SNL Transcripts: George Carlin: 10/11/75: Weekend Update with Chevy Chase



 Saturday Night Live Transcripts


  Season 1: Episode 1







75a: George Carlin / Billy Preston, Janis Ian

Weekend Update with Chevy Chase

…..Chevy Chase
…..Laraine Newman

Announcer: From Saturday Night news headquarters, this is Weekend Update, with Chevy Chase.

Chevy Chase: [ talking into the telephone ] What are you wearing right now? [ smiles ] No bathrobe? [ notices the audience, hangs up telephone ] Good evening, I’m Chevy Chase!

Our top story tonight: dedication ceremonies for the new Teamsters Union Headquarters building took place today in Detroit, where Union President Fitzsimmons was reported to have said that former President Jimmy Hoffa will always be a cornerstone in the organization.

Now, world leaders in the news: Japan Emperor Hirohito met Mickey Mouse at Disneyland this week. The Emperor presented Mickey with a Hirohito wristwatch.

Dateline: Washington. At a press conference Thursday night, President Ford blew his nose. Alert Secret Service agents seized his handkerchief and wrestled it to the ground.

And, yesterday, in Washington, President Ford bumped his head three times getting into his helicopter. The CIA immediately denied reports that it had deliberately lowered the top of the doorway.

And, Ford was on the campaign trail, announcing in Detroit that he has written his own campaign slogan. The slogan? “If He’s So Dumb, How Come He’s President?”

The Post Office announced today — [ looks around, lost ] Just a second, I lost my place. [ shuffles his papers ] Oh! The Post Office announced today that it is going to issue a stamp commemorating prostitution in the United States. It’s a ten-cent stamp, but if you want to lick it, it’s a quarter.

Chevy Chase: Murder at the Blaine Hotel again. For a live report, let’s go to Laraine Newman in midtown Manhatten, at the Blaine hotel. Laraine?

Laraine Newman: [ over the sounds of sirens in the background ] Chevy, I’m standing outside a room on the 15th floor of the Blaine Hotel, where number 38 in a series of grizzly and bizarre murders has occurred just over an hour ago. [ pan down to reveal three legs, each with a yellow sock on the foot, covered by a sheet and poking out of the doorway ] The motive, again – murder, as it has been in the previous 37 slashings. In a fit of pique, the Mayor has called the Blaine Hotel a pockmark on the neck of midtown Manhatten. Once again, grizzly death and murder in the Blaine Hotel. Laraine Newman, reporting.

Chevy Chase: Still to come: Earthquake Claims San Diego, Four Million Die in Turkey, and Arlene Visits an Art Museum.

[ dissolve to ad parody for Triopenin ]

[ dissolve to Blaine Hotel ad card ]

Announcer: Guests of NBC Saturday Night stay at the fabulous Blaine Hotel in midtown Manhatten. The Blaine, a tradition for more than half a century.

Chevy Chase: Our final story tonight concerns the birth of a baby sandpiper at the Washington Zoo. It’s the first such birth in captivity on record. The pip made its debut at 9:18 this morning, weighing in at just under fourteen grams, and, according to zoo officials, resembled its mother quite closely. The name given our fuzzy little friend? Simply “Pip”. One humourous note: the bird was stepped on and crushed to death this afternoon by Goggles, the baby hippo born in captivity last Wednesday.

Well, that’s news this evening. This is Chevy Chase saying, good night, and have a pleasant tomorrow.

[ Chevy quickly redials his phone, as we fade ]

SNL Transcripts

SNL Transcripts: George Carlin: 10/11/75: Wolverines



 Saturday Night Live Transcripts


  Season 1: Episode 1






75a: George Carlin / Billy Preston, Janis Ian

Wolverines

Written by: Michael O’Donoghue

Professor…..Michael O’Donoghue
European Immigrant…..John Belushi
Stage Manager…..Chevy Chase

[ Open to a small room with two men sitting in chairs ]

Professor: Let us begin. Repeat after me.

[ European Immigrant in tight-mouthed concentration, nods ]

Professor: I would like…..

European Immigrant: [ in thick accent ] I would like….

Professor: ….to feed your fingertips….

European Immigrant: [ in thick accent] ….to feed yur fingerteeps….

Professor: …to the wolverines.

European Immigrant: [ in thick accent ] ….to de wolver-eenes.

Professor: Next, I am afraid….

European Immigrant: [ in thick accent ] I em afred…

Professor: …we are out…

European Immigrant: [ in thick accent ] …we are out…

Professor: …of badgers.

European Immigrant: [ in thick accent ] …of badjurs.

Professor: Would you accept…

European Immigrant: [ in thick accent ] Would you accept…

Professor: …a wolverine…

European Immigrant: [ in thick accent ] …a wolver-eene…

Professor: …in it’s place?

European Immigrant: [ in thick accent ] …een es place.

Professor: Next, “Hey,” Ned exclaimed…

European Immigrant: [ in thick accent ] “Hey,” Ned asclaimed…

Professor: “let’s boil…

European Immigrant: [ in thick accent ] “let’s boil…

Professor: …the wolverines.”

European Immigrant: [ in thick accent ] …the wolver-eenes.”

Professor: Next…

[ The Professor suddenly gasps, clutches his chest, and falls off his chair to the floor, obviously stricken with a heart attack. The Immigrant looks puzzled for a moment, then repeats the Professors gasp, clutches his chest, and throws himself on the floor. ]

[ Stage Manager enters the scene, peers at the two lifeless figures and looks into the camera and smiles. ]

Stage Manager: Live from New York.. it’s Saturday Night!

SNL Transcripts

SNL Transcripts: Paul Simon: 10/18/75



 Saturday Night Live Transcripts


  Season 1: Episode 2


This free script provided by http://javascriptkit.com]]>








Air Date:

Host:

Musical Guest:



Special Guests:



A Film By:

Cameos:







October 18th, 1975

Paul Simon

Randy Newman

Phoebe Snow

Art Garfunkel

The Muppets

Albert Brooks

Jesse Dixon Singers

Jerry Rubin

Marv Albert

Connie Hawkins

Bill Bradley



Season 1: Order Now!free website hit counter Paul Simon sings “Still Crazy After All These Years”Note: Chevy Chase performs his first opening fall at the end of Paul Simon’s number.

Note: After last week’s overpacked premiere episode, Saturday Night Live takes it easy by providing almost nothing but musical appearances for this episode. The cast was understandably not pleased.

Bio: Paul Simon (1941-) Singer-songwriter; teamed as Tom & Jerry with Art Garfunkel during the 1950’s, partnered as Simon & Garfunkel through 1970’s Bridge Over Troubled Water album; solo singing-songwriting career ever since; remained good friends with Lorne Michaels and Chevy Chase over the years; appeared as record producer Tony Lacey in “Annie Hall” (1977); married to actress Carrie Fisher from 1983-84; met singer Edie Brickell backstage at SNL in 1990, married two years later.

Also Hosted: 76h, 85p, 87h.

Also Performed: 77d, 79n, 86e, 90f, 92t, 94d, 00d, 05r.

Montage

Paul Simon & Jesse Dixon Singers perform “Loves Me Like A Rock”Bio: Led by esteemed gospelist Jesse Dixon (1938-); group performed back-up on Paul Simon’s 1974 concert album, Live Rhymin’.

Up Against the WallpaperSummary: Jerry Rubin pitches grafitti wallpaper.

Bio: Jerry Rubin (1938-94). Social activist; high-profile during the 1960’s and 1970’s; organized the Vietnam Day Committee to protest the Vietnam War; disrupted the 1968 Democratic National Convention in Chicago as part of the infamous Chicago Seven.

Transcript

Paul Simon performs “Marie”

Randy Newman performs “Sail Away”Bio: Randy Newman (1943-). Singer-songwriter; wrote the hit “Mama Told Me Not to Come” for Three Dog Night in the early 1970’s; some of his best-loved early songs were those of a comic nature, such as 1978’s “Short People”; began composing film scores later in his career.

Also Performed: 75b, 77i, 79f, 82n, 86f, 88c.

The BeesSummary: Paul Simon informs the Bees that their number was cut from the show.

Recurring Characters: Bees.

Transcript

Weekend Update with Chevy ChaseSummary: Sports reporter Marv Albert is on the scene as Paul Simon goes one-on-one with Connie Hawkins on the basketball court.

Bio: Connie Hawkins (1942-). Athlete; played for the Phoenix Suns, 1969-73; played for the Atlanta Hawks, 1974-76; inducted into the Basketball Hall of Fame in 1992.

Bio: Marv Albert (1940-). Sportscaster; “The voice of the New York Knicks”, 1967-2004; for years, presented sports bloopers clips referred to as the “Albert Achievement Awards” on David Letterman’s talk shows; in 1997, received a twelve-month suspended sentence for misdemeanor assault and battery charges.

Cameos: 83t, 93p

Transcript

Paul Simon & Art Garfunkel perform “The Boxer” & “Scarborough Fair”

Paul Simon performs “My Little Town”Note: Simon & Garfunkel reunited in real-life to record this single for Garfunkel’s current album, Breakaway.

Art Garfunkel performs “I Only Have Eyes For You”Bio: Art Garfunkel (1941-). Singer/actor; teamed as Tom & Jerry with Art Garfunkel during the 1950’s, partnered as Simon & Garfunkel through 1970’s Bridge Over Troubled Water album; as solo artist, relied heavily on other songrwriters, though he had his fair share of hits; light acting career included co-starring with Jack Nicholson in “Carnal Knowledge.”

Hosted: 77m.

Cameo: 86e.

The MuppetsSummary: Ploobis & Scred seek financial help from the Mighty Favog.

Albert Brooks FilmSummary: Albert Brooks presents his traumatic home movies and failed Candid Camera stunts.

Phoebe Snow performs “No Regrets” Bio: Phoebe Snow (1952-). Singer-songwriter; the poetry she wrote as a teenager eventually became her first songs as a jazz-scat vocalist.

Also Performed: 75r, 78s.

Paul Simon, Phoebe Snow, & Jesse Dixon Singers perform “Gone at Last”

Try-Hard 1-11Summary: A battery strong enough to run a pacemaker all night.

Transcript

Paul Simon performs “American Tune”

GoodnightsBio: Bill Bradley (1943-). Athlete/politician; played for the New York Knicks, 1967-77; elected to the Basketball Hall of Fame in 1982; U.S. State Senator for New Jersey, 1979-97; attempted a run for the presidency in 2000.

Cameos: 95d.

Transcript

SNL Transcripts

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SNL Transcripts: Paul Simon: 10/18/75: The Bees



 Saturday Night Live Transcripts


  Season 1: Episode 2



75b: Paul Simon / Art Garfunkel, Randy Newman, Phoebe Snow, Jesse Dixon Singers

The Bees

…..Paul Simon
…..Jane Curtin
…..Dan Aykroyd
…..John Belushi

[FADE IN on Paul Simon clapping onstage while the entire cast, dressed in bee costumes, gathers behind him.]

Paul Simon: We’ll be back… we’ll be in a moment with, uh–

[He turns around and notices the Bees.]

Paul Simon: Oh, my goodness! I’m really sorry, the Bees number’s cut!

Jane Curtin: What?

Dan Aykroyd: Aw, shucks!

Paul Simon: It didn’t work last week. It’s cut. I’m sorry.

[The forlorn Bees walk offstage.]

John Belushi: Okay.

[Belushi backs off with his palms upraised and a tense smile. FADE to black as Simon watches the others walk away.]

Submitted by: Joe Cornfield

SNL Transcripts

SNL Transcripts: Paul Simon: 10/18/75: Goodnights



 Saturday Night Live Transcripts


  Season 1: Episode 2



75b: Paul Simon / Art Garfunkel, Randy Newman, Phoebe Snow, Jesse Dixon Singers

Goodnights

…..Paul Simon
…..Bill Bradley

Paul Simon: I just want to take this opportunity to thank, uh, all the guests who were on the show – Phoebe, and, uh, Randy Newman, who I never met and this was my opportunity to meet him, I was very happy to do so. And, of course, I want to thank Art Garfunkel, uh, the film by Albert Brooks, The Muppets, Chevy Chase, and, uh – have I forgotten anybody?

[ Bill Bradley suddenly appears in the background, carrying a huge basketball trophy ]

Paul Simon: I – I hope not — the Bees! I forgot the Bees!

Announcer: Ladies and gentlemen – Bill Bradley, of the New York Knicks!

[ the audience cheers as Bradley steps forward and towers over a surprised Simon ]

Paul Simon: Oh! Oh. Oh. [ he mimes a jump shot towards the top of the trophy ]

Bill Bradley: For one-on-one players everywhere, I present you with this trophy. Congratulations!

[ Bradley hands Simon the oversized trophy, which nearly drops Simon to the floor ]

Paul Simon: I’d just like to say, if Kareem Abdul-Jabbar is watching, most of this week — most — [ Simon loses his grip on the trophy, nearly stabbing Bradley’s chest with it ] Ooh! I’m sorry, Bill. Most of this week, I’ve been, uh – I have been practicing going to my right! So this film can be very misleading about going to the left. I just wanted to say: I’m ready! Good night. Thank you.

[ Simon places the trophy onto the stage floor and shakes Bradley’s hand ]

Announcer: The Muppets are Frank Oz, Jerry Nelson, Richard Hunt and Jim Henson. Next week on “NBC Saturday Night”, Rob Reiner will be your host. Joining Rob will be The Lockers, Penny Marshall, Jim Henson and his Muppets, another film from Albert Brooks, and a variety of music and comedy entertainment. Don’t miss Rob Reiner, next week on “NBC Saturday Night.” This is Don Pardo, saying, “This is Don Pardo, saying, ‘This is Don Pardo, speaking.'” Your announcer this evening has been Don Pardo. Maybe next week, I’ll sing.

SNL Transcripts

SNL Transcripts: Paul Simon: 10/18/75: The Muppets



 Saturday Night Live Transcripts


  Season 1: Episode 2





75b: Paul Simon / Art Garfunkel, Randy Newman, Phoebe Snow, Jesse Dixon Singers

The Muppets

Ploobis…..Jim Henson
Scred…..Jerry Nelson
Mighty Favog…..Frank Oz

[ The camera pans across a deserted, rocky landscape — craters filled with smoky, bubbling slime. ]

Announcer: Come with us now… from the bubbling tarpits to the sulfurous wasteland… from the rotting forest to the stagnant mud flats… to the land of Gorch!

[ Ploobis groans as he looks through a pile of moldy papers. ]

Scred: More bills, your thoughtlessness!

Ploobis: Bills, bills, bills! What’s the use? We’re never gonna be able to pay ’em.

Scred: Awww, what’s the matter, privy breath?

Ploobis: Scred… our fair land of Gorch is on the brink of default.

Scred: No, it’s not, it’s on the edge of Scabland! There’s the border, right over there!

Ploobis: You idiot! [ POW! Ploobis cuffs Scred in the head. ]

Scred: Oooh!

Ploobis: We’re on the brink of default!

Scred: Well, what does that mean?

Ploobis: It means we can’t pay our bills. It means the garbage man will no longer be able to deliver the garbage.

Scred: Oh… How will we feed the rats?

Ploobis: What we need, Scred, is fiscal assistance!

Scred: Oh — that sounds painful!

Ploobis: Scred! [ POW! ] You’re no help.

Scred: I’m just trying to help, your annoyance… but, ya know, usually when we need help, we ask… you know who.

Ploobis: Oh, yeah! The Mighty Favog!

[ GONNNG! The Mighty Favog is revealed. ]

Mighty Favog: THIS IS THE MIGHTY FAVOG. THAT’S MY NAME, WISDOM’S MY GAME.

Ploobis: Mighty Favog — we have come to seek fiscal assistance!

Mighty Favog: OOOH. THAT SOUNDS PAINFUL.

Scred: That’s what I said!

Ploobis: Will you shut UP! [ POW! ] Oh, Mighty Favog —

Mighty Favog: TALK TA ME!

Ploobis: Our fair land of Gorch is on the brink of default!

Mighty Favog: NO, IT’S NOT. IT’S RIGHT ON THE EDGE OF SCABLAND. SEE THE BORDER OVER THERE?

Scred: See! I told ya!

Ploobis: Shut up, Scred. [ POW! ]

Scred: Ow ow ow ow ow!

Ploobis: Listen, Favog — Gorch is broke. We can’t pay our bills, and we need your help.

Mighty Favog: IT’S GONNA COST YA.

Ploobis: But we’re broke. I mean, I got nothing to sacrifice.

Mighty Favog: WELL, WHAT ABOUT YER FRIEND THERE?

Ploobis: He’s got nothing either.

Scred: That’s right!

Mighty Favog: NO, NO, I MEAN — I’LL TAKE HIM!

[ Scred shudders. ]

Ploobis: Oh… yeah!

Scred: No! No, no! Not old Scred! Oh, no!

Mighty Favog: YEAH, YEAH…

Scred: No, if I go… who’ll torture the birds?

[ Ploobis picks Scred up and tosses him into the sacrificial well. ]

Ploobis: Get in there.

Mighty Favog: YEAH, RIGHT IN THERE.

Scred: Oh, no! No, not old Scred! Nooooooo…

[ Scred falls in with a splash. There’s a flushing sound, and The Mighty Favog smacks his lips. ]

Mighty Favog: HE DON’T GO DOWN EASY.

Ploobis: Listen, Favog — now, how can you help Gorch?

Mighty Favog: GORCH IS BETTER OFF ALREADY.

Ploobis: How come?

Mighty Favog: YA GOT ONE LESS MOUTH TA FEED.

Ploobis: Oh, yeah…

Mighty Favog: YA WANT SOME MORE HELP? BRING SOME MORE FRIENDS!

[ Scred pops up from the hole. ]

Scred: Yeah, and bring some girls!

Ploobis: Get in there…

Mighty Favog: GET BACK IN THERE! SEXIST REMARK…

[ fade ]

Courtesy of: Tough Pigs Anthology

SNL Transcripts

SNL Transcripts: Paul Simon: 10/18/75: Try-Hard 1-11



 Saturday Night Live Transcripts


  Season 1: Episode 2





75b: Paul Simon / Art Garfunkel, Randy Newman, Phoebe Snow, Jesse Dixon Singers

Try-Hard 1-11

[FADE IN on an announcer walking through a narrow grassy meadow at night. It is summer, and the trees are in leaf.]

Announcer: We’re here at International Falls, Minnesota, where we purposely left the pacemakers of these five geriatrics on all night, just to prove that the Try Hard 1-11 Battery can withstand even the most adverse conditons.

[PAN along a row of five elderly people who are standing in front of the trees. FADE to the same scene in the morning, where the five people are all standing in the same places. Two of the elderly people are leaning wearily on each other, and two others are standing up but looking very droopy. Birds are heard merrily chirping in the background.]

Announcer: The next morning, all geriatrics have trouble getting started, but not the one with the 1-11. [The white-haired gentleman in the middle, who wears a gold shirt and large, dark-rimmed glasses, looks peppy and waves jauntily to the camera.]

Announcer: The Try Hard 1-11. Picks up where your heart left off.

[FADE OUT on a closeup of the battery with a caption of the slogan. The happy geriatric is seen waving out of focus in the background.]

Submitted by: Joe Cornfield

SNL Transcripts

SNL Transcripts: Paul Simon: 10/18/75: Weekend Update with Chevy Chase



 Saturday Night Live Transcripts


  Season 1: Episode 2







75b: Paul Simon / Art Garfunkel, Randy Newman, Phoebe Snow, Jesse Dixon Singers

Weekend Update with Chevy Chase

…..Chevy Chase
…..Marv Albert
…..Paul Simon
…..Connie Hawkins

[FADE IN on Chevy sitting at the anchor desk and talking on the telephone.]

Don Pardo: And now, “Weekend Update” with Chevy Chase!

Chevy Chase: [softly] What are you talking about? I could see right through the fence. I could see… [He hangs up the phone and starts picking his nose. Chevy notices the camera, blinks, and shuffles his papers nervously.]

Chevy Chase: Good evening, I’m Chevy Chase, here to keep you up on what’s going down!

[CUT to the projection screen over Chevy’s shoulder. It shows a slide of a car with a smashed hood and policemen standing around it.]

President Ford’s regular weekly accident took place this week inHartford, Connecticut, where Ford’s Lincoln was hit by a Buick. Alert Secret Service Agents seized the Buick and wrestled it to the ground.

[CUT back to Chevy at desk from the front.]

No one was injured in the accident, but when the President got out tosee what had happened, he tore his jacket sleeve on the, uh… [checks script] …on the car bumper, bumped his head, and stuck his thumb in his right eye. Alert Secret Service agents seized the thumb and wrestled it to the ground. [As the audience laughs, Chevy grins and pounds the desktop twice.]

Said Mr. Ford, quote: “I just assumed my thumb was in my pocket withthe rest of my fingers.” Concerning the collision, New Orleans district attorney Jim Garrison says he will immediately launch an investigation into the “second car theory.”

[applause]

Chevy Chase: In other news, Muhammad Ali today changed his name to Rhonda Fleming. He gave no reason for his decision.

But the big news on the sports scene is, of course, the one-on-one matchup with Connie Hawkins of the Atlanta Hawks, and Paul Simon, acoustic guitarist. For an on-the-spot report, let’s go now to Marv Albert.

[CUT to a rather dimly lit gymnasium. A short guy can be seen shooting at the near end, and a tall guy at the other.]

Marv Albert: [off camera] I’m Marv Albert, and in just a moment: the one-on-one confrontation upcoming between The Hawk.

[CUT to a young Marv Albert wearing a powder blue plaid sports suit and talking into a clip-on microphone which he holds in his hand.]

Marv Albert: Connie Hawkins, one-time Harlem Globetrotter, one of the most exciting players in the NBA, as a member of the Atlanta Hawks. And The Hawk will be opposed by Paul Simon.

[CUT to Paul nodding and smiling.]

Marv Albert: Paul, of course, known as a songwriter… as a singer. Why this one-on-one competition?

Paul Simon: Well, the challenge, the challenge came from from Connie. I don?t know why he… why he chose me, uh… but I got the message through my office, uh… but he did challenge me to one-on-one. I’m ready, ready to play. I’m here. I’m ready to go.

[CUT to The Hawk dribbling toward the basket and leaping for a soft dunk.]

Marv Albert: I notice, I’m looking at your uniform, the number “decimal point 02.” Any particular significance to that?

Paul Simon: No, that’s always been my number… ever since junior high school. It’s not Connie’s number, I don’t think there’ll be any confusion between us.

[CUT to Connie Hawkins taking warmup shots, then back to Paul and Marv.]

Marv Albert: Paul, what is your game plan for the Hawk?

Paul Simon: Well, I’m spotting him a 1-foot 4-inch height advantage. I have to be honest, that’s gonna be a factor in this game. He’s got me on speed and shooting ability.

[CUT to Hawkins making a reverse layup under the basket.]

Paul Simon: Uh, but I’ll just have to play my game, as I usually play it. I mean, I’m not gonna change anything, I’ve gotta stay with my strengths… basically, singing and songwriting.

[CUT to Connie Hawkins, a tall, bearded, black player in a purple jersey, as he walks toward the camera. Paul can be seen taking warmup shots in the background while Hawkins talks with Marv.]

Marv Albert: Okay, here’s the Hawk. Connie, welcome. Connie, uh, I’m trying to figure out, why this one-on-one matchup? Of course, we know your skills on the basketball court, but, uh, all Paul Simon is known for is, uh, “Bridge over Troubled Waters [sic].”

Connie Hawkins: Well, actually, uh, I’m probably known as one of the best 1-on-1 basketball players in the schoolyard, and, uh… I found out through the grapevine that he’s probably one of the best basketball players in the schoolyard, and I challenged him to see who’s the best.

Marv Albert: Any particular strategy that you have planned?

Connie Hawkins: Well, I understand that he’s really not that heavy, and he’s not that, uh, strong, and he’s probably short, but I think has a lot of savvy and a lot of hutzpah.

Marv Albert: Is there a chance that Paul might get hurt out here on the basketball court?

Connie Hawkins: [evenly] Yes.

Marv Albert: Connie, we wish you the best of luck in this one-on-one confrontation. [to camera] And in just a moment, the opening tap between the Hawk, Connie Hawkins, and Paul Simon.

[The opening notes to Paul Simon’s song “Me and Julio down by the Schoolyard” play in the background as Connie and Paul stand at center court for the tip-off. The referee tosses the ball up, and Hawkins easily controls it a good two feet above Simon’s upraised hand. Hawkins steps back and attempts an easy shot from the top of the key, but it falls no good. The song continues in the background, and Paul, wearing a white jersey with “02” on the front and “SIMON” on the back, grabs the rebound in the left corner. He dribbles in front of Connie, who is obviously making little or no attempt on defense. Paul puts up a sky hook shot which soars almost above the top of the backboard and somehow drops in. The ref signals the shot, and the audience roars in approval as the scoreboard hows Simon ahead 2-0. CUT to shots of Paul Simon draining three straight layups; Hawkins just about gets a hand on the last one, but it goes in. Then Simon throws up a high, arcing shot from the top of the key, and gets nothing but net. CUT to Hawkins dribbling at the free-throw line; Simon steals it easily from him, and puts up another shot which falls in to give him 12 points on the board.

While “Me and Julio” continues to play, CUT to Simon far underneath the basket as he tries to bank one off the glass. Connie Hawkins terribly misses a block, and the shot is no good. Hawkins disappears while Simon tries the same shot and misses again. When he gets the rebound, Hawkins leaps back in and goes up for the block, but Simon waits until he’s flown past, then tosses it back up, and the shot goes in. CUT to slow-motion footage of Hawkins dribbling past Simon toward the basket. Simon makes a hopeless attempt at defense and appears to foul Hawkins on the back, but Connie launches toward what appears to be a sure finger roll. The ball bounces twice inside the rim and falls out. CUT to Simon sinking another jump shot with Hawkins standing several feet away. Connie is seen dribbling in the backcourt while Paul flails his arms toward him. Connie drives to the basket, with Paul keeping up a decent fight, and misses yet another layup.

On Paul’s next possession, Connie goes for the steal and grabs Simon’s forearm; they pretend to get tangled up, and Connie just about rides Simon for a couple of seconds until Simon goes sprawling to the floor. He lies motionless for a long moment, then jumps to his feet just as the song goes, “Whoa!” SUPERIMPOSE the caption “HE’S NOT HURT” as the audience laughs and Simon leaps and laughs. CUT to a quick shot of Connie Hawkins grinning, and then Paul tries to dribble past him for another shot. Connie sticks out a hand, and the shot bounces wide. CUT to the ref signaling a pushing foul. Connie dribbles gingerly in front of Paul on his next possession, and then drives smoothly past him and hits a reverse dunk. The scoreboard shows two points for Hawkins. CUT to slo-mo footage as Paul is seen dribbling in the lane until Hawkins knocks the ball loose, and it rolls toward the far side of the court while they go scrambling for it. Paul somehow gets there first, drops to the floor, and grabs the ball while Connie sprawls along the sidecourt. With the song winding down, Paul dribbles toward the basket with Hawkins a few steps behind. When Paul stops to set for the shot, he crouches down as low as he can, and Hawkins jumps right over his head and lands on the other side. Paul straightens and dishes it easily off the glass to put it in. SUPERIMPOSE the caption “WINNING POINT” as the audience applauds.]

[FADE to Marv and Paul standing at courtside. Paul wears a white towel around his neck and waves to an imaginary crowd.]

Marv Albert: Paul, incredible upset. What happened? How’d you do it?

Paul Simon: [catches breath] Well, uh… First of all… [pause] When my outside shot is on, it’s on, it’s really on, and, uh… [laughter] I had a good day today. I put in a couple of quick early shots, I think he gave me room that he, he shouldn’t have given me room, he should’ve pressed me, he should’ve played a baseline game. Uh… [pause] A lot of luck went my way, y’know. I thought he played beautiful ball. He was much, he was much tougher and taller than I thought. A one-foot-four is really a lot, it’s really a lot to go against, and, uh, I’m about worn out now.

Marv Albert: Did his physical intimidation bother you at all?

Paul Simon: Uh, towards the end of the game, I started to feel it in my legs… physically intimidating my legs.

Marv Albert: What happens from here for Paul Simon?

Paul Simon: Well, I’ll be goin’ on the road, Howard.

Marv Albert: [whispers into mike] Marv. Marv Albert.

Paul Simon: Marv, I’m gonna go out on the road from here. Probably do some concerts, I’ll try to get back into music a little bit now. Uh, write some songs, and, uh… This is not gonna be a regular thing with me, I, I don’t suppose, unless somebody wants to come up and challenge me again. And if they do, if the schedule permits, I’ll be doin’ it. I’ll be here, I’ll be ready.

Marv Albert: Paul, congratulations. Incredible upset.

Paul Simon: Thanks.

[FADE OUT just as they shake hands, and then FADE to Connie and Paul walking together off the court; Paul pats Connie at the base of his back, while Connie reaches down and pats Paul on the shoulder. FADE to black.]

Submitted by: Joe Cornfield

SNL Transcripts

SNL Transcripts: Paul Simon: 10/18/75: Up Against the Wallpaper



 Saturday Night Live Transcripts


  Season 1: Episode 2



75b: Paul Simon / Art Garfunkel, Randy Newman, Phoebe Snow, Jesse Dixon Singers

Up Against the Wallpaper

Written by: Michael O’Donoghue

… Jerry Rubin

[We hear Bob Dylan’s “Blowin’ in the Wind” as abearded Jerry Rubin steps in front of a wall coveredwith grafitti-patterned wallpaper and addresses thecamera.]

Jerry Rubin: The 1960s, a time of change, a time ofsharing, a time of growth. Hi, I’m former Yippieleader Jerry Rubin and I lived those years with you,burning draft cards, liberating the administrationbuilding, and, of course, scrawling revolutionaryslogans on the walls in spray paint. Now, the BerkeleyCollection has captured those colorful years, and thegrafitti that tells it like it was, on thesepre-trimmed, pre-pasted rolls of durabledecorator-approved wallpaper, perfect for your den orrecreation area. Join me in a protest march downMemory Lane with the pattern we call “The Dissident.”

[Rubin unrolls some wallpaper as we hear a protestchant (“The streets belong to the people! Smash thestate!” etc.) and dissolve to an image of the pattern:yellow grafitti on a red brick wall. Panning down, weread such slogans as: AVENGE ATTICA; SMASH THE STATE;Property is Theft; Hands Off Tim Leary; The streetsbelong to the people; WHITE PANTHERS; BRING THE BOYSHOME! (with BOYS crossed out and replaced by WAR);VIVA LA HUELGA!; BLACK POWER; BURN BABY BURN; STOP THETRIAL!; LEGALIZE ABORTION; Rome wasn’t destroyed in aday; S.D.S.; ON TO CHICAGO; OFF THE PIG!; STRIKE!;SUPPORT THE NLF; THE-RIGHT-TOO-BEAR-ARMS; DAYS OF RAGEOct 8-11; DEATH TO U.S. IMPERIALIST WARMONGERS, etc.Then, we dissolve back to Jerry Rubin.]

Jerry Rubin: Too heavy for you? I understand. Perhaps”The Peacemaker” is more your bag.

[Rubin unrolls another, mellower pattern of wallpaperas we hear people singing John Lennon’s “Give Peace aChance” and dissolve to an image of the pattern:orange paint on a green background. Panning down, weread such slogans as: Stop the Bombing; SNOOPY FORPRESIDENT; Stamp Out Pollution!; THE MAN CAN’T BUSTOUR MUSIC; BOYCOTT LETTUCE; HELL NO, WE WON’T GO; BURNPOT, NOT PEOPLE; FLOWER POWER; END THE WAR; RIGHT ON!;GIRLS SAY YES TO BOYS WHO SAY NO; POWER TO THE PEOPLE;VOTE WITH YOUR FEET; PEACE; GET OUT OF VIETNAM!; FRODOLIVES; DO YOUR OWN THING; change it or lose it; SPEEDKILLS; HELL, NO, WE WON’T GO!; IRISH POWER; TODAY ISTHE FIRST DAY OF THE REST OF YOUR LIFE; DRAFT BEER,NOT STUDENTS; VOTE FOR PEACE; SOCK IT TO ME!; PEANUTBUTTER IS BETTER THAN POT; MAKE LOVE, NOT WAR; GIVEPEACE A CHANCE, etc. Then, we dissolve back to JerryRubin.]

Jerry Rubin: But no matter where your head is at,being free turns everyone on, right? That’s why wechose this fit-any-mood freedom motif for our bordersand trim. We call it “The Digger.”

[Rubin unrolls another, still mellower pattern ofwallpaper as we hear an instrumental version “BornFree” and dissolve to an image of the pattern: puce ona pink background. Panning across, we read suchslogans as: free Huey!; FREE FORT DIX 38; FREE ERIKAHUGGINS; FREE THE CATONSVILLE 9; FREE JOHN SINCLAIR;FREE THE BOSTON FIVE; free the seattle 7!; FREE DavidHilliard; FREE THE PANTHERS!; FREE BOBBY SEALE; FREELOVE; FREE ANGELA DAVIS; FREE THE MC 9; free themilwaukee 14; FREE THE CHICAGO 8 (with 8 crossed outand replaced by 7); FREE THE SEATTLE SEVEN, etc.

[Abruptly, some yellow paint splatters across the image.]

Jerry Rubin: Oops! No hassle! [A hand, clutching awhite rag reaches in and wipes off the mess easily.]This wallpaper is vinyl-acrylic-coated to make itscuff and stain resistant. Wipes clean with a dampcloth. [Dissolve back to Jerry Rubin] Isn’t this outof sight? So take it from me, Jerry Rubin, when I say,[raises his fist in a power salute] “Up against thewallpaper, [bleep]!”

Female Announcer: The Berkeley Collection by Chemstro.

Submitted Anonymously

SNL Transcripts

SNL Transcripts: Rob Reiner: 10/25/75



 Saturday Night Live Transcripts


  Season 1: Episode 3


This free script provided by http://javascriptkit.com]]>






Air Date:

Host:

Musical Guest:

Special Guests:











A Film By:

Cameos:

Bit Players:

October 25th, 1975

Rob Reiner

None

Penny Marshall

Andy Kaufman

The Lockers

The Muppets

Mark Hampton

Denny Dillon

Albert Brooks

None

Jacqueline Carlin

Anne Beatts

Tom Davis

Al Franken

Neil Levy

Tom Schiller

Alan Zweibel



Season 1: Order Now!free website hit counter The WheelchairSummary: An injured Mr. Featherstone (Chevy Chase) regains his ability to walk, then falls out of his wheelchair.

Transcript

Montage

Rob Reiner’s MonologueSummary: Rob Reiner portrays a smarmy lounge singer.

Bio: Rob Reiner (1947-). Actor; son of writer/comedian Carl Reiner; played liberal-minded Michael “Meathead” Stivic opposite Carroll O’Connor in TV’s “All In The Family”, 1971-78; often collaborates on projects with longtime friend, Billy Crystal; directed films include: “This is Spinal Tap” (1984), “Stand By Me” (1986), “When Harry Met Sally…” (1989); married to actor/director Penny Marshall, 1971-81.

PancreasSummary: Man (John Belushi) learns his pancreas is on the fritz.

Transcript

Fashion ShowSummary: Rob Reiner and Penny Marshall host a showing of fashion mistakes.

Bio: Penny Marshall (1942-). Actress/director; sister of TV producer Garry Marshall; played Oscar Madison’s secretary on “The Odd Couple”, 1971-75; co-starred with Cindy Williams in “Laverne & Shirley”, 1976-83; directed films include: “Big” (1988), “A League of Their Own” (1992); married to actor/director Rob Reiner, 1971-81.

Cameos: 96i.

Transcript

Golden NeedlesSummary: Spokesman (George Coe) pitches surgery-free healing that involves voodoo acupuncture.

Transcript

Andy KaufmanSummary: Andy Kaufman lip-syncs “Pop Goes The Weasel.”

Dangerous But IneptSummary: Squeaky Fromme (Laraine Newman) tries to shoot Jane Curtin during interview.

Recurring Characters: Squeaky Fromme.

Transcript

Felina Cat FoodSummary: Test proves it’s different than regular tuna.

Transcript

The LockersSummary: The Lockers dance around Studio 8H.

Bio: Organized by Don Campbell, The Lockers consisted of Fred “Penguin” Berry (later of “What’s Happening!”), Bill “Slim the Robot” Washington, Leo “Fluky Luke” Williamson, Greg “Campbellock, Jr.” Pope, choreographer Toni Basil (“Easy Rider”) and Adolfo “Shabba-Doo” Quinones. The gimmick of their dance moves involved locking their bodies in comical poses during their performances.

Weekend Update with Chevy ChaseSummary: Kidnappers use Don Pardo to voice their demands from the Blaine Hotel. Garrett Morris, headmaster of the School for the Hard of Hearing, repeats the top story for the hard-of-hearing.

Transcript

Wrigley’s GumSummary: At a funeral, a priest (Tom Schiller) lets the deceased take the gum with him.

Transcript

Joe CockerSummary: Joe Cocker (John Belushi) makes a surprise appearance to perform an extra spastic version of “With A Little Help From My Friends.”

Transcript

Droolers Anti-Defamation LeagueSummary: Chevy Chase promotes awareness.

Transcript

Middle-American Van LinesSummary: Used to move people, not their possessions.

Transcript

Hoe-DownSummary: A sadistic hoe-down caller (Dan Aykroyd) torments square dancersith his calls.

Transcript

The MuppetsSummary: Ploobis discovers his son Wisss has been smoking craters.

Transcript

Talent NightSummary: Mark Hampton & Denny Dillon as nuns emceeing talent night for their parish.

Note: Denny Dillon will later be a cast member during SNL’s ill-fated 1980-81 season.

What Gilda AteSummary: Gilda Radner tells the audience everything she ate that day.

Transcript

“Operation”Summary: Albert Brooks film shows a heart surgery.

Note: Albert Brooks is a good friend of Rob Reiner’s, who helped rally in favor of airing Brooks’ short film on tonight’s episode. At thirteen minutes, the film had to be interrupted midway for a commercial break.

The BeesSummary: The Bees ruin Rob Reiner’s chance to do a dramatic scene with Penny Marshall.

Recurring Characters: Bees.

Transcript

SNL Transcripts