SNL Transcripts: The Rolling Stones: 10/07/78: The NBC Theme



 Saturday Night Live Transcripts


  Season 4: Episode 1





78a: The Rolling Stones

The NBC Theme

Announcer…..Dan Aykroyd
Conductor…..Howard Shore
Pianist…..Paul Shaffer
Garrett Morris, Vocal Stylist…..Garrett Morris
1st Girl Singer…..Laraine Newman
2nd Girl Singer…..Jane Curtin
3rd Girl Singer…..Gilda Radner

[BLACK SCREEN as the NBC chimes ring out their famousthree notes.]

Announcer’s Voice: It’s exactly eleven-thirty BulovaWatch time.

[Lights come up to reveal bespectacled 1930s-era radioannouncer standing in front of an ancient NBC radiomicrophone, with one hand to his ear and the otherclutching a yellow sheet of paper from which hereads:]

Announcer: And now from Studio 8-H in New York’s famedRockefeller Center, the Red network joins the Blue tobring you Howard Shore and the National BroadcastingOrchestra, featuring the vocal stylings of Mr. GarrettMorris.

[Howard Shore, fronting a big band, conducts as axylophonist plays the NBC notes on her instrument.Paul Shaffer answers in kind at a white grand piano.Everyone wears tuxedoes and evening gowns. A large ArtDeco sign behind them reads: HOWARD SHORE AND HISSOUNDS. As the rest of the band joins in, GarrettMorris steps to the microphone, which the Announcerthoughtfully adjusts for him, and begins to sing –with dapper, yet passionate elegance — an obscuresong written sometime in the 1930s, “I Love You”:]

Garrett Morris: [sings the verse]
On the NBC tonight, you’ll hear three tones ring outThey have a special meaning so here’s what it’s allabout…

[A trio of what used to be called “girl singers”(Laraine Newman, Jane Curtin, Gilda Radner) rise fromchairs in front of the piano and approach an adjacentmicrophone to join in on the opening line of thechorus:]

1st Girl Singer: I…

2nd Girl Singer: … love …

3rd Girl Singer: … you …

Garrett Morris: Three little tones have just had theirsay.

1st Girl Singer: I…

2nd Girl Singer: … love …

3rd Girl Singer: … you …

[The girl singers sit back down as Garrett sings therest of the chorus himself.]

Garrett Morris:
“Funny but, honey, that’s what they say.
Chimes have rung,
The program’s done
My love song has just begun!

Turn the dial of your heart.
Tune into my station.
Though we may be miles apart,
Your radio
Tells you I know.

Listen, dear,
Can’t you hear?”

[The trio rises and joins in on the last line of thechorus:]

All Singers: I love you!

[As the performers begin another half-chorus of thesong, the trio takes over:]

Girl Singers:
“Turn the dial of your heart.
Tune into our station.
Though we may be miles apart …”

[The trio simultaneously shoot a glance at Garret andthe camera pans over to him as he picks up the lyric:]

Garrett Morris:
“… Your radio
Tells you I know.
Listen, dear,
Can’t you hear?”

All Singers: I love you!

[The xylophonist plays the three notes one last timeas the band brings the song to a finish. The singerssit as the audience applauds. The announcer strides tothe microphone, places his hand to his ear and, with agrin, says calmly:]

Announcer: And now, live from New York, it’s SaturdayNight.

Submitted Anonymously

SNL Transcripts

SNL Transcripts: The Rolling Stones: 10/07/78: Goodnights



 Saturday Night Live Transcripts


  Season 4: Episode 1



78a: The Rolling Stones

Goodnights

…..Mayor Ed Koch

Mayor Ed Koch: Good night, and thank you.

Announcer: Next Saturday night, our host will be Fred Willard, with musical guest Devo. This is Don Pardo. Good night.

SNL Transcripts

SNL Transcripts: The Rolling Stones: 10/07/78: Reuniting The Beatles



 Saturday Night Live Transcripts


  Season 4: Episode 1



78a: The Rolling Stones

Reuniting The Beatles

President Jimmy Carter…..Dan Aykroyd
John Lennon…..John Belushi
Paul McCartney…..Bill Murray

[ open on exterior, White House ]

Walter Cronkite V/O: And now we take you to the White House, where President Carter has a surprise announcement.

[ dissolve to interior, Oval Office ]

President Jimmy Carter: Good evening. The success of the Camp David summit two weeks ago is a great accomplishment for the entire world, as well as for myself. After I looked at those polls, I said to myself, “Jimmy… why don’t you just keep doing what you do best — bringing people with seemingly irreconcilable differences together, and making them see that there is a common ground on which to base agreement?” For the last thirteen days, unbeknownst to the press, I’ve been meeting secretly at Camp David with Mr. John Lennon and Mr. Paul McCartney.

[ reveal Lennon and McCartney in a wide shot ]

The success of our talks far exceeded our expectations. And I’m happy to announce that we’ve agreed to sign a document called “A Framework for the Reunion of The Beatles”.

[ cut to stock footage of a crowd applauding ]

Now… there still are some disagreements. A lot depends on the availablity of George and Ringo to join in the negotiations, but… Secretary Vance will leave tomorrow for London to meet with George, and… we feel confident that Ringo will do anything. If everything goes well, The Beatles will launch a 30-city tour of the United States sometime, hopefully, before November 1980. Plus: The Beatles will release an original long-play record album, which I’m proud to predict will be shipped double-platinum.

Allow me now to read some of the key terms of the framework:

* Richard “Ringo” Starkey will play percussion, drums at all Beatle concerts, however, in the recording studio, Mr. Starkey’s performance may or may not be required on certain selections at the discretion of Mr. Paul McCartney.

* George Harrison will be limited to one song per album, considering matters pertaining to the Indian subcontinent.

* Yoko Ono will not sing, hum, scream, hum, talk, or make any vocal sounds on any Beatle album or during any live Beatle performance.

[ applause from the crowd ]

* Linda Eastman McCartney will not sing, hum, scream, murmer, talk, or play a tambourine on any Beatle album or during any live Beatle performance.

[ applause from the crowd ]

These two men, my friends, each made painful concessions in the spirit of compromise. [ he holds both their hands ] But if it hadn’t been for may people, working behind the scenes, we wouldn’t be here tonight. And I especially want to thank Secretary Simon Vance and Smokey Robinson. I guess you could say it was a long and winding road… but, as I said to Paul and John as we flew here from Camp David, “I think that we proved that, in the end, as someone once said, ‘The love you take is equal to the love you make.'”

[ applause from the crowd ]

Paul McCartney: Let me say this about my friend President Carter: this man has great, great courage, and he worked night and day and so did we. We usually didn’t get to bed until three or four in the morning, and then we’d get up again around three or four in the afternoon. The President was already up and working!

John Lennon: That’s right. As you know, Paul and I have our disagreements, but we’ve promised President Carter that we would write our first new song together in about three months. Paul, I hope we do it longer than three months — I mean, sooner than three months. Sorry, Paul.

[ Lennon and McCartney stand up and hug, as “The End” plays in the background and President Carter beams proudly ]

[ dissolve to exterior, White House ]

[ fade ]

SNL Transcripts

SNL Transcripts: The Rolling Stones: 10/07/78: Autoscent



 Saturday Night Live Transcripts


  Season 4: Episode 1





78a: The Rolling Stones

Autoscent

Pat…..Gilda Radner
Joan…..Jane Curtin

Pat: [ sees Joan drive up ] Hi, Joan!

Joan: [ getting out of her car ] Oh, hi, Pat!

Pat: I just thought I’d drop by today to see the color of the handtowels you’re using in the spare bathroom.

Joan: Oh, sure. Come on in.

Pat: [ sniffing ] Hmm.. something sure smells like lilac. Are youwearing a new perfume?

Joan: Thanks, Pat! But it’s not me – it’s my car.

Pat: Your car smells that good?

Joan: Sure.. [ reaches into her shopping bag ] ..with AutoScent, theinternal combustion deodorizer.

Pat: [ reads the bottle ] AutoScent exhaust freshener.. [ happy ]Lilac! How does it work?

Joan: Oh, it’s so easy – here, let me show you. [ opens herhood ] All you do is pump AutoScent into the carborator every 800 miles, orwhenever you want to change the scent.

Pat: Joan, you never told me you knew anything about carborators.

Joan: Oh, sure.. I can tear down a car in nothing flat! But you don’thave to do that to use AutoScent! [ sprays AutoScent into the carborator ]My exhaust has been smelling like lilacs all week, but today I want it tosmell like a pine forest. Go ahead – smell the tailpipe.

Pat: [ kneels down to smell at the rear of the car as Joan pressesthe exhaust pedal, releasing toxic smoke in the air ] Mmm! It reallyworks!

Announcer: AutoScent – the automobile exhaust freshener. In fourexciting fragrances – Lilac, Lemon-Lime, Pine Forest, and Musk. Anenvironmentally-safe pump spray.

SNL Transcripts

SNL Transcripts: The Rolling Stones: 10/07/78



 Saturday Night Live Transcripts


  Season 4: Episode 1


This free script provided by http://javascriptkit.com]]>



]]>

Air Date:

Host:

Musical Guest:

Special Guests:

Cameos:







Bit Players:


October 7th, 1978

The Rolling Stones

The Rolling Stones

None

Howard Shore

Cheryl Hardwick

Ed Koch

Carrie Fisher

Don Novello

Anne Beatts

Rosie Shuster

Brian Doyle-Murray

Mitchell Laurance

Tom Davis
Howard Shore and his SoundsSummary: Garrett Morris, girl singers (Laraine Newman, Jane Curtin, Gilda Radner), and Howard Shore and his Sounds perform the song “I Love You”, about the NBC chimes.

Transcript

Montage

Mayor Koch Honors John BelushiSummary: Mayor Ed Koch honors “Animal House” star John Belushi with a City of New York Certificate of Merit.

Transcript

AutoscentSummary: Joan (Jane Curtin) invites Pat (Gilda Radner) to sniff her new internal combustion deodorizer.

Transcript

TomorrowSummary: Tom Snyder (Dan Aykroyd) interviews Rolling Stones front man Mick Jagger and tries to mimick his performance style.

Recurring Characters: Tom Snyder.

Transcript

The Nerds and The NorgeSummary: As Todd (Bill Murray) vies to become the new Chess Club President, Lisa (Gilda Radner) and Mrs. Loopner (Joan Curtin) hire a low-pants wearing repairman (Dan Aykroyd) to salvage their old Norge.

Recurring Characters: Lisa Loopner, Todd DiLaMuca, Mrs. Loopner.

Transcript

Olympia CafeSummary: Pete’s (John Belushi) journey to Greece to collect an inheritance is a bust, and the sight of a revamped cafe in his absence further outrages his broken soul.

Recurring Characters: Pete Dionasopolis, George Dionasopolis, Sandy Dionasopolis, Niko Dionasopolis, Mike Dionasopolis.

Transcript

Weekend Update with Jane Curtin & Bill MurraySummary: Bill Murray takes Jane Curtin’s side during a Point-Counterpoint debate on the ERA ratification. Roseanne Roseannadanna’s commentary on Studio 54 meanders into her disgust over a blister on Mr. Halston’s foot.

Recurring Characters: Roseanne Roseannadanna.

Transcript

The Rolling Stones perform “Beast of Burdon”, “Respectable”, “Shattered”

Sushi By The Pool

Reuniting The BeatlesRecurring Characters: President Jimmy Carter, John Lennon, Paul McCartney.

Transcript

Network Battle of the T’s & A’sTranscript

Danger ProbeRecurring Characters: Dave Mable.

GoodnightsTranscript

SNL Transcripts

| Time Warner Cable |Cable TV Providers |Charter Cable

Saturday Night Live: 1978-1979


 Saturday Night Live Transcripts


  Season 4: 1978-1979




The Complete Fourth Season on DVD











Starring:

  • Dan Aykroyd
  • John Belushi
  • Jane Curtin
  • Garrett Morris
  • Bill Murray
  • Laraine Newman
  • Gilda Radner
  • Episodes

  • 10/07/78: The Rolling Stones
  • 10/14/78: Fred Willard / Devo
  • 10/21/78: Frank Zappa
  • 11/04/78: Steve Martin / Van Morrison
  • 11/11/78: Buck Henry / The Grateful Dead
  • 11/18/78: Carrie Fisher / The Blues Brothers
  • 12/02/78: Walter Matthau / (none)
  • 12/09/78: Eric Idle / Kate Bush
  • 12/16/78: Elliott Gould / Peter Tosh
  • 01/27/79: Michael Palin / The Doobie Brothers
  • 02/10/79: Cicely Tyson / Talking Heads
  • 02/17/79: Rick Nelson / Judy Collins
  • 02/24/79: Kate Jackson / Delbert McClinton
  • 03/10/79: Gary Busey / Eubie Blake & Gregory Hines
  • 03/17/79: Margot Kidder / The Chieftains
  • 04/07/79: Richard Benjamin / Rickie Lee Jones
  • 04/14/79: Milton Berle / Ornette Coleman
  • 05/12/79: Michael Palin / James Taylor
  • 05/19/79: Maureen Stapleton / Linda Ronstadt & Phoebe Snow
  • 05/26/79: Buck Henry / Bette Midler
  • Summary   Here’s a season that decided to go over the top and push the boundaries of good taste as much as possible. In one season alone, the writers and performers of “Saturday Night Live” made fun of child molesting, people with big butts, a bleeding Julia Child, nuclear meltdowns, and the pondering of Superman as a Nazi.

       On the lighter side, making his debut this season is “SNL” writer DonNovello’s alter ego: Vatican reporter Father Guido Sarducci, who frequents the “Weekend Update” set with humorous anecdotes about news on the religious front. Whether it be his thoughts on the Papal Election, or an analysis of the bill for the Last Supper, Father Sarducci always manages to get the audience to laugh at religion. Not to mention, providing yet another opportunity for critics to hate the show.

    SNL Transcripts

    SNL Transcripts: Buck Henry: 05/20/78: Sodom Chamber of Commerce




     Saturday Night Live Transcripts


      Season 3: Episode 20








    77t: Buck Henry / Sun Ra

    Sodom Chamber of Commerce

    Head of the Sodom Chamber of Commerce…..Dan Aykroyd
    Mayor Abanasher…..Buck Henry
    Ashmore…..John Belushi
    Noab…..Bill Murray
    Sodomite #1…..Garrett Morris
    Fellow Sodomites…..Andy Murphy, Mitchell Laurance
    Song and Dance Girls…..Jane Curtin, Laraine Newman, Gilda Radner

    [ open on close-up of Sodom Chamber of Commerce banner, with SUPER: “Sodom, 2003 B.C.” ]

    [ pull back to reveal Chamber members talking amongst themselves ]

    Head of the Sodom Chamber of Commerce: [ banging gavel ] Alright, settle down, gentlemen! Well, as the Head of the Sodom Chamber of Commerce, it’s always a pleasure to welcome our Mayor. You all know him — he’s a friend, a neighbor, and a great Sodomite. Gentlmen, please welcome Abanasher.

    [ the Chamber members applaud as the Mayor rises ]

    Mayor Abanasher: Gentlemen, thank you. I’d like to talk to you today about a problem that I consider the most serious problem facing our city. I’ve just returned from a trip that took me all around the Plain of Jordan. I regret to inform that Sodom… has a TERRIBLE reputation. [ the Chamber reacts ] I’m afraid it’s true, gemtlemen. When people of the empire think of Sodom, what’s the first thing that comes to their minds? Sodomy. [ the Chamber members nod ] Sodomy, sodomy, sodomy!

    Ashmore: Well, what’s wrong with that? I mean, sodomy is what put us on the map!

    [ the Chamber members agree ]

    Mayor Abanasher: That’s fine for you to say, Ashmore, because you’re a pharmacist. The point is: I’m the Mayor of this city, and I’m faced with a financial crisis, and every time I go to the government for loans, they say to me, “Why should we give aid to a city so debaucehd and so vile?”

    Head of the Sodom Chamber of Commerce: Vile? What’s vile about sodomy?

    Mayor Abanasher: You have no argument from me on that! All I’m saying is that we ought to be concerned about the kind of image we project to out-of-towners. You know, there’s a lot of Samarians and Azarians who are spending their zuzan in Gomorrah. That’s why I’ve invited a guest here tonight — Noab the Hissite. Now, Noah created the campaign to turn Gomorrah around. He’s got some really great ideas, so please hear him out. Gentlemen, I give you… Noab!

    [ the Chamber members applaud Noab, as he rises ]

    Noab: Thanks, Abanasher! Gentlemen. You know, I was looking over your official city brochure. Now… what kind of city slogan is this: [ reading ] “You have to be crazy to live in Sodom — crazy about sodomy!” Now… if you’re going to attract investment, if you expect to have your bid for the Olympics taken seriously, you’re gonna have to play down the sodomy!

    Head of the Sodom Chamber of Commerce: “Play down”? Come on! What do you think brings the conventions in here? A guy lookimh for a place he can gamble, practice gluttony, worship a flase idol or two… and have a little sodomy! He automatically thinks of Sodom!

    Ashmore: He’s got a point there!

    Noab: Alright, now look at Gomorrah, okay? Now, they’re every bit as wicked as you people, but it’s just not the main thrust of their publicity. They emphasize more conventional things. I think Sodom should, too.

    Head of the Sodom Chamber of Commerce: Oh, like what?

    Noab: Well, like the park. Like the museums. Like your restaurants. LIke your theater district.

    Sodomite #1: Oh, yeah… and the human sacrifice!

    Noab: No, no, no… You see, people around the empire, they sort of perceive the human sacrifice, not as a civic attraction, but as another one of the wicked things about Sodom!

    Ashmore: We don’t want to look like goodie goodies.

    Head of the Sodom Chamber of Commerce: No, Ashmore, you needn’t worry about that. Anyone who’s really interested in sodom, they know to come here — word-of-mouth will take care of that. I think that what Noab is saying is that we don’t have to bend over backwards to advertise it.

    Noab: Exactly! Exactly! All we want people to know is that they can come to Sodom, check into a hotel, visit a museum or a gallery in the afternoon, have a nice dinner in a fine restaurant in the evening, and then, if they want it, the sodomy is there.

    Head of the Sodom Chamber of Commerce: Gentlemen, Noab tells me that he has conceived a massive publicity campaign for Sodom’s new image.

    Head of the Sodom Chamber of Commerce: Alright, Noab, can you give us a sample?

    Noab: Alright, gentlemen. I think this is a concept that you’re going to love. [ calling out ] Kids?

    [ three Song and Dance girls come out to perform ]

    Song and Dance Girls: [ singing ]
    “IIIIIII love Sodommmmmmm!
    IIIIIII love Sodommmmmmm!
    IIIIIII love Sodommmmmmm!”

    [ pull back on wide shot of set, with SUPER: “coming up next… Do Termites Play House?” ]

    [ fade ]

    SNL Transcripts

    SNL Transcripts: Buck Henry: 05/20/78: Samurai TV Repairman



     Saturday Night Live Transcripts


      Season 3: Episode 20





    77t: Buck Henry / Sun Ra

    Samurai TV Repairman

    Mr. Dantley…..Buck Henry
    Samurai…..John Belushi

    [ open on interior, TV Repair shop ]

    Mr. Dantley: [ enters shop ] Hello? Excuse me, could you give me a hand, please? I need some help.

    Announcer: And now, another episode of..

    [ SUPER: “Samurai TV Repairman” ]

    Announcer: ..”Samurai TV Repairman”.

    Mr. Dantley: Boy, am I glad I found a shop that was open this late.

    Samurai: [ grunts ]

    Mr. Dantley: Yes, I know. I’ve gotta have this set fixed. Tonight. So I can watch the Play-Offs tomorrow.

    Samurai: [ mimes basketball action ]

    Mr. Dantley: That’s right. I’ve got $100 riding on the Bullets. The way I see it, if Unsel can control the boards, and Hays is hitting from the outside.. You see what I mean.

    Mr. Dantley: Anyway, look at this thing. I’ve got no sound, and I’ve got no picture.

    Samurai: [ plays with tubes ]

    Mr. Dantley: Well, what is it?

    Samurai: [ opens up TV from the back and points ]

    Mr. Dantley: Ah.. just, what, does it need a tube? [ Samurai grunts ] I-I mean, a transistor. I just don’t understand it, it’s.. it’s a relatively new set. See, here’s the Inspector’s tag. Uh.. it doesn’t do me much good to know that the Inspector’s number is, uh.. 68.. because the factory’s all the way in Japan.

    Samurai: [ panic grows on face ]

    Mr. Dantley: 68? I’d like to get my hands on #68.

    Samurai: My Momma-son!!

    Mr. Dantley: What?

    Samurai: My Momma-son!!

    Mr. Dantley: Inspector 68 is your mother?

    Samurai: My Momma-son!!

    Mr. Dantley: I don’t know what’s the matter with-

    Samurai: [ takes out small dagger and prepares to stab himself in the chest ]

    Mr. Dantley: Oh, well, wait a minute.. wait a minute.. [ turns tag upside-down ] It’s 89. my mistake.

    Samurai: [ relieved, puts dagger away ]

    Mr. Dantley: Anyway.. the point is, I’ve really gotta have it fixed by tomorrow, because.. I’ve got everything ready for tomorrow. You know what I mean? I ordered a pizza.. I have some beer in the refrigerator.. my girl is coming over, so..

    Samurai: [ slides dagger in and out of holder strpaped around his waist ]

    Mr. Dantley: Exactly my point! Anyway.. you mind if I ask you what kind of training you’ve had for this business? I mean, did you go to school for this sort of thing?

    Samurai: [ indicates diploma on wall ]

    Mr. Dantley: Ah. Famous TV Repairman’s School of West Port, Connecticut. Black-and-white only. Black-and-white only? Hey, listen, uh.. this is a color set. If you went to that school, what do you know about fixing a color set?

    Samurai: [ points to his eyes ]

    Mr. Dantley: Your eyes are brown..

    Samurai: [ points to skin ]

    Mr. Dantley: Your skin is yellow..

    Samurai: [ points to kimono ]

    Mr. Dantley: Your kimono is blue..

    Mr. Dantley: Ah. Well, that’s great. I know what color you are, but what about my set? I’ll tell you – I noticed that sometimes, when I sort of hit the side, the picture will come up.

    Samurai: [ taps TV with his fist ]

    Mr. Dantley: Yeah, a little rap on the side. Just a little.. tap on the side, that’s all.

    Samurai: [ screams, throws TV to the floor, then hacks it with a slice from his sword ]

    Mr. Dantley: [ alarmed ] Hey, what are you doing to my set?! What kind of way is that to fix it?!

    Samurai: [ picks up TV from floor, which now makes a sound, accompanied by scrambled test pattern ]

    Mr. Dantley: That’s fantastic! You’ve restored the sound.. but what about the picture? [ Samurai grunts ] Yes. Exactly. Yeah.

    Samurai: [ sticks two small Samurai swords through the back of TV, then jiggles until a clear picture appears ]

    Announcer: Tune in next week, for another episode of..

    [ SUPER: “Samurai TV Repairman” ]

    Announcer: ..”Samurai TV Repairman”.

    [ cut to close-up of audience member, “Has Fantasies Rated G” superimposed in front of her ]

    SNL Transcripts

    SNL Transcripts: Buck Henry: 05/20/78: Stunt Puppy




     Saturday Night Live Transcripts


      Season 3: Episode 20









    77t: Buck Henry / Sun Ra

    Stunt Puppy

    Director (“Bri”)…..Bill Murray
    Tommy…..Tom Schiller
    Cheryl…..Gilda Radner
    Gwen…..Jane Curtin
    Howard…..Buck Henry
    Roy…..Garrett Morris

    [ open on a film set, decorated like a suburban living room. Tommy stands off to one side as the Director enters ]

    Director: Tommy? Get me out of here in a hurry, okay? I want to get out to the track! [ to Cheryl ] Okay! Cheryl! Sweetheart! Let’s have you here! [ Cheryl steps up ] Okay, Kitten — in this scene, you’re the spoiled little girl, okay? Every time you get a new toy, you either break it or throw it away — or get bored with it right away, okay?

    Cheryl: Okay!

    Director: Okay. And you’re the same way with your little puppy, alright? You wanted it, you promised to take care of it, but then it was too much work, okay?

    Cheryl: How old am I supposed to be?

    Director: Uh, ten years old, okay?

    Cheryl: I’m TWELVE?

    Director: Okay… [ he squooshes her face ] but do you think you could play a spoiled little ten year old?!

    Cheryl: [ muffled ] I think so…!

    Director: Good! Isn’t she a little pill, everybody? Great! [ he releases her face ] Okay! Now, Gwen, please, may I have you? [ Gwen steps up ] In this scene, you’re the permissive mother, okay? You let your daughter get away with EVERYTHING, alright?

    Gwen: Oh! Sounds like my own home! [ she laughs ]

    Director: [ mock-laughing ] Terrific, honey. Howard, where are you?

    Howard: Yes, yes, yes! [ he runs up ]

    Director: Come here you, my psychotic father of this scene! Alright! Okay. You’re psychotic…

    Howard: Yes, yes!

    Director: You hate your wife…

    Howard: Uh-huh!

    Director: The only reason the marriage is still together is because of the little one.

    Howard: Mmm-hmm.

    Director: And you hate her.

    Howard: Mmm-hmm.

    Director: Because she’s spoiled.

    Howard: Mmm-hmm.

    Director: So who do you take it out on? The defenseless little puppy.

    Howard: Gotcha, right!

    Director: I knew you would! [ he rubs Howard’s head ] Come on! Right! Okay, let’s bring in…?

    Roy: [ carrying puppy ] Roy.

    Director: Roy! Alright, good to meet ya’, fellow! [ he rubs Roy’s head ] Okay, terrific! How is Sparky today? [ to Sparky ] Hey, fella! [ he composes himself ] Now, Roy… in this scene, I want Sparky to play the helpless, unloved puppy. No one’s taking care of him, no one’s training him…

    Roy: Ah!

    Director: He’s confused, he’s nervous. So… he takes a doo doo on the rug. Can Sparky do that?

    Roy: He sure can! Now, you heard the man, Sparky! When I do this… [ he holds up two fingers ] You make doo doo on the rug, okay?

    Director: Ahhh, thatta boy! Thanks, Roy, you’re amazing! OKay, places, everybody, please! Tommy, come in here and do me a favor! [ Tommy enters with clapper ] Will you roll ’em for me? [ he steps aside ] Slate it, Tommy!

    Tommy: “Animal Abuse”, Scene 3, Take 1! [ he claps the clapper and steps aside ]

    Director: Alright, settle in! [ the domestic scene focuses ] And… ACTION!

    [ the little girl plays with the puppy on the floor, as her parents sit behind her on the sofa ]

    Howard: Marilyn? I thought I told you NOT to bring the dog into the living room?!

    Cheryl: Ohhh, please?

    Howard: No! I don’t want it on the new carpet! Now, take it out!

    Cheryl: NO!!

    Gwen: Ohhhh, let her keep it in here, it’ll be okay.

    [ offstage, Roy holds up two fingers, as Sparky whines and takes a doo doo ]

    Cheryl: Uh-oh! Dad! Look what the dog did!

    Howard: [ irked ] Okay, Marilyn! YOU clean it up!

    Cheryl: I don’t wanna!

    Howard: Now, listen! You PROMISED me that you would take care of that stupid dog! Now you CLEAN IT UP!!

    Gwen: She’s only ten years old! You CAN’T expect her to clean it up!

    Howard: Alright, then — YOU clean it up! The dog was YOUR idea!

    Gwen: I can’t! I vomit!

    Howard: [ he throws his newspaper down ] Okay, I suppose I’LL have to clean up after it again! THIS IS IT!! I’m getting RID of this damn dog!!

    Cheryl: Well, I don’t care!! ‘Cause I don’t WANT it any more, anyway! [ she storms out of the room ]

    Gwen: Now you’ve upset her! Marilyn, honey![ she runs after her daughter ]

    Howard: [ picking up the dog ] This is just unbelievable! I don’t know WHAT to do! [ the dog doo doos in his hands ] What?! You stupid MUTT! You’re doing it again! No! No! I said stop it! Stop it! STOP IT!! [ he raises the dog over his head and freezes ]

    Director: CUUUUUTTT!!

    [ Roy rushes forward and retrieves the puppy from Howard’s hands ]

    Director: Okay, bring in the stunt puppy!

    [ Roy rushes the puppy to safety ]

    Director: Okay, that was very sweet. Very tasty, Howard.

    Howard: Good!

    Director: Thank you. Appreciate it. [ as Roy returns with the stunt puppy ] What have we got here? Perfect match! Must be from the same littler.

    Roy: Yeah! This, uh — this is, uh, Tippy!

    Director: [ to Tippy ] Heyyyy, Tippy! Mr. Tough Guy, huh? How are ya’! [ he grabs the dog’s paw ] Okay, Tipster… Brian, here, is gonna throw you around a little bit. And, when he does, I want you to squeal. Can we hear a squeal?

    Roy: Oh, sure!

    [ sound effect of a dog squealing over close-up of the puppy ]

    Director: Beautiful! Tippy, how are your ears? Are they strong?

    Roy: Oh, sure! He’s got strong ears, strong tail — you can do ANYTHING to him!

    [ no one is more excited to hear this than Howard ]

    Director: Great! Terrific! Okay, places, everybody! Tommy! I’m gonna FINE you a hundred dollars — and everyone on my set — for not noticing my new haircut! [ he gives Tommy a noogie and laughs ] Now, get outta here, all of you! Okay! Would you please do mr a favor, and slate it for me, Tommy?

    Tommy: “Animal Abuse”, Scene 4, Take 1! [ he claps the clapper and steps aside ]

    [ scene resumes with Howard kneeling next to the puppy at the couch ]

    Director: Start whimpering, Tippy! [ the puppy begins to whimper ] And ACTION!!

    Howard: CUT IT OUT, CUT IT OUT!! [ he grabs the puppy’s leash and yanks him in a circle around the living room ] I said STOP IT!! [ he kicks the puppy across the room and lets it ricchochet back from the leash ] I said STOP IT, STOP IT, STOP IT!! [ he begins to throw the puppy at the furniture, never letting go of the leash ] STOP IT!! [ with one final twirl of the leash, he throws the puppy hrough the front window, shattering the glass ]

    Director: Cuuuutt! Cuuuut! Beautiful, Howard! Beautiful!

    Howard: Thanks, everybody! Thank you!

    Director: [ toward the window ] Heyyyyy! How’s Tippy back there? Can we get somebody to go check on Tippy?

    [ Roy passes behind the set and holds the puppy up ]

    Roy: He’s alright!

    Director: Ahhhh, that’s a pal, huh? Come here, big guy! [ he scoops the puppy into his arms ] Oh, that was terrific, fella! Hey — I want to work with you again! That’s a promise! That’s a wrap, everybody! Let’s get some sleep. Eight o’clock tomorrow, for the cockfight.

    Howard: Brian! Terrific!

    [ they shake hands, as the scene fades ]

    SNL Transcripts

    SNL Transcripts: Buck Henry: 05/20/78: The Olympia Cafe



     Saturday Night Live Transcripts


      Season 3: Episode 20









    77t: Buck Henry / Sun Ra

    The Olympia Cafe

    Written by: Don Novello

    Sandy … Laraine Newman
    George … Dan Aykroyd
    Nico … Bill Murray
    Pete Dionasopolis … John Belushi
    Female Customer … Gilda Radner
    Male Customer … Garrett Morris
    Fussy Eater … Jane Curtin
    Al … Buck Henry
    Extra … Tom Schiller

    [Burger patties sizzle on a grill. George, the cook,flips them with his spatula. We hear the sound ofplates clattering. Pull back to reveal The OlympiaRestaurant, a busy diner run by a Greek family. Sandy,the waitress, leans over the counter.]

    Sandy: [yells to George, the cook] Cheeseburger!Cheeseburger! Cheeseburger!

    George: Cheeseburger! Cheeseburger! Cheeseburger!

    Sandy: [yells to Nico, the counterman] Three chip!Three Pepsi!

    Nico: Three chip! Three Pepsi!

    [The blustering, mustachioed owner, Pete Dionasopolis,approaches one of his regular customers who sits atthe counter.]

    Pete: Okay, what are you gonna have, honey?

    Female Customer: I think I’ll have the usual, Pete.

    Pete: [yells to George, the cook] Cheeseburger!

    George: Cheeseburger!

    Pete: [yells to Nico] Chip!

    Nico: Chip!

    Pete: Pepsi!

    Nico: Pepsi!

    [Seated next to the female customer is a man reading anewspaper. He holds up his coffee cup.]

    Male Customer: [to Pete] Hey, can I have a refill onthis coffee?

    Pete: No.

    Male Customer: Hey, man, I can’t have a refill ofcoffee, man?

    Pete: Too late!

    Female Customer: [helpfully, to the male customer] Uh,you should have asked for the refill while you werestill eating the cheeseburger. They don’t give refillswhen you’re done eating.

    Male Customer: [annoyed, to Pete] Okay, I’ll pay forthe second cup of coffee.

    Pete: No, go. Come on, I gotta have turnover! Come on,let’s go!

    Male Customer: [off his newspaper] Hey, man, I justwanna read the article–

    Pete: [yells] You wanna read, you go to library! Youwanna read? Get out of here!

    Male Customer: [pays check] Okay! Okay!

    Pete: Beat it! Come on!

    [Male customer exits in a huff and Pete rings up thesale on his cash register as Sandy, the waitress,approaches the counter.]

    Sandy: [yells to George, the cook] Cheeseburger!Cheeseburger!

    George: Cheeseburger! Cheeseburger!

    Sandy: [yells to Nico, the counterman] Two chip! TwoPepsi!

    Nico: Two chip! Two Pepsi!

    Pete: [to a fussy eater seated at the counter] Okay,what are you gonna have?

    Fussy Eater: Um, I’ll have a fried egg sandwich.

    Pete: Uh, no egg. Cheeseburger.

    Fussy Eater: How do you cook your cheeseburgers?

    Pete: Good.

    Fussy Eater: No, I mean, in what manner are theycooked?

    Pete: They are cooked good. What do you mean?

    Sandy: [interrupts] Uh, Pete. That lamb in thebasement is loose again.

    Pete: [annoyed] Aaahhhhh!

    [Pete abruptly walks off, grabs a large hatchet offthe wall and, waving it ominously, exits the scenewith Sandy. Nico, the counterman who barelyunderstands a word of English, brings a Pepsi to anextra seated at the counter.]

    Fussy Eater: [to Nico] Excuse me, do you just haveburgers here? [Nico doesn’t understand what she’ssaying but nods and smiles anyhow] Well, do you thinkI could get one broiled? [Nico keeps nodding andsmiling] I could? Aw, good. ‘Cause I just read anarticle that said that meat cooked on a grill causescancer. Did you read that?

    Nico: Cheeseburger?

    Fussy Eater: Yeah, cheeseburgers, too. It’s cookingthe meat too close to the flame that causes it.

    Pete: [returns without the hatchet and shoos Nicoaway] Ah, come on, come on, let’s go, get out of here.[to fussy eater] What you gonna have?

    Fussy Eater: Uh, I’ll have a broiled hamburger.

    Pete: No hamburger. Cheeseburger.

    Fussy Eater: Could I get it broiled?

    Pete: [humors her] You want it broiled? Okay. Sure, wegive you broiled. All right?

    Fussy Eater: Okay, I’ll have a broiled hamburger, well done.

    Pete: [yells to George] Cheeseburger!

    George: Cheeseburger!

    [Al, a bespectacled man in a green uniform, enters thediner and sits at counter. Pete joins him.]

    Al: Hello? Hey! How are ya? I’m Al fromRent-a-Doberman.

    Pete: What?

    Al: [distinctly] I’m from Lease-a-Doberman.

    Pete: Ah! Eh?

    Al: The guard dog company. Somebody here called, saidthey wanted to, uh, rent a guard dog.

    Pete: How much?

    Al: Well, it’s like I tried to tell ya on the phone,it depends on the type of dog you want, how many hoursper night you want him for. [looks around] I shouldthink a place like this, uh, would need only one dog.What time do you, uh – What time do you close?

    Pete: Eleven o’clock.

    Al: What time do you open?

    Pete: Five.

    Al: Hm. Well, we could drop a dog off at eleven, pickhim up at a quarter to five. But just remember, nobodycan come in here between those hours without gettinghis arm bit off.

    Pete: All right. How much?

    Al: Just a minute, I’ll figure it out. [takes pencilfrom behind ear and starts jotting numbers on a pad]

    Pete: All right.

    Female Customer: [concerned] Hey, uh, Pete, doesn’t,uh, Nico here sleep in the back? [points to Nico whohears his name mentioned and wonders what’s going on]

    Al: [interrupts] Uh oh oh oh, wait a minute, wait aminute. Nobody’s gonna be able to sleep around nohungry Dobie. [laughs] We don’t feed ’em much, keeps’em perky. [goes back to figuring on his pad]

    Pete: [considers this] All right. [explains to thefemale customer] Somebody broke in next door. I needprotection, you know?

    Sandy: [also concerned] But, Pete, what about Nico?

    Pete: Who’s afraid of him? I need protection. Dogs.

    Sandy: [offended] You mean when the dog comes, you’regoing to fire Nico?

    Pete: No. [decisively] Now!

    Sandy: [disbelief] Oh! Who’s going to tell him he’s fired?

    Pete: You. You tell him.

    Sandy: No, not me. [raises a hand in protest and walks off]

    Pete: [approaches his cook] Hey, George. Why don’t youtell him he’s fired?

    George: No, no. Not me, Pete. Not me, Pete. [turnsback to the grill]

    Pete: All right, all right. I’ll tell him. [to aconfused Nico] You fired! Goodbye! [tears the apronoff Nico and pushes him to the front door of thediner] Goodbye! Goodbye. [opens door and pushes Nicoout] You fired. Bye. Bye, bye, bye, bye.

    [Pete shuts the door on Nico, then turns to Al who hasignored all this. Al quietly chews gum and makes noteson his pad. In the background, Nico’s forlorn faceappears outside the diner window watching Pete and Al talk:]

    Pete: Hm?

    Al: Huh?

    Pete: How much?

    Al: Fifty-five dollars a week.

    Pete: Twenty.

    Al: No, no. Fifty-five is the lowest I can charge you.We’d be making a special pick-up at that time of themorning. I–

    Pete: [gestures to Nico and opens the door for him tocome back in] Come on.

    [Confused, Nico enters the diner and Pete gives himback his apron.]

    Al: Well, maybe there IS something I can do.

    Pete: [abruptly takes the apron back from Nico andpushes him out the door again] All right, go. Out!

    [Nico, thoroughly confused, exits willingly andresumes his place outside the diner window, peering inforlornly, as Pete listens to Al’s proposal.]

    Al: Now, I got a couple of nine-month-old GermanShepherds I’m having some problems with. I’ll put themboth in here. I’ll only charge you forty-five dollars.

    Pete: Twenty.

    Al: [irritated] There’s no way I can put two dogs inhere for twenty dollars a week. It costs me that muchjust to feed ’em.

    Pete: Uhhhh… Twenty-two.

    Al: [exasperated] All right, look. I’m sorry.Forty-five is the absolute minimum price. If youchange your mind, here’s my card. [hands Pete abusiness card and exits the diner]

    Pete: [with a jerk of his head, calls out] Nico! [Nicoenters hesitantly, unsure of Pete’s intentions] Comeon. Come on! [throws apron to Nico, both men return totheir places behind the counter] All right. [to femalecustomer who nods] Everything all right? [to fussyeater] Huh? You got it?

    [Just then, George places a cheeseburger in front of fussy eater.]

    Fussy Eater: [indignant, to Pete] Hey, wait. Thischeeseburger wasn’t broiled. I just saw him take itoff the grill.

    Pete: [to fussy eater, trying to change the subject]What to drink?

    Fussy Eater: [insistent] I ordered a broiledhamburger. This is not a broiled hamburger.

    Pete: Okay, okay, what do you want to drink? Come on,come on, come on.

    Fussy Eater: I’m afraid if I order a Coke, I’ll get a Pepsi.

    Pete: No Coke. Pepsi.

    Fussy Eater: [upset] Okay! Pepsi!

    Pete: [yells to Nico] Pepsi! [But Nico isn’t payingattention] Pepsiiiiii! [still no response, Pete grabsa menu from the counter and starts whacking Nico withit] Pepsi! Pepsi! Pepsi! Pepsi!

    Nico: [wearily] Pepsi…

    Sandy: [yells to George] Cheeseburger! Cheeseburger!Cheeseburger! Cheeseburger!

    George: Cheeseburger! Cheeseburger! Cheeseburger!Cheeseburger!

    Sandy: [yells to Nico] Three chip! Three Pepsi!

    [Applause. Zoom in on the grill as George throws downa series of burger patties.]

    [pull out to studio wide shot, with SUPER: “coming up next… The Double Entendre New Testament”]

    [fade]

    Submitted Anonymously

    SNL Transcripts