the doctors into believing them. The doctors do… and then the doctors get DUMPED!!

[CUT to a long-haired blonde nurse, sitting behind a long, high desk and talking on the telephone. Blocks on the wall above her spell out the word “REHAB.”]

Nurse: [in a tired voice] I am a registered nurse… NOT a registered prostitute.

[CUT to an ambulance van pulling up to the emergency room with sirens blaring and strobes flashing.]

Announcer: “Medical Season”! 9 out of 10 doctors agree: if this show gets on the air, watch out! It just might be habit-forming!

[The ambulance stops at the emergency room doors. A man gets out of the passenger front seat, walks around the front of the van, and opens the driver’s door. He helps the driver out and gingerly leads him inside.]

[CUT to a shot of a tall, long building with “CENTURY CITY” in the left corner. Cooler horn music plays, overlaid with a bit of ‘70s slide guitar. CUT to shots of “Judy’s,” “MAGNIN,” and other store signs. CUT to a man and two women walking arm-in-arm down a city sidewalk. Albert Brooks is the husband, and the woman on the left bears a striking resemblance to Susan Dey.]

Announcer: “The Three of Us!”

[SUPERIMPOSE title in the middle of the screen.]

Announcer: The wildest new comedy you’ve ever seen!

[FLASH shots of a store window, a “BIJOU” movie marquee, and then a sign which says “VIBRATIONS,” then CUT to the three on the sidewalk. The married couple wanders over to a storefront window, while the other woman watches from a short distance.]

Announcer: On the right are Bob and Cathy. They’re married. On the left is Susan, Cathy’s best friend. They all live together in fashionable West Los Angeles. This makes for a whole lot of fun–besides making Bob very excited!

[CUT to Bob and Cathy sitting on a couch while Susan sits on the floor near an intable.]

Bob: Well, I think we ought to do something exotic.

[laugh track]

Cathy: [sets book on her chest] What did you have in mind, darling?

Bob: [suggestively] Well, I don’t know… maybe, uh, you know, what they talk about in the magazines.

[CUT to Susan looking dubiously at Bob.]

Susan: The only magazines we got around here is “TV Guide.”

[Run laugh track while Bob looks defeated and Cathy smirks. CUT back to Susan.]

Susan: Hey, why don’t we join a record club?

[She flashes a smug smile over the laugh track. CUT to Bob and Cathy in bed. Bob is leaning on his pillow and talking to his wife.]

Bob: Come on, let’s ask her in here.

Cathy: I don’t WANT to ask her in here. I went to college with her.

[laugh track]

Bob: So you went to college with her! You’re both smart–she’ll find her way in here in a second!

[Run laugh track while Cathy glares at him and then turns her head away. CUT to Bob cracking an egg into a bowl in an upscale kitchen.]

Bob: [peeved] Why can’t she have two eggs like the rest of us?

[laugh track]

Bob: [tosses eggshell away] Why do I have to make an odd number of eggs every morning?

[laugh track]

Bob: Why do I even HAVE to make eggs every morning?

[laugh track]

Bob: Why am I doing the cooking? What is my PLACE here?

[Laugh track runs while Bob disgustedly tosses another eggshell away. CUT to the three of them at the breakfast table.]

Susan: [to Cathy] Oh, listen, before I forget, if it’s okay, can I borrow your overnight bag?

Cathy: Sure, it’s upstairs.

[CUT to Bob chewing with his mouth open and smirking at Susan.]

Bob: Overnight bag, huh? Where are you goin’?

[CUT to Susan and then Cathy looking coldly at Bob.]

Cathy: Why do you care?

Bob: What do you mean, why do I care? I’m a human being. I have feelings. I’m also VERY good in bed.

[laugh track]

Bob: [pleadingly] Please, Susan. Please, you two. Pleeeease.

[grabs jelly jar and unscrews the top]

Bob: Look, jam.

[The women ignore him and his open jam jar while canned laughter and applause play. CUT to the sidewalk in the first scene. Cathy and Susan are running down the sidewalk as Bob chases after them.]

Announcer: Everyone’s fantasy now becomes a situation comedy! “The Three of Us”! It’s in the can and waiting!

[Still chasing the women, Bob holds out his arms pleadingly, then trips on his own feet and almost falls to the ground.]

[CUT to a man and two children taking a pet cage out of the bed of a pickup truck which sits parked on a dirt road near a grove of trees on a hot summer day. Snarling guitar music plays in the background.]

Announcer: [dramatically] “Black Vet.”

[SUPERIMPOSE the title in black letters.]

Announcer: A young black veteran from the Vietnam War returns, and takes up practice as a veterinarian in a small southern town.

[The man and two children carefully carry the cage down a front walk. A sign next to it reads, “Dr. M. Bowman, Veterinarian.”]

Announcer: He and his family find acceptance difficult.

[CUT to Dr. Bowman inside his office and talking to an older white man in a blue jeans jacket and a cowboy hat. A dog sits between them.]

Man: [drawling] Now, he’s gonna have to be operated on. [pauses] Quite frankly, Duke doesn’t want you to do it.

Dr. Bowman: [with an attitude] You mean, I’m gonna have to board this dog while you’re out of town, but I’m not gonna have to operate? Is that what you’re saying to me?

Man: Well, I don’t have anything to do with it. [points to dog] It’s his choice.

[CUT to Dr. Bowman grabbing a young white guy by the front of his shirt and knocking him softly against the wall.]

Dr. Bowman: [slowly] I’m not the kind of vet that believes in drowning cats.

[Cat meows in background]

Dr. Bowman: Except the kind that go after my wife.

[CUT to a young black woman talking to the vet in front of a row of pet cages.]

Dr. Bowman: I just take care of her cow, do you understand? That’s all!

Woman: She doesn’t HAVE a cow, Dr. Bowman!

Dr. Bowman: [confused] Maybe we’re talking about somebody else. Who do YOU mean?

[CUT to Dr. Bowman in his white smock and holding up a birdcage.]

Dr. Bowman: Malpractice?!

Man’s Voice: [growling off camera] That’s right!

Dr. Bowman: Hey, give me a break, man, we’re talkin’ about parakeets!

[CUT to Dr. Bowman kneeling in front of his son and scoldingly pointing in his face.]

Dr. Bowman: [shouting] STAY away from the sheep!! You got it?!

[The boy nods obediently.]

Dr. Bowman: You just stay AWAY from ‘em!!

[CUT to the vet and his wife sitting out on their porch at night.]

Mrs. Bowman: Last night, Martin, in your sleep, you told me that you loved me.

Dr. Bowman: [smiles sweetly] You know I meant it. What else did I say?

Mrs. Bowman: You said you didn’t think I’d ever race again, but you wouldn’t have to shoot me.

[CUT to Dr. Bowman in front of a muzzled horse. He is holding onto the sides of the muzzle with both hands, while the horse keeps bobbing its head to try to get away.]

Dr. Bowman: Ah, ha ha ha ha, ah ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha haaaaaaaaa!!!

[CUT to Dr. Bowman peeling out in his pickup and leaving a cloud of dust behind him as the first theme music starts up again.]

Announcer: “Black Vet”! He’s coming your way just as fast as he can! Plus, there’s more!

[CUT to a smoky nightclub. The audience is standing on its feet and cheering while an actor in mime makeup walks to the edge of the stage, bends down, and kisses a young woman in the front row.]

Announcer: Specials, the likes of which you’ve never seen! Specials, like “Tuesday Night Nightclub”! Every random Tuesday, NBC takes you to a world-famous cabaret, to present the finest in underground entertainment!

[While the mime keeps bowing to applause, the scene is washed off to the left third of the screen. On the right two-thirds, a young boy and girl are seen talking to each other in a living room.]

Announcer: And: a new production of Arthur Miller’s “Death of a Salesman”! Totally acted by children!

[CUT to a closeup of the girl, who wears a gray wig and sweater.]

Girl: Do you have your glasses?

Boy: [in oversized white suit] Yeah, I got my glasses.

Girl: And your sack ring?

Boy: And my sack ring. Goodbye, I’m ready.

[The scene is washed into the middle third of the screen. On the far right is a detail from an oil painting of Revolutionary War soldiers.]

Announcer: Also, a series of Bicentennial programs: guaranteed to make you feel two hundred years old!

[The mime keeps taking bows on the left, the children keep acting in the center, and closeups of the war painting keep showing on the right.]

Announcer: And: comedian Albert Brooks breaks out of his late-night harness, gets a prime-time special, and finally gets a chance at making some BIG money!

[As the theme music winds to a close, the background singers start humming in the background.]

Announcer: It’s all right here!

Singers: “On NBC…”

Announcer: And, God willing, you’re gonna like it a lot!

Singers: “You’re gonna like it a lot!”

[The right two-thirds of the screen are squeezed out, and then FADE to black over applause after a brief shot of the mime taking bows onstage.]

[dissolve to audience applauding, zoom in one portly gentleman and add SUPER: “Leonard Bernstein’s Caterer”]

Thanks to Joe Cornfield for this transcript!

SNL Transcripts

SNL Transcripts: Candice Bergen: 11/08/75: Black Perspective



 Saturday Night Live Transcripts


  Season 1: Episode 4



75d: Candice Bergen / Esther Phillips

Black Perspective

…..Garrett Morris
…..Jane Curtin

[The “BLACK PERSPECTIVE” logo appears on screen for several seconds, then FADE to Garrett Morris in his host’s chair.]

Garrett Morris: Good evening, this is Garrett Morris, and welcome to “Black Perspective.” My guest this evening is a distinguished authoress who has written such scathing novels as “Sharecropper ‘75” and “Charcoal City.” She was a script consultant on the film “Sounder,” and has given many of us a most enriching insight into the urban black experience. Miss Jane Curtin.

[CUT to Jane sitting in the next chair and smiling.]

Garrett Morris: Welcome, soul sister Curtin. I have never met you, but I’m a big fan of your work.

Jane Curtin: Thank you very much. I’m happy to be here tonight.

Garrett Morris: Uh, Jane, if I may call you that, uh, your writing suggests a lineage, a background steeped in the traditions of the sharecroppers of the ‘30s who ultimately migrated to the large cities. Uh, where were you raised as a little girl?

Jane Curtin: Well, as a matter of fact, Garrett, I was raised in New York, New York City, to be exact.

Garrett Morris: Ah, I suppose, then, that, uh, growing up in Harlem gave you this animal alertness, this, uh, this street sense that seems to permeate the core of your work.

Jane Curtin: Not exactly, Garrett. I grew up in midtown Manhattan, not far from the studio here, Madiston–Madison and 63rd. But I do feel that the conscience of my writing has been strongly influenced by the plight of my brothers and sisters in the ghetto areas you speak of. The most important relationship to this, I think, is that, uh, if you are one of us, you can speak and feel for all of us, no matter where you come from.

Garrett Morris: Right on. Um, Jane, uh, I’m sure that you and I agree on this, but for the sake of our viewers, I’m going to ask you anyway. Which do you prefer: “black,” “Afro-American,” “Negro”…

Jane Curtin: [hold up palms] I prefer simply, “jungle bunny.”

[Jane and Garrett both laugh heartily.]

Jane Curtin: Uh, “black” is fine, Garrett, “black” is fine.

Garrett Morris: [laughing] Any, uh, suggestions for young black writers?

Jane Curtin: [intensely] Write what you know.

Garrett Morris: Mm-hm.

Jane Curtin: Write what you feel. Write the truth.

Garrett Morris: Uh, I am holding here, I’m holding here a copy of your newest book, “Shadows.” And there is no denying that, in person, you look nothing at all like your picture.

[Garrett turns the book around to show a black woman on the back cover.]

Garrett Morris: I, I, I’m sure that you must hear this a lot.

Jane Curtin: Yes, I do, quite frequently. But I must be honest: I don’t photograph well at all. [laughs]

Garrett Morris: Well, thank you, Jane Curtin, for being with us here on “Black Perspective.” [to camera] Be with us next week, when our guest will be Andre Prevet.

[FADE to “BLACK PERSPECTIVE” logo and theme music.]

Thanks to Joe Cornfield for this transcript!

SNL Transcripts

SNL Transcripts: Candice Bergen: 11/08/75: Attractive



 Saturday Night Live Transcripts


  Season 1: Episode 4





75d: Candice Bergen / Esther Phillips

Attractive

…..Chevy Chase
…..Jacqueline Carlin

[ open on attractive couple walking arm-in-arm through Central Park ]

[ they walk through a tunnel ]

[ they take a boat ride through the lagoon ]

[ they smile as they watch a passing parade ]

[ they grab a frankfurter from a cart vendor ]

[ they continue to stroll through the park arm-in-arm, smiling all the way ]

Announcer: Neither of these people use any commercial product to make themselves more attractive to each other.

[ fade ]

SNL Transcripts

SNL Transcripts: Candice Bergen: 11/08/75: Ambassador Training Institute



 Saturday Night Live Transcripts


  Season 1: Episode 4





75d: Candice Bergen / Esther Phillips

Ambassador Training Institute

Husband … Dan Aykroyd
Wife … Laraine Newman
Pitchman … Andrew Duncan

[In a kitchen, a wife serves her husbanddinner.]

Husband: [disgruntled] Sandwiches againtonight?

Wife: You know I can’t stretch the foodbudget any further! Why don’t you get a betterjob?

[Through the magic of Chroma-Key technology, apitchman appears – superimposed over this kitchenscene – and addresses the camera.]

Pitchman: Are you stuck in a go-nowhere,do-nothing job? If so, this is your chance to start anexciting career in the world of internationaldiplomacy as an ambassador to a foreign country — byenrolling now at the Ambassador Training Institute.

[After a glimpse of the ATI logo (a shield with aneagle, a dollar bill, and a crossed knife and fork),we dissolve to stock footage of horse-drawn carriages,diplomats shaking hands, tables laden with food,etc.]

Ambassadors live in luxury and get to mingle withglamorous celebrities, royalty, and the social elite.And they don’t have to pick up after themselves.Ambassadors have a lot of prestige and influence. Theyput in long hours without working hard. And they’reoften the center of attention. And the food?Fantastic! Ambassadors dine on the finest gourmet foodat big fancy dinner parties in palaces, in embassiesand trade centers.

[Back to the pitchman.]

To see if you qualify for a career in diplomacy, takethis easy test, right now, in the privacy of your ownhome. Listen closely. You are having dinner with someforeign dignitaries and someone says somethinganti-American. You:

(A) Shoot him and create an internationalincident.

(B) Pretend you did not hear it and ask him to passthe sweet and sour shrimp.

You’d be surprised how many people say “A” — but ifyou said “B,” then you have the ability to make quickdecisions on your feet. When you enroll at AmbassadorTraining Institute, you’ll learn how to accept giftsgraciously, how to propose toasts. You’ll use phraseslike: “Delighted to see you again!” “I’ll ask theSecretary of State.” and “Pass the sweet and sourshrimp.”

Now, here’s how to get your free booklet. Just sendthree hundred thousand dollars and the name of thecountry to which you’d like to be ambassador to:Illegal Campaign Contributions, Ambassador TrainingInstitute, Mexico City, Mexico.

Submitted Anonymously

SNL Transcripts

SNL Transcripts: Candice Bergen: 11/08/75: Trans American Airlines



 Saturday Night Live Transcripts


  Season 1: Episode 4



75d: Candice Bergen / Esther Phillips

Trans American Airlines

Written by: Michael O’Donoghue

Man … Michael O’Donoghue
Receptionist … Laraine Newman

[Fade in on a dingy apartment house hallway. Abearded, bespectacled man in a cheap green jacketwalks calmly down a flight of stairs to a pay phone onthe opposite wall. He drops in a dime, dials a number,and leans against the wall, his face turned to thecamera. He waits expectantly as the phone rings. Longstrands of hair hang awkwardly over his left ear. In asplit-screen, the call is answered by a nicely-dressedreceptionist at an airport ticket counter. A sign behind herreads “Trans American Airlines.”]

Receptionist: [pleasantly professional, with a smile]Good evening. Trans American Airlines.

Man: [in a low voice, occasionally flashing aslight, psychotic grin] Do you know what I’d like todo to you, lady? I’d like to stick tacks in your neck.[her face slowly begins to fall] Then I’d like to takea chain saw and run it down your spine. Then I’d liketo throw garbage at your face. [by now, she isfrowning unhappily] Then I’d like to rent a truck,fill it full of scrap metal and park it on yourkneecaps. Then I’d like to hit you in the lungs with ashovel, throw more garbage at your face, and then I’dlike to lop off your thumbs with a grapefruit knife.Good-bye. [grins]

Receptionist: [pleasantly, with a forced smile]Good-bye, and thank you for calling TransAmerican.

[Both parties hang up: the man blissful and satisfied,the receptionist disturbed and uneasy. Dissolve to theapplauding audience in the Studio 8Hbalcony.]

Submitted Anonymously

SNL Transcripts

SNL Transcripts: Candice Bergen: 11/08/75 – generate QR code



 Saturday Night Live Transcripts


  Season 1: Episode 4


This free script provided by http://javascriptkit.com]]>








Air Date:

Host:

Musical Guest:

Special Guests:



A Film By:

Cameos:

Bit Players:

November 8th, 1975

Candice Bergen

Esther Phillips

Andy Kaufman

The Muppets

Albert Brooks

Andrew Duncan

Neil Levy

Al Franken

Tom Davis



Season 1: Order Now!free website hit counter The President of the United StatesSummary: Chevy Chase debuts his impression of Gerald R. Ford, as the accident-prone president stumbles his way through a speech he delivers directly to the “Saturday Night Live” audience.

Note: The running gag in which President Ford encounters one malady after another stems from a June 1st, 1975 incident in Salzburg, Austria, when he slipped on a wet ramp while exiting Air Force One. These episodes are especially fun to look back on, when there were no cell phones, laptops, any way to generate QR code numbers for your devices. Seems very innocent now.

Transcript

MontageNote: In the early days, the cast was only listed by name, four at a time on two title cards. Only the second title card, containing the names Garrett Morris, Michael O’Donaghue, Laraine Newman and Gilda Radner appears in the opening credits this week.

Candice Bergen’s MonologueSummary: As Candice Bergen, SNL’s first woman host, tells the audience about tonight’s great show, a bee (John Belushi) appears on stage and grabs her hand. Chevy Chase approaches to swat the bee with a newspaper, but Candice objects, despite her allergies. Naturally, Chevy swats the bee anyway.

Recurring Characters: Bee.

Bio: Candice Bergen (1946-). Actress; daughter of Edgar Bergen, ventriloquist to Charlie McCarthy; film credits include: “Carnal Knowledge” (1971), “Rich and Famous” (1981); starred in CBS sitcom “Murphy Brown”, 1988-98; starred on “Boston Legal”, since 2005.

Also Hosted: 75h, 76j, 87e, 89t.

Transcript

Ambassador Training InstituteSummary: A commercial spokesman (Andrew Duncan) explains how you can apply to become a U.S. ambassador for a foreign country, aptly mixing work with play.

Note: One NBC affiliate switched to local commercials during this ad parody because they believed it was a real ad.

Transcript

CIA RecordsSummary: At the disheveled offices of the CIA, an employee (Dan Aykroyd) can’t seem to find the career criminal file belonging to Garrett Morris.

Transcript

Jaws IISummary: In this film spoof, the “cleverest species of them all” – the Land Shark (Chevy Chase) terrorizes young woman in their homes, luring them to the door by pretending to deliver flowers and Candygrams. Matt Hooper (John Belushi) and Sheriff Brody (Dan Aykroyd) survey the bodily damages.

Recurring Characters: Land Shark, Matt Hooper, Sheriff Brody.

Transcript

Esther Phillips performs “What a Difference a Day Makes”Bio: Esther Phillips (1935-1984). Soul songstress; covered songs from nearly every musical genre of the 50’s, 60’s and 70’s.

Lyrics

Weekend Update with Chevy ChaseSummary: Chevy Chase makes faces behind congresswoman Jane Curtin’s back as she delivers an editorial reply against federal aid to New York City. As a public service to viewers who have difficulty hearing, Garrett Morris, the headmaster of the New York School for the Hard-of-Hearing, repeats the evening’s top story.

Long-DistanceSummary: As he makes a long-distance call to his mother, a gay man reminisces about the joy’s of dressing in her clothes. After all, it’s “the next best thing to being her.”

Note: This ad parody angered The Gay Activists Alliance during its initial broadcast. It was edited out of a late-night classic rebroadcast on NBC in 2005, and replaced with a repeat of the Triopenin ad parody.

ChanelSummary: With her face leaning against the bottle, French actress Catherine Deneuve (Bergen) endorses the perfume that helps her cope with her own fame.

Andy KaufmanSummary: Andy Kaufman enters as his Foreign Man character. He attempts to tell a joke, perform impressions, dance and sing, but he bombs so terribly that he wishes the cameras weren’t rolling. After breaking into a nervous crying fit, he plays the bongos to the audience’s delight.

Transcript

InsecuritiesSummary: Candice Bergen and Gilda Radner discuss their insecurities, prior to introducing this week’s film by Albert Brooks.

NBC Super SeasonSummary: Albert Brooks gives us a look at some mid-season replacement shows waiting to be broadcast on NBC – the dramatic “Medical Season”, the wild comedy sex farce “The Three Of Us”, and the racially-tense “Black Vet.”

Transcript

Midnight ProbeSummary: Candice Bergen interviews sadistic kiwi trappers Dennis X (Dan Aykroyd) & Anthony Q (John Belushi).

AttractiveSummary: Chevy Chase and girlfriend Jaqueline Carlin don’t need to use products to be attractive to one another.

Note: This piece was edited out of a late-night classic rebroadcast on NBC in 2005.

Transcript

Trans American AirlinesSummary: A sadistic gentleman (Michael O’Donoghue) crank calls the receptionist (Laraine Newman) for Trans American Airlines.

Transcript

The MuppetsSummary: The Glig population is down to its last two, so Scred (Jerry Nelson) & Ploobis (Jim Henson) seek the advice of the Mighty Favog (Frank Oz) for a solution.

Practical JokesSummary: Reporting from a third world country, Candice Bergen plays practical jokes on its leader (John Belushi) during a controversial interview.

Black PerspectiveSummary: Garrett Morris interviews Jane Curtin, a white woman who passes herself off as am expert black female authoress.

Transcript

PongSummary: With only the Pong game screen in view as they play, Al Franken and Tom Davis discuss bringing the Al’s girlfriend home to meet his parents for Thanksgiving.

Esther Phillips performs “I Can Stand a Little Rain”Lyrics

GoodnightsNote: The cast joins the host on the stage for the Goodnights for the first time, a tradition that would last throughout the show’s run.

Transcript

SNL Transcripts

SNL Transcripts: Rob Reiner: 10/25/75: The Wheelchair



 Saturday Night Live Transcripts


  Season 1: Episode 3





75c: Rob Reiner

The Wheelchair

Nurse…..Jane Curtin
Mr. Featherstone…..Chevy Chase

[ open on Nurse wheeling Mr. Featherstone into a lightly decorated room ]

Nurse: I’ll check in on you later, Mr. Featherstone. [ she exits ]

Mr. Featherstone: Thank you, Karen.

[ Mr. Featherstone places a cigarette in his mouth, then reaches for his lighter, which accidentally drops and bounces across the floor. He looks around for his nurse, with hopes of retrieving his lighter, but she’s nowhere to be found. With no other recourse, Mr. Featherstone rises from his wheelchair, walks across the floor, picks up his lighter, then casually returns to his position in his wheelchair. ]

[ Mr. Featherstone lights his cigarette, then suddenly realizes that he just walked. Confused, yet curious, he decides to try his luck again and tosses the lighter across the floor. Mr. Featherstone then steps out of his wheelchair and promptly falls flat on his face. ]

Mr. Featherstone: [ looks up at the camera and yells: ] “Live, from New York, it’s “Saturday Night!”

SNL Transcripts

SNL Transcripts: Rob Reiner: 10/25/75: What Gilda Ate



 Saturday Night Live Transcripts


  Season 1: Episode 3



75c: Rob Reiner

What Gilda Ate

…..Rob Reiner
…..Gilda Radner

Rob Reiner: And now, a new feature on “Saturday Night”, “What Gilda Ate. Gilda?

Gilda Radner: Thanks, Rob. Okay, I started the day with one piece of dry toast and two egg whites scrambled in a no-stick Teflon pan; and then I had a little piece of chicken from some leftover Chinese food that I had in the refrigerator, and one breaded sweet-and-sour shrimp, but I picked all the breading off. And then, at lunch, I had a half of a club sandwich, but I took out the middle piece of bread and I left the crust, but I traded the other half for a half of Western omelette with cheese; and then I finished before everyone else, so I had a roll with butter and three french fries off of somebody else’s plate, and a Tab. But I didn’t order dessert. But on the way back to the office, I had a Fig Newton and an Almond Joy candy bar. And then, when I got back to the office, I told everyone I was going to the bathroom, but I really went to a coffee shop and had Apple Pie a la Mode, and I ate the whole thing. And on the way back up, in the elevator, I found a Milk Dud covered in tobacco at the bottom of my pure, and I ate it. And, then on the way back to work, I went to the drugstore and bought an M&M Peanut Munch Bar..

Rob Reiner: [ finally interrupts ] Thank you very much, Gilda, that’s enough!

Gilda Radner: But I’m not finished yet..

Rob Reiner: I know, but we have to go on with the show, I’m sorry.

Gilda Radner: Oh.. [ shrugs ] I’ll just go get a snack.. [ exits stage ]

SNL Transcripts

SNL Transcripts: Rob Reiner: 10/25/75: Weekend Update with Chevy Chase



 Saturday Night Live Transcripts


  Season 1: Episode 3











75c: Rob Reiner

Weekend Update with Chevy Chase

…..Chevy Chase
…..Laraine Newman
…..Garrett Morris

[FADE IN on Chevy Chase sitting at the anchor desk and talking on the telephone.]

Don Pardo: From Saturday Night News Headquarters, this is “Weekend Update” with Chevy Chase!

Chevy Chase: Are you udner the covers right now? [ smiles ] Did you shower? [ smiles again, notices the camera, then quickly hangs up the phone and begins with a falsetto ] Good evening — [ clears his throat ] Good evening! I’m Chevy Chase.

The top story is, of course, the good news that President Ford is over that week-long bout with that stubborn cold. White huose physicians say that, after a mild cold of that sort, it will take the President a few days to recover his motor skills fully, citing the period after his last cold when he tied his shoe to his hair blower and inadvertently pardoned Richard Nixon.

[ show slide of George Wallace ]
On the campaign trail, Gov. George Wallace expressed disappointment that the Pope would not grant him an audience. The Vatican has stated the Pope simply did not know who Wallace was, pointing out that handicapped people are always knocking on his door.

Starting a speaking tour this week, former governor Ronald Reagan spoke out against marijuana, abortion, the equal rights amendent, busing, and gun control legislation. When asked what he was for, Reagan replied, quote, “Hair dye,” unquote.

Reagan stated that, like Wallace, he was also considering campaigning in a wheelchair, saying, “It’s not for the sympathy I’d get, it just makes the race more fair.”

[ show slide of Evil Knieval jumping his motorcycle over a line of busses ]
Kings, Island, Ohio — this afternoon, Evil Knieval successfully jumped his Harley-Davidson motorcycle over fourteen Greyhound busses. Evil will attempt to jump a Greyhound bus over Fred MacMurray and his entire family next week.

Sirhan Sirhan, convicted assassin, has changed his name to Sirhan Sirhan Sirhan. He gave no reason for, uh, this decision.

[ show slide of the exterior of the Blaine Hotel ]

Chevy Chase: Well, more trouble at the Blaine hotel, in midtown Manhattan, where three kidnappers have been holding a hostage for some twenty hours now. For an on-the-spot report, let’s go live to Laraine Newman at the Blaine Hotel. Laraine?

[ cut to a shot looking down a staircase to Laraine Newman standing outside of Room 1822 at the Blaine Hotel ]

Laraine Newman: Chevy, I’m standing outside a room on the 18th Floor of the Blaine Hotel, where a group of terrorists calling themselves, strangely enough, simply, “Blowfish”, are holding several hostages. Inexplicably, they have insisted that famed television show announcer, Don Pardo, read off their list of ransom demands on national television.

[ the door slowly opens ]

Oh, the door to the room appears to be opening. Tell us what they want, Don Pardo. [ sticks her microphone into the crack of the door ]

Don Pardo V/O: Laraine! The kidnappers want to be transported on one of Gotham Choppers quiet and comfortable Executive Helicopters to Kennedy Airport! [ show product slide ] Gotham, for the lift of a lifetime! [ next product slide ] While at Kennedy, they’ll receive three complete sets of Trav-King Air-Mate modeled and carry-on luggage, Laraine! [ next product slide ] And they’ll fly on British Pacific Airways’ luxurious Sunfaster Funjet to Havana, Cuba, the Carribbean’s unchallenging island paradise! [ next product slide ] And, Laraine, they’ll board that jet on thirty square yards of Brasland Carpet, their choice of sixteen colors and patterns! [ next product slide ] And, while receiving asylum in Havana, the kidnappers will stay in the sumptious Imperial Suite in Havana’s lush Guevera Beach Hotel! [ next product slide ] And, they’ll be wearing these “Guido” Slacks — [ next product slide ] when they demand two millions’ worth of Remco pure, refined gold bullion, from First City Bankers National of Remco – gold processors for over FIFTY years! Laraine?

[ cut back to Laraine, who retrieves her microphone from the crack in the door ]

Laraine Newman: And that’s the way it is at the blaine Hotel. Back to you, Chevy Chase!

Chevy Chase: [ in front of “Still to Come” screen ] Still To Come: Earthquake: Friend or Foe, Switzerland Declares War on Itself, and Rudolph Hess Plans a Halloween Party.” After this filmed message.

[ dissolve to ad parody for Wrigley’s Gum, then back to Weekend Update ]

[ Blaine Hotel ad card ]

Announcer: Guests of “Saturday Night” stay at the fabulous Blaine Hotel in midtown Manhattan. A New York tradition for more than fifty years.

[ dissolve back to Chevy Chase ]

Chevy Chase: Acid indigestion in the news. The signing of a joint communique between Great Britain and Saudia Arabia was held up Wednesday, when Prime Minister Harold Wilson became sick to his stomach and threw up on the papers at the ceremony. [ slide shakes ] Referring to the incident later, the Prime Minister said, quote, [ makes throw-up noise ].

Chevy Chase: And now, as a public service to those of our viewers who have difficulty with their hearing, I will repeat the top story of the day, aided by the Headmaster of the New York School for the Hard-of-Hearing – Mr. Garrett Morris.

[ Garrett appears in an oval over Chevy’s right shoulder ]

Chevy Chase: Our top story tonight —

Garrett Morris: [ cups his hands and yells ] OUR TOP STORY TONIGHT!!!

Chevy Chase: President Ford is finally over that stubborn week-long cold.

Garrett Morris: PRESIDENT FORD IS FINALLY OVER THAT STUBBORN WEEK-LONG COLD!!!

[ Garrett disappears ]

Chevy Chase: [ smiles ] Well, that’s the news tonight. I’m Chevy Chase. Good night, and have a pleasant tomorrow.

SNL Transcripts

SNL Transcripts: Rob Reiner: 10/25/75: Pancreas



 Saturday Night Live Transcripts


  Season 1: Episode 3







75c: Rob Reiner

Pancreas

Ed…..John Belushi
Wife…..Gilda Radner

Don Pardo: A message from the National Pancreas Association!

[FADE IN on Gilda Radner and John Belushi as a married couple in their living room. John has a long face, and Gilda stares at him with concern.]

Ed: You know, honey, I don’t feel good.

Wife: Well, that’s too bad, Ed. Did you ever think that it might be your pancreas?

Ed: Gee, honey. I must have unthinkingly ruled my pancreas out. I’ll check on it first thing in the morning.

[FADE to a doctor’s office and SUPERIMPOSE the caption “THE NEXT DAY.” Dan Aykroyd, as the doctor, looks at a medical chart and shakes his head.]

Doctor: I’m sorry, Ed. Your pancreas is on the fritz. You came to me just in time. Reminds me of a little joke. Knock, knock.

Ed: Who’s there?

Doctor: [matter-of-factly] Ed’s pancreas.

Ed: Ed’s pancreas who?

Doctor: I don’t know, Ed. But I know this: good glands don’t grow on trees.

Ed: Yeah. I guess I haven’t done right by…

[dramatic pause]

Ed: My pancreas.

[FADE to Ed’s wife smiling sweetly and waiting for him to come in. SUPERIMPOSE the caption “LATER THAT NIGHT” as Ed enters the room and sits down on the couch.]

Wife: Geez, Ed, you look like a million bucks! How are you feeling?

Ed: Fit as a fiddle. A fiddle with a healthy pancreas. Ha, ha, ha, ha!

[They kiss once and both grin at the camera.]

[dissolve to art card: “Brought to you by your National Pancreas Association”]

[ dissolve onto audience, zoom in on smiling woman, with SUPER: “Has Been To Lee Radziwell’s House”]

Submitted by: Joe Cornfield

SNL Transcripts