Tag: Kyle Mooney

Cut for Time Open Mic

Dia… Bowen Yang

Jessica Coke-Brothers… Heidi Gardner

Chastity… Kate McKinnon

Prudence… Kristen Stewart

Rachel Thompson… Melissa Villaseñor

Johnny Butter… Kyle Mooney

Missil… Beck Bennett

[Starts with a clip of a bar “Moon Jumps the Cow”]

[Cut to Dia and Jessica Coke-Brothers on stage]

Dia: Hello, Silver Lake. it’s open mic Night here at Moon Jumps the Cow, the Los Angeles performance space and laptop garden. I’m Dia, and this is Jessica Coke-Brothers.

Jessica Coke-Brothers: My mom is the Coke, and my dad is a Wayans Brother. Get ready to see some performances from the stars of tomorrow and the Lyft drivers of today.

Dia: Mm-hmm. I’d like to exercise my brave and start with a song I wrote about something I really fear. Hit it, Jessica.

[Music playing]

♪ Turning 30 ♪

♪ It’s just around the bend ♪

♪ Soon, I’ll be 29 ♪

♪ And then I’ll be 30 ♪

♪ Turning 30 ♪

♪ Why does it have to end? ♪

♪ Soon, I’ll be 29 ♪

♪ And then I’ll be dead ♪

Thank you. Thank you. Powerful. Powerful.

Jessica Coke-Brothers: You’re saying that about yourself?

Dia: Yes. Next up is sister duo Chastity and Prudence.

[Chastity and Prudence come in and Dia and Jessica Coke-Brothers walk out]

Chastity: Alright. Yeah, we just moved here from Persecution, Pennsylvania.

Prudence: We grew up on a farm, where our “dad” convinced us it was the 1800s.

Chastity: But I guess, here, you call that a cult. Now Ryan Murphy owns our life story.

Prudence: This song is about our past.

[ Rock music playing ]

Both: ♪ Something bad happened, and now we’re famous ♪

♪ Something bad happened, so we moved to L.A. ♪

♪ Told us airplanes were angels ♪

♪ The fence is the boundary ♪

♪ Don’t touch the fence ♪

♪ Or you’ll turn gay ♪

♪ Tune in to “The Fence” every Sunday ♪

On FX, FFX, and FXNOW.

[Dia and Jessica Coke-Brothers walk in.][Chastity and Prudence walk out]

Jessica Coke-Brothers: Alright! Great! Yeah, so, that happened. Anything you would like to plug?

Prudence: Oh, yeah. Actually, we manage a bunch of sketchy Airbnb properties here if you’re ever looking to feel unsafe in the loneliest city in the world.

Dia: Wow. [Chastity and Prudence walk out] Okay, I will check that out. Looks like Rachel Thompson is next.

[Rachael Thompson walks in][Dia and Jessica Coke-Brothers walk out.]

Rachael Thompson: I go by Reyna-De-La-Casa now. More castable. I had a bad year. I mean, really bad. My grandma’s friend died. This is a song I wrote about that, called “My 9/11.”

♪ Oh, Betty ♪

♪ With candy in your purse ♪

♪ You’re dead ♪

♪ But I’m sad ♪

♪ Tell me which is worse ♪

♪ Oh, oh, oh

♪Betty, I made your death about me.

[Dia and Jessica Coke-Brothers walk in.]

Dia: Nice! Epic, Reyna. Have you booked any gigs lately?

Rachael Thompson: Actually, I am making my TV debut next week.

Dia: Amazing.

Rachael Thompson: Me and my dumb mom are going to be on “Dr. Phil.”

Jessica Coke-Brothers: Wow! Do you have any lines?

Rachael Thompson: No, but I kick her really hard.

Dia: Okay, cool. [Rachael Thompson leaves the stage] His bio says he’s got John Mayer’s face and Carrot Top’s “gutters.” It’s Johnny Butter.

[Johnny Butter walks in][Dia and Jessica Coke-Brothers walk out.]

Johnny Butter: Oh, man, I can’t believe this song was just my dumb little idea two years ago. Oh, what the hell.

[Johnny Butters starts playing guitar]

♪ These days, everything is so messed up ♪

♪ So let’s get together ♪

♪ And do it like in porn ♪

♪ Uptown funk you up ♪

♪ Uptown funk you up ♪

[Dia and Jessica Coke-Brothers walk in.]

Dia: Nice! Okay.

Jessica Coke-Brothers: I’m going to stop you ’cause you’re hot. So you don’t have to try.

Dia: Johnny, who are your influences?

Johnny Butter: Well, black-and-white photography, for sure, and staying in and watching Pixar stuff. I guess I’m weird like that.

Jessica Coke-Brothers: Yeah. That’s fire. [Johnny Butter walks out]

Dia: Okay, we are so lucky to have this next guy. He’s a Vegas musician who would like to get better at parkour. Please welcome Missile to the stage.

[Missile comes on the stage. He is jumping.]

[Dance music playing]

Missil: ♪ Whoa ♪

♪ Who am I, who am I? ♪

♪ Whoa ♪

♪ Where am I, where am I? ♪

♪ Life is dope ♪

Dia: Okay. Alright, we’ve heard enough, and you’ve got it.

Missil: I know.

Jessica Coke-Brothers: Tell us what you’re working on.

Missil: Well, I’m writing a book based on the “Harry Potter” movies.

Dia: Mm. So happy for you, Missile. You worked so hard. Okay. And — Oh, the sisters are back for an encore performance.

[Chastity and Prudence come in and Dia and Jessica Coke-Brothers walk out]

Jessica Coke-Brothers: Because they threatened us.

Prudence: L.A. is so overwhelming.

Chastity: A lot has changed for us. We used to have hair down to our holes. But then we cut it, and now we’re models with a story.

Prudence: This song is about our new life in Los Angeles.

[Music starts playing

Both: ♪ Tacos, Bird scooters ♪

♪ Words at the fence ♪

♪ Old milk and leggings ♪

♪ I miss the fence ♪

♪ Thin moms and jacked dads ♪

♪ I’m overwhelmed, and the devil will trick me ♪

♪ Take me back to the fence ♪

[Dia and Jessica Coke-Brothers walk in.]

Dia: Nice! Thank you. Okay. Jessica, your turn.

Jessica Coke-Brothers: Oh, actually, I’m on vocal rest. I have a phone call tomorrow.

Dia: Okay.  Well, then, I’ll sing us out. This is a new song I wrote about being abandoned at the ArcLight Movie Theater.

[Jessica Coke-Brothers leaves the stage]

[Music starts playing]

♪ Why can’t you get here? ♪

♪ You’re already supposed to be here ♪

♪ Whoa, whoa, whoa ♪

♪ You stood my fat ass for the last time ♪

Corporate Nightmare Song

Ted… Beck Bennett

Nate… Mikey Day

Tina… Kristen Stewart

Casper… Pete Davidson

Dylan… Kyle Mooney

[Starts with a video clip of a commercial building]

[Cut to inside the office]

[Phone ringing]

Ted: Hey, Dylan? Take the lip ring out. [Cut to Dylan. He has a gothic outlook with a lip ring and ear ring on.] It’s against company policy.

[Rock music playing. Music video starts.]

Nate: This one’s going out to all the corporate drones out there.

Tina: Working for the man, making other people rich.

Casper: Wait, the almighty dollar.

Dylan: You know who you are. Listen up.

[Rapping]

Mom and dad said go get a job

Tina: Go work real hard go punch your clock

Nate: Climb the corporate ladder straight to the top

Casper: Be a dude someday you’ll be the boss

Dylan: But white collar life don’t work it seems

Tina: ‘Cause I ain’t no corporate worker bee

Nate: Everybody in the house who feel like me

Everybody: Get up on your feet and scream
Take this job and shove it up your —
I will never be part of this machine
corporate society
you can’t hold me back
with a paycheck
this job can kiss my ass.

[Cut to the corporate office]

Ted: Hey, Tina, great work on that compete analysis.

Tina: Oh, thank you.

Ted: You should think about the management training program. We could use someone like you on the 12th floor.

Tina: Wow. I will. Thank you sir.

[Cut to the music video]

Dylan: Boss man sit around on his ass all day

Tina: Doing real good work for the company

Nate: He don’t know what’s up

Tina: But he actually does though,
so let’s not be unfair to Ted, Yo!

Dylan: But the hours–

Tina: Are good!

Nate: And the pay–

Tina: Is generous!

Casper: Corporate culture straight up venomous

Tina: But our benefits–

[Phone beep]

Oh, sorry. One second. I just got to make sure I RSVP for this meeting. Yep, I knew it and—

[Cut to music video]

Nate: ‘Cause the people at this place–

Tina: Are my best friends!

Casper: And when it comes to the boss–

Tina: He’s my best friend!

Everybody: Take this job and shove it up your–

[Cut to the office]

Ted:  Tina, Nate, Casper, you got a sec?

Casper: Yeah, absolutely. Yeah.

Nate: Uh-huh. Sure thing, Ted.

[Cut to Dylan watching his colleagues go to the boss]

[Cut to music video]

Dylan: I will never go down the corporate road
Capitalistic nightmare
blah- blah- blah- blah, something blah- blah- blah
nothing, but a – nothing but a – Blah, blah, blah—

[Dylan watches his colleagues hugging the boss] What the hell was that about?

[Cut to Nate, Tina and Casper]

Tina: Ted asked us to if we would pitch on the digital campaign.

Nate: Yeah, it’s pretty cool, actually.

Casper: Yeah, it’s really nice that Ted is looking at ideas internally.

[Cut to music video]

Dylan: You corporate drones in your suits and ties
the boss says, “Jump!” You say, “How high?”

[Cut to Tina]

Tina: Ted wants you to work on it too.

[Cut to Dylan getting happy]

[Cut to music video]

Dylan: Let’s dive right in put our heads together

Nate: Blue sky the whole thing make a good ideas better

Tina: Let’s order food

Casper: Stay here all night!

Nate: If we’re pitching to Ted

Dylan: It’s gotta be tight
if we do this right who knows where we could go

Tina: Dana is retiring

Everybody: And she’ll need to be replaced, yo!

Nate: One of us could get her job management position

Casper: Down the road we could be running this division

Dylan: Crush this presentation

Nate: No choking

Tina: Gotta foot in the door

Everybody: Now let’s kick it open

[Cut to the office]

Tina: Work hard, good things will come.

Nate: That’s just how it is, people.

Ted: Dylan, lip ring!

Dylan: Sorry Mr. Abby!

[Dylan rips the ring off his lips. He is bleeding]

[Cut to Ted]

Ted: Call me Ted.

Spooky Song

Heidi Gardner

Tyler… Kyle Mooney

Kenan Thompson

Aidy Bryant

Chance the Rapper

Mikey Day

[Starts with a clip of full moon under the clouds]

[Cheers and applause]

[Cut to a couple walking in the graveyard]

Heidi: Baby, this is too creepy. Let’s just go back to the party.

Tyler: Come on, it’s Halloween. We’ve got to hook up in a grave yard.

Heidi: Do we though?

[A big lightning strikes and dead people walk out of their graves dancing]

Tyler? What’s happening?

Tyler: I don’t know.

[Music starts playing]

The deads: On Halloween, your breath is taken

For tonight, the dead awaken

Listen well our living friends

and hear how we all met our ends

[Cut to Tyler and Heidi]

Heidi: Oh, my god, Tyler, they’re going to sing about how they died.

Tyler: I know, I’m scared!

[Cut to a skeleton playing a piano]

[Cut to Kenan]

Kenan: I was a captain at my ship’s wheel

A heart of gold and nerves of Steel

I fell overboard one night so dark

and I swam just fine, but so did the shark

[Cut to Aidy Bryant]

Aidy: I was a debutante, the bell of the ball

Men would chase me for spring to fall

I never met a flame that I couldn’t handle

Until my gown met a candle

[Cut to Chance]

Chance: We can skip me. Happy Halloween!

[Cut to Tyler and Heidi]

Heidi: Is that all he’s going to do?

[Cut to Mikey Day and Chance]

Mikey: Yeah, I was wondering the same. That was it?

Chance: Yes, skip me.

Mikey: Okay, I’ll go, then. Nobody has ever skipped before. I’m sorry,

[Cut to Mikey Day]

I was a miner, digging for gold

Then one day, I hit the mother lode

I grabbed a cigar, gave it a light

turned out my stogie was dynamite

[Chance walks in]

Chance: Wow. Everyone did great. I think we’re done here, right?

[Cut to Kenan and Aidy]

Kenan:  No. Uh-huh. It’s a diddy of the damned. All four of us have a tale to tell about deaths before we can go back to our graves. That’s how it works. So come on.

[Cut to Mikey Day and Chance]

Chance: Well, here’s my thing, my death was a real “You had to be there” kind of situation. It needs a lot of context, so I don’t want to waste everybody’s time.

[Cut to Kenan and Aidy]

Kenan: Sing now!

[Cut to Mikey Day and Chance]

Chance: Oh, my god. Fine. I’ll go. Ready?

One dark night with the moon so red

what killed me happened and now I’m dead

Happy Halloween!

[Cut to Tyler and Heidi]

Heidi: Wait, but like, how did you die?

[Cut to Chance]

Chance: How? A ghost never tells.

[Cut to Tyler and Heidi]

Heidi: They do, though. That’s what this whole song is about.

Tyler: Is he allowed to be vague like that?

[Cut to Kenan and Aidy]

Kenan: He is not!

[Cut to Chance]

Chance: All right. It’s going to sound way worse that it actually is. You guys know what a 9-volt battery is, right? It’s important for the song.

At 12 years old, I sat on a 9-volt

It gave me heinie a quick little jolt

I liked how it felt, so I did it a lot

So I built up a tolerance to a lower watt

Then realized there’s no higher volt

than the one comes from a lightning bolt

So one stormy night I went on a roof

and put a metal pole in my ass

Yo, why y’all— I can’t do this right now. Y’all are looking at me like I’m some sort of freak or something.

[Cut to Kenan and Aidy]

Aidy: No one is judging you.

[Cut to Chance]

Chance: Yes, you are. Look at that owl.

[Cut to Kenan and Aidy]

Aidy: Forget about the owl and just finish the song.

[Cut to Chance]

Chance: Okay, god. All right, everybody remember where we left off?

[Cut to Mikey]

Mikey: Yes. You’re on the roof with a pole in your ass. I’ve done the same thing myself.

[Cut to Chance]

Chance: Really?

[Cut to Mikey]

Mikey: No, man! It’s weird at hell! Just go!

[Cut to Chance]

Chance: Whatever.

Like Benjamin Franklin with his key and kite

That lightning hit my pole that night

I squealed with delight but I quietly stopped

when my insides fried and my colon popped

and my ass burnt off and my thing caught on fire

and my face caught on fire and I wet in my pants

Happy Halloween!

[Cut to Kenan and Aidy]

Kenan: What the hell is wrong with you, man?

[Cut to Chance]

Chance: Nothing. I was a kid, man. Kids do weird stuff.

[Cut to Kenan and Aidy]

Aidy: You died in your 20s.

[Cut to Chance]

Chance: Whatever! Let’s just finish the song.

[All the deads come together to sing]

The deads: Listen to the dead and the voices of the past

And live every day like it’s your last

Happy Halloween.

Space Mistakes

Dad… Chance the Rapper

Mom… Ego Nwodim

Beck Bennett

Lervy… Kyle Mooney

Alex Moffat

Announcer: From the producers who enjoyed Apollo 13, Ad Astro, Gravity and The Martian, comes another film about the dangers of space.

[Cut to a kid playing a toy with his father]

Kid: Daddy, why do you have to go to space again?

Chance: ‘Cos that’s where I work son.

Kid: Promise you won’t make a mistake up there.

Chance: I promise, because that would be the worst place to make one.

[The kid falls asleep. His mom is looking at them.]

Ego: You said last time was the last time.

Chance: Baby, what are you so worried about?

Ego: I’m worried you’ll make a mistake. You could crack your helmet, spin too fast, push the wrong thing and the top comes off, your tube could pop, the window could Ka’boom!

[Cut to inside the rocket, Chance and his astronaut colleagues]

Beck: Going to space today. You guys excited?

Lervy: I am. Just hope we don’t make any mistakes up there.

Chance: Well, you know what they say, “In space, no one can hear you make a mistake!”

[They laugh]

[Cut to the rocket monitoring station]

Alex: Okay now, 10, 9, 8– remember, no oopsies! 7, 6– I mean it. Everything has to go perfect.

[Cut to inside the rocket ship]

Astronauts: We promise.

Alex: 5!

Chance: Dude, seat belt!

Lervy: Oh, my bad. Nice catch.

Alex: 4!

Lervy: Not working.

Alex: 3!

Beck: Seat belt first, then gloves.

Lervy: I forgot!

Alex: 2!

Chance : What did you do?

Alex: 1!

Lervy: I made a mistake!

[The rocket takes off. Alex falls off and dies.]

Announcer: Space mistakes.

Alex: What happened?

Chance : Lervy, he made a mistake. And because it happened in space, he exploded.

Alex: Dammit!

Beck: Sir, he burst!

Announcer: The film that asks the question, what if you messed up at work, but your work was space?

[Chance is working in his ship. He makes a hole on the shell.]

Chance: Oh no!

Beck: Oh, crap! Oh, no! I dropped the–

[Cut to the rocket monitoring station. Bowen Yang spills his coffee to the computer.]

Bowen Yang: No! A mistake!

Alex: What’s this button do?

Computer: A mistake! Mistake!

Alex: Yikes!

[Cut to Beck screwing the rocket ship from the outside]

Beck: Lefty, righty, tidy loosy– [The screw is loose and hits Beck’s helmet and cracks it] No! No! No!

[Cut to the rocket monitoring station, Alex is on the phone.]

Alex: Mam, it’s your husband. [Cut to Beck’s wife on the phone] He made a mistake.

Ego: Where?

Alex: In space.

Ego: No!

Announcer: Space Mistakes. See it in IMX or on our plane, nothing in between.

Judge Barry

Police… Alex Moffat

Judge Barry… Chance the Rapper

Patricia Jones… Ego Nwodim

Judith Baker… Aidy Bryant

Ladenzel Jenkins… Chris Redd

Man with a puppet… Kyle Mooney

Male exotic dancer… Bowen Yang

Andrew Wilson… Mikey Day

Joanne McCormack… Melissa Villaseñor

Glady’s Feldman… Kate McKinnon

Apollo Benz… Jason Momoa

[Starts with “First Impressions Court” intro]

Announcer: He takes no nonsense. And he takes no more than 10 seconds to reach a verdict. He’s judge Barry and this is “First Impressions Court”.

[Cut to the court room]

Police: All rise. The honorable Judge Barry Presiding.

Judge Barry: All right. Thank you. Be seated.

Police: Your honor, this is case number 18 on the docket.

[Patricia Jones walks to the judge]

Announcer: 26-year-old Patricia Jones is suing her former friend for $2,700 after she alleges he stole her car while she was asleep and still hasn’t returned it.

[Cut to Trevor Brisby walking in. He’s wearing a nice suit.]

The defendant, 53-year-old Trevor Brisby says that he—

[Gavel knocks]

Judge Barry: Guilty! [Cut to Judge Barry] He did it! Next case.

[Cut to Trevor Brisby]

Trevor Brisby: Hold on, now. With all due respect, your majesty, but you haven’t even heard my side of the story yet, man.

[Cut to Judge Bary]

Judge Barry: Sir, I’ve been a Chicago judge for 31 years. I don’t have to hear your side. I’m looking at you in that ridiculous high lighter suit and I know for a fact that you’re guilty of something.

[Cut to Patricia Jones]

Patricia Jones: Thank you, your honor.

[Cut to Trevor Brisby]

Trevor Brisby: Well, now, wait a minute. Please, your majesty. Come on! Just let me explain.

[Cut to Judge Barry]

Judge Barry: You’ve got ten seconds.

[Cut to Trevor Bristy]

Trevor Brisby: Well, I thank you for that. Now, first of all, the only reason I’m up in here is because this woman is trying to have sexual penetrations on me.

[Cut to Patricia Jones]

Patricia Jones: Excuse me?

[Cut to Trevor Bristy]

Trevor Brisby: You know I got that magic stick, baby.

[Cut to Patricia Jones]

Patricia Jones: Okay, you’re disgusting.

[Cut to Judge Barry]

Judge Barry: Get him out of here. Judgment is for the plaintiff. Next case.

[Cut to Judith Baker walking in]

Announcer: Plaintiff Judith Baker says she is owed $325 after the defendant, her ex-boyfriend, [Cut to Ladenzel Jenkins walking in] 29-year-old Ladenzel Jenkins.

[Cut to Judge Barry]

Judge Barry: Hold on. Your name is Ladenzel? Oh, you definitely guilty.

[Cut to Judith Baker]

Judith Baker: Thank you, your honor.

[Cut to Ladenzel Jenkins]

Ladenzel Jenkins: But you ain’t even hear my story!

[Cut to Judge Barry]

Judge Barry: Whatever it is, you did it, man. Look at how you came to court.

[Cut to Ladenzel Jenkins]

Ladenzel Jenkins: Look, your highness, me and this woman ain’t never even dated.

[Cut to Judith Baker]

Judith Baker: Yes, we did. We have a son together.

[Cut to Ladenzel Jenkins]

Ladenzel Jenkins: That is a lie. You can’t get pregnant on the first time. Everybody knows that.

[Cut to Judge Barry]

Judge Barry: Guilty. Just pay the lady. Let’s keep this thing moving. Next case.

[Cut to a man walking in with a puppet]

Announcer: The plaintiff – [Gavel sound]

[Cut to Judge Barry]

Judge Barry: He’s guilty. He’s guilty.

[Cut to the man with the puppet]

Man: But I’m the plaintiff.

[Cut to Judge Barry]

Judge Barry: Plaintiff, defendant, I don’t care. I just know that you’re guilty.

[Cut to the man with the puppet]

Man: But I have a special surprise witness.

[Cut to Judge Barry]

Judge Barry: Let me guess, it’s a puppet?

[Cut to the man with the puppet]

Man: All right, I’m going to go.

[Cut to Judge Barry]

Judge Barry: Yeah, wise choice. Next case!

[Cut to a male exotic dancer walking in]

Announcer: A male exotic dancer— [Gavel sound]

[Cut to Judge Barry]

Judge Barry: Next case! Guilty. All right. Can we do one with normal people?

[Cut to Andrew Wilson walking in]

Announcer: Andrew Wilson is suing his former tenant and coworker, [Cut to Joanne McCormack walking in] Joanne McCormack for a broken lease, stolen furniture and appliances amounting to $5,000.

[Cut to Judge Barry]

Judge Barry: Okay. Okay. This is a tough one.

[Cut to Andrew Wilson]

Andrew Wilson: Your honor, his lady may look innocent, but she is a con-artist, a liar, and a thief.

[Cut to Judge Barry]

Judge Barry: Interesting. Ma’am?

[Cut to Joanne McCormack]

Joanne McCormack: Okay, first of all, that’s a dang lie. He just mad because want to do — with me!

[Cut to Judge Barry]

Judge Barry: Guilty. He wins. Almost had me. All right let’s do one more. I got night church in an hour.

[Cut to Glady’s Feldman walking in]

Announcer: Glady’s Feldman is suing her former live-in nurse, [Cut to Apollo Benz walking in] Apollo Benz for stolen cash.

Apollo Benz: Now, listen, your hombre. I see the way you’re looking at me right now, and I know what you’re thinking.

[Cut to Judge Barry]

Judge Barry: That you bang old ladies and then steal their money?

[Cut to Apollo Benz]

Apollo Benz: That may be so, but I’m not just some dumb gigolo. I’m also a certified paraplegic—legal. So I understand the law.

[Cut to Glady’s Feldman]

Glady’s Feldman: Your honor, this man is a thief.

[Cut to Apollo Benz]

Apollo Benz: Excuse me! She stole from me first.

[Cut to Judge Barry]

Judge Barry: Oh, really, what did she steal?

[Cut to Apollo Benz]

Apollo Benz: My heart.

[Cut to Glady’s Feldman]

Glady’s Feldman: 

You know what, you gave me the biggest and best Os of my life. But I still want my money and my chandelier earrings. They’ve been in my family for generations.

[Cut to Judge Barry]

Judge Barry: Sir, do you have this woman’s earrings too?

[Cut to Apollo Benz]

Apollo Benz: Wait, these? [Apollo Benz opens his shirt. He is wearing her earrings on his nipples.]

[Cut to Judge Barry]

Judge Barry: Guilty! I need a big boy break. Let’s take a recess. [Gavel sound]

[Ending with First Impression Court outro]

Announcer:  It’s “First Impressions Court” with judge Barry.

E-Sports Reporter

Doug Miller… Mikey day

Mark Laramie… Kyle Mooney

Laszlo Holmes… Chance the Rapper

The Captain… Bowen Yang

Fan… Chloe Fineman

[Starts with League of Legends World Champions intro]

Announcer: League of Legends World Champions only on MSG.

[Cut to the reporter’s set]

Doug Miller: Welcome back to MSG’s e-sports coverage of the League of Legends World Championship. Doug Miller alongside Mark Laramie. And what a tournament it has been.

Mark Laramie: Incredible. Take a look at this.

[Cut to a video clip of League of Legends game]

Moments ago, Shadow Gaming eliminated top-ranked team Echo claiming their Nexus in only 32 minutes.

[Cut to the reporter’s set]

Doug Miller: Whoo! Did not see that coming. Wow! Our Regular e-sports reporter Jake Sussman is out today, taking the PSATs. Good luck, Jake. Yeah. Filling in for him is Laszlo Holmes, [Cut to split screen. Laszlo Holmes at left and the news set at the right] who usually covers the Knicks for us here at MSG. How you feeling down there, Laz?

Laszlo Holmes: Confused. To be honest, when they asked me to cover a League of Legends tournament, I assumed it was a basketball game with NBA legends. This is not that. It is a computer game contest.

Mark Laramie: Yeah, a little different.

[Cut to Laszlo Holmes]

Laszlo Holmes: Yes. I brought a basketball to get signed and someone in the crowd asked me what this was. So, very different that the Knick’s games, but we’re having fun down here. I’m not. But the crowd is. Laszlo Holmes, live at the League of Legos.

[Cut to split screen. Laszlo Holmes at left and Mark Laramie at the right]

Mark Laramie: Laz, walk us through the last match.

Laszlo Holmes: No thanks. I’m just playing. In a nutshell, [Cut to Laszlo Holmes] there were ten nerdy dudes sitting at computers with headsets on while 20,000 people screamed like they were watching The Beatles. I did not know this was a thing. I guess e-sports is what white and Asian kids were doing while black kids were inventing hip-hop. Nah, I’m just kidding, though. But you know how they do in e-sports. Ready, set, sit down!

[Cut to split screen. Laszlo Holmes at left and the news set at the right]

Doug Miller: Now, we’ve got lots to unpack here.

Laszlo Holmes: Well, don’t let me stop you. This is Laszlo Holmes, signing off.

Laszlo Holmes: Now, hold on, Laz. I’m sure you have thoughts on team Echo’s attack strategy.

Laszlo Holmes: I do not.

[Cut to the reporter’s set]

Doug Miller: Well, here’s the moment everyone is talking about. Laz, what do you make of this?

[Cut to split screen. Laszlo Holmes at left and video clip of League of Legends game at the right]

Laszlo Holmes: Well, to me, this game looks like how a seizure feels. But I think if you know what’s happening in this clip, you need to get out of the house more. No, I’m just kidding. That’s me keeping it light. But in terms of what’s happening in this clip, I don’t know.

[Cut to split screen. Laszlo Holmes at left and Mark Laramie at the right]

Mark Laramie: You can say that again! Echo trying to defend their Nexus with two heros on respawn! And all their CC on cooldown.

Laszlo Holmes: That’s what’s up.

[Cut to the reporter’s set]

Doug Miller: Well, they’re taking the loss in stride. Laz, you’re going to like this. Echo’s captain Doublepump just tweeted, “Congrats Shadow Gaming. Can I borrow some XP.”

[Cut to split screen. Laszlo Holmes at left and the news set at the right]

Laszlo Holmes: Ha-ha! That means nothing to me.

[Cut to the reporter’s set]

Mark Laramie: Laz, we’re hearing that the captain of Shadow gaming is on the floor. Maybe you can get a question in.

[Cut to Laszlo Holmes and the captain]

Laszlo Holmes: Uh, let’s do that. I’m here with – turn around for me. [The jersey says “S3X PANDA99”] Yeah, I’m not going to say that. So, homey, everybody wants to know, how you going to win that League of Legos today?

The Captain: We got some early kills, top lane evolving and the back lane. We got lucky on turrets in 5V5 seize for the beacon.

Laszlo Holmes: That’s what’s up.

[A girl comes in and hugs the captain]

Fan: Oh, I am sorry to bother you, but I love you so much! Like, you don’t understand, I’m like shaking right now!

Laszlo Holmes: From meeting him?

The Captain: Do you want to go backstage?

Fan: Oh, my god, yes! Can my friends come? They love you too!

Laszlo Holmes: What?

The Captain: Okay. Thank you.

[The Captain leaves and a group of females followed him back stage]

[Cut to split screen. Laszlo Holmes at left and the news set at the right]

Doug Miller: Laz? Did we lose you?

Laszlo Holmes: No! Sorry, what I just saw was so unexpected that my brain went into a Tom Hanks in “Saving Private Ryan” mode. Laszlo Holmes coming at you live from the upside down.

Mark Laramie: Thank you, Laz! When we return, the quarter finals begin.

Doug Miller: And we’ll be one step closer to seeing which team will take home the $7 million grand prize.

Laszlo Holmes: $7 million?

Doug Miller: Stay with us.

[Ends with League of Legends World Champions outro]

Cut for Time ’80s Drug PSA

Chris Redd

Mikey Day

Tommy… Kyle Mooney

Grieg… Chance the Rapper

Darnell… Kenan Thompson

[Starts with a disclaimer]

Announcer: The following has been paid for the Queen City Department of Education.

[Cut to Chris Redd, Mikey Day and Tommy in the alley]

Chris Redd: That was a fun basketball game.

Mikey Day: Yeah! So awesome. So, what do we do now?

Tommy: Hey, you guys wanna get high?

Chris Redd: You mean, smoke marijuana?

Tommy: Nope, even better. It’s called crack cocaine.

Mikey Day: Awesome!

Chris Redd: I’ll try some.

[Cut to Grieg and Darnell]

Grieg: Whoa! Whoa! Whoa! You’re wrong little dudes. I know you kids ain’t thinking about doing cocaine.

Darnell: Yeah, man! That stuff is wiggady-whack!

[Cut to everybody]

Tommy: Whoa! Who are you guys?

[Cut to Grieg and Darnell]

Both: The sober brothers!

Darnell: In full effect!

Grieg: And when we were your age we used to do cocaine.

Darnell: Word up!

Grieg: You kids don’t want to get mixed up with that junk.

Darnell: Yeah, man! ‘Cos it’s crazy dangerous and it’s expensive.

[Cut to Chris Redd, Mikey Day and Tommy]

Tommy: Yeah, but this is crack cocaine. It’s new and really cheap.

[Cut to Grieg and Darnell]

Grieg: But it’s still bad for you kids.

Darnell: How cheap?

[Cut to Chris Redd, Mikey Day and Tommy]

Tommy: I don’t know. Pretty cheap, like, um, five bucks a rock.

[Cut to Grieg and Darnell]

Darnell: Wow, man! That’s pretty damn cheap. It’s probably weak though, right?

[Cut to Chris Redd, Mikey Day and Tommy]

Tommy: It’s actually way stronger than regular cocaine.

[Cut to Grieg and Darnell]

Darnell: Oh, snap! That’s impossible, right Grieg?

Grieg: Ay, it doesn’t matter. You kids still shouldn’t mess with that crap.

[Cut to Chris Redd, Mikey Day and Tommy]

Chris Redd: But everybody’s doing it.

[Cut to Grieg and Darnell]

Darnell: And where they at?

Grieg: Ay, but check this out. You don’t want to be a follower.

Darnell: What? In a park way over there with that long line?

Grieg: If everybody jumped off a bridge, would you?

[Cut to Chris Redd, Mikey Day and Tommy]

Chris Redd: I guess not.

[Cut to Grieg and Darnell]

Grieg: And that’s why you shouldn’t do crack.

Darnell: Look at that. The cops are just letting it happen too.

Grieg: Ay, come on, man!

Darnell: Oh, right! Sorry. Besides, kids, cocaine will ruin your nose just like it did mine.

[Cut to Chris Redd, Mikey Day and Tommy]

Tommy: But it doesn’t go in your nose. You smoke it with a pipe.

[Cut to Grieg and Darnell]

Darnell: And what does it taste like?

[Cut to Chris Redd, Mikey Day and Tommy]

Tommy: Actually it tastes pretty gross.

[Cut to Grieg and Darnell]

Grieg: Exactly! It’s gross because it’s bad for you.

Darnell: How gross is it though? I mean, like, does it taste like bugs? Because, I’ve eaten bugs.

[Cut to Chris Redd, Mikey Day and Tommy]

Tommy: Whatever old man. I’m gonna smoke crack. Who’s with me?

[Cut to Grieg and Darnell]

Darnell: Me!

[Cut to Chris Redd, Mikey Day and Tommy]

Mikey Day: I don’t know, Tommy. Maybe these guys are right.

[Cut to Grieg and Darnell]

Darnell: But, maybe we wrong.

Grieg: Darnell! What are you doing man?

Darnell: Man, are you hearing this? This is everything we dreamed of, man! We can get higher, faster for cheaper. And you just want to walk away?

Grieg: But we don’t do that anymore.

Darnell: Because it costs too much. And now, it doesn’t.

[Cut to Chris Redd, Mikey Day and Tommy]

Tommy: Fine, I’m going to go throw this crack in the trash.

Mikey Day: Yeah!

[Cut to Grieg and Darnell]

Grieg: That’s good thinking little man.

Darnell: Yeah, which can?

[Cut to Chris Redd, Mikey Day and Tommy]

Tommy: Thank you sober brothers.

Chris Redd: You saved our lives.

[Cut to Grieg and Darnell]

Grieg: No need to thank us.

Darnell: Yeah, man! Just tell us which can you’re going to throw the crack in.

Grieg: And always remember, [Cut to everybody] when it comes to doing drugs–

Everybody: Just say, “No!”

Darnell: Let me toss it away for you.

Chance the Rapper Monologue

Chance the Rapper

Kyle Mooney

[Starts with SNL monologue intro]

[Band is playing music on the stage]

Announcer: Ladies and gentlemen, Change the Rapper.

[Chance the Rapper enters the door and walks to the stage]

[Cheers and applause]

Chance the Rapper: Thank you. Thank you. Thank you very much. I’m Chance the Rapper and it is so great to be back here at SNL. If you don’t remember the last time I was here, I gave $1 million to Chicago public schools. [Cheers and applause] And I’m happy to say, it completely fixed everything. No, honestly, to the teachers in Chicago, I know you guys are on strike right now, I fully support you. [Cheers and applause] I just wish that when I was in school, my teachers had gone on a strike. Like, for real, though. But it’s great to be back and to honor my hometown, I’m going to do a song about Chicago, the second city.

[Music playing]

Okay, okay, here we go.

Now, I love Chicago, the city that fathered me,
called the second city, but that doesn’t bother me
I’ve gotta tell you I think it’s the reverse
‘cos sometimes the second best is better than the first
sometimes the second best is better than the first
Like, I don’t like Google, I use Bing
I like French fries from Burger King
when it comes to Harry Potter people give me grief
because I prefer Percy Jackson lightning thief
I only drink Pepsi never Coca-cola
Jimmy Kimmel is fine but I love Adam Corolla
and Robin Gibb is my favorite bee gee
I hate Mario, love Luigi
because I’m the kind of guy that likes the second best better
I’m the kind of guy that likes the second best one
I like DMC better than RUN
‘cos I’m  the kind of guy that likes the second best one

[Kyle Mooney walks in]

Hey, Kyle Mooney!

[Cheers and applause]

Kyle Mooney: Hey, Chance. I was just listening to your song and I can totally relate. You see, I’m from San Diego, sort of the second city of southern California.

Chance the Rapper: Do people call it that?

Kyle Mooney: They do, yeah, all the time.

Chance the Rapper: Because I’ve never heard anyone call it that.

Kyle Mooney: Well, they do, okay? Now, let me rap.

Chance the Rapper: Okay.

Kyle Mooney: Here we go. Kyle Mooney rapping.

Now me and Chance we live that thug life
because we like antz more than bug’s life

Chance the Rapper: Sense and sensibility was better than pride and prejudice
never had Nintendo but I rocked a Sega Genesis

Kyle Mooney: You know I like Scrappy more than Scooby-Doo.
I don’t like Chili’s but I love Chili’s too

Chance the Rapper: I like the clippers the nets and my white SOX
I don’t have Netflix, I like Redbox

Kyle Mooney: I use DHL for my overnight shipping

Chance the Rapper: My favorite bulls player is Scottie Pippin

Kyle Mooney: I like Hanukkahs better than Christmases

I don’t love Islands but I love Isthumuses

Chance the Rapper: What’s an Isthmuse?

Kyle Mooney: It’s a narrow strip of land connecting two bigger pieces of lands.

Chance the Rapper: And that’s second best to islands?

Kyle Mooney: For the purposes of the song. Yes, just keep going, okay?

Chance the Rapper: Okay.

Instead of Starbucks you know what I do
I go to Coffee Bean and Tea Leaf or Caribou

Kyle Mooney: Lunchtime I don’t have to think it over
I skip Chipotle and head to QDOBA

Chance the Rapper: Some people like Mace more than Puffy
I like the show Angel better than Buffy

Kyle Mooney: My favorite show about  90’s teens
wasn’t Saved by the Bell it was California Dream

I was wondering, do you think I could be on your next album?

Chance the Rapper: No.

Kyle Mooney: That made sense, all right. Take it away.

[Kyle Mooney leaves the stage]

Chance the Rapper: Okay. Here we go. Big-time.

Yeah, I’m the kind of guy that likes the second best best.

I think Chicago is better than the rest

I take seconds at dinner and second glances

I believe in second chances

I love my wife and my family is true

A month ago we welcomed daughter number two

Now I’m in New York, it’s great to be alive

I’m back for the second time hosting “Saturday Night Live”.

We got a great show for you tonight. I am here so stick around and we’ll be right back!

Sauce

Melissa Villaseñor

Kyle Mooney

Cecily Strong

Nana… David Harbour

Marco… Kate McKinnon

[Starts with three grandchildren visiting their grandparents]

Melissa: Nana, papa, we’re here.

Kyle: Where are they?

Cecily: Oh, my god. Nana’s sauce smells so good.

[Cut to Nana and Marco entering the room]

Nana: Oh! Amore! Grandchildren. I never see you. You always in school. I’m so happy you’re here! [Nana hugs her grandchildren] Oh! Come in. Give your grandma a hug. I’m making sauce for you, ah? [Nana looks at Marco] Hey! Marco! What are you doing at the sauce spot? Stay away from my sauce.

[Cut to Marco looking at the sauce]

Marco: I just think it needs to be a little more thick. You know? You don’t want a runny sauce. It’ll run all over the noodles. The noodles go in the sauce.

[Cut to Marco and Nana.]

Nana: What do you put in there?

Marco: I put parmesan.

Nana: [Looking at her grandchildren] You see what I put up with? Huh?

[Cut to Marco]

Marco: She put up with that because she like the way I make love to her. Short and slow.

[Cut to grandchildren]

Kyle: Hey grandpa, good to see ya.

[Cut to Marco and Nana.]
Nana: Oh, he joking but all the dirty stuff. Huh?

Marco: I’m not. I’m not. I can’t resist this woman. Her kiss is like a fine wine. The older she gets the better they taste.

[Cut to grandchildren]

Cecily: Yeah. We get it, that’s sweet to know.

Kyle: Is it? Yeah, it is.

Melissa: Anyway, you guys, the sauce smells great.

[Cut to Marco and Nana.]

Nana: Oh, thank you. I’ve been working on it all day.

Marco: It smell a little thin to me.

Nana: Marco! Get away from the sauce. Get your body away from the sauce!

Marco: Get my what away from the sauce?

Nana: I think you heard me. Your body.

[Cut to Marco]

Marco: Oh, you’re thinking about my body? Is that what you say? Then get ready for it because it’s crazy for you right now.

Nana: Oh, get off me, old man. The grandchildren, no! They’re going to see we all sex 24/7.

[Cut to grandchildren]

Cecily: No, we don’t think that. We don’t want to think that.

Kyle: Yeah. The sauce is maybe almost ready.

Melissa: Smells like it could almost be ready.

[Cut to Marco and Nana.]

Nana: Oh! You’re right. You’re right. You can tell when the sauce is ready by the smell in the air. Isn’t that right, Marco?

Marco: I think it could have been more thick. It look like a juice. That’s not sauce. That’s like a Hawaiian punch.

Nana: Oh! That’s my sauce you talk about. I have to smack you up side of back of the head. Don’t talk about my sauce.

Marco: You know what? Sometimes when you get angry at me, it makes my thing work again.

Nana: Oh, you like when I get angry ah, do you? That’s what Marco wants? What? You want me spank you? Yeah! You want me degrade you in front of the grandchildren?

Marco: You tell me. I wanted you to be in charge.

Nana: Oh!

[Cut to grandchildren]

Kyle: If the sauce isn’t ready, we can just go out. Us three, just go to get Italian out somewhere.

Melissa: Yeah. We could step out. Unless this is part of it for you which I would not like.

Cecily: Yeah. We could go out and eat. So we can come back and have a different time. Something unlike we’re having now.

[Cut to Marco and Nana.]

Nana: No. There’s so much sauce. It will go to waste. Marco, Marco, you upset the grandchildren with that spice around me.

Marco: Can you believe it? I date this woman for 54 years, she’s still turning me on like I’m a young boy. I’m ready to sew my seed and – get soiled, you know?

Nana: Hey Marco, just check the sauce.

Marco: Okay, I still think the sauce is too thin. Taste it. You’ll see. Right in the your mouth. Open your mouth. Come on. It’s not ready, my love.

Nana: Ah—oh, ah!

Marco: Give me a taste of that sauce.

Nana: Ah! We got to think about the kids! Oh, no!

Marco: I want you so bad.

Nana: Oh, Marco! Marco! Oh, no!

Marco: No. let’s get on the table.

Nana: Wow! Come on.

[Grandchildren run away]

Oh. Oh—Oh!

Marco: Okay. It doesn’t work anymore. I’m sorry.

[Cheers and applause]

Father-Son Podcasting Microphone

Father… David Harbour

Son… Kyle Mooney

[Starts with a father and a son sitting on a couch]

Announcer: The father/son relationship is one of the most important bonds in the world, [Son moves away from his father and starts using his phone] but we all know talking to your son isn’t always easy.

[Cut to son sketching something and father walks in]

Father: What’s that?

Son: Just one of my inventions.

Father: Sure.

[Cut to father and son having a mean in their dining hall]

Announcer: But now every father can break through to his son using [Cut to a microphone] the father/son podcasting microphone.

[Cut to the father and his son both talking on a microphone]

With the father/son podcasting microphone, you and your son can start to have real meaningful conversations.

Father: Today, I am joined by my co-host, my son.

Son: It’s great to be here, dad.

Announcer: Dad and son can finally open up to each other using the comforting cadence and structure of a podcast.

Son: I’d say my dad’s distant.

Father: It’s though. You know? This notebook, you can read about being a dad.

Son: Actually, there are several.

Announcer: A podcast is a great chance for father and son to get raw, confessional and unfiltered.

Son: I guess looking back on my life so far, I’ve done everything in order to gain my dad’s approval.

Announcer: But sometimes things get too real. Luckily you can always shift gears with a quick commercial.

Father: You know what I’d do? Squarespace. You want to make a beautiful website in no time? Squarespace has you covered.

Son: Choose from hundreds of stunning templates start from scratch. And our listeners can get started for free with promo code “sonlovedad.”

Father: You nailed that kiddo.

Announcer: With a father/son podcast, your conversations can be divided into equally digestible segments.

Father: Well, it turns out vasectomies don’t always take, and that wraps up this week’s edition of family secrets.

[Cut to demo of how to use the microphone]

Announcer: And plus, there’s an adjustable mic stand so that you can raise up the mic as your son becomes a man.

Father: 114th episodes later, and you’re almost as tall as your old man.

Son: Well, I have been taking a little bit of HGH.

[Cut to the microphone commercial]

Announcer: The father/son podcasting microphone just has to get you through three awkward years before you can start drinking together.