SNL Transcripts: Steve Martin: 01/21/78: State of the Union 1978


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 Saturday Night Live Transcripts


  Season 3: Episode 9







77i: Steve Martin / Dirt Band, Randy Newman

State of the Union 1978

Reporter V/O…..Tom Davis
Tip O’Neil…..John Belushi
President Jimmy Carter…..Dan Aykroyd
Walter Mondale…..Bill Murray

Announcer: “Bruce Jenner Wins The Javelin Catch” will not be seen tonight, so that NBC may present the following special program:

[ dissolve to “State of the Union 1978” slide ]

Reporter V/O: This is Washington correspondent Barry Potter here at the Capitol. The House Doorkeeper is about to announce the President, as we go to the floor.

[ cut to footage of House Doorkeeper James Malloy taking the floor ]

House Doorkeeper: Mr. Speaker! The President of the United States!

Reporter V/O: The President is entering the chamber. He’s smiling — obviously, very happy he’s still President. Congressmen from both sides of the aisle are standing and applauding, as is traditional for even the most disrespectful and incompetent of presidents. Mr. Carter has now reached the podium, and the Speaker will give a short announcement.

Tip O’Neil: Here he is, ladies and gentlemen! The President of the United States!

[ President Carter arrives, shakes hands and hands note sheets to both men ]

President Jimmy Carter: Thank you… Mr. Vice-President, Mr. Speaker… members of United States Congress, ladies and gentlemen. Two years ago today, we had the first caucus in Iowa; a year ago, I walked from here to the White House to take up duties as President of the United States. Since I hope to do the same in 1981, you can be sure that I’m gonna stand before you today and tell you the State of the Union is sound! [ everyone applauds ]

[ image: James Schlesinger, Secretary of Energy, with TAG: “Wearing New Shirt” ]

President Jimmy Carter: This year, our country will have the first $2 trillion economy in the history of the world. What do I mean by that? I mean, one-thousand million is a billion, and one-thousand billion is a trillion; Two trillion is two-thousand billion dollars, and I believe that’s a lot of money!

[ behind Carter, Tip O’Neil opens a can of beer and drinks, as Vice-President Walter Mondale yawns and falls sleep ]

President Jimmy Carter: This resource will provide a trade balance, and, in turn, balance it aganst the pressures of an ever-balancing domestic economy balance. WE hope to create groeth incentives and job-creating areas like… the manufacturing of disposable cigarette lighters.,, disposable razors, and cheap paperback romances.

[ cut to exterior of the Capitol as it snows, with SUPER: “12 inches” ]

[ cut to slow pan of footage of politicians watching Carter in the Capitol, with SUPER: “All thinking about snow tires” ]

President Jimmy Carter: We’re a great country, a STRONG country, a vital and dynamic country, and so we will remain. We’re a confident people! A hard-working people! A decent and compassionate people. And so we will remain.

[ cut to footage of Sen. Howard Baker, with SUPER: “Trying to look upset” ]

President Jimmy Carter: We’re a cold, hungry, and unemployed people. And so we will remain. Those of you who are unemployed MUST have jobs! Jobs are basic human needs!

[ cut to footage of Edmund Muskie, with SUPER: “Senator from Mars” ]

President Jimmy Carter: Therefore, you NEED jobs!

[ behind Carter, Tip O’Neil throws a paper airplane, as Walter Mondale shuffles a deck of cards ]

President Jimmy Carter: It is the intention of this administration to initiate dynamic programs for the young and disadvantaged. Specifically, a program of t-shirt distribution for the young and disadvantaged. [ he unfolds a t-shirt that reads “YOUNG AND DISADVANTAGED” and holds it over the podium ] Designed by my son Chip, these will help them help themselves become more visible. [ he folds the t-shirt back ] We come together tonight… we mourn the loss of a great man — Senator Hubert Humphrie. Who taught us that we’re a community and all our fates are linked. You the people, and I your President. How our futures intertwine. I’m sorry, but tht’s the way it is for a while. We have no choice but to act in that knowledge and spirit — together! And, as the Bible says: We CAN move mountains!

[ cut to footage of a black woman in the Capitol yawning ]

President Jimmy Carter: Thank you very much. I have nothing else to say, but “Live from New York, it’s Saturday Night!”

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SNL Transcripts: Steve Martin: 01/21/78: Family Feud



 Saturday Night Live Transcripts


  Season 3: Episode 9










77i: Steve Martin / Dirt Band, Randy Newman

Family Feud

Richard Dawson…..Bill Murray
Joe Mel…..Steve Martin
Mrs. Mel…..Gilda Radner
Joe Mel, Jr…..John Belushi
Beldar Conehead…..Dan Aykroyd
Prymaat Conehead…..Jane Curtin
Connie Conehead…..Laraine Newman

Announcer: It’s time for America’s most popular family game show – “Family Feud”! Now, here’s your host, former “Hogan’s Heroes” regular, Richard Dawson!

Richard Dawson: [ enters the game show set ] Hello, everyone. I hope you’re as excited as I’m pretending to be, because we’re ready to play “Family Feud”. Okay, is everyone ready? Let’s meet our first family – the Joe Mels, from El Camino del Ray Mar Vista, California, here they are! [ the Mels run onto the set and stand behind their podium ] Settle down, kids. Hello, Joe, why don’t you tell us what you do for a living?

Joe Mel: Hello, Richard, I’m the spokesman for the Romaine Lettuce Growers of California. You know, too many people use iceberg lettuce in their salad, and you’d be surprised just how exciting a salad can be with a little Romaine lettuce!

Richard Dawson: [ playing with his fingernails ] Well, so far, Joe, you’re about as exciting as one of your salads.. so let us move on.. [ approaches Mrs. Mel and kisses her ] What do you do?

Mrs. Mel: Well, I teach an assertiveness training class for women in El Camino del Ray Mar Vista. And I cook.

Richard Dawson: Oh? Well, what do you cook?

Mrs. Mel: Well, I cook salads and a lot of Romaine BLTs! We’d love to have you come for dinner!

Richard Dawson: Alright. Well, if I can’t make it, I’ll send myrabbit.

[ the Mels laugh ]

Joe Mel: You know, we have a rabbit?

Mrs. Mel: We do!

Richard Dawson: Alright.. now here’s the cute little son, Joe Mel. Jr. [ pinches Joe, Jr.’s cheek ] He’s a sharp little guy, and we’re expecting a lot out of you today, little fella!

Joe Mel, Jr.: Aw, can we cut the condescending crap, and play the game?

Richard Dawson: Whatever you say, Joe. [ slaps him in the face ] Okay.. let’s meet the opponents – the Beldar Conehead family! [ the Coneheads walk onto the set and stand behind their podium ] Hello, Beldar.

Beldar Conehead: Greetings.

Richard Dawson: Thank you. You’re a big fella. What do you do for a living?

Beldar Conehead: I am a driving instructor.

Richard Dawson: And, uh, where do you folks come from?

Beldar Conehead: [ looks at his family ] France! We come from France!

Richard Dawson: Okay. [ approaches Prymaat and kisses her ] Hello there, Mrs. Conehead. What’s your name, and what do you do besides keeping Beldar happy?

Prymaat Conehead: I am Prymaat. I maintain our home base and enjoy preparing mass quantities of consumables for my family unit.

Richard Dawson: Well, good luck to you, Prymaat. [ notices Connie ] And this is your lovely daughter. I see where you get your good looks You’re French, so I’ll give you a French kiss, how’s that?

Connie Conehead: [ reaches in for Richard’s French kiss ] Oh baby, oh baby..!

Richard Dawson: Well, uh.. they start early in France, what theheck! What’s your name, dear? What do you do?

Connie Conehead: My name is Connie. I am 16 earth years old.

Richard Dawson: Alright, there’s our families, now let’s start the Feud! Joe and Beldar, come on, let’s go! [ Joe walks up to the main podium, but Beldar walks in too far ] Okay, Doctor.. we’re gonna need a little more room, big fella.. [ guides him to his side of the podium ] There you go, stand behind this line.. Now, here’s the Toss-Up question, which we asked 100 people in our studio audience. Try to give the answer they gave the most. Alright? Name something people like to bite.

Beldar Conehead: [ beating Joe to the buzzer ] Protoid Capsules!

Richard Dawson: Protoid Capsules? Alright, that’s an interesting answer. I never would have said that. You said that, Big Guy. So, show me “Protoid Capsules”! [ the Coneheads receive a Strike, and sound their dismay ] Tough luck there, fella. [ looks at Beldar’s cone head ] That’s a very interesting head you have there. What do I do, break it open and let all the presents fall out? Ha ha! [ Beldar looks confused ] Alright, Mel Family! You might be able to steal this one if you tell me something people like to bite.

Joe Mel: [ thinking ] Uh.. Romaine Lettuce!

Richard Dawson: Okay. Show me “Romaine Lettuce”! [ “ROMAINE LETTUCE: 1” appears on the game board ] Alright! One person said “Romaine Lettuce”. You’re on the board, Mel Family! Are you gonna pass or play?

[ the family considers ]

Joe Mel: Uh.. I can only think of Romaine Lettuce. We’re gonna pass.

Richard Dawson: Alright. [ returns to the Coneheads ] Prymaat, what else do you think our survey showed that people like to bite?

Prymaat Conehead: Organically-enacted meat or vegetable matter between two starch plains.

Richard Dawson: [ nonplussed ] It’s a long walk back to France if you don’t get this one right, Prymaat. Alright.. show me “organically-enacted meat or vegetable matter between two starch plains!” [ “SANDWICH: 12” appears on the game board ] Sandwich! Alright! That’s acceptable! Twelve people said Sandwich. Alright, Connie, something that people like to bite.

Connie Conehead: Mmm.. The Big One!

Richard Dawson: Bite the Big One? Alright, does our audience bite the big one? Well, we all want to know that one. Show me “The Big One!” [ “The Big One: 46” appears on the game board ] Alright, you’re really rolling now, Coneheads! Now, it’s up to you, Beldar. What else do people like to bite?

Beldar Conehead: A trapeze!

Richard Dawson: [ bewildered ] Just out of curiosity, Beldar.. are you people circus folks?

Beldar Conehead: [ turns to his family and repeats Richard Dawson’s question in their native language ]

[ the Coneheads laugh at Richard Dawson’s question ]

Richard Dawson: Well, I had to ask. Alright.. show me “Trapeze!” [ the Coneheads receive a Strike and sound their dismay ] Alright. Mel Family! [ walks across game show set ] You’ve got a chance to steal the points and win the game. What’s it going to be?

[ the family starts arguing over their answer ]

Joe Mel, Jr.: Chicken Neck! Dad, will you just listen to me for once in your life? I’m telling you it’s Chicken Neck!

Joe Mel: Will you shut up and let me decide?! [ to Richard ] We’ll go with Chicken Neck.

Richard Dawson: Gonna take the advice of Joe, Jr. If you’re wrong, the Coneheads will win.

Joe Mel, Jr.: Chicken Neck! Chicken Neck!

Richard Dawson: Show me “Chicken Neck!”

[ the Mels get a Strike ]

Mrs. Mel: [ to Joe, Jr. ] You stupid moron! We’re sending you to military school!

Joe Mel, Jr.: I wanna go, I wanna go!

Joe Mel: You don’t deserve my name!

Joe Mel, Jr.: I don’t want it, I don’t want it!

Richard Dawson: Well, what a happy, happy bunch of Coneheads! [ the Coneheads press their cones together ] Well, we’re awfully sorry, Mel Family, but I guess you lost..

Joe Mel: Well, we knew they’d win when we saw the size of their heads.

Richard Dawson: Well, I’m sure that was said in the best spirit of the game, huh?

Joe Mel: No, it wasn’t!

Richard Dawson: Well, nobody cares, because you’re losers, what do you think about that? Alright! Beldar Conehead Family, you now have a chance to play for Fast Money! Who’s gonna play for it?

Beldar Conehead: I, Beldar, will attempt to obtain Fast Money.

Richard Dawson: Alright, Beldar, let’s make some Fast Money! Come on down here! [ Beldar walks to the center of the stage ] Alright, Beldar, I’m gonna ask you five questions at $100 a piece. I want you to tell me the first thing that comes into your head.. which will probably be a low-flying plane.

Beldar Conehead: Proceed, human, proceed!

Richard Dawson: [ confused ] Is that like “Go, man, go”? [ the countdown clock starts ticking ] Alright.. name a famous explorer.

Beldar Conehead: Vypron the Insistent. [ Strike ]

Richard Dawson: The biggest holiday of the year.

Beldar Conehead: The Moons of Mypzor! [ Strike ]

Richard Dawson: A place you keep your valuables.

Beldar Conehead: In a muldra iron field.

Richard Dawson: A mode of transportation.

Beldar Conehead: A phone shoe. [ Strike ]

Richard Dawson: Something you eat with eggs.

Beldar Conehead: Fiberglass. [ Strike ]

Richard Dawson: Alright, fella, you were on quite a roll there. No points, no money. Don’t feel bad about it, though, you’ll be back tomorrow and have another chance at Fast Money. Until then, everybody, remember old people are our greatest national resources. So check in one today and push them around the block. So long, everybody! [ starts jumping with the Coneheads ]

[ zoom out to fade ]

SNL Transcripts

SNL Transcripts: Steve Martin: 01/21/78: Steve Martin’s Monologue



 Saturday Night Live Transcripts


  Season 3: Episode 9






77i: Steve Martin / Dirt Band, Randy Newman

Steve Martin’s Monologue

…..Steve Martin
…..John Belushi

Steve Martin: He-ey![ singing ] “I’ve got music.. I’ve got rhy-hythmmm!”

Okay, welcome to “Saturday Night”, with the Not Ready For Prime Time Players, and, uh.. The Dirt Band. There was a big snowstorm in New York yesterday – we did not get ot rehearse at all, so.. that’s never stopped us before! And, uh, I’m excited – we have Randy Newman on the show.. I met Randy Newman, and, you know he’s only about this big? [ holds his finger and thumb an inch apart ]

Anyway, um.. it’s great to- [ reaches into his left pants pocket ] Hey! Wait a minute! I had $50 in here! And it’s gone! Wait a minute.. I had- this is my New York money, and it’s- I had it back in the dressing room.. John Belushi was back there.. I went back to the- [ a look of shock ] John Belushi stole my $50! I had it right here! This is my mnoey for- I can’t believe this! That he would actually steal $50! Where is he! This bothers me! I’m sorry, this- [ John Belushi stesp on stage ] You! You.. you.. you stole my $50! No, this kind of bugs me! You were in my dressing room, I went to make-up, these pants were in there, and this was where my $50 was – so you stole it, I’m sorry! Now, get out of here! Go on! [ Belushi exits ] No, I’m sorry, that just bothers me! No, I mean that bothers me! I mean, I know I had the $50 in here, because I never put my money in this pock- [ reaches into right pants pocket, stops cold ] Okay.

I’m sorry.. I’m just in a bad mood tonight. It’s this whole publicity thing. You know, my life has changed so much, so fast, with this.. I mean, what happened to private lives? Don’t I get to have a private life any more? I mean, the things they’re writing about me now, I just- I read a thing in the National Enquirer this morning.. that I could not believe. I mean, so what if I have this thing on my wienie? [ tsks ]

[ picks up glass of water to drink, accidentally spilling some on the microphone ]

Oh! Oh no, I spilled water, oh boy! Okay, you know- [ grabs microphone, receiving a huge electric shock; he lets go, catches his breath, then touches the microphone again for another shock ]

You.. can be a millionaire.. and never pay taxes! You can be a millionaire.. and never pay taxes! You say.. “Steve.. how can I be a millionaire.. and never pay taxes?” First.. get a million dollars. Now.. you say, “Steve.. what do I say to the tax man when he comes to my door and says, ‘You.. have never paid taxes’?” Two simple words. Two simple words in the English language: “I forgot!” How many times do we let ourselves get into terrible situations because we don’t say “I forgot”? Let’s say you’re on trial for armed robbery. You say to the judge, “I forgot armed robbery was illegal.” Let’s suppose he says back to you, “You have committed a foul crime. you have stolen hundreds and thousands of dollars from people at random, and you say, ‘I forgot’?” Two simple words: Excuuuuuse me!!

We’ll be right back, after these words!

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SNL Transcripts: Steve Martin: 01/21/78: Weekend Update with Jane Curtin & Dan Aykroyd


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 Saturday Night Live Transcripts


  Season 3: Episode 9









77i: Steve Martin / Dirt Band, Randy Newman

Weekend Update with Jane Curtin & Dan Aykroyd

…..Jane Curtin
…..Dan Aykroyd
Roseanne Roseannadanna…..Gilda Radner

Dan Aykroyd: [ over image of crashed bus ] Coming up next: Ready Laker announces economy bus service to Miami. This story and more on “Weekend Update” at twelve o’clock.

[ dissolve to black ]

[ open on news set ]

Announcer: And now, “Weekend Update”. With the “Weekend Update” news team.

Jane Curtin: Before we start the news tonight, we at “Weekend Update” would like to take this opportunity to welcome Mr. Fred Silverman, the new President of NBC. As you know, Mr. Silverman was the programming whiz at ABC, and he has vowed to try to elevate NBC’s ratings in the same manner that he did in his previous job. We wish him luck. Now for the news. I’m Laverne Curtin.

Dan Aykroyd: I’m Shirley Aykroyd. And now, our top story tonight, of course, has to be about the big snow. Jane?

Jane Curtin: William H. Webster, the federal judge who was nominated Thursday to become the next director of the Federal Bureau of Investigation, has not announced whether or not he will give up his membership in the all-male, all-white, mysterious order of the Vale Prophets. However, he did promise to “maintain the high standards and traditions of the FBI.” And, reportedly, 20 special agents were assigned to his home this morning to shovel snow, clean out his garage, and to unclog a stubborn kitchen drain.

As part of his recent religious conversion, publisher Larry Flynt has invited evangelist Oral Roberts to join the staff of Hustler Magazine. Today, Roberts accepted the offer and, in a spirit of compromise, has agreed to change his name to Oral Sex.

Dan Aykroyd: What do military men do when peace talks are at a stalemate? Well, during the suspension of Middle East peace talks, Israeli Foreign Minister Moshe Dayan plans to stand in for a retired Yul Brynner in Broadway’s hit revival of “The King and I”. [ nervously ] See… they look alike, somewhat, the two men…

More developments from the Middle East: The King of Saudi Arabia and the Emir of Kuwait, last week, had their beards epoxied together, in a demonstration of solidarity against Egypt’s peace moves. The two Arab leaders say they will stay this way until the controversy is settled, or until they run out of mouthwash — whichever is sooner.

Making show business news, also, was Leo the MGM lion, who was picked up in Los Angeles this week on a drunk and disorderly charge. The feline executive was reportedly STILL depressed over the death of Bert Lahr, some 10 years ago.

Jane Curtin: Well, Jimmy Carter has been President for a year and a a day. Let’s look at the record, shall we? His best friend, Bert Lance had been accused of questionable banking practices; His son, Chip, is having marital problems; His brother, Billy, is a beer-drinking clown; His mother, Lillian, is a wrestling groupie; His White House Staff Chief, Hamilton Jordan, is getting a divorce; his sister, Ruth Carter Stapleton, is associating with Larry Flynt, the pornographer. But, to be fair, let’s look at the bright side: Amy’s nurse is a convicted murderer. It restores one’s faith, doesn’t it?

Dan Aykroyd: And, in Louisiana, Frania Tye Lee, began her trial, in which she hopes to be declared the punitive wife of the late H.L. Hunt. Pictured here, Mrs. Lee is recovering from an accident she had in Poland, where her severed arm was sewed back on her body in emergency surgery.

And from Detriot: This week, the Buick division of General Motors recalled 12,000 cars that were mistakenly equipped with bedspreads, which were too long for the engine.

Jane Curtin: And now, with this week’s Consumer Report, is correspondent Roseanne Roseannadanna. Welcome, Roseanna.

Roseanne Roseannadanna: Thank you, Jane!

Jane Curtin: What areyou going to report on tonight?

Roseanne Roseannadanna: Well, Jane — Mr. Richard Feder of New York City writes in and says: “Dear Roseanne Roseannadanna. I’ve got no heat. What should I do?” Well, Mr. Feder, I want to help you because I know how you feel. Once, I didn’t have no heat, and I was afraid I was gonna come down with the FLU! I had a temperature, I had the chills, I didn’t have too many blankets in my apartment. So I went outside to get some SOUP! Because it’s supposed to bw good for you if you’re clogged up. I go to the restaurant, I order soup, I got it… and wouldn’t you know? — There was a HAIR in it! Can you imagine that? It was about THIS long! [ she holds out her hands ] I thought I was gonna DIE!

Now, let me ask you this: Did you ever eat a hamburger, and there’s a HARD thing in it? You know, it’s like a toenail? And you know it’s not part of the hamburger, but you separate the meat and the pickle and the lettuce and the tomatoes all one side of your mouth, ’til, finally, you get it on your tongue — that little thing. And it’s like a bone! But it’s NOT a bone! I keep asking myself: “Roseanne Roseannadanna… If they can make a coffee you like, without caffeine, why can’t they make a HAMBURGER you like with NO TOENAIL?!”

Jane Curtin: What?!

Roseanne Roseannadanna: Wait a minute! And what about when you get some fried chicken? You got a thigh, you got a breast, you got a leg, you got a wing… and then you got this other part, that’s got about two inches of breading on it, you know? And after you eat all the breading off of it, you don’t know what you got there!

And did you ever eat roast beef that had a rainbow on it? You know what I mean? It’s blue? How did they get that color? Did someone leave the beef out in the rain?! [ she laughs ]

You know what else I hate? Soft-boiled egg! There’s that goopy part that goes up and down, and up and down… You can’t keep it on your fork, it falls out of your fork onto your plate, and then it falls onto the spoon, and then onto the plate again… then it goes on your food again, then it goes onto the floor — so you gotta wipe it off and eat it off a TOWEL!!

And let me ask you this: Did you ever —

Jane Curtin: [ stopping her ] Roseanne?

Roseanne Roseannadanna: What do you want?

Jane Curtin: You’re making me sick

Roseanne Roseannadanna: What do you mean?

Jane Curtin: You’re making me NAUSEOUS, with all this talk about FOOD and HAIR! What does this got to do about a guy with no HEAT?!

Roseanne Roseannadanna: Well, Jane… It all goes to show you… that it’s always something! It’s like my father used to say to me when I was a little tiny girl, before I went to sleep. He’d say, “Roseanne Roseannadanna… it’s a jungle out there. Every dog has his day. You made your bed, so now you’ve gotta sleep in it. Don’t bite the hand that feeds you! When the going gets tough, the tough gets going! Don’t cry over spilt milk! And it’s 6 of 1, half-a-dozen of the other! Tomorrow’s another day. Good night, Roseanne Roseannadanna!”

Jane Curtin: Roseanne… I think that, uh… I think that your father was right when he said, “Good night, Roseanne Roseannadanna.”

Roseanne Roseannadanna: Well, look, Jane — How would you like to have dnner with me tonight?

Dan Aykroyd: I would… Roseanne Roseannadanna.

Roseanne Roseannadanna: [ laughing ] Alright!

Jane Curtin: That’s the news. Good night, and have a pleasant day tomorrow.

[ Dan shrugs, attempting to explain himself to Jane ]

Announcer: “Weekend Update” is a presentation of “Saturday Night News”, keeping America informed for nover a fiftieth of a century.

[ fade ]

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SNL Transcripts: Robert Klein: 01/28/78



 Saturday Night Live Transcripts


  Season 3: Episode 10


This free script provided by http://javascriptkit.com]]>












Air Date:

Host:

Musical Guest:

Special Guests:

Cameos:

Bit Players:


January 28th, 1978

Robert Klein

Bonnie Raitt

None

Bob Van Ry

Paul Shaffer

Michael O’Donoghue

Brian Doyle-Murray

Don Novello

Anne Beatts

Tom Schiller

Howard Shore

Mitchell Laurance


Rock ConcertSummary: Don Kirschner (Paul Shaffer) presents the “Mr. Mike (Muchael O’Donoghue) and Tina Turner” (Garrett Morris) Review, as the duo performs their rendition of “Proud Mary”.

Recurring Characters: Don Kirschner, Mr. Mike, Tina Turner.

Transcript

Montage

Robert Klein’s MonologueSummary: Robert Klein recalls the time in college when he portrayd Sherlock in “The Merchant of Venice”.

First Hosted: 75e.

Transcript

Olympia CafeSummary: Cheeseburgers are the only dish on the menu at Pete Dionasopolis’ (John Belushi) Olympia Cafe.

Recurring Characters: Pete Dionasopolis, George Dionasopolis, Sandy Dionasopolis, Nico Dionasopolis.

Transcript

The X-PoliceSummary: X-Police officers (Dan Aykroyd, Bill Murray) break into the home of a cohabitating couple (Robert Klein, Laraine Newman) and kill them for violating the law.

Recurring Characters: X-Police.

Transcript

Bonnie Raitt performs “Runaway”Also Performed: 89k, 94b.

Weekend Update with Jane Curtin & Dan AykroydSummary: Jane Curtin reports on radioactive lobsters out of Nova Scotia. Science reporter Roseanne Roseannadanna (Gilda Radner) explains what an aneurism is by sidelining into warts and toenails.

Recurring Characters: Roseanne Roseannadanna.

Transcript

Nick “Winters”Summary: Nick “Winters” (Bill Murray) sings the theme from “Star Wars” while entertaining skiiers in The Powder Room.

Recurring Characters: Nick the Lounge Singer, Jimmy Joe Red Sky, Shelley.

Transcript

Nerds Radio InterviewSumary: Disc jockey Larry Duggan (Dan Aykroyd) endures an interview with a trio of nerds (Gilda Radner, Bill Murray, Robert Klein) who have released a lame rock album.

Recurring Characters: Lisa Loopner, Todd DiLaMuca, Enid Loopner.

Frogs Look At FilmSummary: A close personal friend (Laraine Newman) of FRancois Truffaut examines Jerry Lewis’ (Robert Klein) starring role as “The Nutty Air Traffic Controller”.

Recurring Characters: Jerry Lewis.

Transcript

Giant Lobsters UpdateSummary: Jane Curtin informs Robert Klein that giant lobsters are descending upon New York City.

Transcript

Bonnie Raitt & Robert Klein perform “Give It Up or Let Me Go”Lyrics

Barbara & Rhonda on DopeSummary: Rhonda Weiss (Gilda Radner) and her friend Barbara (Jane Curtin) smoke dope together, but are soon freaking out in reality when they hear the sounds of atomic lobsters approaching.

Recurring Characters: Rhonda Weiss, Barbara.

Transcript

Attack Of The Atomic LobstersSummary: The lobsters burst into the studio and proceed to devour members of the cast, crew, and audience.

Transcript

Lobsters Take New York / GoodnightsSummary: Robert Klein reports on the havoc in the studio as the lobsters continue their rampage.

Transcript

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SNL Transcripts: Robert Klein: 01/21/78: Frogs Look at Film



 Saturday Night Live Transcripts


  Season 3: Episode 11







77k: Robert Klein / Bonnie Raitt

Frogs Look at Film

Close Personal Friend of Francois Truffaut…..Laraine Newman
Chester P. Butterworth…..Dan Aykroyd
Veronica Butterworth…..Jane Curtin
Melvin…..Robert Klein
Clyde Hyman……….Garrett Morris
Steven Clavin…..Mitchell Laurance
Irwin Flayman…..Bill Murray

[ open on title card ]

[ dissolve to Close Personal Friend of Francois Truffaut seated in leather chair with a glass of wine in her hand ]

Close Personal Friend of Francois Truffaut: Good evening. I am a close personal friend of Francois Truffaut. [ the description appears on-screen before her ] And welcome to… “Frogs Look at Film”. Hello. Jean-Paul Sartre has called him: “Video Sacre”. Jean Benoit has called him: “La Monsieur Magnifique”. But, to the millions of French men who adore him, he’s known simply as: “Le Moron Stupid”. I am speaking, of course, of Jerry Lewis. Without question, the MIGHTIEST cinematic genius of the 20th Century. It is a great honor to present the classic film… “Les Chef de Dispatch des Rapport Zuzu” — or, as it was released in America: “The Nutty Air Traffic Controller”. I think you’ll agree… this is the creme de la Lewis! Enjoy!

[ dissolve to air traffic control center, with TITLE graphic ]

[ at the rear of the room, Chester P. Butterworth enters with his daughter Veronica ]

Chester P. Butterworth: Now, you’re quite sure about this, Kitten?

Veronica Butterworth: Oh, YES, Daddy! Melvin just needs a chance to prove himself!

Chester P. Butterworth: Well… very well, then. [ calling out ] MEL-VIN! Would you step in here, please?

[ Melvin, dressed in sailor suit, comes crashing through the door tripping over a broom handle ]

Chester P. Butterworth: Melvin… you have had THREE jobs here at Butterworth International Airport: Door Boy, Errand Boy, and Bell Boy. And they’ve all been… [ in Melvin’s face ] DISASTERS!!

Melvin: [ cowering back ] Aiiggghh!! Don’t just — don’t just — don’t hit a person!

Chester P. Butterworth: But because my little Princess has faith in you, I’m going to give you ONE last chance —

Melvin: Oh! Thank you, Mr. Blisterwart!

Chester P. Butterworth: — as an air traffic controller!

Melvin: Ohhhh!! Thank you, Mr. Butterblimp!

Chester P. Butterworth: The name is BUTTERWORTH!! Chester P. Butterworth!

Melvin: Butterblimper!

Chester P. Butterworth: NO! Melvin, you’ll be working closely with these three gentlemen: Clyde Hyman, Stevin Clavin, and Irwin Flayman.

Melvin: [ enthusiastically ] Hi, Mr. Hy– uh, Hyman, Mr. Clavin, Mr. Flayman!

Chester P. Butterworth: Mr. Clavin, please give Melvin your headset, and Mr. Flayman, if you would explain Melvin’s duties to him, please?

[ Mr. Clavin hands Melcin his headset ]

Chester P. Butterworth: And, Melvin, in the future, would you kindly wear… REAL CLOTHES?!!

Melvin: [ cowering back ] Aiigghhh!! Okay, Mr. — Thank you, Mr. Blisterwart… Mr. Butterblimp —

Chester P. Butterworth: THAT’S BUTTERWORRRRRRRTH!!!

Melvin: BUTTERBLIMP!!

[ Mr. Butterworth exits the control center ]

Veronica Butterworth: Oh, don’t mind Daddy, Melvin! He’s just so particular about his airport! I know in time he’ll love you JUST as much as I do! [ she hugs Melvin ]

Melvin: [ singing ] “La la laaaaaaaa!! La la laaaaaaa!! La la” — You’re a nice lady!

Veronica Butterworth: Good luck, Melvin!

[ Veronica kisses Melvin on the forehead, then exits ]

Mr. Flayman: Okay, Melvin. Take a look at your screen here, and I’ll brief you on the traffic pattern in your sector.

[ Melvin clumsily places the headphones around his head ]

Mr. Flayman: Okay, it’s getting pretty busy out there, uh — braking conditions are fair to poor, zero roll-out, and zero visibility. Now, as you can see here… [ reveal radar screen with two incoming colored dots ] you’ve got two Jumbo jets holding to come in here…

Melvin: Yeah?

Mr. Flayman: That is a TransEastern 601 at 10 o’clock, and a Pan-Asian at 11 o’clock, okay? I think you’ll pick this up pretty quickly.

Melvin: Oh, sure.

Mr. Flayman: But, uh, whatever you do, don’t send them to the same runway, okay?

Melvin: Oh, np, no! [ he laughs like a little kid ]

Pan-Asian V/O: Butterworth Center. This is Pan-Asian 28 heavy. Starting descent now at 6,000. Still with you. Over.

Melvin: Uh — uh — come in, Pan-Asian 28! Hi! Uh, this is MELVIN!

Pan-Asian V/O: Melvin?

Melvin: Uh — yeah! I-I-I mean, Roger! I mean, MELVIN! And then Mr. Flayman and, and Mr. Clayman, and Mr… Mr… Glayman, too!

TransEastern V/O: TransEastern 6-0-1 heavy, with you. We’re heading towards our marker at 2,000. Request permission to land on Runway 22, left. Over.

Melvin: Uh — wait, wait a minute! Wait a minute, Mr. TransEastern! I’m talking to — I’m talking to Pan-Asian!

Pan-Asian V/O: Pan-Asian 28, with you at 2,000. We’re looking for that TransEastern 6-0-1. Estimate close proximity, still no contact. Request permission to land, Runway 22, left!

Melvin: Stop hollaring! Uh — uh — TransAmerican! Uh, Mr. Flayman?

TransEastern V/O: TransEastern 6-0-1. Heading 2-6-0 at 2,000 to Runway 22, left. Please advise! Where are you, Butterworth?!

Melvin: Oh, Mr., uh — Mr. Clayman! No! No!

Pan-Asian V/O: Come in Butterworth!! Just spotted TransEastern 6-0-1!! Come in, Butterworth!!

[ on the radar screen, the incoming dots overlap and the screen flashes red ]

Melvin: No, no! Oh, they went — Mr. Clayman! Uh — the two, they went together! It’s not good! They went to the same — there was yelling, and — ohhhh… [ distraught ] They were there, but it went — am I gonna get yelled at! A new plane. Mr. —

[ Mr. Butterworth re-enters ]

Chester P. Butterworth: Alright! Who was responsible for those two 747s crashing into each other?

Mr. Flayman: It was Melvin, sir.

[ Mr. Butterworth folds his arms, as Melvin jumps to his feet ]

Melvin: You can look at me! You can touch me! But donnnn’t hit meeeee! I’m sorry! I did bad! I’ll leave. [ he heads for the door ] I guess I’m not such a smart person. I didnt mean to. I’ll go now. Tell Vernonica… I love her.

Chester P. Butterworth: [ grabbing Melvin ] Not so fast, young man! Come back here!

Melvin: Aiiggh, Mr. Butterworth!

Chester P. Butterworth: Melvin, I would like to shake your hand! I’m PROUD of you, son!

Melvin: What?! You mean, you’re not mad the two planes went BOOM, together, the same!

Chester P. Butterworth: It was a GOOD thing, Melvin! Those Jumbo jets were filled with bad Russian, Chinese, and Japaense SPIES!

Melvin: You mean, there were bad persons on there?!

Chester P. Butterworth: YES, Melvin!

[ Veronica runs into the control room ]

Veronica Butterworth: Oh, Melvin! I just heard what you did! I’m so PROUD of you, darling!

[ Mr. Butterworth re-enters ]

Chester P. Butterworth: You know, Melvin, I’ll admit I didn’t like you at first. I don’t know, maybe it was your pants. But I’ve been thinking of retiring and, well, Melvin, I’d like you to take over Butterworth International Airport for me!

Melvin: Ohhhhh! You’re a real — thank you, Mr. Blubberwart! You’re a real nice person!

Chester P. Butterworth: Now, Melvin, the airport is in YOUR hands! And your FIRST job is to… [ he hands Melvin the broom ] GET OUT THERE AND CLEAN UP THAT MEEEEEEEEEESSSSSSSS!!!!

Melvin: [ cowering back ] Aiigghh!

[ SUPER: “THE END” ]

SNL Transcripts

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SNL Transcripts: Robert Klein: 01/21/78: Giant Lobsters Update



 Saturday Night Live Transcripts


  Season 3: Episode 11



77k: Robert Klein / Bonnie Raitt

Giant Lobsters Update

…..Robert Klein
…..Jane curtin

[ open on Robert Klein standing at Home Base ]

Robert Klein: You know, one of the joys of hosting this show is the opportunity to work with a wonderful performer like Bonnie Raitt. Bonnie and I first —

[ suddenly, Jane Curtin runs onto Home Base ]

Jane Curtin: Robert! I’m sorry to interrupt you! Please excuse me, but I’ve just been handed a “Weekend Update” bulletin. It seems those giant lobsters as large as helicopters, that were created by the Russian satellite, are moving down the Eastern seaboard towards New York City. [ reading bulletin: ] “Despite efforts by the National Guard, Boston and Providence have fallen before the huge crustaceans. All conventional weapons have proven useless against them. Minutes ago, President Carter declared a state of national emergency, and assured the American people that there was no cause for…” [ she stops ]

Robert Klein: What, is that all there is?

Jane Curtin: The Teletype machine went dead after that.

[ Jane walks away ]

Robert Klein: Well… if you’re an Orthodox Jew and live here in New York, I wouldn’t worry. Because… lobsters don’t eat Orthodox Jews, either!

SNL Transcripts

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SNL Transcripts: Robert Klein: 01/21/78: Lobsters Take New York / Goodnights



 Saturday Night Live Transcripts


  Season 3: Episode 11









77k: Robert Klein / Bonnie Raitt

Lobsters Take New York / Goodnights

Written by: Michael O’Donoghue

… Robert Klein
Lone Soldier … Bill Murray
Announcer … Don Pardo
Man #1 … Tom Davis
Man #2 … Michael O’Donoghue

[We return from the commercial break to discover, atopa crane, a dead cameraman slumped in his chair, hiscamera pointing uselessly at the floor. The studio isfilled smoke and the unearthly sounds of gigantic butunseen atomic lobsters — roaring, screeching,squealing, buzzing, honking. We pan across themotionless studio audience — they are all dead,sprawled in chairs and on the floor. We pan over tohome base, which is in ruins, dead bodies everywhere.A terrified Robert Klein, microphone in hand,describes the destruction to the hand-held camera.]

Robert Klein: Well, it’s still going on even worsethan before. All around me, the dead! The dying! Oh,the humanity! Our army wiped out!

[Behind Klein, a lone soldier walks through thedebris, shouting incomprehensibly into a bullhorn,saying things like “Evacuate the building!” Thesoldier fires off a few rounds from a .45 pistol.Klein covers his head with his hand as debris rainsdown from above.]

Robert Klein: This may well be mankind’s finalbroadcast. Even as I speak– Good Lord! [A giantlobster claw enters the frame. The soldier retreatsfrom view.] One of the gigantic lobsters hasdemolished our last camera with a single swipe of itshorrible claw! Now it’s moving toward me! It’s fifteenfeet away. Ten! [More gunshots. The claw fills thescreen.] I can see the long, quivering antennae! Theslimy legs! [The hand-held camera slowly sinks to thedebris-filled floor and tilts over.] Its snout andclaws, glistening with human bloo–

[Klein’s voice is cut off in mid-sentence. The screenfills with static but we still hear the eerie soundsof the lobsters until the program’s end. After apause, we also hear the voice of announcer Don Pardo:]

Announcer: Robert Klein! Robert Klein! Do you read me?Well, good-bye, America. Until we meet again, this isDon Pardo saying AAAAAAIIIIIIIGGGGGGGGHHHHHHHHH!

[Over the static and lobster roars, we now hear thedisembodied voices of two men:]

Man #1: My God! Pardo’s been eaten by the beast. Isthere no stopping these atomic lobsters?

Man #2: Listen, I have a plan. It sounds crazy but itjust might work. I’ll need boiling water.

Man #1: Boiling water? How much? A couple gallons?

Man #2: No! Millions of gallons! Enough to fill – fillCentral Park Pond. And I’ll need a truckload ofbutter. Make – make that drawn butter.

Man #1: [writes it down] One truckload, drawn butter.Check.

Man #2: And baked potatoes the size of boxcars. Andlobster bibs.

Man #1: Lobster bibs? [The final credits begin toroll.] You mean ordinary lobster bibs?

Man #2: No! Huge lobster bibs, fifteen by twenty feetat least. And nutcrackers!

Man #1: Nut–? You mean regular nutcrackers?

Man #2: No! Not at all. Enormous nutcrackers, at leastten feet long. And lemons the size of golf carts!

Man #1: Check, check. How ’bout some sour cream forthose potatoes?

Man #2: Good point! I’ll need, say, about a moving vanof sour cream. For dessert, a chocolate mousse as bigas a house.

Man #1: Chocolate mousse? Naw, it’s too rich. Much toorich.

Man #2: Well, how ’bout a swimming pool full ofJell-O?

Man #1: Uh, what flavor? I–

Man #2: Any flavor you want. How ’bout, uh, lime withcarrot scrapings?

Man #1: Well, I just had lime, uh, with carrotscrapings for lunch. I suppose I could have somethingelse — it’s an emergency — but, uh…

Man #2: Well, what about raspberry?

Man #1: Well, I’m – I’m allergic to raspberry. How’bout a – how ’bout a pool full of fruit cup?

Man #2: In – Instead of Jell-O?

Man #1: Yeah, yeah.

Man #2: Well, isn’t fruit cup more an appetizer, liketomato juice?

Man #1: No, not necessarily. You can have fruit cupfor dessert.

Man #2: Well, I don’t know. Listen, how would you feelabout a rum raisin cake the size of a tennis court?

Man #1: Well, what kind of icing? [Among the credits:lobster roars by CHEVY CHASE, lobster animationsequence by WILLIAM DePALO and WILLIAM BILOWIT]

Man #2: Any kind, I suppose. Orange marmalade would benice.

Man #1: Well, how ’bout coconut icing? I think that–

Man #2: Wait, you know, coconut really doesn’t go withrum raisin. If you wanted coconut icing, I could havea sponge cake the size of a roller rink…

Submitted Anonymously

SNL Transcripts

SNL Transcripts: Robert Klein: 01/21/78: Robert Klein’s Monologue



 Saturday Night Live Transcripts


  Season 3: Episode 11



77k: Robert Klein / Bonnie Raitt

Robert Klein’s Monologue

…Robert Klein

Don Pardo V/O: Ladies and gentlemen, Robert Klein!

[Applause. Robert Klein walks down the stairs to home base]

Robert Klein: Thank you. Welcome to our show. This is – You know, it’s been a little bit of time since I’ve done the show last, and…it was so disorganized. I did one of the first ones and no one knew what they were doing, and you can decide for yourself tonight after this many shows. Wonderful to be back and be at home in my hometown, and not be, uh… [applause] I don’t mind side-stepping the dog doody everywhere I walk. It’s fun. “Sorry, be right with you.” Some of you know – I play a lot of college concerts, and, um, it keeps me young, it keeps me collegiate, you know. I went to a small school, a very obscure school named Alfred, and, ah… [laughter and light applause] Good for seven claps at the Saturday Night Live show. Good for about nine claps at Alfred University. Um, I went there because they had a wonderful brochure, uh, with handsome people walking on the campus carrying books [poses like a happy student walking and looking upward] with nice writing underneath it: “Walking on the campus carrying books is a favorite pastime of Alfred students.” Suckered me right in there. Plus, the Lovejoy College Guide said they would accept you if you were in the top 83-percent of your class, which was… [laughter] The brochure was nice. Always students in brochures look up toward the future. [repeats the happy student’s pose] You know, “studying for finals” [poses] “parties.” They never have ones like [puts his hands in his pockets and slouches] “God, I may be pregnant.” Always have ’em [happy student pose] like that. It was a wonderful going to school in a place so rural. It’s a very rural, farm, little community, and this was quite a few years ago. And I got off the train with a couple of suitcases like Holden Caulfield and I see [moos]. S’four years. I get to the dormitory from a bus ride, and they take us into the dormitory and [moos]. “Are-are-are these the dormitories?” “Yes, sir, just shoo ’em away, they’ll go. Cows don’t bother ya none.” And they made fun of the way I spoke: “Hey, New Yohk, tohk, mwohk…” Just what I needed at 17, 16. Of course, they spoke fine: “Hey, my father gave me a dallar to get married in Baffalo and I’m goin’ next week if you wanna…” They called me “Hey, Bab,” for three years I didn’t know who they were talkin’ to. “Hey, Byab-uh,” I didn’t know who “Byab-uh.” But I had to learn and grow. A little thing I encountered there that I really hadn’t encountered before, uh, anti-Semitism. Well, nothing–it was subtle, nothing you could put your finger on. Subtle to be sure: [yelling] “Hey Jewboy! Where you goin’, Jewboy, high holy day?” You know, just what I needed. I wanted to meet the guy next door in the dormitory. He was decorating his room with a swastika mobile. And I remember a brief phone call home to my parents: [sobbing] “Get me outta here!” Something tense with veins bursting, um. But I-I-I, one of the gutsiest things I ever did eventually was play Shylock in The Merchant of Venice in the drama club there. And those of you who remember the old play, Shylock is the old Jew in the Shakespearean play, and no one likes him. He’s not exactly a pussycat, but he certainly is justified, uh, because he’s been wronged. People really treated him badly. And there’s a wonderful scene in the fourth act, you all remember… ah, the, ah, there’ll be a test on this afterwards, by the way. It’s gonna be a multiple choice. [Picks up a cape from the nearly stool] Nah, I’m just kidding. I like an easy multiple choice, one that’s easy like, uh, “Mount Everest, Mount Whitney, Mount McKinley, a raisin.” I like that kind of… [Laughter. Robert puts the cape around his shoulders]Â I like an easy multiple choice. I’m putting on the Shakespearean cape for this scene. Let me repeat it for you: crowded audience of hostile, slightly narrow-minded people up there in that little… It’s a 17-year-old kid trying to play an old man, you put on that quick palsy shake [hands begin shaking] that a bad drama student does to look old in a hurry, you know? I was so conscienscious, though. I put the exact place in my script where I wanted the palsy shake [pretends to write] “Palsy shake!” Probably even [blows] blew the eraser thing, I went [blows] “Palsy shake.” First the usual preliminaries in most Shakespeare: “Forsooth me not. Our sweet Mercutio is dead, that gallant spirit that the clouds too soon didn’t know his fate.” They spit at the first two rows. This wonderful speech of Shakespeare’s where he equates all people–aren’t we all human beings–it’s a wonderful…listen closely. I’m sure you’ll all be repeating it often yourself. Not to mention there will be a test [Slumps down under the cape] “Have not a Jew eyes? Have not a Jew hands, organs, senses, dimensions, affections, [begins the palsy shake] passions?” Palsy shake. “…passions?” A good place for the… “Fed with the same food, hurt with the same weapons, warmed and cooled by the same winter and summer as a Christian is?” And the audience said “No, Jewboy! Jew-boy! Jew-boy! Jew-boy! Get him!” [Pretends to run away and be chased by people with dogs] “He’s up by the fraternity house! Woof woof woof woof woof!” And I kept on thinking of that damn brochure. I don’t remember any picture of “Being chased by Nazis on the quad.” [Poses like someone running away. Audience applause] Tell ya what. We’ll be right back! [Applause and fade]

Submitted by: John Ravetti

SNL Transcripts

SNL Transcripts: Robert Klein: 01/21/78: Rock Concert



 Saturday Night Live Transcripts


  Season 3: Episode 11






77k: Robert Klein / Bonnie Raitt

Rock Concert

Written by: Michael O’Donoghue

Don Kirshner…..Paul Shaffer
Tina Turner…..Garrrett Morris
Mr. Mike…..Michael O’Donoghue
Mikettes…..Gilda Radner, Jane Curtin, Laraine Newman

Announcer: “Charlie’s Angels Catch The Syph” will not be seen tonight, so NBC can present this special program.

[ open on Don Kirshner sitting in his chair above the studio ]

Don Kirshner: I’m Don Kirshner, and welcome to “Rock Concert.” Tonight we have a group that’s been at the forefront of the R&B/Rythym and Blues scene for a long time. Today, with the help of Dean Lusten, Mo Anthony, and the staff of Celectric Records, their manager Morie Daniels, and the whole rock division of the promotion department of ICM, they continue to be as strong a creative force as ever. Let us join Tina Turner, Mr. Mike and the Mikettes, for the “Mr. Mike and Tina Turner Review.”

[ dissolve to Tina Turner on stage below ]

Tina Turner: Every now and then, we like to do something nice.. and easy. Only there’s just one thing: we never do anything nice.. and easy. We only do it nice.. and rough. We’re gonna go over turn to this song by Mr. Mike, “Nice.. And Easy” and we’re gonna finish.. rough. This is how we do “Proud Mary.”

Mikettes and Tina: [ singing ]
“Do do do do do do
do do do do do do..”

Mr. Mike: [ sitting on stool with guitar ] This is the story. This rabbit works at a factory. All of the other rabbits have had their ears amputated so they won’t get caught in the machinery. But this one rabbit’s really vain, and doesn’t want his ears amputated. So he’s working on the line, and he gets his ears caught in a big wheel.

Mikettes and Tina: [ singing ]
“Big wheel keep on turning
All night!”

Mr. Mike: By the time they pulled him out of the wheel, he looked like tomato bisque. Tina?

Tina Turner: That’s wasn’t a very nice story, Mr. Mike.

Mr. Mike: I’m not a very nice guy, Tina.

Tina Turner: You see, every time I try to do something nice.. and easy, Mr. Mike makes me do it.. rough. See, we can never ever do nothing nice.. and easy. We always do it.. rough!

[ singing ]
“Let’s have a good time in the city Working for the man every night and day I have never lost one pretty instant Worried ’bout the man taking that away!”

Mikettes and Tina:
“‘Cause the big wheel keep on turnin’
For miles, we’re gonna keep on burnin’!”

Tina Turner:
“Roll it!”

Mikettes:
“Roll it!”

Tina Turner:
“Roll it!”

Mikettes:
“Roll it!
Roll it down the river!”

Tina Turner:
“Roll it!”

Mikettes:
“Roll it!”

Tina Turner:
“Roll it!”

Mikettes:
“Roll it!
Roll it down the river!”

Mikettes and Tina:
“Ooo ooo ooo ooo
Ooo ooo ooo ooo!”

Tina Turner:
“If you come down to the river
Bet ya gonna find some people who live
You don’t have to worry
If ya have the money
You’ll find the people there are happy to give!”

Mikettes and Tina:
“‘Cause the big wheel keep on turnin’
For miles, we’re gonna keep on burnin’!”

Tina Turner:
“Roll it!”

Mikettes:
“Roll it!”

Tina Turner:
“Roll it!”

Mikettes:
“Roll it!
Roll it down the river!”

Tina Turner:
“Roll it!”

Mikettes:
“Roll it!”

Tina Turner:
“Roll it!”

Mikettes:
“Roll it!
Roll it down the river!”

Tina Turner:
“Roll it!”

Mikettes:
“Roll it!”

Tina Turner:
“Roll it!”

Mikettes:
“Roll it!
Roll it down the river!”

Tina Turner:
“Roll it!”

Mikettes:
“Roll it!”

Tina Turner:
“Roll it!”

Mikettes:
“Roll it!
Roll it down the river!”

Tina:
Aaaaahhhh!!!

[ a triumphant finish, as the camera dissolves back to Don Kirshner in the booth above ]

Don Kirshner: “Live from New York, it’s Saturday Night.”

SNL Transcripts