SNL Tonight

SNL Transcripts: Ray Charles: 11/12/77: Ray Charles’ Monologue



 Saturday Night Live Transcripts


  Season 3: Episode 5



77e: Ray Charles

Ray Charles’ Monologue

… Ray Charles

Don Pardo V/O: Ladies and gentlemen, RayCharles!

[Applause. Darkened Home Base. In a spotlight, RayCharles sits at a grand piano.]

Ray Charles: Aw, thank you. Thank you, thankyou very– Thank you very much, ladies and gentlemen.Uh, I want to say that when the people, uh, fromSaturday Night first asked me to, uh, host this show,of course, I – I – I said “Absolutely not.” Uh, I – Iknew the show was tasteless and – and offensive and -and – and there was no way I was gonna letthirty years of a career go down the drain. I – I – Imight be blind but I’m certainly not stupid. But they- they – they kept on askin’ me and the producer wassaying, “Hey, hey, Ray, you know, we gonna make youlook good.” And – and– But, you see, I was worriedmore about the sound. So, I – I – eventually, Isaid, “Listen, I’ll tell you what. Er, uh, I’ll do theshow but – but – er, uh – there must be some, uh,particular conditions in order for me to do it. Ah,for instance, I’ve got to have my own musicians. I – Iwant the Raylettes. And they said, “Okay.” But for thelast thing I asked ’em about, it took ’em a littlewhile to come up with it but they were even able to dothat, too. So, therefore, ladies and gentlemen, let mesay that: [grandly] Tonight, we are proud to be comingto you live — from Carnegie Hall!

[lowers his voice conspiratorially] Now, listen, I,uh, I gotta tell you something. [chuckles] You see,now, they think that I think that this isCarnegie Hall but… [laughter and applause] … Yousee, but, ah, the joke is really on them because, yousee, I – I’m not the real Ray Charles. The realRay Charles IS at Carnegie Hall. Ah, but if hewere here tonight, I – I am sure that he wouldlead off this show with somethin’ like this. One!Two!

[Charles’ band comes crashing in and the lights comeup to reveal a stage full of musicians and numerousfemale backing vocalists, the Raylettes. They alllaunch into a swinging, soulful version of “I Can SeeClearly Now” …]

Submitted Anonymously

SNL Transcripts

SNL Transcripts: Ray Charles: 11/12/77: Goodnights



 Saturday Night Live Transcripts


  Season 3: Episode 5





77e: Ray Charles

Goodnights

… Ray Charles

[Home Base. Ray Charles seated at the grand pianosurrounded by the cast, the Raylettes, and originalmembers of his band.]

Ray Charles: You know, I – I – I’m so glad. I–They – They just told me that – that, uh, we’ve got awhole minute left, you know. That’s – That’shighly unusual for this show. But, this is straightahead. Before we – we get too lost here, everybodythat’s around me, I really want to say, uh, truly, uh,thanks to all of you, people. And, uh – and, uh -would you all just say a nice, uh, “thank you and goodnight” and then what I want to do is – is just sortof, uh, get into, uh– C-Can we just close with a -with a little somethin’ a little more lively than theband and just let them sort of follow us, like, uh…[plays a funky uptempo rhythm on the piano and scatsalong, soon the band joins in and everyone claps tothe beat, credits roll – Brother Ray sings:] Hereon Saturday night, Saturday night …

Don Pardo V/O: Mr. Mike is played by MichaelO’Donoghue. Next Saturday night, our host will be BuckHenry with musical guest Leon Redbone and the fivefinalists in the “Anyone Can Host” contest. Boy, Ihope they don’t have an “Anyone Can Announce” contest.Nah! They wouldn’t do that to me. This is Don Pardosaying good night … anyone!

Ray Charles: [sings]
Wanna have a little fun, y’all
On Saturday night
That’s where it all begun, y’all
On Saturday night
Tell me! Whatcha gonna do …?

Submitted Anonymously

SNL Transcripts

SNL Transcripts: Ray Charles: 11/12/77: No More Godfather on TV



 Saturday Night Live Transcripts


  Season 3: Episode 5




77e: Ray Charles

No More Godfather on TV

Tom Hagen…..Bill Murray
Don Vito Corleone…..John Belushi

[ open on Tom Hagen in a dark office speaking with Don Vito Coreleone ]

Tom Hagen: — They did a lot of work on it, they spent a couple millon dollars. Now, it’s true, they showed the bad side of the family. But you came off looking really well tonight.

Don Vito Corleone: I don’t know. You know, if what they say is true, the camera really does put on ten pounds, you know? I don’t like the way we were portrayed, you know? The movie’s the one thing, but.. there’s too much violence on television. Oh, it’s a dirty business. I want no part of it. No more “Godfather” on television!

Tom Hagen: We’ll try whatever we’ve got to do. The Nielsen ratings were awfully high. It’s gonna be difficult to get them to cancel parts two, three and four. In fact, they have plans to do even more.

Don Vito Corleone: What plans?

Tom Hagen: Well, they’ve already started developing two new shows – “Godfather Knows Best”, and another thing called “The Courtship of Eddie’s Godfather.”

Don Vito Corleone: How could NBC treat me with such disrespect? [ “Godfather” theme pots up ] All I’ve done for them. When they wanted Dean Martin to star in a series, who got him for them? I did. Ah, but let’s face it – they never wanted my friendship. It’s okay, I understand – but, now, this? How can they do this to me? We made a no contract.

Tom Hagen: They didn’t have to have a contract. We have no legal recourse!

Don Vito Corleone: Ah, legal recourse. Legal recourse. We’ll go to the mattresses!

Tom Hagen: What do you suggest we do, Godfather? Make them an offer they can’t pass by?

Don Vito Corleone: Hmm.. Something like that. Let’s see. We move hard, fast. Tom – you go to NBC in Hollywood, take Clamenza with you. I want Grizzly Adams to wake up with a bear’s head on his pillow. That’ll take care of it.

Tom Hagen: Okay. How about “Saturday Night Live”?

Don Vito Corleone: Noooo. No, my grandchildren love the show, it makes them laugh. Abd there’s not enough good satire on TV these days. [ camera zooms in ] Besides.. I love it when they say, “Live, from New York, it’s Saturday Night!”

SNL Transcripts

SNL Transcripts: Ray Charles: 11/12/77: Blackout



 Saturday Night Live Transcripts


  Season 3: Episode 5







77e: Ray Charles

Blackout

…..Ray Charles
Burglar #1…..Dan Aykroyd
Burglar #2…..Garrett Morris

[ open on a New York night ]

Ray Charles V/O: Oh, I love New York, everything about it — even Con Edison, the electric company. As a matter of fact, when I was in New York last summer, it was Con Ed who came to my rescue.

[ dissolve to Ray Charles talking on the phone in his hotel room ]

Ray Charles: Oh, yes, I’m having a marvelous time! Just yesterday, I was on the observation deck of the World Trade Center. You know, I could smell all the way to New Jersey! [ a hard knock at the door ] Wait a minute, there’s somebody at the door. Yes, who is it?

Burglar #1: Uh… Room Service!

Ray Charles: Alright, just a minute. [ into the phone ] Uh, listen — I’ve got to go now, but, uh, I’ll call you bacl kater, alright? Be cool. [ he hangs up the phone ] Room Service? I never ordered anything from Room Service… Room Service? Let’s see here… [ he opens the door ] Yes?

Burglar #1: Okay, buddy, put your hands up! Cooperate, and you won’t get hurt!

Ray Charles: Yes, Sir! Yes, Sir! Steal anything you see…

Burglar #2: Hey, hey, hey, Boss! This here… is Ray Charles, man.

Burglar #1: Who?

Burglar #2: Ray Charles. The King of Soul, man. We can’t rob him.

Burglar #1: Are you kidding? This will be a CINCH! Tie him up!

Burglar #2: Oh, man, I can’t do that!

Burglar #1: I said tie him up, man!

Burglar #2: But, I —

Ray Charles: Which one of y’all got the gun?

Burglar #1: I do. [ he cocks his gun ]

Ray Charles: [ to Burglar #2 ] I think you’d better listen to him.

Burglar #2: Oh. Okay, okay.

Burglar #1: Take the rope out of the bag and tie him up!

Burglar #2: Alright. Sorry, Mr. Charles, but I — I — I guess I gotta… [ the lights suddenly go out ] Hey! Hey, the lights are going out!

Burglar #1: What’s going on? Hey! Hey!

Burglar #2: It’s a blackout! It’s a blackout!

Ray Charles: There is?

Burglar #2: Yeah, I-I-I can’t see anything!

Ray Charles: You can’t?

Burglar #2: No!

[ suddenly, there’s the sound of a wild scuffle ]

[ the lights come back on, as Ray Charles coolly dials the phone ]

Ray Charles: Uh, hello? You say the lights just came back on? Waht are you telling me that for? Is this Room Service? Oh. Well, listen, uh — This is Ray Charles in 1722. And I’d like to order some neckbones and some collared greens and… and… and potato salad and two tall glasses of iced tea. You got it? [ camera pulls back to reveal Burglar #2 tied up and Burglar #1 shot dead across the coffee table ] Okay. Now, when you get that finished, would you please send up the police? Goodbye!

[ pull back on set, with SUPER: “coming up next… Mid-Show Crisis” ]

SNL Transcripts

SNL Transcripts: Ray Charles: 11/12/77



 Saturday Night Live Transcripts


  Season 3: Episode 4


This free script provided by http://javascriptkit.com]]>

Air Date:

Host:

Musical Guest:

Special Guests:

Cameos:

Bit Players:


November 12th, 1977

Ray Charles

Ray Charles

Franklyn Ajaye

Buck Henry

Michael O’Donoghue
No More Godfather On NBCSummary: Don Coreleone (John Belushi) warns Tom Hagen (Bill Murray) that he’s had enough.

Transcript

Montage

Ray Charles’ MonologueSummary: Ray Charles admits that he was relunctant to host the show, but finally agreed when the producers promised he could host from Carnegie Hall.

Transcript

Ray Charles performs “I Can See Clearly Now”

Carter’s Energy ProgramSummary: President Jimmy Carter (Dan Aykroyd) is angry that the American people have ignored his energy program.

Recurring Characters: President Jimmy Carter.

MamorexSummary: Ella Fitzgerald (Garrett Morris) tries to fool Ray Charles into thinking her voice recording on a Mamorex audiotape is really her.

The Doody GirlsSummary: Dottie Doody (Laraine Newman) tries to push her widowed sister Debbie (Gilda Radner) back into the dating world.

Recurring Characters: Debbie Doody.

TomorrowSummary: Tom Snyder (Dan Aykroyd) stumbles his way through an interview with Ray Charles.

Recurring Characters: Tom Snyder.

The Young CaucasiansSummary: In a Memphis rehearsal hall in 1957, Mr. DeWitt (Garrett Morris) asks Ray Charles to listen to a back-up group who call themselves the Yuong Caucasians (Dan Aykroyd, John Belushi, Jane Curtin, Bill Murray, Laraine Newman, Gilda Radner).

Ray Charles performs “What’d I Say”

Weekend Update with Jane Curtin & Dan AykroydSummary: Entertainment correspondent Bill Murray lays criticism to Time Magazine’s review of “Close Encounters of the Third Kind”.

Ray Charles performs “I Believe in My Soul” and “Hit The Road Jack”

Franklyn AjayeSummary: Franklyn Ajaye jokes about reruns of “Star Trek”.

Evelyn Woodski Slow Reading CourseSummary: Use Evelyn Woodski’s slow reading course to read with ease at a managable pace.

Transcript

BlackoutSummary: Burglars (Dan Aykroyd, Garrett Morris) face difficultly in robbing Ray Charles in his hotel room when the lights go out.

Transcript

Next WeekSummary: Buck Henry announces that he’s hosting the show next week.

Transcript

Ray Charles performs “Oh What A Beautiful Morning”

Brother Ray Meets Mr. MikeSummary: After Ray Charles and the cast sing “I Can’t Stop Loving You”, Mr. Mike (Michael O’Donoghue) presents Ray with a fake Monet painting.

Recurring Characters: Mr. Mike.

Transcript

GoodnightsSummary: Ray Charles promises to get Mr. Mike, then sings “On Saturday Night”.

Transcript

SNL Transcripts

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SNL Transcripts: Charles Grodin: 10/29/77: Unprepared Charles


 Saturday Night Live Transcripts


  Season 3: Episode 4






77d: Charles Grodin / Paul Simon

Unprepared Charles

…..Garrett Morris
…..Gilda Radner
…..John Belushi
…..Charles Grodin

[FADE IN on the locker room backstage, where Garrett Morris is tying his shoe next to Gilda Radner and John Belushi.]

John Belushi: [under his breath] Jeez.

Voice: [over intercom] Stand by, cast! We have two minutes to air! TWO MINUTES!

John Belushi: I don’t believe it.

Garrett Morris: Oh, John, you’re takin’ yourself too seriously, man. C’mon. Just go on and have a good show–Gilda, will you talk to him?

Gilda Radner: Yeah, right, have a good show, Garrett!

Garrett Morris: [walking off camera] All right!

Gilda Radner: See ya later.

John Belushi: [changing clothes] I dunno, Gilda. I dunno, this, this Chuck Grodin guy is really making me nervous. I mean, he’s barely here all week, and he missed dress rehearsal. That’s inexcusable, dress rehearsal!

Gilda Radner: Well, he must know what he’s doing, John. He’s a brilliant actor.

John Belushi: I know, but he doesn’t know TV, y’know, I mean… He doesn’t smoke dope, he’s just not one of us!

[laughter]

Gilda Radner: Well, he spends a lot of time by himself, y’know. He has a place up in Massachusetts, and then he leaves there and does a film, and then he goes back to Massachusetts.

John Belushi: Mmmm… He doesn’t know what’s going on. He’s never even seen the show…

Gilda Radner: He’s a real sweet guy and if we just help him through, then he can… [looks up] Hi, Chuck!

[ENTER Grodin with a huge black shopping bag in his hand.]

Charles Grodin: Hi, Glenda! [to John] Hi, Bungee! [reaches into bag] I gotcha some gifts. It’s an old New England tradition to give gifts.

Gilda Radner: Oh, thank you, Chuck! That’s real nice.Charles Grodin: It’s a maroon dickey. I hope you like it, Glenda.

[laughter]

Charles Grodin: Bungee, you’re a tough guy to shop for. Here, I got you a shaving kit. I hope you like it.

[He hands a wrapped box to Belushi.]

John Belushi: Oh. Thanks.

Voice: One minute! One minute to the monologue!

Gilda Radner: Oh, um, Chuck, have you worked on your monologue?

Charles Grodin: Monologue?

Gilda Radner: You do a monologue to open the show.

John Belushi: Yeah, a monologue. Didn’t Lorne tell you about the monologue?

Charles Grodin: Oh, he did mention something, but what with doing promotions for the show, and sightseeing, and catching up with old friends, and I’ve written a song, to express how I feel about life, that they say they’re gonna let me sing, so I really haven’t paid that much attention to it.[laughter]

John Belushi: You’ll have to go out there in less than a minute and do a monologue to make the studio audience LAUGH, y’know?

Charles Grodin: Studio audience?

[laughter]

Charles Grodin: I didn’t know there was an audience.

John Belushi: Well, maybe if you’d been to dress rehearsal, you’d know that there was an AUDIENCE out there!

Gilda Radner: John, John, John…

Charles Grodin: I’m sorry, y’know, the stores close at nine, it was a direct conflict with dress rehearsal.

[laughter]

Charles Grodin: I couldn’t very well get gifts for some of the cast and not for everyone. If I had forgotten to get a gift for Garrett… [lowers voice] I mean, can you imagine my embarrassment if I’d forgotten to get a gift for Garrett? I mean, Garrett, especially.

John Belushi: Yeah.

Gilda Radner: Well, Chuck, the gifts are really nice, but I think you should–

Charles Grodin: You like the dickey? Listen, I could give Laraine the travel alarm clock, if you would rather have that than the dickey–

Gilda Radner: No, no, no, I like the dickey.

Charles Grodin: How about you, John, would you prefer a travel alarm clock instead of the, uh, shaving kit?

John Belushi: Well, if it doesn’t make any difference…

[laughter]

Charles Grodin: [trades gifts] I’ll give you the alarm clock. And I could give the shaving kit to Danny, and I got a keychain for Danny that I could give to Laraine–I couldn’t give the shaving kit to Laraine. That wouldn’t be…

Gilda Radner: No.

Charles Grodin: Oh, my God, y’know, I forgot to get something for the director. You think there are any shops that are still open around here now?

John Belushi: Chuck, you can’t go to a shop, we’re doing a live SHOW. There’s no time!

Charles Grodin: Live?

John Belushi: [exasperated] Yeah, it’s “Saturday Night… LIIIIII-IIIIIIIIVE.”

Charles Grodin: Wait a second. You mean, really, live?

John Belushi: YES!

Charles Grodin: Really?

Gilda Radner: Yeah, and, like, you should be working on your monologue, ’cause you have to go out and do it in one minute.

Charles Grodin: You do this actually live?

John Belushi: [losing patience] YEEEE-EEEES! You know, like… LIVE, FROM NEW YORK, IT’S SATURDAY NIGHT!!! [FADE to montage as Belushi mugs for the camera.]

Submitted by: Sean

SNL Transcripts

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SNL Transcripts: Charles Grodin: 10/29/77: Samurai Dry Cleaners


 Saturday Night Live Transcripts


  Season 3: Episode 4









77d: Charles Grodin / Paul Simon

Samurai Dry Cleaners

Samurai Futaba…..John Belushi
Female Customer…..Gilda Radner
Male Customer…..Charles Grodin

[ open on interior, dry cleaners, Futaba standing behind open press ]

Announcer: And now, another episode of…

[ Futaba slams the press down and yells as steam pours out ]

Announcer: “Samurai Dry Cleaner”.

[ Futaba holds up the pressed obi and admires his work, as a couple enters ]

Female Customer: Uh — excuse me, uh — we’re here to pick up our shirts? You said you’d have them ready by today.

Futaba: [ grunts ]

Female Customer: Oh, uh, yes — Dear, do you have the ticket?

Male Customer: Uh — yes. [ he reaches into his pocket ] Here.

Female Customer: There yo go.

Futaba: Ah!

[ Futaba glances at the ticket, then begins to thrust his samurai sword at a rackful of clothes hanging ]

Charles Grodin: [ breaking character, impressed ] Look how he handles the sword.

Gilda Radner: Yeah. Shhhhh.

[ Futaba grunts as he crooks the shirt on the sword and carries it to the counter ]

Female Customer: Oh, that’s wonderful! You did a great job! [ she looks over the shirt ] Oh, wait a minute, look at that spot.

Futaba: [ grunts ]

Right there! Look at that! I mean, you said you could get that out!

Futaba: [ grunts ]

Female Customer: I mean, you PROMISED! I was COUNTING on it!

[ Futaba screams and holds his hari-kari in front of his chest ]

Female Customer: NO, NO, NO, NO, WAIT A MINUTE!!

[ Futaba holds his pose and looks up at her with a worried expression on his face ]

Female Customer: It’s not that important!

[ Futaba pulls the sword away and wipes his brow in relief ]

Futaba: [ grunts a question ]

Female Customer: Oh, yeah, that’s a great idea! We’d love it in a box!

Charles Grodin: [ leaning in ] How do you understand what he’s saying?

Gilda Radner: Shhhh!

[ Futaba chuckles, then grabs the shirt and a disassembled box, throws them into the air and thrusts his sword at them with a yell. He then reaches behind the counter to pick up a giftwrapped box with the shirt inside. ]

Charles Grodin: [ studying the scene ] That was pre-arranged, wasn’t it?

Gilda Radner: Shhhhh!

Futaba: Hmm?

Charles Grodin: No, I mean, it had to be. You had to have it propped down there, because… it’s a GREAT gag, but it had to be placed down there and brought up to you, right?

[ Grodin retreats as Radner and Belushi give him dirty looks before proceeding with the scene ]

Female Customer: Um — listen — I’d like to know, how much do you charge for bedspreads?

Charles Grodin: Uhhhh… [ he attempts to read Belushi’s line on the cue cards ]

Gilda Radner: Chuuuuuck! Chuck! Those are John’s lines!

Charles Grodin: Oh. [ reading ] “John”. Oh, I’m sorry. You know, John, it’s such an INCREDIBLE character that… I’m sorry! You’re very, very good at this character! It’s just that… it’s terrific make-up, it’s very authentic. Excuse me. I’m sorry. Go ahead.

Gilda Radner: [ to Belushi, as her character ] Thank you. Thank you very much. [ she turns to Grodin ] Come on. Let’s go, Chuck.

Futaba: [ grunts ]

Charles Grodin: It’s a funny idea, John. It’s an excellent scene.

Gilda Radner: Come on, let’s go…

[ Radner shuffles Grodin out the door, as a disgusted Futaba raises his sword and slices the counter in two ]

Announcer: Tune in next week for another episode of… “Samurai Dry Cleaner”!

[ the camera shakily pans upward into the audience and zooms in on a woman with SUPER: “Prime Time Audience Reject” ]

[ fade ]

SNL Transcripts

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SNL Transcripts: Charles Grodin: 10/29/77: Charles Grodin’s Monologue


 Saturday Night Live Transcripts


  Season 3: Episode 4



77d: Charles Grodin / Paul Simon

Charles Grodin’s Monologue

…..Charles Grodin

Announcer: Ladies and gentlemen — Charles Grodin!

Charles Grodin: Thank you very much. [ nervously ] I-I-I didn’t know that there would be an audience here. How many of you know that this is LIVE? [ the audience laughs, then claps enthusiastically ] You know… I-I’ve never seen the “Saturday Night” show… but, uh… I hear it’s a wonderful, wonderful show! Uh — I wish I had more time during the week to rehearse, and… really work on all the skits with the gang here, but… how can you come to New York and… and not see at least a couple of Broadway shows? And… I had NEVER been to the top of the World Trade Center, and, uh… you know, it’s higher than the Empire State Building? It takes FOREVER to get to the top, but you can see all of New York, and, uh… a lot of New Jersey… I think even part of Connecticut. It’s a TREMENDOUS view! So, uh… I-I haven’t been around too much this week, but, uh… I think they’ve got me in some CRAZY skits, and, uh… while I’ve been here doing some promos for the show, I-I’ve seen the kids rehearsing, and, uh… i-it looks like a really cute show! Uh — I’m gonna have a wonderful time, and, uh… I hope you do, too! Uh — w-we’ll be right back? [ he nods nervously and shrugs ]

SNL Transcripts

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SNL Transcripts: Charles Grodin: 10/29/77: Judy Miller


 Saturday Night Live Transcripts


  Season 3: Episode 4






77d: Charles Grodin / Paul Simon

Judy Miller

Judy Miller…..Gilda Radner
Judy’s Mom…..Jane Curtin

[Judy opens her door but is still facing downstairs.]

Judy: OK BUT AS SOON AS YOUR BRIDGE GAMES OVER I’M COMING DOWN STAIRS!

[Slams door. Then opens door again.]

Judy: I DIDNT MEAN TO SLAM IT!

[Slams door again. Leans agains door.]

Judy: I AM SO BORED! BECAUSE… [jumps forward] MY [jumps forward] ROOM [jumps forward and throws bag] IS [jumps forward] THE [jumps forward]BORING [jumps forward] ROOM [jumps forward] OF [jumps closer to bed] THE [jumps back on bed] WORLD!

Judy: [flings head about] this is my room and this is my house and this is my lawn and this is my lawn and my street and this is my steet and this is my town and this is my country and this is my planet earth and this is my [flings herself so her head is hanging off the side of the bed] i universe and this is my i dont know A-lalalalalala.

Judy: [gettting off bed and onto floor by stuffed animals and tea set] AND NOW ITS TIME FOR THE JUDY MILLER SHOW! [Singing] OH ITS THE SHOW OF THE WAY ITS THE SHOW OF THE DAY AND I AM IN YES I AM AND ITS THE SHOW OF YOUR LIFE ITS THE JUDY MILLER SHOW! AND NOW PRESENTING [leaps onto bed] THE STAR OF THE SHOW [jumps off bed and over to her dresser puts big white skirt on head while going “dunt dunta dunta..] THE PERSON WHO IS ALSO A BRIDE! NAMED JUDY ARLEEN MILLER! [climbs back on bed] HELLO! I AM THE MOST BEAUTIFUL PERSON IN THE WHOLE WIDE WORLD [she walks in circles on her bed while saying this] YES I AM THE MOST BEAUTIFUL BRIDE THE EXPESSIALLY EVERYBODY LOVES IN THE WHOLE WIDE WORLD [when she says world she jumps back on to her pillow]. AND HERE COMES MY HUSBAD [picks up stuffed donkey in overalls and makes him gallop towrds her]

Judy: [speaking as stuffed animal] Would you marry me? [as self] oh [giggles] yes. [as stuffed animal] OH DARLING [she kisses the toy and rolls around on the bed while kissing it][pulls self away] AND WE’LL BE RIGHT BACK AFTER THIS WORD FROM OUR SPONSER! [climbs down off bed, pulls the skirt off her head and moves over to stuffed animals with tea set] [grabs cracker] THIS IS THE FOOD THAT IS REALLY THE GOOD FOOD THAT IS REALLY DELISIOUS AND NUTRISIOS [stuffs cracker in stuffed animals mouth] AND IS SO SMOOTH AND CREAMY[eats cracker] MMM GOOD! HERES THE THING THAT IS SOO SMOOTH AND CREAMY THAT EVERYBODY LOVES AND SO YOU SHOULD GET IT! AND NOW BACK TO THE SHOW!

Judy: [jumps on bed] THIS IS A SHOW ABOUT A PERSON THAT IS JUMPING UP SO HIGH CAN SHE [cant hear what she says] CAN SHE TOUCH THE SKY! [stops jumping] AND NOW PRESENTING [jumps off bed and into closet where she ties a robe around her so it looks like a dress and going “dunt dunta dunta”. she comes out of her closet] PRESENTING… THE VERY BEAUTIFUL QUEEN OF FRANCE [speaks french gibirsh crawls over bed and over to the tea set] BUT WHAT THE QUEEN DOESNT KNOW IS THAT WHOS COMING IS THE VERY WICKED QUEEN OF GERMANY. QUEEN [german giberish] AND HERE SHE COMES [in german accent] I AM GOING TO KILL YOU RIGHT NOW! [gets up. as queen of france] NO NO NO NO DONT KILL MY FAMILY [leaps into door] AH! WE’LL HAVE TO RUN TO INDIA! [runs back into door] AH! WE’LL HAVE TO RUN TO FRACE! [runs back into door] NO WE’LL HAVE TO RUN TO BOLIVIA! [runs into door] NO! AH! [ext. she keep running into the door then jumps onto bed and jumps up and down] AHH!

Judy’s Mom: JUDY! WHAT IS GOING ON UP THERE?

Judy: [sits up] Nothing… [quietly goes over to tea set and wispers] this is the show about a person who is also a wonderful bunderful BALLET DANCER! [gets up and twirls around room] YES SHE IS A BALLET DANCER! DA DA DA DA DA DA!

Judy’s Mom: JUDY BE QUIET!

[Judy stops and leans over bed to her stuffed animals]

Judy: On the Judy Miller Show… the end.

[Judy falls down.]

Submitted by: Erin Nielsen

SNL Transcripts

SNL Transcripts: Charles Grodin: 10/29/77: Hire the Incompetent


 Saturday Night Live Transcripts


  Season 3: Episode 4







77d: Charles Grodin / Paul Simon

Hire the Incompetent

…..Charles Grodin
Bag Boy…..Bill Murray
Air Traffic Controller…..Laraine Newman
Rosanne Rosannadanna…..Gilda Radner
…..Lorne Michaels

[FADE IN on Charles Grodin alone from the waist up against a rosy purple background.]

Charles Grodin: I’m here to speak to you tonight on behalf of a discriminated people who you deal with daily, but who you don’t hear much about. I’m speaking, of course, of the incompetent.

[laughter]

Charles Grodin: Every year, thousands and thousands of perfectly nice, incompetent people are fired from their jobs merely because they lack the qualities to do these jobs well. And why? Why should someone who is already good at their job win out over someone who is poor at theirs? Effective workers don’t need the job. They already know how to do it. If they’re such hot stuff, why don’t they try doing something they’re bad at? How will society ever grow if people are just hired to do what they already do well? Just listen to these heartbreaking testamonies.

[CUT to a man in a sweater vest.]

Man: [in heavy Chicago accent] Um, I worked at this supermarket, packing groceries in the brown bags for customers… and I kept putting fragiles, like eggs and tomatoes, on the bottom… and, uh, heavy stuff, like ten-pound bags of kitty litter, and economy-sized cans of bean–beans on the top… and heavy stuff would CRUSH the soft stuff, y’know, just smash it. And the slime would drip out the bottom of the bag, and spill all over these ladies’ good coats… and they’d get really cheesed off and complain about me. But that’s just the way my mind works, y’know: eggs bottom, cans top. And y’know, if that’s such a crime, go ahead–PUT me on welfare.

[CUT to a woman in a sweater and a blouse.]

Woman: I used to work as an air traffic controller at Kennedy… and it was my job to watch the radar screen and radio landing instructions to the pilots, like… [chuckles] …Ray, and Jim, Lyle, and Derek.

[laughter]

Woman: And like, if you could have SEEN these guys, I mean, they were SO CUTE! And like there was this one time, there’s this really big storm, and Dirk, this pilot I was seeing at the time, who was only SO FINE… uh, he yells at me over the headset, “Where’s the runway?” And I said, “Where were you Saturday night?”

[laughter]

Woman: So he makes this B.F.D. with the FAA, and I get fired!

[CUT to Rosanne Rosannadanna, in her first incarnation. She wears her trademark frizzy hair and a flowered blouse.]

Rosanne Rosannadanna: I. uh… I was fired from my job makin’ burgers in the back kitchen at Burgerland… because a lotta customers complained’ about hair in their burgers.

[laughter and applause]

Rosanne Rosannadanna: Now… I could take it when the boss would ask, “How do ya make ’em, like this?”

[She sticks her right hand in her left armpit. Audience laughs riotously.]

Rosanne Rosannadanna: LOOK! I’m no jerk, I wouldn’t do that. It was hair–it was HEAD hair, it wasn’t PIT hair.

[laughter]

Rosanne Rosannadanna: What was I supposed ta do, wear a bathin’ cap ta work? Hah, hah, hah! Besides… there’s a lot worse things that could be in burgers.

[She sticks her finger in her ear as the audience chortles. CUT back to Grodin watching in disbelief over laughter and applause.]

Charles Grodin: Uhhhh… Isn’t this a pathetic waste of ineptitude? Believe me, I know how they feel. Look at me. They hired me as host, and you couldn’t exactly call me competent–wait, I’ve never seen these cue cards before.

[laughter]

Charles Grodin: I’d never be saying these things about myself, or anyone incompetent. Gee, y’know, it’s perfectly clear by now that no one really appreciates the time I put in at the sweater counter at Saks alone. Lorne? Lorne?

Lorne Michaels: [over intercom] Yes, Chuck?

Charles Grodin: I–this is–to talk about incompetent, this taste thing, this is a perfect spot for me to do my song. I don’t see why… Is there some time?

Lorne Michaels: I think there may be enough time. Go ahead, Chuck.

Charles Grodin: Okay. Now this is–bring a little, you know.

[sings a capella]

“Help a person, be a friend,Hang on till the very end,A car, TV, some cake, a wife,These are my feelings about life.”

[applause]

Charles Grodin: Thank you.

Lorne Michaels: That was wonderful, Chuck. Thank you.

Charles Grodin: Thank you. Thank you, Lorne. Thank you.

[SUPERIMPOSE “HIRE THE INCOMPETENT” over a quietly pleased Grodin.]

Don Pardo: Hire the incompetent.

[Grodin peers around the caption and gazes into the audience. FADE to black over applause.]

Submitted by: Sean

SNL Transcripts