Tag: Kate McKinnon

Nest-spresso

Alina… Kate McKinnon

Taran Killam

Venessa Bayer

[Starts with Alina and Taran looking at eggs in a heated box.]

Alina: Any signs of life?

Taran: Zip. Maybe we need a stronger incubator.

Alina: Patience, honey. Nobody said urban farming would be easy.

Taran: It’s not just not easy, it’s tedious.

[Venessa looking from above the fence]

Venessa: It doesn’t have to be. Come on, take a look.

[Alina and Taran walk to see what Venessa is going to show]

[Cut to Alina and Taran looking from above the fence.]

[Cut to Venessa with many chicken around her.]

I gathered all these just this morning.

[She has a lot of eggs.]

[Cut to Alina and Taran]

Alina: Wow, what’s your secret?

[cut to Venessa]

Venessa: I’ll show you. Meet me in my house, now.

[Alina and Taran jump off the fence.]

[Cut to Alina, Taran and Venessa inside the house]

Let me introduce you to Nest-Spresso.

Taran: I’ve heard of Espresso for a fast cup o coffee.

Venessa: Yeah, but this is Nest-Spresso. For the instant incubation of a fertilized egg.

Alina: [surprised] No!

Venessa: Yeah! Just watch. You just pop the flowing cased fertilized egg pot in a top chamber. Then you close the lid, lock it, and press the button that says incubate.

Taran: It’s happening now!

[Cut to the Nest-Spresso machine. A chick comes out of it.]

[Cut to Alina, Taran and Venessa]

Alina: Wow! Now that’s a cute little chick.

Taran: How does it work?

Venessa: I don’t know that part.

Taran: Ooh! I thought you’d know more about it.

Venessa: I wish I did. It’s really great. Here, you try one Alina.

Alina: How bout this dark one?

Venessa: Yeah, those are good. Make sure you put it in right side up, not up side down.

[Alina is using the Nest-Spresso]

Or else, you’ll kill the chick. You’ll just get a cup full of bones.

Taran: Yikes! Why?

Venessa: I don’t know. I wish I did.

[Cut to the Nest-Spresso machine. A black chick comes out of it.]

Taran: Oh! Honey, we have to get one of these. Let me try one.

Alina: This must have improved your life so much.

[Taran is using the Nest-Spresso]

Venessa: Yeah, it’s number one.

[Machine is making different sound]

Taran: Oh! That doesn’t sound good.

[Cut to the Nest-Spresso machine. Bones comes out of it.]

[Cut to Alina, Taran and Venessa]

Venessa: Yeah, you did it wrong. Just put in another one on top of that one. I don’t know why it does that.

[Taran is using the Nest-Spresso again]

[Cut to the Nest-Spresso machine. A white chick comes out of it.]

[Cut to Nest-Spresso video bumper]

Male voice: Nest-Spresso. When you need your chicken fixed. Now!

High School Theater Show with Cameron Diaz

Aidy Bryant

Cameron Diaz

Kate McKinnon

Kyle Mooney

Beck Bennett

Kenan Thompson

Venessa Bayer

Taran Killam

[Starts with a plaque of Woodbridge High School Theater Showcase.]

[Cut to Aidy and Cameron]

Aidy: Welcome you guys to Woodbridge high school’s experimental theater showcase, written and directed by us, the students.

[Cut to the audience clapping]

[Cut to Aidy and Cameron]

Cameron: We are so proud to share our work with you on this gorgeous Tuesday at 2 pm.

Aidy: So, please close your eyes and then open them to enjoy the collection of moments, whispers of America.

[music is playing and other people are coming to the stage. One of them lie on the table.]

We are gathered here today for the funeral of…

Everybody: Main street.

Kate: I’m glad he’s dead. I’m Walmart.

Cameron: Me too. I’m McDonald’s.

Kyle: Me three. I’m the Give Me Now Culture.

Aidy: May he rest in peace. In the name of Procter and Gamble, GE and the holy time warner cable.

Everybody: Amen.

[music is playing and they are setting up their stage. They all stand on the boxes.]

Aidy: I want to feel beautiful.

Beck: You are beautiful.

Cameron: You are beautiful.

Beck: You are beautiful.

[Everybody pointing at the people in audience]

Everybody: You are beautiful. You are beautiful. You are beautiful. You are…

Aidy: Smart.

[music is playing and they are setting up their stage.]

[Cut to Kenan and Venessa in the audience]

Kenan: Why are they moving those boxes around so much?

Venessa: I don’t know.

[Cut to the stage. They are all posing.]

Kate: When you’re at Starbucks, do you even notice who’s around you? Or is your mind only on one thing?

Everybody: Coffee! Coffee! Cup! Cup!

Kate: Look up! See the people of America. A little girl.

Cameron: He-he-he-he! Mommy!

Kate: A barista.

Aidy: Shhhh! Latte, order up!

Kate: An old man on a wheelchair.

Taran: Heyyyyy! I’m sick.

Kate: So, next time you’re at Starbucks, why don’t order a double shot of compassion.

[music is playing and they are setting up their stage.]

[Cut to Kenan and Venessa in the audience]

Kenan: So, which one’s your daughter?

Venessa: I rather not say.

[Cut to the stage. They are all posing.]

Kyle: Meanwhile, at any hospital in America.

Beck: Yes, yes, I think that will be fine.

Aidy: Excuse me, doctor.

Cameron: I’m the doctor! He’s the nurse.

Aidy, Cameron and Beck: Wow!

[music is playing and they are setting up their stage.]

[Cut to Kenan and Venessa in the audience]

Kenan: They moved all those boxes for that? That scene was like three words.

Venessa: You know, this is my first time seeing a play and I think I’m done.

[Cut to the stage. They are all posing.]

Cameron: I wrote a scene for this part of the show but it was …

Everybody: Censored.

Cameron: Because I couldn’t say the word…

Everybody: Censored.

Cameron: About the …

Everybody: Censored.

Cameron: So, I guess you’ll never hear because I was…

Everybody: Censored.

[music is playing and they are setting up their stage.]

[Cut to Kenan and Venessa in the audience]

Kenan: What? They built a pyramid out of those boxes and they didn’t even use it.

Venessa: I just hate that they think that they’re teaching us.

[Cut to the stage. They are all posing.]

[Kyle is singing Battle Hymn of the Republic in the background]

Taran: Dear Margaret, I’ve decided not to come home from war. I’ve decided to fight so that one day our daughter’s daughter can spend all day on the internet.

Everybody: I pledge your allegiance to aware.

[music is playing and they are making a line.]

[Music stops. They all bow.]

[Cut to Kenan and Venessa in the audience]

Kenan: Oh! Thank goodness, we’re free.

[Cut to the stage.]

Cameron: It’s not the first to seven intermissions.

Aidy: Please, stay seated because we will be walking around in character.

[Music is playing. The characters are now moving going to the audience.]

[Cut to Kenan and Venessa in the audience]

Kenan: Why? Why?

Back Home Ballers

Aidy Bryant

Kate McKinnon

Cecily Strong

Sasheer Zamata

Vanessa Bayer

Leslie Jones

Cameron Diaz

[Starts with a van stopping in front of a house]

[Cut to the license plate, “New York GRGIRLS”]

[The door of the van opens, and the music video starts.]

Aidy: Your girls are back.

[Girls are coming out of the van one by one]

Kate: Kate

Cecily: Cecily

Sasheer: Sasheer

Vanessa: Vanessa

Leslie: Leslie

Cameron Diaz: Cameron

Aidy: And your Lil’ Baby Aidy

Kate: We’re home for thanksgiving y’all.

Cecily: And our parents are real happy to see us.

Vanessa: So, they’re gonna treat us like queens.

Aidy: This may be their house

Cameron Diaz: But for the next four days, we ’bout to run this bitch.

[drums rolling and music starts]

Kate: [rapping] Walk in the door hand my bag to the ballet
in case you’re wondering, it’s my daddy
head straight to the fridge like a boss yo’

[The fridge is full of groceries]

Hell yeah! My mom went to Cosco

[Cut to Sasheer]

Sasheer: [rapping] It ain’t my house but I’ll tear it up
get a plate real dirty, won’t clean it up
then I run to the washer laundry, game unlock
gonna do a whole lot for just one sock

[Cut to everybody]

Everybody: [rapping] Coz I’m back home baller
If I want something, I just holla’
I do what I want and I get what I want
coz my parents miss their daughter

[Cut to Aidy]

Aidy: [rapping] This whole damn house is a shrine to me
coz everybody here is obsessed with me.
my second grade’s drawings are framed like Picasso
If I say, “Mom, tacos”, my mom will make tacos

[Cut to Cameron Diaz]

Cameron Diaz: [rapping] We always see a movie but it can’t be us
so we settle on penguins or meet a guest car
and as a nice gesture, I bought all the tickets
Psyke! Not a chance. My dad friggin did it.

[Cut to Cecily]

Cecily: [rapping] Mom needs help, I pretend to be napping
even though I could hear all that is happening
It sounds like she really needs help in the kitchen
but if she thinks I’m moving, then she must be trippin

[Cut to everybody]

Everybody: [rapping] Coz I’m back home baller
and grandma says I look taller
they wait on me like I’m sick leave
that’s a light from back home, baller

[Cut to Aidy]

Aidy: [rapping] Taking up the trash, all my neighbors spot me
they sworm around me like my own paparazzi
talking and stalking they can’t get enough of me
wondering, questioning, what’s going on with me

[Cut to a woman asking Aidy a question]

Woman: So, what’s going on with you?

Aidy: Um, the same. Okay, Jean, bye!

[Aidy walks away from the woman]

[Cut to Vanessa]

Vanessa: [rapping] Once everyone’s in bed, I go insane
heroine, marijuana, crack, cocaine
are not what I wanna watch, cheese and chips
and so put on some very old, Chris White’s tricks

[Cut to Kate]

Kate: [rapping] getting free wifi like a dope ass hoe
the password was seventeen Os
then bSasheerVanessaltng
then capital X, then 333
then 1458tdq
and 314 and w

[Cut to Leslie]

Leslie: Hold up! Y’all don’t even know how pimp it is at my mom’s house. That bitch puts out so many bowls of things for me, it’s insane. I’m up to my ass in

[rapping] bowls, bowls, all type of bowls
chips and candies and she shell bowls
my mom’s got bowls for everything
flowers and nuts and everything
bowl on a toilet, bowl on a shelf,
bowl of m&ms, I can help myself
she puts out these bowls for me
and any bowl I like, I get for free

[Cut to everybody]

Everybody: [rapping] Coz I’m back home baller
in pajamas that cost $Aidy0
tell my mother that I love her more than any friggin other
that’s a life from a back home baller

Cameron Diaz: Damn straight, y’all!

Kate: Love you, mom and dad. We out.

Aidy: See you in a month for Christmas. We doing this all again.

The Dudleys

Mrs. Dudley… Kate McKinnon

Mr. Dudley… Beck Bennett

Another Mr. Dudley… Woody Harrelson

Jacquees Dudley… Kenan Thompson

Crazy Eyes… Uzo Aduba

[Starts with a an introduction to a TV show, showing a mom, dad and their daughters]

Male voice: What do you get when you take one working mom, add a fragile staying home dad, and mix in their two goofy girls? Fridays at 9, it’s America’s favorite new fall comedy, “The Dudleys!” They are family, but they are also out of control.

[Cut to Mrs. Dudley walking in]

Mrs. Dudley: Hmm, I smell a pot roast.

[Cut to daughters sitting on a couch and the husband talking from the kitchen]

Mr. Dudley: You sure do, and I used my favorite recipe. Take out.

[Cut to Mrs. Dudley pointing at Mr. Dudley and laughing]

Male voice: But we have received the complaints about the show. You tweeted, “It’s Mr. Dudley0Mrs. DudleyJacquees Dudley. Why can’t any of The Dudleys be gay?” Well, we heard you loud and clear. And that’s why we’ve made Mr.s Dudley another Mr. Dudley.

[Cut to another Mr. Dudley walking in]

Another Mr. Dudley: So, I smell pot roast and it smells D-to the-lish.

Male voice: But then you tweeted, “Why the new Mr. Dudley such a stereotype?” Well, we heard you loud and clear. So, we dialed it down.

[Cut to Another Mr. Dudley walking in]

Another Mr. Dudley: I smell food. Cool.

Male voice: “But now, Mr. Dudley sounds like a straight robot.” So, we dialed back up to gay five.

[Cut to Another Mr. Dudley walking in]

Another Mr. Dudley: Ooh! My gay nose smells pot roast.

Male voice: Perfect! “But it’s Mr. Dudley0Mrs. DudleyJacquees Dudley, why do both Mr. Dudleys have to be white?” That’s why, stay at home dad, Ron Dudley is not Jacquees dudley.

[Cut to Jacquees Dudley and Another Mr. Dudley sitting on a sofa]

Jacquees Dudley: Honey, how was court today?

Another Mr. Dudley: Let’s just say I played defense.

Jacquees Dudley: There’s that funny guy I married.

[Another Mr. Dudley and Jacquees Dudley hug]

Male voice: “Hugging? Why can’t a gay couple show a real intimacy on TV?” We heard you loud and clear.

[Cut to Another Mr. Dudley and Jacquees Dudley on the sofa]

Another Mr. Dudley: Let’s just say, I played defense.

Jacquees Dudley: There’s the funny guy I married.

[The lights change and a romantic music starts playing. Another Mr. Dudley and Jacquees Dudley start touching each other.

Male voice: Fantastic. But then you had complains about the daughters.

[Cut to Daisy Dudley walking in in a ballet dancer costume.]

Daisy Dudley: Daddies, I’m gonna be late for my ballet residual.

Male voice: You tweeted, “Oh, cuz if you’re a girl, you have to like ballet?” That’s why, instead little Daisy Dudley in now a staff Sargent in the United States Marine Core.

[Cut to Daisy Dudley walking in in a marine uniform.]

Daisy Dudley: Daddies, I’m gonna be late for Afghanistan.

Male voice: And what about little Dora Dudley? “Why can’t she be crazy eyes from ‘Orange is the New Black?’ We like that character.” Roger that.

[Cut to Another Mr. Dudley sitting on a sofa]

Another Mr. Dudley: Dora, it’s time for bed.

[Crazy Eyes comes in]

Crazy Eyes: Anything for you, Daddy. [Crazy Eyes starts licking Another Mr. Dudley’s cheeks]

Male voice: There you have it. Thanks to your tweets and emails, we made The Dudley family for everyone. Or so we thought… Because then we started getting your letters. Like, actual paper mails. And those complains were very different. You said, “Where did the whites go?” “Too many fruit loops!!!!” “There aren’t my Dudleys. Ps. Repeal Obamacare.” That’s why, Fridays at 8, the original Dudleys are back. Because we always hear all of you loud and clear.

Last Call with Woody Harrelson

Bartender… Kenan Thompson

Chip Fister… Woody Harrelson

Sheila Sauvage… Kate McKinnon

[Starts with a bartender cleaning the booth. There are two customers.]

Bartender: Okay, last call, you two. Order now before I turn on the lights and you really see what’s going on with yourselves.

Chip Fister: Bartender, [Cut to Chip Fister] I have a legal speed ball that’s red bull and ambien.

[Cut to Sheila Sauvage]

Sheila Sauvage: And I’ll take a tequila and condensed milk, please. I’m meeting a friend here tonight, Mr. Al K. Hal. [laughing]

[Cut to Chip Fister and Sheila Sauvage]

Chip Fister: Ah! I see there’s still one dried up old leaf that hasn’t dropped off the tree yet.

[Cut to Sheila Sauvage]

Sheila Sauvage: Why don’t you wreck me up in a pile and jump on top of me before you bag me and leave me on the curb for someone else to deal with, huh?

[Cut to Chip Fister]

Chip Fister: Sounds like a job for my leaf blower. Eyebrows, eyebrows, eyebrows.

[Cut to Bartender looking at Chip Fister disgusted.]

[Cut to Chip Fister and Sheila Sauvage]

Sheila Sauvage: Hey, is this stool taken? Coz, the one I’m sitting on’s got a nail that’s giving my butt meat the what for.

Chip Fister: Screw it on over. I don’t bite. My poligrip won’t allow it.

[Sheila Sauvage moves near Chip Fister]

Sheila Sauvage: I noticed you over here coz you’re so breathing.

Chip Fister: And I noticed you coz you’re vertical and you have a pepperoni on your neck.

Sheila Sauvage: Then it worked.

[Sheila Sauvage takes the pepperoni out of her neck and eats it.]

[Cut to Bartender]

Bartender: Okay, let’s wrap it up. Moonlight come and me wanna go home.

[Cut to Chip Fister and Sheila Sauvage. Sheila Sauvage puts her hand on Chip Fister’s shoulder.]

Sheila Sauvage: Hey, they call me Sheila Sauvage. They being the people who hold bathroom key at White Castle. What’s your mommy yell when she wants you to come home for dinner, huh?

Chip Fister: Chip. Chip Fister. Which is weird because I work as Lays as a chip shifter. I pick out the gross ones.

[Cut to Bartender]

Bartender: You sure do.

[Cut to Chip Fister and Sheila Sauvage]

Chip Fister: What do you do for a living?

Sheila Sauvage: Oh, me? I replaster unpopular glory holes.

Chip Fister: I think I’ve seen your work.

[Bartender giving them drinks]

Bartender: Alright, alright. Here you go, name and nut. I put them into go cups coz you need to go.

Chip Fister: Wow. I’ve been looking at you all night. You were, uhhh [gesturing average] But now I’m thinking, yeww.

Sheila Sauvage: And you? You had me at when you didn’t leave with the others.

[Cut to Bartender]

Bartender: Could you two hurry this up? I gotta get up at the dawn.

[Cut to Chip Fister and Sheila Sauvage]

Sheila Sauvage: Alright. You heard the man. Let’s speed this mama up and take the express train to Penetracia.

Chip Fister: As long as you don’t mind taking a detour through STDetroit.

[Chip Fister and Sheila Sauvage start touching each other’s faces]

Sheila Sauvage: Are you feeling what I’m feeling?

Chip Fister: You’re feel it’s an impulse to rech, then yes, but I’m willing to ignore it.

Sheila Sauvage: Wait, hang on. Hang on. Apparently there’s a lot of nasty stuff going around since the CDC.

Chip Fister: And who knows better than the sinner for doing it correctly?

[Sheila Sauvage takes plastic wrap out]

Sheila Sauvage: We need to use protection. Bar keep, I’m gonna borrow a square foot of your cling wrap if that’s okay.

[Cut to Bartender]

Bartender: But that’s not my front.

[Cut to Chip Fister and Sheila Sauvage]

Sheila Sauvage: Alright.

[Sheila Sauvage covers her face with plastic wrap paper and kisses Chip Fister]

[Cut to Bartender looking at them shockingly.]

[Cut to Chip Fister and Sheila Sauvage kissing with the plastic on.]

Chip Fister: Oh, oh! Hey! Let’s==

Sheila Sauvage: That was unstrordinary.

Chip Fister: I think I dejaculated.

Sheila Sauvage: You know what, buster? We’re gonna live on the edge here. Come on.

[Sheila Sauvage puts the plastic wrap on again]

Chip Fister: Yeah! Hey, let’s break the seal on this deal.

[Chip Fister makes a hole on the plastic]

Sheila Sauvage: I’ve been breached.

[Chip Fister and Sheila Sauvage kiss without the plastic wrap]

[Bartender is putting kerosine everywhere]

Bartender: Well, I gotta kill us all, I guess.

[cheers and applause]

Graveyard Song (ft. Jim Carrey)

Janelle… Sasheer Zamata

Arla… Pete Davidson

Reaper… Jay Pharoah

Tombstones… Bobby Moynihan, Kate McKinnon

Phil… Jim Carrey

Paul… Taran Killam

[Starts with a video clip of graveyard.]

Janelle: Arla, this place is creeping me out.

[Cut to Janelle and Arla walking with a 6-pack]

Reaper: Come on, Janelle. What better place to get faded on that a graveyard?

Janelle: You’re so bad. It’s hot.

[music playing]

Wait! What’s that sound?

Reaper: I hear it too. Is that music?

[Everything in the graveyard is singing]

Everything: On Halloween, this place comes alive
spirits and hearts begin to rise
you’ve come here in the worst of nights
Say hello to our graveyard fights

[statue of Reaper starts walking down]

Reaper: I am the reaper, the keeper of the dead
tonight I’m going to keep your head

[Cut to two tombstone statues]

Tombstones: We are the spooky tombstone band
we sing the chorus of the damned

[Cut to the tree]

Tree: I am a twisted rotting tree.

[Cut to Paul and Phil]

Paul and Phil: We are Paul and Phil

[Cut to two tombstone statues]

Tombstones: Since you’ve arrived on Halloween
You are doomed to never leave

[Cut to the tree]

Tree: Are you scared?

Paul and Phil: Paul and Phil

Tree: Are you terrified?

Paul and Phil: Paul and Phil
Paul and Phil

Phil: Couple of dead guys.

Paul: We hail from the Hawkeye state. 

Phil: Paul and Phil

Paul: Phil and Paul

Paul and Phil: Can you guess who’s who? We’ll never tell.

Paul: Yes we will. I am Paul.

Phil: I guess I am Phil.

Paul and Phil: Now you know who’s Paul, who’s Phil. Paul and Phil!

[music stops]

Tombstones: Shut up! [Cut to tombstones] Shut up! Now! Just shut up!

[Cut to Janelle and Arla]

Janelle: What is this? What do you want with us?

Arla: The only thing I know for sure is that they’re Paul and Phil

[Cut to the tree]

Tree: We’re trying to explain everything to you with our song, but Paul and Phil made it the Paul and Phil show.

[Cut to Paul and Phil]

Paul: Oh, tree. Did we go on too long? Gosh! Darn it!

Phil: It was just so darn fun.

[Cut to Janelle and Arla]

Arla: Are Paul and Phil like, a part of this? Because, I’m not scared of Paul and Phil.

[Cut to Paul and Phil]

Phil: Aw, thanks man!

[Cut to tombstones.]

Tombstone: Paul and Phil are just some nice casual ghosts, just sort of always around.

[Cut to Paul and Phil]

Paul: Yep! Yep, yep, yep, yep, yep. I died chasing a butterfly off a cliff.

Phil: And when I found out he was dead, I killed myself.

[Cut to the tree]

Tree: Can we please continue our song?

[Cut to Paul and Phil]

Paul: Well, that sounds good to us. Hey, where are we jumping in?

Phil: Are we rehearsed?

[Cut to the tombstones]

Tombstone: Hey! We’re starting.

[music playing]

We see you all consumed by fear
of all could things that could happen in here

[Cut to the reaper]

Reaper: I could slice you with my scythe. 

[Cut to the tree]

Tree: You could hang from my tree.

[Cut to Paul and Phil]

Paul and Phil: Or, kind of rug with Paul and Phil

Phil: Coz everybody gotta have a place to go

Paul: If you can dig in

Paul and Phil: Or get down below

[acting like digging with a spade]

tsk-foo tsk-foo tsk-foo tsk-foo
That move is called ‘the Paul and Phil’

[Cut to the tree]

Tree: [yelling] No! Absolutely not!

[Cut to Paul and Phil]

Phil: Did we jump in again too soon? I thought we were on our song after the tree!

[Cut to Reaper]

Reaper: Who told you that/

[Cut to Paul and Phil]

Paul and Phil: I think maybe you.

[Cut to Janelle and Arla]

Janelle: Can we just go?

[Cut to the tombstones]

Tombstone: Not so fast. We’ll only let you leave, if you can solve our riddle.

[Cut to Janelle and Arla]

Arla: Well, can you tell us the riddle?

[Cut to everybody]

Tombstone: No, but we can sing it. [laughing]

[music playing]

[Cut to Reaper]

Reaper: What passes by but has no lane?

[Cut to the tombstones]

Tombstones: What has a face with no eyes to gaze?

[Cut to the tree]

Tree: What can strike–

[Paul and Phil interrupts]

Paul and Phil: Oh, it’s a clock!

Tree: Hell no! Hell no! Hell no, Paul and Phil! Hell no! You don’t ruin the riddle!

[Cut to Janelle and Arla]

Janelle: Cool. It’s a clock. Now, can we go?

Arla: Thanks Paul and Phil. Have a beer.

[Arla passes a beer to Paul and Phil but they cannot hold the can]

Phil: We’re ghosts. That beer went right through me.

Paul: Yes, it always did.

[Cut to everybody]

[music playing]

Paul and Phil: Paul and Phil
we’re Paul and Phil
we’re Paul and Phil
Paul and Phil
Paul and Phil

 

Inside SoCal Is Art Gangster

Todd… Kyle Mooney

Casey… Beck Bennett

Eric… Pete Davidson

Emily Hyde… Kate McKinnon

Pat… Taran Killam

Carla Meunez… Cecily Strong

Sean… Bill Hader

Bobby Moyniham

[Starts with San Deigo County Public Access Television video bumper]

[Cut to Todd and Casey in their set]

Todd: Alright, I’m Todd.

Casey: And I’m Casey.

Todd: And you’re watching…

Casey: [whispering to Todd] Together on three.

Todd: [whispering] One, two, three.

Todd and Casey: Inside So Cal.

[Cut to Inside So Cal intro]

[Cut to Todd]

Todd: Alright. So, our top story is our boy Ryan Tableton got married this weekend and a bunch of the boys went. I’m not usually into church or gods or whatever but I thought ceremony was super gangster.

[Cut to Casey]

Casey: Seeing two souls uniting as one.

[Cut to Todd]

Todd: Also, you don’t have to dance. Okay, now let’s do Health Minute with Casey.

[Cut to Health Minute with Casey video bumper.]

[Cut to Casey. There’s a white board behind him with a bar diagram]

Casey: Alright, so Matt new all got Vicatin and anyone can get it on that. That was a Health Minute.

[Cut to Health Minute with Casey video bumper.]

[Cut to Todd]

Todd: Okay, so we got developing story. Apparently, Emily Hyde is like, super pissed at Pat right now. So, let’s go to Eric at the Lendwood house and see what’s going on. What up Eric?

Eric: What’s up, guys?

Casey: Wad up?

[Cut to Eric]

Eric: So, I’m here with Emily and Pat. Emily, why are so mad at Pat right now?

Emily Hyde: Coz he sent pictures to my friends.

Pat: Yeah, but I don’t like them the way I like you. I just beat off to them.

Eric: Alright, well, so there you have it. As you can see, things are pretty real over here. Back to you folks.

[Cut to Todd and Casey]

Casey: Now, it’s time for this week’s Ill Investigations with my boy Todd.

[Cut to Ill Investigations video bumper]

[Cut to Todd in a restaurant]

Todd: Reherbata is one of my favorite restaurants. But why don’t they do the red salsa anymore? I had this chance to down with Carla Meunez who works here. Let’s see why they stopped doing it.

[Cut to Todd with Carla Meunez]

Where is the red salsa at?

Carla Meunez: Oh! Um, no–

Todd: I’ma boys love the red salsa.

Carla Meunez: [not speaking English] No, we–

Todd: What?

Carla Meunez: No, it’s no more.

Todd: You’re gonna bring back the red salsa?

Carla Meunez: [struggling to speak in English] Okay, no more. We don’t have no more. No more.

Todd: The red salsa used to be the best part of Reherbata. [Carla Meunez just walks away] Alright, I guess they’re not doing the red salsa anymore.

[Cut to Ill Investigations video bumper]

[Cut to Casey]

Casey: Next, our story on Lindsay Turell who cut her hair short over the summer, which looks good on her small head.

[Cut to Todd]

Todd: Alright, which bring us to our Feature Story. When you think about art, you think like, “That’s something my dad likes”, or smarter people like. Michelle Grannis. But actually, art can be pretty gangster. So, we sent Sean out to tell us it’s gangster.

Sean: Blue, yellow, green, colors in art. But, how baller can art be? I’m here in a fucking museum to find out.

[Cut to Feature Story video bumper]

[Cut to Sean]

Sean: When they first started doing art, it was lot older. And they didn’t know how to make a pint. But then, it was more abstract and now you look at it and it’s way more, you know–

[Cut to Todd]

Todd: You’re trying to say it’s more baller?

[Cut to Sean]

Sean: You know, coz it’s like, you know– I play maden right? So–

[Cut to Casey confused]

Casey: What are you talking about?

[Cut to Sean]

Sean: A little refrigerator.

[Cut to Todd]

Todd: Alright, I think I get what you’re saying Sean. [looking confused]

[Cut to Todd and Casey]

Alright, this has been Inside So Cal. Oh! Do you want to say the thing about your grandpa?

Casey: Um, yeah! So, my grandpa died and we were like, super close. But, I’d like to believe that even though he’s gone, he’s still with us.

[Bobby walks in]

Bobby: Hey, what are you doing in my house?

Todd: Sorry, sir. I’m Todd.

Casey: I’m Casey.

[Todd and Casey stands]

Bobby: Now, get out.

Todd: Sorry sir.

Bobby: Get our of my garage.

Casey: We’re almost done. We’re sorry.

Bobby: Wee-wee-wee, You’re sorry?

Todd: That’s not how I sound sir.

Bobby: That is how you sound. [Bobby pushes Todd]

[They start fighting]

Weekend Update Garage and Her on the Female Thor

Colin Jost

Michael Che

Garage… Kate McKinnon

Her… Sarah Silverman

[Starts with Michael Che in his news set]

Michael Che: This week, Marvel comics debut it’s latest character, female version of Thor, prompting a lot of controversy amongst comic book fans. And here to comment is the feminist music duo, Garage and Her.

[Garage and Her slide in with a guitar]

[cheers and applause]

Garage: It’s pronounced Gara-Che, Michael.
Michael Che: Oh! And you’re Gara-Che?

Garage: Yes. Gara-Che. It means strength, in a Himalayan mountain language that I looked upon the internet.

Michael Che: And you’re Her?

Her: No, I’m me.

Michael Che: What have you been up to?

[Cut to Garage and Her

Her: Uh! We just finished our biggest tour ever.

Garage: It was one night. It was magical. And it was poorly attended.

[Cut to Garage, Michael Che and Her]

Michael Che: So, what do you think about this new female Thor character?

Her: Thor has always been a woman, Michael.

Garage: Anyone who has strength is a woman.

[Cut to Garage and Her]

Her: Anyone who has courage is a woman.

Garage: And Michael, there are a lot more women out there than you think. Two, three, four…

[Garage starts playing guitar]

Garage and Her: The wind is a woman
the earth is a woman
fire is a woman
and the clouds are women too. 

the girl is a woman
a dog can be a woman
a baby is a lady
and a plant, a plant can have a boob

Garage: Take it, take it.

Her: You can be a woman
he show F.R.I.E.N.D.S. is a woman
garbanzo beans is a woman
and San Diego too

Garage: Jesus was a woman
Italians are woman
Walt Disney was a woman
and Pixar, Pixar has a pointed shoe

[Garage stops playing guitar]

Okay, stop. I have to change the key.

[Cut to Michael Che, Her and Garage]

Michael Che: [pointing at what Her is holding] Is that even an instrument?

[Cut to Garage and Her]

Her: Yes, it’s a Chimone. It makes a really shuttle sound. Is this my– um, where is my microphone? It sounds like this. [Her makes chewing sound]

[Cut to Michael Che, Her and Garage]

Her: And it grades cheese.

Michael Che: Oh!

Garage: And it is also a woman. Two, three, four…

[Cut to Garage and Her]

Garage and Her: The brand of cat food Adabi is a strong Christian woman
male gay is a mistress and aerobic’s cuba queen.

Garage: My guitar is a woman

Garage and Her: Bill Marr is a woman.
each tapeworm is a woman
and a woman, a woman is me.
and a woman, a woman is me.

[Garage stops playing guitar]

[Cut to Michael Che, Her and Garage]

Michael Che: Garage and Her, everyone.

Garage: Michael Che, you’re a woman.

Michael Che: Thank you. For Weekend Update, I’m Michael Che.

Garage: I’m Colin Jost. Good night.

Joan Rivers

Sasheer Zamata

Ms. Joan Rivers… Sarah Silverman

Richard Pryor… Jay Pharoah

Steve Jobs… Kyle Mooney

Elizabeth Taylor… Cecily Strong

Ben Franklin… Bobby Moynihan

Freddie Mercury… Adam Levine

Lucille Ball… Kate McKinnon

[Starts with a clip of the clouds.]

Sasheer: Attention everyone. [Cut to celestial stage. Sasheer is standing in the middle.] I have some big news. [Cut to Sasheer] We’ve just received the word that one of the greats has joined us here on this celestial stage. Ladies and gentlemen of heaven, please welcome Ms. Joan Rivers.

[Cut to the celestial stage. Everyone is clapping.]

[Ms. Joan Rivers walks in to the middle]

Ms. Joan Rivers: Thank you, thank you. Oh, hello, hello, hello, hello. Heaven, are you serious? I guess maybe I should be here. I’m practically a virgin. Last time someone was inside me, it was Malissa. [Cut to Ms. Joan Rivers, Richard Pryor and Steve Jobs] You know what I’m talking about, uh! Oh! my old friend, Richard Pryor.

[Cut to Richard Pryor]

Richard Pryor: Now, this lady don’t hold nothing back, y’all know what I’m saying?

[Cut to Ms. Joan Rivers and Richard Pryor]

Ms. Joan Rivers: Richard, you could never keep it in your pants. I don’t wanna say Richard fooled around. But the longest relationship we ever had was with multiple sclerosis. [Cut to everybody. Everyone is laughing] Oh! Grow up!

[Cut to Richard Pryor]

Richard Pryor: God damn! Okay, y’all laughing at that? Huh? Y’all can kiss ass.

[Cut to everybody]

Ms. Joan Rivers: So many incredible people here. Steve Jobs is here. [Cut to Steve Jobs] Uh! [Cut to Ms. Joan Rivers] Steve, I hope you are forced to buy a new and better casket every six months so you can see how we feel, am I right?

So many beautiful people are here. My gorgeous friend Elizabeth Taylor. [Cut to Elizabeth Taylor] What a legend. You look so young Liz. [cut to Ms. Joan Rivers] Thank god, Liz. Who did you go down on to get up here? Oh, yeah, that’s right. Everybody.

[Cut to everybody. Everyone is laughing.]

Ms. Joan Rivers: Look at there. I’m killing with Ben Franklin over here.

[Cut to Ben Franklin laughing.]

[Cut to everybody]

Hey, Ben! Where did you get that outfit? Forever SasheerFreddie MercuryMs. Joan RiversSasheer? Oh, come on! Ben loves me. Hey, Ben! Something tells me that those bifocals aren’t the only thing bi about you.

[Cut to Ben Franklin laughing hard.]

Ben Franklin: I don’t know what that means.

[Cut to Ms. Joan Rivers]

Ms. Joan Rivers: Speaking of bi, I see you Freddie Mercury. [Cut to Freddie Mercury on his yellow flashy jacket.] You’re so skinny with that hugs mustache. You look like

a gay broom.

Freddie Mercury: You know, wonderful, darling. Wonderful! Mama-mia, mama-mia.

[Cut to Ms. Joan Rivers]

Ms. Joan Rivers: When Freddie died, people were surprised he was gay. Are you serious? You’re so gay, even your teeth aren’t straight.

[Cut to Ben Franklin laughing hard.]

Ben Franklin: I still don’t understand.

[Cut to Ms. Joan Rivers]

Ms. Joan Rivers: So many greats here. So many. Lucille Ball, you’re comedy legend.

[Cut to Lucille Ball]

Lucille Ball: And?

[Cut to Ms. Joan Rivers]

Ms. Joan Rivers: That scene in the candy factory, wasn’t Lucy hilarious in that? Stuffing chocolate in mouth. You stuff more chocolate down your throat than the Kardashians. It’s just–

[Cut to everybody. Everyone is laughing.]

Oh! Grow up! Grow up!

[Cut to Lucille Ball]

Lucille Ball: Well, I knew what’s –[stops speaking]

[Cut to Ms. Joan Rivers]

Ms. Joan Rivers: Listen, people. Comedy is here to make us laugh and to deal with things. So, open the gates. Let me in here. And let’s get this show started. So, thank you. You’re wonderful. Good night.

[Cut to everybody clapping]

Forgotten Television Gems

Reese De’What… Kenan Thompson

Miss Mondre… Cecily Strong

Monica… Sarah Silverman

Taran Killam

Aidy Bryant

Rosa… Kate McKinnon

[Starts with Forgotten TV Gems intro]

[Cut to Reese De’What in his set]

Reese De’What: Good afternoon. I’m Reese De’What. Welcome to the Forgotten TV Gems. Today, we look back at the short lived soap opera “Supported Women”. The first serial drama to break away from the soap opera cliche of Katty, backstabbing female character. And instead of present women as nurturing and empathetic. Audiences tuned in and whatever the opposite of droves is. Why did they not tune in? I do not know. I am not a good guesser. Just ask my wife. She asked me to guess what she did today. And I said, “I don’t know. Sit your ass into the car.” Worst anniversary ever.

Let’s watch a scene from a “Supportive Women” now.

[Cut to a scene from “Supportive Women”. Two women are standing in office.]
Miss Mondre: Monica, you’ve made quite an impression in the short time you’ve been here.

[Cut to Monica]

Monica: Thank you Ms. Mondre. I enjoy the work that I do.

[Cut to Miss Mondre]

Miss Mondre: Well, if you’re not careful, you’ll work yourself to death. Say, did I just hear a knock at the door?

[Cut to Miss Mondre and Monica. Monica looks away at the door while Miss Mondre puts something in Monica’s glass of water.]

Monica: Well, I don’t think so.

Miss Mondre: Oh, my mistake. Well, here you go. [Miss Mondre gives the glass of water to Monica]

[Monica takes the glass and drinks the water]

Monica: This isn’t just water, is it?

[Cut to Miss Mondre]

Miss Mondre: Not quite. And the effects should be kicking in right about now.

[Cut to Monica choking]

Monica: I feel, [chokes again] better!

[Cut to Miss Mondre]

Miss Mondre: Yeah, it’s emergency because I noticed you were coughing earlier.

[Cut to Miss Mondre and Monica]

Monica: Thank you. That is so sweet.

Miss Mondre: Well, you’re welcome.

[Cut to Monica looking at the camera making a face]

[Cut to Miss Mondre looking at the camera making a face]

[Cut back to Reese De’What]

Reese De’What: Isn’t that weird? Women being nice and not hurtful to each other. Audiences clearly would have rather seen that white boss lady grabbed that other girl by her weave and jack-smack her across the lobby and into the break room. And that is a review quote from Variety magazine. The big one. The one that comes out on the weekends that recaps everything.

Here’s another scene from “Supportive Women.”

[Cut to a scene from “Supportive Women”. Taran is holding Monica from the back in the office.]

Taran: I need you. Kiss me.

Monica: I can’t. You’re married to my best friend.

[Cut to Aidy walking in on them]

Aidy: What’s going on in here?

[Cut to Monica and Taran]

Monica: Your husband tried to kiss me but I said no.

[Cut to Aidy]

Aidy: And I believe you.

[cut to Monica and Taran]

Monica: Thank you.

[Cut to Aidy]

Aidy: You’re welcome, girlfriend.

[Cut to Monica looking at the camera making a face]

[Cut to Aidy looking at the camera making a face]

[Cut to Taran looking confused]

[Cut back to Reese De’What]

Reese De’What: Did you see that? Even that man in the scene comprehend the way these women were acting towards each other. Women are instinctively awful to each other. Yesterday, I saw a gal trip another gal and called her an old pig just because she had the same iPhone case. I think that’s what she said. It happened kind of, far away. Here’s one last very dramatic scene from “Supportive women.” Enjoy.

[Cut to a scene from “Supportive Women”. Monica has a gun in her hand.]

Monica: It’s all going to be better soon. Ha-ha-ha-ha. She won’t know what hit her.

[Cut to Rosa holding a mop]

Rosa: Miss, what are you doing in here?

[Cut to Monica and Rosa]

Monica: [pointing a gun at Rosa] Don’t move, Rosa. Stay right where you are.

[Cut to Rosa being scared.]

[Cut to Monica]

Monica: Because I have a gun I wanna give you. I know you live in a crappy neighborhood. I’d feel terrible if anything happened to you. You’re such a cool chic.

[Cut to Rosa smiling]

Rosa: Thank you. I’ll use that gun in my neighborhood for sure. What a considerate gift.

[Cut to Monica and Rosa]

Monica: I’m so glad you liked it. Here.

[Monica mistakenly pulls the trigger and shoots Rosa]

[Monica holds Rosa]

Monica: Rosa, it was a mistake.

Rosa: I know that dummy. Don’t give it a second thought. You were just trying to be nice. Just all me an ambulance. I’ll be fine. You smell good.

Monica: Aw, gracious.

Rosa: Bienvenida.

[Rosa dies in Monica’s arms.]

[Cut to Monica looking at the camera making a face]

[Cut back to Reese De’What]

Reese De’What: That character died with a smile on her face. I do not know why. Do not ask me those things. This is not why I’m here. Not at this stage in the game. Thank you for watching Forgotten Television Gems. I have been Reese De’What. Good night.