The O’Reilly Factor with Donald Trump

Bill O’Reilly… Alec Baldwin

Donald Trump… Alec Baldwin

Malia Zimmerman… Cecily Strong

[Starts with the O’Reilly Factor intro]

[Cut to Bill O’Reilly in his set]

Bill O’Reilly: Caution! You’re about to enter the no spin zone, ‘The Factor’, begins right now.

[Cut to ‘The Factor’ intro]

[Cut to Bill O’Reilly in his set]

Hi, I’m Bill O’Reilly. I hope your’e having a terrific evening. The subject of tonight’s talking point’s memo is a scandal everyone’s talking about all week. A scandal no one thought I would have the guts to address head on, but the shocking allegations of abuse of power has been leveled against Obama.

Let’s bring in FOX News investigator reporter Laurie Dhue with an update. [pause] [listens to his ear-piece] What’s that? Laurie no longer works for the company? Did she get the check? Okay, fine.

I’m told we do have FOX News analyst Malia Zimmerman who is normally in studio, but is now reporting live via satellite from exactly 500 yards away. [Cut to Malia Zimmerman] Malia, great to have you.

Malia Zimmerman: Um-hmm.

Bill O’Reilly: Malia, you spoke to former Obama Security Adviser Susan Rice and you told her I believe she illegally leaked the names of Trump’s people to the media. Correct?

Malia Zimmerman: Yes. And she denied it.

Bill O’Reilly: So, you asked her point blank and she said–?

Malia Zimmerman: No.

Bill O’Reilly: Okay. But when she said no, what was her vibe?

Malia Zimmerman: Her vibe?

Bill O’Reilly: Yeah. Like, when she said no, did her eyes say yes? Sometimes they do that.

Malia Zimmerman: No, they just said no.

Bill O’Reilly: Okay, but, was it a firm no or like–

Malia Zimmerman: Oh, man! [talking to her team] Can we do that think we talked about?

[Malia Zimmerman’s face is blurred]

Bill O’Reilly: Alright, terrific reporting, Malia.

Malia Zimmerman: [voice changed] Thanks for having me, Bill.

[Cut to Bill O’Reilly]

Bill O’Reilly: We’re gonna take a quick break. [stays silent for a while] As you know, 60 of our sponsors have pulled ads from the program. No words as to why yet. We thank the following sponsors for sticking with us.

[Cut to ‘The Factor’ intro]

Male voice: The O’Reilly Factor is brought to you by, Dog Cocaine. [Cut to picture of a dog sniffing cofaine] Turns out, you can teach dogs new tricks. And one of them is doing cocaine.

[Cut to ‘The Factor’ intro] And the O’Reilly Factor is also sponsored by [Cut to Eliquis tablet] prescription strength, Eliquis. it’s Cialis for horses! Get your horses boned up and see what happens! With Eliquis, the official horse aphrodisiac of ‘The Factor’. [Picture changes to poster of the movie ‘Chips’.] And finally, the movie Chips. Chips, Oops!

[Cut to ‘The Factor’ intro]

Bill O’Reilly: Very proud of all of our sponsors. Now this is hard for me to discuss, but I also have been in the news this week. Apparently, several women have come forward and accused me of offering them exciting opportunities here at FOX News. Beyond that, the details are a bit fuzzy, but one man brave enough to come to my defense. A man who is unimpeachable on all female issues, now is here tonight. People, please welcome the president of the United States, Donald Trump.

[Cut to split screen of Bill O’Reilly and Donald Trump]

Donald Trump: Hello, hi. Hello everyone. Good evening, Bill. It’s so wonderful to be here on the Factor. I’m a big fan.

Bill O’Reilly: I’m a big fan as well and it’s an honor to have you here. And can I just say Mr. President, you look even better on TV.

Donald Trump: I know. I do. I look fantastic and can I tell you something, I actually see a lot of myself in you, Bill.

[Cut to Bill O’Reilly]

Bill O’Reilly: Thank you, Mr. President. And thank you for coming to my defense last week even though no one asked you to. And you even went as far as saying “Bill O’Reilly did nothing wrong.”

[Cut to split screen of Bill O’Reilly and Donald Trump]

Donald Trump: That’s correct.

Bill O’Reilly: That’s based upon?

Donald Trump: Hunch. Just a loose hunch.

[Cut to Bill O’Reilly]

Bill O’Reilly: So, you are not familiar with the facts of the case?

[Cut to Donald Trump]

Donald Trump: I mean, I’m more familiar with this case than, say, healthcare, but I didn’t really look into it much, no. I was too busy being super presidential by bombing a bunch of [bleep].

[Cut to Bill O’Reilly]

Bill O’Reilly: Well, I deeply appreciate your support on behalf of all women and I’d like thank you, Donald Trump, for promoting sexual assault awareness month.

[Cut to Donald Trump]

Donald Trump: That’s right, Bill. It’s a subject near and dear to my hand.

[Cut to Bill O’Reilly]

Bill O’Reilly: Well, thank you for stopping by ‘The Factor’, Mr. President. Keep up the good work.

[Cut to split screen of Bill O’Reilly and Donald Trump]

Donald Trump: Wait, is that a joke?

Bill O’Reilly: Excuse me.

Donald Trump: A lot of people have been saying, “Keep up the good work” but then I found it was a joke.

Bill O’Reilly: I was not making a joke, Mr. President. I promise.

Donald Trump: [sign] I’m back, baby.

[Cut to Bill O’Reilly]

Bill O’Reilly: [clearing throat] Don’t forget to check out my hit book, ‘Old School, Life in the Sane Lane.” It’s about having terrific great morals and values and couldn’t have  come at a better time. I’m Bill O’Reilly. Thanks for watching ‘The Factor’.

[The End]

The Lawyer

Vanessa Bayer

Judge… Kenan Thompson

Mr. Douglas… Louis C.K.

Bailiff… Leslie Jones

Georgy Sharpe… Pete Davidson

Mr. Bird… Alex Moffat

Jury… Aidy Bryant

[Starts with Vanessa making her statement in the court]

Vanessa: So there you have it. My client was five miles away from that bar playing poker with his friend, Mr. Bird, the night of murder. Yeah. That’s it. I rest my case.

Judge: Alright, Jurors. You’ve heard opening statements from both the defense and the prosecution. Mr. Douglas, you may now call your first witness. Mr. Douglas, you may now call your first witness.

[Mr. Douglas stands]

Mr. Douglas: The prosecution calls Gregory Sharpe to the stand.

Judge: Hold on. Excuse me, Mr. Douglas. Has anyone ever told you that– well, frankly, you have the most beautiful eyelashes. [Mr. Douglas has long eyelashes]

Mr. Douglas: Thank you, your honor.

Judge: I mean, this can’t be the first time you’re hearing this, right?

Mr. Douglas: [laughing] It’s not, your honor.

Judge: Wow. What a pickle to be you, huh? Walking around town, bringing spring wherever you go.

Vanessa: Your honor, can we call the witness please?

Judge: Of course. Bailiff.

[Bailiff walks to Georgy Sharpe with a bible]

Bailiff:

Georgy Sharpe: Yeah. I’ll tell the truth.

[Mr. Douglas walks forward]

Mr. Douglas: Mr. Sharpe, where were you on the night of the 7th?

Georgy Sharpe: Well, like I told the cops, it was poker night. And I was playing poker with my buddies.

Mr. Douglas: Including Mr. Bird?

Georgy Sharpe: Yeah. He was there.

Mr. Douglas: So, you’re going to look me in the eye, these eyes, [pointing at his eyes with long eyelashes and smiling] and tell me he was with you that night? All night?

[Georgy Sharpe gets nervous]

Georgy Sharpe: Um, it was the poker.

Mr. Douglas: Mr. Sharpe. Was it then?

Georgy Sharpe: [smiling] What do you want me to say?

Mr. Douglas: [smiling at Georgy Sharpe] I want you to look at me.

Georgy Sharpe: Come on, man.

Mr. Douglas: And tell me the truth. Boop! [pokes Georgy Sharpe’s nose]

Georgy Sharpe: He wasn’t with me. And he’s always talking about killing people.

Mr. Bird: Come on! Man!

Mr. Douglas: No further questions.

Vanessa: Okay. Objection. What is this with the eyelashes? I’m appalled by the prosecution here.

Judge: Appalled or jealous?

Vanessa: Appalled. This is not fair.

Judge: Fine. The jury will do their best not to be influenced by the prosecution’s gorgeous, inviting lashes. And they will also disregard the fact that the defense’s lashes are clumpy and unremarkable.

Vanessa: Fine. Thank you. [Vanessa walks forward] Mr. Sharpe, when you were initially questioned by police, you stated that Mr. Bird joined you for poker night at your apartment. [A jury is looking at Mr. Douglas all mexmerized] In fact, he came to your place early to help you get up. You even had leftover beers you brought that night. Now, I’m sorry but–

Jury: [yelling looking at Mr. Douglas’s eyelashes] My god!

Vanessa: Okay. Now, he is directly influencing the jury.

Mr. Douglas: That’s ridiculous, your honor. Permission to approach the bench?

Judge: Oh, I would like the very, very much.

[Vanessa and Mr. Douglas walk forward]

Oh, both of you.

Vanessa: I can get you disbarred for this, manipulating a jury. [Mr. Douglas is blinking his eyes and looking at Vanessa] I’ve never seen someone so blatantly disregard– [Mr. Douglas is influencing Vanessa too] So blatantly disregard protocol in such a– Oh, my! [The air is blowing on Vanessa’s hair] There’s something about you. [Mr. Bird stands quietly and flees while everyone is looking at Mr. Douglas’s eyelashes] Maybe it’s your unorthodox methods. Maybe it’s the way you carry yourself or–

[Mr. Douglas looks at the camera and the video pauses]

Female voice: Maybelline, New York.

Tenement Museum

Cecily Strong

Vanessa Bayer

Michael… Louis C.K.

Ava… Kate McKinnon

1913Thompson

Kyle Mooney

[Starts with Guide guiding a  group in museum]

Guide: Okay, squeeze on in here, guys. Our next top on the Tenement Museum tour is this apartment which appears exactly as it would have in nineteenthirteen.

Teacher: Okay, pay attention, guys. Some of this is going to be on the quiz.

Guide: Alright, this was the home of the Linzowsky’s, a working class family from Poland. And to help us understand what it was like for them in the strange new land of America, a group of historically trained actors will be joining us to being the Linzwsky’s back to life. In fact, I think I hear them now.

[Two actors walk in]

Michael: Oh, my darling, Ava. For 16 hours today, I break my hands in factory. I can afford to bring a cabbage home for soup. We should have stayed in Poland.

Ava: Michael, our bellies will have to be filled with love. Food will be a luxury for the next generation.

Teacher: Aw, they came here for their children.

Michael: I wish I could bring home more money, Ava. [cheers and applause] But there are no good jobs. They have all been taken by the filthy greasy Italians.

[1913is making angry face.]

Ava: Michael. Shame on you. It is not their fault that they are greasy meatball eating crotch cravers.

Teacher: You know. I’m not sure this is okay for my students to hear.

Guide: Oh, no. I assure you. This conversation is 100% historically accurate.

Ava: Michael, I don’t like to see you upset over the Italians, who everyone knows are not even real white people. Please, relax. [Michael sits on a chair and Ava puts two plates before them] Sit. Eat.

Guide: Now look at the bowls Mrs. Lindowsky is using. Something like that would be treasured family heirloom.

Kenan: Um, cool. Um, what’s up with the Italian stuff?

Guide: Hey, bud, let’s wait until the end of the scene for questions.

Michael: Ama, let me ask you a question. Do you know how to brain wash an Italian?

Ava: How, Michael?

Michael: You give him an enema.

Ava: Um. That makes sense. And Michael, do you know why Italy is shaped like a boot?

Michael: Why, my love?

Ava: Do you think they can fit that much crap into a shoe?

Michael: That is very true, really.

Teacher: Um, are they just telling Italian jokes?

Guide: No.

Kenan: Yes.

Michael: But I must go now or I will be late for my night shift at the factory.

[Michael and Ava hug each other]

Ava: You work so hard, Michael.

Michael: Yes. I work hard in factory so that some day our children will be the boss of factory. And then, we will hire half wit, goon, rat faced Italians and work them to death at the machines. This is my dream.

[Ava is crying]

Guide: [clapping] Amazing. Let’s hear it for the Lindowsky’s.

[Students are clapping]

Kenan: Feels kind of weird clapping for that but alright.

Guide: Now, magically the Lindowsky’s can hear you all the way back in nineteenthirteen. So, would anyone like  to ask them a question?

Kyle: Hi. Um, when you say grease ball, is it because the food is greasy or they are?

Teacher: Okay, please don’t answer that.

Guide: Anyone else?

Kenan: I have a question.

Michael: Yes, chocolate face.

Kenan: And you just answered it.

Guide: Actually, I have a question for Mrs. Lindowsky. That contraption there, I don’t know what it is. Could you tell me about it?

Ava: Yes. This is to dry clothes. You put the wet fabric here and you turn and leave it like this. One bedsheet, three hours.

Guide: Wow! Lot harder than just tossing your clothes in the drier, huh?

Michael: But it will not always be this way for my wife. I work hard to save money. And god willing, I will hire chocolate lady to do this for me.

Kenan: [angrily] Nope!

Teacher: Yeah. We’re leaving. Let’s go.

Soda Shop

Connie… Sasheer Zamata

Vanessa Bayer

Louise… Cecily Strong

Aidy Bryant

Sam… Louis C.K.

Johnny… Pete Davidson

Leslie Jones

[Starts with girls walking into a soda shop]

Connie: Gee, gang, that math test was the bees knees.

Vanessa: Honey, you’re such a nerd. Isn’t Connie a nerd, Louise? Louise?

Louise: Oh, sorry. I wasn’t listening. I was moping.

Aidy: Louise, are you still upset about not getting asked to dance.

Vanessa: We know what will make you feel better.

Aidy: Hey, Sam, how about a root beer float? We got someone down in the dumps.

Sam: Sure thing, girls. But speaking of ice cream, what’s the scoop? Who is the pouty penny?

Louise: It’s me. I’m the only girl who didn’t get asked to the spring fling bepop and sock hop.

Sam: Well, sounds to me like those boys are making a whooper of a mistake. I’m gonna give you an extra scoop of vanilla on the house.

Louise: Aw, thanks Sam. I wish all the boys to be more like you.

Girls: Sam’s the best.

Sam: Well, heck, if I were 20 years younger, I would ask you myself. I mean it. And geez, I’d even ask you right now, the age I am right now.

Louise: Ha-ha, Sam. Very funny.

Connie: Sam tells the best jokes.

Sam: Ha-ha-ha. So, what do you say?

Louise: To what, Sam?

Sam: The dance. Are we doing it or what?

Louise: The spring fling, Sam?

Aidy: Ha-ha. That’s for teenagers, Sam.

Sam: Well, then wouldn’t it wow the crowd to show up with an older man on your arm?

Vanessa: I would go with Sam if he asked me.

Sam: Well, I didn’t ask you, stupid. I asked Louise.

Louise: Sam, you’re being awfully nice, but I wanted to go to the dance in a normal way, like with a boy my age instead of an older married man.

Sam: [laughing] Married? Please. The next time I kiss my wife will be at her funeral.

Louise: Neato, Sam.

Sam: Hey, you know what would be fun if we did a test run?

Louise: Of what?

Sam: Our date.

Louise: We’re still talking about that?

Sam: Well, sure. Let’s pretend that this booth over here is a car. [Sam pulls Louise and puts her in a booth with him.] Just for pretend.

Louise: You sure are cookie, Sam.

Vanessa: Hey, this is fun. Can we be a part of the scene?

Sam: No, so shut up.

[Sam is pretending like he’s driving]

Louise: Sam, this is nice and all. But…

Sam: Wait. Get down, Louise. [pretending like he’s shooting people outside the car] Bang, bang. Did you see that?

Louise: What?

Sam: I killed two people.

Louise: Why? Why did you do that?

Sam: Well, I didn’t like they way they were talking about you. They were saying stuff like, “Louise thinks she is better than all of us now that she has fallen in love with a married man and I hear they are running way to get married some place where the rules are different.”

Louise: Okay. Thank you, Sam, but I would like to get out of the car now.

Sam: You can’t. We are in a tunnel.

Aidy: Where is there a tunnel on the way to school?

Connie: I don’t think he’s taking her to school.

[Johnny walks in]

Johnny: Louise, I have been looking all over for you.

Louise: For me? Why, Johnny?

Johnny: Well, coz I’ve been trying to do this. Louie Marie Conolioly, will you be my date for the spring fling?

Louise: Oh, Johnny, of course I will

[Sam stands]

Sam: So, um, what does that mean for me?

[Leslie walks in]

Leslie: Connie? I made dinner and you are here at the pervert’s soda shop?

Vanessa: Um, Louie made us come. She always makes us come here because she knows Sam is going to make inappropriate sexual advances towards her.

Louise: It’s a game I like. I like knowing that I could get Sam in big trouble for the things he says, but he does it anyway. Makes me feel powerful. I know it sounds silly, but I do want to be a dominatrix when I grow up so it’s not as hair brained as it sounds. Anyway, [holds Johnny’s hands] see you, Sam.

[Everyone walks out]

Sam: OH, well, I guess it’s just you dancing alone again tonight, Sam.

[Sam hits the glass in Jukebox and cuts his hand]

Oh, I cut the heck out of my hand.

Sectionals

Louis C.K.

[Starts with a picture of horses running]

Man: So long as men can breathe for I can see,
so long lives this and this gives life to thee

[Cut to Man standing in front of a huge leather couch]

Sectional couches. [music playing] When I was a little boy, my grandmother bought mea new couch. And I looked at it and I said, where is the rest of it? And that is the first of many stories you’re going to hear. This is going to be long. What if I told you that where most people’s couches end, your can bend and keep going?

[Cut to video clips of different L shaped couches]

Wow! Kingly. Nothing like it. Legend has it that in ancient Rome, the emperor asked for a very long couch. One that would stretch to infinity. [Cut to Man] When they built the couch, he gazed at it powerfully and said, “Well, that’s not going to fit.” So, they put a bend in it, and they built it in sections.

[Cut to a woman singing sitting on a couch]

[Cut to Man]

Hi. [Cut to a couch set] This one’s called ‘Bad Lands’. God only knows what it’s stuck with. Each like bouff unfolding and unfolding for eternity.

[Cut to another couch set] This one’s called ‘The Gathering’. It looks like elephants gathered for an important reason. It has phone chargers and electricity runs through it.

[Cut to another couch set] Rest your tired head on this bosom of this robust goddess, ‘Drink of milk!’ If you don’t have this one, let me ask you a question. [Cut to Man] What are you doing? These are all made on earth. But all these couches are nothing compared to what I’m going to talk about right now. Listen to me speak. There was a woman named Barb somewhere in Racine, Wisconsin. She went to a couch store and she said–

[Cut to Barb sitting on a couch]

Barb: Bigger!

[Cut to Man]

Man: So, they showed her a bigger one and she said–

[Cut to Barb sitting on a bigger couch.]

Barb: No! Bigger!

[Cut to Man]

Man: And they showed Barb a couch bigger than any other thing on Earth! And she said–

[Cut to Barb sitting on a couch]

Barb: Yes! Yes! I’ll take it!

[Cut to Man sitting on the same couch]

Man: This piece is called ‘The Nexus.’ It is the eye of the storm. The rest of the Sectional is born from this point, and that is how they’re made. Period!

I used to have a family. I would sit on a couch here, then they on a couch there. And I longed to connect with them. So, I bought a Sectional. Then I bought another and another. Then a warehouse to store them, and a storefront to show people what they are. Some would come in and ask, “How much are they?” And I would reply, “Get out of my property. These are not for sale.” I got this air time to say, “Please, leave me alone with my Sectionals.” This is not a commercial. Goodnight!

Male voice: Sectional Sofa Emporium, eighttwofivenine, Soda Street. Not open to the public. Not a business.

Pepsi Commercial

Kenny… Kyle Mooney

Director… Beck Bennett

Kendall Jenner… Cecily Strong

[Starts with shooting for Pepsi commercial.]

Kenny:  And that’s a cut on rehearsal. Let’s be ready to roll in five. How is it going, Mr. Director?

Director: Good. Good. I’m really excited.

Kenny: Well, you should be. Writing and directing a commercial for Pepsi. It doesn’t get much bigger than that.

[phone vibrating]

Director: Oh, hey, this is my sister. I gotta get this real quick. [talking on the phone] Carrie, hey. Sorry, I can’t super talk right now. I’m on the set of a huge Pepsi commercial I’m doing. I know, right? It was like, completely my idea, and now they’re doing it. It’s great, yeah. I mean, okay, so well it’s an homage to the resistance and for the huge protests in the streets reminiscent of Black Lives Matter. And so, everybody is marching, right? And they can see police officers and they think it’s gonna go bad because there’s kind if, like, a standoff. And then, Kendall Jenner walks in and she walks up to one of the police officers, And she hands him a Pepsi, and then, that Pepsi brings everybody together. Isn’t that like, the best ad ever? [listening silently] Uh-huh. Uh-huh. Sort of done deaf.

Kenny: Alright, guys, three minutes away! Three minutes!

Director: I think maybe you just kind of don’t get it. Is Doug there? Can you put him on? Dough! What’s up? Hey, I just want to run this Pepsi commercial by you that I’m doing and make sure you are loving it as much as I am. Um, cool, cool. The whole thing is an homage to resistance and Black Lives Matter. So everybody is marching. And then Kendall Jenner comes up to a police officer and gives him a Pepsi and everybody celebrates. People of every single culture comes toge– Uh-huh. [listening] Uh-huh. No, we’re celebrating these cultures. We’re celebrating black culture. Uh-huh. Cancel hiphop? But we’re also celebrating asian culture. Don’t even play the cello?Mm, mm, mm. Oh, got it. Just kind of using them? Yeah. It’s all soda? Great. It’s gonna be bad.

Kenny: Alright people, 60 seconds till we roll on this man’s singular vision!

Director: Ha-ha. Yes! [talking on phone] Hey, man. Could you put a neighbor on the phone, a black one? Hi, ma’am. Hey, we’re shooting a little Pepsi commercial over here. I want to run it by you and get your opinion on it. Okay, great. So, the whole thing is an homage on Black Lives Matter. Huh? Don’t even touch it? It’d be insane to touch it? Right. Okay. Don’t even show police? [sigh] Yeah. What would you do if you were in my situation? Just run to my car? Okay.

Kenny: Alright, we got to go. People.

Director: Hey, Kenny. Do we have a time for a quick re-write?

Kenny: Hey, no can do, bud. Let’s invite Kendall to set. She has her hard out in 45 seconds.

[Kendall Jenner walks out of her bus]

Kendall Jenner: Okay, bye. I gotta go. I’m on the set of my Pepsi commercial. Um, I stop the police from shooting black people by giving them a Pepsi. I know! It’s cute, right?

Louis C.K. Stand-Up Monologue

Louis C.K.

[Starts with SNL monologue intro]

[Cut to SNL stage]

[Band is playing music]

Announcer: Ladies and gentlemen, Louis C.K..

[Louis C.K. walks in and to the stage]

[cheers and applause]

Louis C.K.: Yes. Yes. that’s right. That’s right. That’s appropriate. Here’s a joke. Why did the chicken cross the road? Coz there was a black guy walking behind him and he was nervous. He was new to the city, this chicken, and he was like, “I feel like he is following me. But I’m not sure.” But then he thought, “Maybe if I cross the road, then if he crosses the road, he’s definitely following me.” So he crossed the road. And the black guy went home. He’s just living his life. And the chicken was like, “I’m such a racist.” He felt bad. But about a month later, a black guy ate the chicken. Different black guy. I’m just telling you what happened. Wait, wait. Don’t be upset coz this is not a racist joke. This joke is not racist. The chicken was racist. The chicken was definitely racist. But that’s chickens. Chickens are very closed down, sort of suspicious and prejudice. You kind of can’t blame them considering that their species murder rate is 100%. That’s why chickens are like, [looking around suspiciously] . there’s no friendly chickens. You can feed the same chicken every day. He’s like, “I’m not coming over there, you black son of a bitch. I know what you want! I’m not your soup yet, you jew.”

I like animals. I like thinking about animals. I like wondering what animals are thinking. Nobody knows what any animal thinks. You can ask an animal any question and the conversation is over. I wonder if– the giraffe. The giraffes– Are giraffes up there going, [freaking out] “Whoa! It’s too high! Hey, horse! Horse!” “What, man?” “Look at this. It’s crazy.” “Yeah, your’e a giraffe.” “Yeah, but look at my neck.” “Phrr.” That’s why horses make that noise. If you’re near a horse, and he does that, that’s because you suck.

Does a moose look different when it’s surprised? Did you see a moose? They always have this, [looking around with eyes wide open]. I saw a moose once in person, or in moose. Maybe I was projecting because I was like, “Oh, my god! It’s a moose.” And he looked like he was going. “Oh my god! I’m a moose!” Every moose looks like a dude who just got turned into a moose before you looked at him.

I’m thinking of buying a goat. I’m thinking of buying a goat because I want to have a trash can that I can make love to. So that’s why I’m going to buy a goat. So I can have sex with a trash can. I can do that with a trash can I have now but a goat has a vagina. That makes it a lot better. [crowed disgusted] I don’t care that your’e upset. I’m still getting the goat.

I love doing this. This is my favorite thing to do, standup comedy. I have been doing this for 32 years now. [cheers and applause] And it’s been– 32 years. And it’s been going great for four years. Four years, it has been great. 28 years, I struggled. But you know what? I was happy then too. I was always happy when I was struggling coz when your life sucks, it just sucks. You don’t expect anything else. When your life gets good, you start expecting it till you get unhappy. This is what happens. Like, now I stay in beautiful 5-star hotels and I’m miserable. I used to stay in motels. Not even like a nice motels with like, name Motel 6. I stayed in just Motel. Not even a name. Like they built it and one guy’s like, “What should we name it?” And the other guys is like, “What? Last time you took a dump, did you name it?”

You know those motels that are right on the highway where you ride by and you’re like, “Who is inside of that?” It’s right on the highway. Literally, you open the door and there’s a truck. And when you– There’s a little shower, and as soon as you get in the shower, you’re dirtier now. They give you a little soap and you have to peel off the paper, and then it just makes a rash. You can write your name in a skin disease with the soap. And there’s always two beds and one bed has a big pool of sperm right in the middle of it. I don’t know why. Big deep pool with a current. Hide tide in the sperm pool! Where’s the boats?

I stayed in place like that for years and I was happy. Because what are you going to do? Complain to the motel? What are you gonna do? Call the front desk in a motel? “I want to speak to the manager.” “Well, he’s dead. Somebody duck taped him to a chair and shot him in the head because he owed him $15. Now I stay at beautiful 5-star hotels and I’ miserable, I’m always upset. First of all, I don’t like them. I’m not used to it. I don’t like the fanciness.  I don’t like that they tie your bathrobe into a swan that we have to dismantle. And I don’t like it when you call room service, they have to say a long flowery ‘hello’ before you get to talk about food. This is how they answer the phone at room service at fancy hotel like, “Hello [gibberish].” I hate it! I never let them. I call them, they’re like, “Hello–“. “Stop. Stop. Stop. Coffee. Don’t read it back.” I’m mean.

Also, if you stay in fancy hotels, you get used to it so you start getting upset when things aren’t perfect. Like, one time, my laundry wasn’t there. I had laundry. I was waiting for it. So I called housekeeping. Now they don’t answer the phone all fancy at housekeeping. This is how she answers the phone. She goes, “Hello?” and I actually said this to her. I said, “Do you want to try that again?” Yes, I’m letting you know about me. That’s what I said. “Did I reach you on your personal phone today?” So she says, “What do you need, sir?” And I said, “Well, I don’t have my laundry. And I gave it to you.” She said, “You didn’t give it to me.” I was like, “Oh my god, I’m so excited, coz I get to be really mad.” I said, “I gave it to your department and I was promised–“, like it’s in the constitution that you get your laundry. “I was promised I’d have it in 24 hours and it’s been longer.” She said, “What do you want me to do about it?” So, I got really mad. I said, “Listen, ma’am. First of all, you can hear in my voice that I’m white.” [crowd responding negatively] By the way, I’ll defend that right now. I will defend that. Because look, it’s wrong that white people get preferential treatment. It’s wrong. But as long as they do, what’s going on at this hotel? I’m supposed to get the best. Because I’m white… which is awful and wrong, but where is it right now?

So she got sick of me and she says, “Do you want to speak to manager?” I said yes. So the manager comes on, “Hello, Ned speaking. [gibberish]” I said, “I’m very upset!” He was like, “Oh! I’m so white sorry white sir. What white happened today?” I said, “I don’t have my laundry.” He was like, [freaking out] “Ah!” He said, “I will conduct an investigation.” I was like, “Yes! That’s a very white thing to do. I want a white investigation with my laundry!” So he said, “I will call you back in five minutes or less.” Hmm. So, I was waiting in my room like, [laughing proudly]. The manager calls me back and he says, “Sir, I looked into the matter and I do need to ask you one question. Are you certain that you gave us laundry?” And as soon as he said that, I was like, “I did not give you.”

[cheers and applause]

We have a great show tonight. The Chainsmokers are here. So stick around and we’ll be right back.

Birthday Clown

Clown… Bobby Moynihan

Ernie… Louis C.K.

[Starts with a man opening door. There’s a clown outside.]

Clown: Hey, I’m Seth. I’m the birthday clown. Sorry, I came early.

Ernie: That’s okay. [gesturing to come in] [Clown walks in with his box] Did you find parking okay?

Clown: I took an Uber.

Ernie: Dressed like this?

Clown: Yeah, it’s part of the job. I’m used to it.
Ernie: Oh, well, set up right here.

[Cut to Clown setting up. Ernie walks in with a can of soda]

You gotta get a better defense, man.

Clown: Oh, yeah. It has been a good season though, altogether. You know? So, where is the birthday boy? Little Ernie, right?

Ernie: Oh, it’s me.

[Ernie sits on a sofa alone to watch Clown]

Clown: Come again?

Ernie: Um, I’m Ernie. It’s my birthday.

[Clown is looking around]

Clown: So– do you want– should we wait for everyone to show up?

Ernie: No, it’s just me. [opens his can of soda] Whenever you’re ready.

Clown: I’m sorry. Before I start, I’m wondering why–

Ernie: Just start the show, man. I gotta take my mind off some stuff.

Clown: Yeah. Okay. Sure. Yeah. [Clown walks behind the curtains] I’m just gonna do it.

[Clown turns on the funky kid’s music]

[Clown is using sock puppet as a bird speaking. He is still behind the curtains. The puppet is outside.]

Female voice: Hey, kids, are you ready for Dodo the clown?

Ernie: Uh-huh.

Female voice: I can’t hear you.

Ernie: Yeah. I’m ready.

Female voice: Now, here comes the Dodo!

[Clown comes out on a baby cycle blowing the horn]

Ernie: It’s good.

Clown: Hey, kids. Do you remember my name?

Ernie: Dodo.

Clown: And what’s your name, birthday boy?

Ernie: Ernie Sullivan.

Clown: And how old are you turning today?

Ernie: I’m 53.

Clown: Jesus! What’s your favorite color?

Ernie: Um, I don’t know. [Clown waiting for the answer] I don’t know. [Clown still waiting for the answer]

Clown: Okay. Um, boy, I sure am hungry. I hope I got a snack! [pulls out a bottle out of his pocket] Bleh! Ha-ha-ha. [opens the bottle, and a toy snake jumps out of the bottle] Hey! Ha-ha-ha-ha.

Ernie: That’s pretty funny. [pulls out some money and gives it to Clown] Here you go.

Clown: Are you giving me a tip?

Ernie: Yeah, you want me to wait until after?

Clown: Yeah, no– I don’t– there’s no protocol for whatever this is.

Ernie: Sorry. I’ll wait. Go ahead.

[Clown starts pulling out thread out of his mouth]

Ernie: Excuse me. [Ernie walks away. Clown is confused as he doesn’t know what to do.]

Clown: You want me to stop and wait?

[Ernie peeks out of the toilet]

Ernie: No, I can see from here. Keep going.

[Clown is still pulling the color thread out of his mouth.]

[doorbell rings]

Hey, can you get that?

[Clown opens the door. There’s Disney’s Elsa and a robot.]

Elsa: We are here for little Ernie’s birthday party.

Clown: You don’t want this.

[Clown shuts the door. Ernie is standing just behind him.]

[looking at Ernie] They got to go. I think I should go too.

Ernie: Yeah, man. Listen. I’m sorry. I tried to do something different for my birthday. I guess it got weird.

Clown: No, no. It’s okay. It was fine. Happy birthday.

Ernie: Thank you. Hey, can you come into my kitchen for a minute?

Clown: Yeah, what’s up?

Ernie: I’m going to chop you up in little pieces and put you in the fridge.

Clown: Yeah, that seems about right.

Zoo Pornographer

Janet Lorado Deekman…Cecily Strong

Alan Overbrook… Bobby Moynihan

Donna Hemming… Scarlett Johansson

Danny Bangs… Mikey Day

Devon… Kenan Thompson

[Starts with show intro]

Female voice: Good morning, good people, good news. It’s “Good day, Denver.”

[Cut to Janet Lorado Deekman and Alan Overbrook in their set]

Janet Lorado Deekman: It’s 7 AM in Denver on this beautiful sunny day. I’m Janet Lorado Deekman along side Alan “fun tie” Overbrook. [making fun of Alan Overbrook’s yellow tie]

Alan Overbrook: What? Ha-ha-ha. This country is a mess. I thought I would help brighten things up with a fun tie.

Janet Lorado Deekman: Yeah, bright is right! Where are my ray-bans?

Alan Overbrook:  Come on!

Janet Lorado Deekman: Lots going on this morning? But first, let’s check in with our field reporter, Donna Heming who is at the Denver zoo with Danny Bangs. Ah! Cool job alert. Professional animal pornographer.

[Cut to Donna Hemming and Danny Bangs]

Donna Hemming: Janet, Alan, it is a real zoo here. And for once I’m not talking about the i-25. Danny bangs has been photographing animals at the zoo for over 10 years. Now, Danny, how in the heck do you get an animal to smile for a photo?

Danny Bangs: Well, I find “say cheese” just makes them hungry.

[Cut to Janet Lorado Deekman]

Janet Lorado Deekman: I’m sorry to interrupt. I have been told I misspoke and referred to Mr. Bangs as an animal pornographer instead of photographer. So, I’m very sorry. And I want to make it very clear that our guest is an animal photographer. Donna?

[Cut to Donna Hemming and Danny Bangs]

Donna Hemming: I got you, Janet. Now, Danny, what is the secret to getting that perfect shot?

Danny Bangs: Well, the key is to make the animals feel comfortable. [The subtitle still has Danny Bangs as animal pornographer] I’ll do anything with them to get the shot I’ll play, be silly, even bribe them with treats.

Donna Hemming: Now what if an animal is in a bad mood? I imagine the lions are divas. Ha-ha.

Danny Bangs: Well, no matter the mood, I love my job. When I get the call, no matter what animal it is, I always come right away. And if an animal is agitated, I find I still capture very real organic moments because there’s beauty in an animal’s raw natural state.

[Cut to Alan Overbrook]

Alan Overbrook: I’m sorry, Donna. Just jumping in real quick to let viewers know that our graphic is incorrect, our guest is an animal photographer. We are going to get that fixed. Why don’t you guys wake up back there? Ha-ha-ha. Back to you, Donna.

[Cut to Donna Hemming and Danny Bangs]

Donna Hemming: Thanks. oh, I see a lot of tweets coming in from the good day Denver live tweeters. You’ve got some fans, Danny.

Danny Bangs: Ooh!

Donna Hemming: @kareninaspen says, “Watching on mute at the gym. What the f is happening?” I guess she can’t believe you have such a cool job. How did you get started?

Danny Bangs: Well, I started with amateur stuff and I would put it online. And National Geographic saw my work, gave me a job and from there, I found my new home here at the Denver Denver Zoo.

Donna Hemming: Wow! We have more tweets here. @zoodarkweb asked, “This dude have any horse stuff?”

Danny Bangs: Sure do. And it’s in all my new book, “The Picture’s a Little Fuzzy: my decade at the Denver Zoo.” It’s very easy to navigate. I did the animals alphabetical. So I started on an Aardvark and finished on a Zebra. Very easy.

Donna Hemming: Well, I encourage everyone to buy the book. Now, a beautiful celebration of a decade’s work. Now, what is it like to work with these cute little baby animals?

[Cut to Janet Lorado Deekman and Alan Overbrook]

Alan Overbrook: [interrupting] No, no, no, no, no, no, no. Let’s not talk about baby animals, Donna.

Janet Lorado Deekman: Yeah. Let’s keep the interview about adult consenting animals and can we please fix the graphics?

[Cut to Donna Hemming and Danny Bangs]

Donna Hemming: Well, okay. This book is filled with amazing snaps, but surely there must have been some misfires.

Danny Bangs: Oh, of course. Once I took about 1,000 pictures of this funny little monkey and I blew it. I got home. I realized there was no film in the camera.

Donna Hemming: Ha-ha-ha.

Danny Bangs: Is it okay if I plug my website?

Donna Hemming: Yes, of course. We thought you might want to.

Danny Bangs: Yes, it’s dannybangsanimals.com. Visit it. We just got flagged.

[Devon walks in]

Devon: Pardon me?

Danny Bangs: Oh, Devon, hi. This is Devon. He works at the zoo. He’s a great guy.

Devon: Yeah, don’t touch me.

Danny Bangs: I’m sorry.

Devon: I have been asked to read a statement from the Denver zoo. The Denver zoo does not condone animal pornography in any form. Furthermore, Danny Bangs will no longer have access to animals at the zoo while we investigate the extent of his crimes.

Danny Bangs: Devon, what is this about?

Devon: You know what it’s about, you monster.

[Devon walks out]

Donna Hemming: Well, it certainly is getting wild down here at the Denver zoo. Back to you in the studio.

[Cut to Janet Lorado Deekman and Alan Overbrook]

Janet Lorado Deekman: All right. We have to take a quick break. When we return, the white house round-up and more details on the emerging Danny Bangs scandal at the Denver zoo.

Weekend Update- Pete Davidson’s First Impressions of the Trump Administration

Michael Che

Pete Davidson

[Starts with Michael Che in his set]

Michael Che: Each week brings a new controversy of President Trump as well as another person who has to defend him to the media. Here to sort them out is Pete Davidson with his First Impressions.

[Pete Davidson slides in]

Pete Davidson: Yeah. What up? Look, um, defending president Trump is really tough job. [Cut to Pete Davidson] A couple of weeks ago they brought out this guy. [There’s a picture of Steven Millar at right top corner.] Trump spokesman and Janes Bond villain Steve Miller. Poor Steve. He tries to project strength but he looks like Fredo Corleone had been even sicker as a child. Still, you have to give him credit. He’s made it pretty far for guy who is in high school voted “Most likely to have a cigar box full of missing girl’s driver’s licenses.” He lasted about a week. Then they got to deputy White House press secretary, [Picture changes to Sarah Huckabee Sanders] Sarah Huckabee Sanders, who is one of those sweet southern girl you marry, if you’re gay. I like that one. [Michael Che laughing] So now, members of congress try to defend Trump, like the head of the house committee on oversight, [Picture changes to Jason Chaffetz] Jason Chaffetz. You probably remember him when he played simple Jack from the movie “Tropic Thunder.” [Picture changes to Simple Jack from Tropic Thunder]

[Picture changes to Paul Ryan]

Another person forced to defend Trump is Paul Ryan who got to be the house after someone waved a magic wand over a ventriloquist dummy. All the republicans wanted Paul Ryan to come up with something to replace Obamacare. And now he did, everybody hates it. And I know what this is like, because for years, people have been asking me to quit drugs and get sober. And now that I have, everyone thinks I’m very unfunny and boring. [Michael Che laughing] And hey, at least I have dreams now. And I’ve started waking up with boners again.

[cheers and applause]

Thank you. Thank you very much. [looking at Michael Che] Hard as a rock.

Michael Che: Alright, man.

Pete Davidson: But now– [Michael Che laughing hard] Well, maybe not as great as your’s, but whatever. Sorry. But, you know– [Michael Che laughing hard] Sorry. But no one defends Trump better than FOX News. And it starts every morning with “FOX & Friends.” This is Donald Trump’s favorite show because they trade in for a new blond every two years. This year’s model is Ainsley Earhardt, who looks like she’s with her dad’s friends who keep talking about how much she’s grown.

[Picture changes to Sean Hannity]

Of course, the king of Trump supporters if Sean Hannity. He looks like a thumb which explains why he’s so far up Trump’s ass. [cheers and applause] I hate him too. I guess he likes Trump, because his hair is also really weird. And the top of his head looks like two eyebrows got to live their dream of being hair.

[Cut to Michael Che and Pete Davidson]

Michael Che: Ah! So that’s what it is. Pete Davidson, everybody.

Pete Davidson: I’m getting boners again.

Colin Jost: For Weekend Update, I’m Colin Jost.

Michael Che: I’m Michael Che, goodnight!